“Queen Esther with Mordechai,” a Venetian glass mosaic triptych, 64” x 64”, by Vancouver artist Lilian Broca.
“This triptych mosaic image depicts a scene in the harem of King Ahasuerus and Queen Esther’s Palace in Susa,” writes Lilian Broca on her website. “Mordechai just brought Haman’s decree, which announces the proposed genocide of Esther’s people in Persia. Esther is reeling as she reads the parchment. She realizes at this moment that her role as a submissive wife to the king is about to change.” For more, visit lilianbroca.com.
Cochin Jews at the 450th year celebration of the Paradesi synagogue, December 2017. (photo by Shalva Weil)
A study on the Purim traditions of the Cochin Jewish community by Prof. Shalva Weil of Hebrew University was published in the Journal of Modern Jewish Studies. It examines the historical and cultural significance of effigies in Purim celebrations among Cochin Jews, tracing their evolution from the 16th century to the modern day.
The Cochin Jewish community, numbering no more than 2,400 at its peak in 1948, lived in harmony with their Hindu, Christian and Muslim neighbours. Unlike other Jewish communities, they never experienced antisemitism in India, except during the Portuguese conquest of the 16th century. Their unique Purim celebrations featured role reversals that symbolically challenged societal hierarchies based on caste, religion and gender. This inversion of power structures was most vividly expressed through the construction and destruction of effigies representing adversaries, a practice embedded in the communal and ritualistic fabric of Cochin Jewry.
By the 20th century, Cochin Jews increasingly aligned themselves with the global Jewish community. Following the establishment of the state of Israel in 1948, the majority of Cochin Jews made aliyah by 1954, leaving behind only a small number of Paradesi and Malabar Jews scattered across the state of Kerala. The once-thriving Cochin Jewish community on the Malabar Coast is nearly extinct, and traditional Purim celebrations have all but disappeared. With only one Paradesi Jew remaining there and a handful in other former Cochin Jewish locations, synagogue services now rely on visiting Jewish tourists.
In stark contrast, in Israel, where an estimated 15,000 descendants of Cochin Jews now reside, Purim is celebrated in ways that reflect broader Jewish and Western cultural traditions. Children dress up as superheroes, soldiers and biblical figures; they participate in school parties and exchange hamantashen. Observant Jews continue to read the Book of Esther in synagogue and hold festive meals, incorporating their heritage into mainstream Jewish customs.
Weil, who has been awarded this year’s Yakir Yerushalayim honour as a distinguished citizen of Jerusalem due to her lifelong research into ethnicity and gender, highlights in her research the transition of Cochin Jewry from a localized, community-bound identity to an integrated and globalized Jewish experience. While their presence in India has nearly vanished, the legacy of Cochin Jews continues to thrive in Israel and beyond.
Iris Bahr opens the Chutzpah! Plus Spring Edition on March 19 with Stories from the Brink: My Festive Near-Death Adventures. (photo from Chutzpah! Festival)
The Chutzpah! Plus Spring Edition kicks off with comedy, though the laughs will mix with thoughtful moments of reflection on life, family, being Jewish, and more. Live, all the way from New York, Iris Bahr will perform at the Rothstein Theatre on March 19, and Talia Reese will be on stage there March 20.
Bahr is coming to Chutzpah! with her show Stories from the Brink: My Festive Near-Death Adventures.
“I don’t want to give anything away,” Bahr told the Independent. “Let’s just say I talk about my childhood in the Bronx, where I had to lead a double life. My bacon-eating parents sent me to an Orthodox yeshivah, which, as you can imagine, was extremely stressful. I was also stung by an entire beehive. But there’s a lot more. Just come and see. I really look forward to sharing the story and coming back to the theatre. I’ve missed it. Vancouver’s one of my favourite places to perform.”
Bahr explained why she has ventured into the non-fiction realm with her performance work.
“Some very significant events happened in my life, like my mom’s stroke, which was the basis of my previous show See You Tomorrow, that I performed in Vancouver a few years ago,” she said. “I felt a need to not only share the story because it was a very dramatic story, but, even more so, as I was in the depths of caregiving for my mom [in Israel], first with a stroke and then with dementia, I realized how isolating it was, especially with a loved one with dementia. And I realized how important it was, as an artist, to create a new piece about it, because so many people undergo similar caregiving trials and tribulations. I’ve been doing that show for over three years, and the amount of people that come up to me after, thanking me and hugging me and telling me they found comfort and were also entertained and were able to find the humour thanks to the show, is truly the reason I keep doing it.
“With my current show, Stories from the Brink, I had been exploring this theme of near-death experiences for awhile, first on a podcast that I created and then near-death-themed stand-up shows, with guests sharing their own stories,” continued Bahr. “But, after Oct. 7 and my experience in Israel on that morning, which was obviously terrifying and gut-wrenching, and the rise in antisemitism and extreme anti-Israel sentiment, it was very important for me to create a show that was framed by that experience that I knew would reach people from all persuasions and attitudes. But that is only one small piece of the mosaic of the show which is also filled with a lot of other life shmutz and a lot of humour.”
For Bahr, humour is one of the ways in which she handles challenges.
“Any coping mechanism that can find light amongst the darkness is a highly effective one,” she said. “And, as someone who has always reveled in the world of humour and made it a living, it seems like an obvious go-to when dealing with dark times. It’s not even a conscious decision, it just exists as a muscle, an internal reflex.”
While See You Tomorrow was written as a long-form story, Stories from the Brink comprises vignettes. Bahr explained that See You Tomorrow “takes everyone on a ride and hyper focuses on one aspect of a story. There are some tangents there, but it really is this one event that has a clear beginning, middle and end in a finite time.”
She took a different approach with Stories from the Brink because, she said, “I have a larger theme that I’m trying to explore from many different facets. The vignettes kind of tackle that theme from different angles and ways. And, it’s also a very colourful way to put a show together. It’s like a mosaic and there’s something beautiful about a mosaic, as well. Mixes it up a bit, especially for those audience members that have short attention spans.”
But audiences don’t have to be concerned about remaining focused on Bahr, who is an accomplished storyteller. Being an engaging performer, she said, “comes from physicality to voice to emotional presence and being authentic, being in the moment. Especially with storytelling, you have to have that combination of performance and authenticity and live in the present as you are recounting these stories. Otherwise, you’re just kind of giving a clinical recap, as I tell my students. You also have to really paint a picture and create a world and you have to depict the characters, including yourself, in a very full manner.”
Reese, who went from being a comedian to being lawyer and back to being a comedian, agrees about the importance of being a good storyteller. It has served her well both as a lawyer and as a stand-up comedian.
“So, this is random, but I’m a really good summarizer,” she said. “At the law firms, my thing was summarizing case law for memoranda and stating the facts of a case succinctly but informatively in a pleading,” she explained. “I think I took that skill to joke writing. Word cutting is so important, saying just enough to get to your punchline then move on to the next.
“I also really enjoy telling stories, which is helpful in law and in comedy. I can tell a good story, ya know? That’s why Ihave a low tolerance for stories that dwell on unnecessary details. I zone out fast, which is why I think I was so tough on teachers. But I’m all about entertainment value. Entertain me or go away.”
Comedian Talia Reese takes to the Rothstein Stage on March 20. (photo by Limor Garfinkle)
Reese shared that she was the “class clown” growing up, which meant she was “thrown out of class a lot.”
“It really depended on the teacher though,” she said. “I was just so bored in middle school and most of high school and the teachers were such characters. Getting to act in plays was a saving grace for me. I enjoyed doing Neil Simon comedies so much. I wish I was still doing that.”
In high school, Reese said, “I was all about acting in comedies and then, in college, I was the director of a comedy troupe where I wrote all the sketches and played many wacky characters. Coming out of U of Penn, I felt tremendous pressure to choose a more traditional career path, so I did the law thing. Law school was an amazing education but the all-encompassing practice was not the life I would have ever envisioned for myself, so I took a stand-up class on a lark and wound up sticking with that.”
Coming from an acting and then sketch comedy background, Reese wasn’t sure she’d be good at stand-up. “But,” she said, “it was the only way to do comedy on my own schedule, after putting the kids to bed. I’d go to open mics and talk about my life, try out jokes, build setups around lines that I thought were funny. One by one my stories would pop, or a joke would come to life, and it was the most exciting thing since college, when I wrote those sketches. I think I found my voice, and am still finding it, when I started to talk more about my actual life, telling specific stories. And it always amazes me when something so random that struck a chord in me will get an audience going too. It validates that I’m not crazy. Or that I am, but everyone else is too.”
Reese, who describes herself as Modern Orthodox, grew up in a Reform environment, “but we always had a traditional Friday night Shabbat dinner at my savta and sabbah’s house,” she said. “I think, given that my father is Israeli and of Sephardic descent, having Shabbat with my grandparents and cousins every week gave me a strong sense of Jewish identity. Also, my grandparents on my mother’s side survived the Holocaust and I have childhood memories of being in the room when they played cards with their friends, most of whom were Polish and some had numbers on their arms.
“My ‘Jewishness’ played such a strong role in forming my personal identity that it wasn’t a stretch to become more religious for me, or for my parents and siblings, who consider themselves baal teshuva as well.”
She adapts her comedy routine to the situation, she said. “I try to be respectful of religious institutions that hire me to do a night of clean comedy. I know where that line is and I’ll go right up to it and then walk it back. I like to play with an audience’s expectations. Like I talk about my two failed marriages. Then mention that I’m still in one of them. As far as getting to know my audience, at a live show, I’ll usually do some crowd work to see what I’m working with, or throw questions out up top.”
As for how she works, she said, “If I make myself laugh with a thought, I write it down. If I make my friends laugh with a story, I write it down. Then comes the development. Will this be good for the stage? Are there enough moments in the build-up that keep it funny? Like, I was thinking about how my daughter’s name is too long for how much I have to yell at her. Isabella, too many syllables, it’s exhausting. So, just abbreviate. Isabreakfast! Isabedtime! Who knows, maybe that will make it into the act!”
* * *
Spring Chutzpah! Plus
The Jewish Independent interviewed Jessica Gutteridge, artistic managing director of the Chutzpah! Festival and the Rothstein Theatre, in advance of the March 19-23 Chutzpah! Plus Spring Edition.
JI: Why has Chutzpah! decided to do a spring edition?
JG: Chutzpah! has for many years presented special programming outside of the main festival through our Chutzpah! Plus program. It has been a goal of the festival to expand this programming in order to deepen our engagement with audiences and to take advantage of artists’ touring schedules that bring them to the area throughout the year. In late winter 2024, we were delighted to offer a Winter Weekend of programming. Now, with a shorter fall festival, we are able to shift some of our programming into the spring, offering opportunities throughout the arts season for audiences to enjoy what the festival has to offer.
JI: Last fall, there was concern about the future of Chutzpah! How is it looking now?
JG: We were gratified to see the community come together to support Chutzpah! at a time of crisis, contributing generously and expressing a shared commitment to Jewish arts and culture. Adjusting our festival schedule to a shorter fall flagship festival plus our spring edition has also aided our sustainability. Important capacity-building support has come from philanthropic organizations like the Diamond Foundation and the Azrieli Foundation.
But significant challenges remain. The grant-funding landscape has not improved appreciably and, with more organizations competing for less funding, costs rising and the general economy precarious, it’s critical that we keep the momentum going. Not only is it important that the community continue to sustain us as donors and sponsors, we need audiences to “vote with their feet” and come out to festival shows and events – and bring friends. Showing support and getting to enjoy fantastic artists – it’s a win-win!
The Chutzpah! Plus Spring Edition runs March 19-23. Universus, a dance double-bill by Belle Spirale Dance Projects and Fernando Hernando Magadan is at Vancouver Playhouse March 21-22, 8 p.m.; Yamma Ensemble is at Rothstein Theatre March 21, 10 a.m., and March 22, 7 p.m. (for more about Yamma, see jewishindependent.ca/unique-in-style-rich-in-culture); and City Birds, a new project in the tradition of Americana by Tamar Eisenman and Sagit Shir, will perform music for families March 23, 11 a.m., at Rothstein Theatre. For tickets, visit chutzpahfestival.com or call 604-257-5145.
Anat Gogo, executive director of Tikva Housing Society, speaks at the opening of Susana Cogan Place, Sept. 13, 2023.(photo by Alina Ilyasova)
Tikva Housing Society’s annual fundraising campaign starts March 3 and runs to March 9. While the society has increased its capacity over the years, the demand for its services continues to outpace its resources.
“The need for affordable housing within the Jewish community remains urgent, with 691 people currently on the Jewish Housing Registry, which Tikva maintains in partnership with Jewish Family Services,” Anat Gogo, executive director of Tikva Housing Society, told the Independent. “Among those on the registry, there are 103 families, which includes a total of 179 children who are currently without stable homes.”
This is the case, despite Tikva Housing having expanded its reach and impact within Vancouver’s Jewish community.
“While rental prices have started to stabilize after two years of unprecedented increases, affordability remains a pressing issue, and the need for Tikva’s services continues to grow,” said Gogo.
Currently, Tikva manages 168 housing units and provides stable housing and financial support to 374 individuals – 260 adults and 114 children – across seven properties and through its Rent Relief Program, said Gogo.
“To better support tenants and provide more direct management, Tikva has brought property management in-house for two of its properties,” she added. “This recent change is in addition to two other sites that are managed in-house and three properties where we provide tenant-relation services.”
Tikva recently raised the maximum Rent Relief Program subsidies from $750 to $828 per month for individuals and couples, and from $1,200 to $1,330 per month for families.
“This increase is in alignment with Canada Mortgage and Housing Corporation guidelines, which define the average rents in Metro Vancouver,” explained Gogo. “Our passionate and dedicated team continues to grow, and we have brought on new staff to ensure our tenants receive the support they need. We’ve also enhanced our volunteer board and committees made up of professionals with expertise in real estate, development, finance and the nonprofit sector.”
This year’s fundraising campaign aims to raise $100,000 to help address the growing housing affordability crisis, said Gogo, noting, “The challenge of affordability is not limited to low-income families. Increasingly, two-parent households that were once able to manage market rents are now struggling to keep up. There is also an ongoing need for affordable housing close to Metro Vancouver’s Jewish amenities and community resources.
“Rising costs, financial instability and security concerns due to rising antisemitism have contributed to a growing number of community members reaching out to Tikva Housing for housing options,” she said. “This campaign is an opportunity for our community to come together and ensure that more individuals and families have access to safe, stable and affordable housing.”
Since 2011, Tikva’s Rent Relief Program has helped hundreds of community members facing temporary financial crises stay in their homes, said Gogo. “Expanding this program is the primary focus of our annual fundraising campaign, as it provides urgent, critical financial assistance to individuals and families who are paying market rent but are at risk of losing their housing due to unexpected financial hardship.”
Both the Rent Relief Program and Tikva’s properties are at maximum capacity.
“The only way Tikva can address our community’s housing insecurity is through donor generosity,” said Gogo. “Donations are crucial to help us achieve our mission to provide access to innovative and affordable housing solutions.”
To support Tikva Housing Society’s annual fundraising campaign, visit tikvahousing.org or call 778-998-4582.
The Al and Lola Roadburg Residences – a place to call home. (photo by David J. Litvak)
Since moving to Vancouver from Winnipeg in 1991, I have moved approximately 30 times. Most of these moves have not been made by choice but, thanks to the good folks at Tikva Housing Society, I have hopefully made my last move in Vancouver.
I am a publicist/writer, and a mashgiach (kosher supervisor) at the Louis Brier Home and Hospital. Like many people here, I do not earn enough to own my own home. Living in a city where development is rampant is even challenging for renters, like me. We are at the mercy of the latest development, where, oftentimes, residences are torn down to accommodate new and more expensive apartments or condominiums (this has happened to me several times), or landlords, who give us notice to accommodate family members needing a place (which also has happened to me several times).
Since 2022, I have moved five times. However, my last two moves were much easier, thanks to Tikva Housing, which provided me with shelter and helped me navigate the challenging housing market.
I was familiar with Tikva but hadn’t wanted to reach out to them, except as a last resort. When I received two months’ notice in the dead of a freezing winter, during a COVID outbreak at my workplace, at a place I had been living for less than six months, I decided to contact them. I was desperate.
After I took the first step – signing up with the Jewish Housing Registry – I was informed that there was a suite available in a brand-new apartment building that had two floors of its nine storeys reserved for Tikva residents. I had to delay my move for a couple of months so that I could remain close to the Louis Brier for Pesach – as an observant Jew, I have to walk to places on Shabbat and holidays. Thankfully, friends put me up for those months and Tikva Housing saved the suite for me. Tikva even let me move some of my stuff in, though I wasn’t living there yet.
Once I moved into my apartment, I felt like I was living on a kibbutz. There were many familiar faces from the Jewish community living there. It was nice to see folks that I knew, including a colleague from work. The building itself was in a great location, not far from the Marine Gateway Canada Line station. Unfortunately, it turned out not to be a great location for me, because of its distance from the Louis Brier.
Even though this apartment didn’t end up working out, I was grateful to Tikva Housing for providing me with temporary shelter. I was even more grateful when a place became available in a 20-unit building in Kerrisdale that Tikva was able to purchase because of a $10 million donation from the Al Roadburg Foundation.
Not only did Tikva Housing Society find me this amazing apartment, but the staff did everything they could to make my move as painless as possible. I now have peace of mind, knowing that Tikva Housing is my landlord and I am no longer at the mercy of the city’s development. I love my new place. Hopefully, I will be able to call it home for a long time.
David J. Litvak is a prairie refugee from the North End of Winnipeg who is a freelance writer and publicist, and mashgiach at Louis Brier Home and Hospital. His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.
Itai Erdal, with his mom, Mery Erdal, z”l, on screen, in How to Disappear Completely, which opens at the Historic Theatre in Vancouver March 15. (photo from The Chop Theatre)
Itai Erdal’s award-winning How to Disappear Completely, which has toured the globe, will be at the Historic Theatre in Vancouver March 15-22.
Created by Erdal, with James Long, Anita Rochon and Emelia Symington Fedy, How to Disappear Completely premiered at the 2011 Chutzpah! Festival. The one-man show then toured internationally, being performed in more than two dozen cities around the world before COVID hit. The March run marks its first remount since the pandemic.
“It’s been a dream come true,” said Erdal about traveling with the production. “Performing this show is the closest thing I have to hanging out with my mom, so being able to introduce my mom to so many people around the world has been wonderful. I also got to do it in Hebrew – I performed the show in Jerusalem and Tel Aviv and many of the people in the audience knew my mom so that was really special.”
Erdal immigrated to Canada from Israel in 1999. The following year, he found out his mother had been diagnosed with lung cancer and only had months to live. He returned to Israel to be with her as much as possible and, during that time, encouraged by his mother to do so, he shot hours of film and took hundreds of photos.
“We laughed a lot, and you can see it in the show,” Erdal told the Independent in 2012, when How to Disappear Completely had its first remount. “It’s a tragedy turned to joyful memories,” he said about the piece, which also focuses on his approach to theatrical lighting. Erdal is amultiple-award-winning expert in lighting design.
“This was the first show I wrote and the first time I performed, so we had to come up with a theatrical device to explain why a lighting designer is standing on stage and telling this story,” Erdal told the Independent in an email interview earlier this month. “So, the premise was that this was a lecture about lighting design, and I ran all the lights from the stage. The connection between my mother’s story and lighting design wasn’t obvious at first, but when we started doing workshops, the audience loved all the lighting stuff and responded very strongly to it. I wanted to show how a PAR [parabolic aluminized reflector] can get warmer as it dims, so I took it down one percent at a time, and people got emotional because they thought about the life leaving my mom’s body. The show is full of these accidental metaphors, and the lighting became the emotional heartbeat of the show.”
Over the 14 years since he first wrote and performed How to Disappear Completely, Erdal – who founded the Elbow Theatre – has co-written and performed several other works: Soldiers of Tomorrow, Hyperlink, This is Not a Conversation and A Very Narrow Bridge. So, while How to Disappear Completely hasn’t changed much since it was written, Erdal said, “I am much more relaxed as a performer, so the show got better.”
He added, “The main thing that’s changed in the past 14 years is that I have become a father and I understand better why my mother said it was so important to be a parent. I often think about what a great grandmother my mom would’ve been and I wonder how she would’ve handled some tough parenting moments.”
Erdal doesn’t tire of performing How to Disappear Completely, and he sees how affected audiences continue to be.
“Creating this show has been the most exciting and rewarding thing I’ve ever done,” he said. “You would think that reliving the hardest moment of your life on stage every night would be a daunting task, but it’s a joyful experience. My mother was smart and funny and her personality really shines through. Every time I perform the show, there is a lineup of people waiting to talk to me after, wanting to tell me their stories about finding love and about losing their parents, and I love connecting with them and feeling that my show might help them a bit with their grief.”
And that’s what makes this very personal show widely popular.
“Unfortunately, almost everyone in the world knows someone who died from cancer, and the grief of losing a parent is something almost everyone can relate to, so the show has many universal themes,” said Erdal. “It also deals with loneliness and the search for love, which are also very relatable themes.”
Jewish Seniors Alliance of British Columbia’s Margot Beauchamp, left, and Jeff Moss, right, with advocate for seniors’ rights Howard Glick and Parliamentary Secretary for Seniors’ Care and Long-Term Care Susie Chant. (photo from JSA)
Jewish Seniors Alliance, whose mission is to reduce isolation, build connection and uplift and support Jewish and other seniorsin the province, started 2025 with a new name.
At its annual general meeting last November, the organization chose to rename itself the Jewish Seniors Alliance of British Columbia. Formerly, it was called the Jewish Seniors Alliance of Greater Vancouver. One of the motivations for the change was to better reflect the organization’s goals and the services it provides.
The new name comes as JSA expands its advocacy work throughout the province, with efforts such as extending its reach, via its Senior Line magazine, to more communities. The new name, it maintains, recognizes the need to connect with more seniors in the province. Initially, JSA intends to partner with outreach programs in the Sea-to-Sky, Burquitlam and Surrey regions.
Similarly, the JSA Peer Support Services program has been rebranded. It will now be known as Community Support Services (CSS), which the organization believes will express its objectives and more clearly define the services it offers with senior volunteers and clients: senior peer support and friendly visiting/calling.
Concurrently, JSA has relaunched its advocacy work around free home support for all BC seniors, stating that it had success with this effort in the run-up to the provincial election. It will continue to meet with government and opposition MLAs, as well as work with and through community partners to ask people to contact their MLAs to voice their support for the initiative.
“The JSA approach to advocacy and government relations has been focused and targeted on decision-makers,” said JSA executive director Jeff Moss during a Jan. 22 Zoom event, in which he discussed the proposal for universal home care in British Columbia as a way to reduce the burden on individuals and government spending.
Moss summarized a recent mandate letter to Susie Chant, parliamentary secretary for seniors’ care and long-term care, which advocated for increased health-care availability, cost containment, responsive health systems, increased senior care, engagement with stakeholders and communication with the health ministry.
Howard Glick, an advocate for seniors’ rights and barrier-free healthcare, joined Moss on the Zoom panel. Glick had recently produced a short video, The Home Care Imperative: A Humanitarian Solution, on the need for free home support in the province, which was shown to the audience.
The video emphasized the advantages of home care, including aging in place, which can allow seniors to preserve their independence and dignity. It can also produce systemic savings that reduce waits for long-term care and free up hospital beds. And its implementation can be expedited, as home care can be scaled more quickly than construction for long-term care facilities.
Also stressed in the video was the idea of accessible, personalized home care as a better way to benefit seniors in their daily lives. The video argued that such a measure would foster independence and connection while strengthening the health-care system overall. This issue is particularly pressing, as the number of seniorsin the province, and across the country, is set to increase in the coming two decades.
Most older adults, the video pointed out, would prefer to stay at home. Research from the Office of the Seniors Advocate, under the leadership of both former seniors advocate Isobel MacKenzie (now a JSA board member) and current advocate Dan Levitt, shows that many admissions to long-term care could have been treated at home with the right supports. Women, people in rural communities and those living alone make up a greater percentage of those moving into long-term care, according to the office’s report.
According to the video, British Columbia, when compared to Ontario, is lacking in several features that pertain to senior care, such as funding, services, eligibility, caregiver support and integration. The costs associated with accessing care for seniors in British Columbia greatly exceed those of other provinces as well, the video contends, noting that Alberta, Ontario and other provinces offer free home support for older adults.
Following the video, Moss reviewed a long list of advantages of providing free home care.
“The benefits are personalized at-home care, ease of access, reduced hospitalizations, fewer unnecessary admissions to long-term care, better health outcomes, increased independence and peace of mind,” he said.
During the question-and-answer session, it was conceded that the home-care model proposed in the video is, at present, far from the current reality.
“At this point, the system is fragmented, disorganized and unreliable, and there are a whole bunch of other problems. What our video is advocating is how to make things work for people in the future and that means reevaluating the structure of the system completely,” Glick said.
“Before any changes can be made, we have to have influence and contacts, we don’t have that yet. We’re just in the starting process of trying to get our foot in the door with the people who have the money and make policy,” he added.
Jewish Senior Alliance of British Columbia executive director Jeff Moss, left, with Conservative Party of Canada leader Pierre Polievre. (photo from JSA)
The January event was part of the JSA-Phyliss and Irving Snider Foundation Empowerment Series and was co-sponsored by the Kehila Society of Richmond, COSCO and West End Seniors’ Network.
Moss, Glick and Margot Beauchamp, JSA’s quality assurance liaison, have since met with Chant. According to Moss, Chant gave them her support to move the initiative forward by way of making an introduction to the ministers of finance and health, along with opportunities to speak with all MLAs. JSA is also seeking the support of Brennan Day, opposition critic for rural health and seniors’ health.
JSA is working to advance the interests of seniors at the national level as well. During Conservative Party of Canada head and leader of the Official Opposition Pierre Poilievre’s visit to Temple Sholom on Feb. 2, Moss said he took a moment to let Poilievre “know that 65% of BC seniors are living on less than $40,000 annually and that adjustments are needed in the Guaranteed Income Supplement for seniors so that they can ensure more sustainability to age better.”
Poilievre directed Moss to follow up with his policy team.
Vancouver Talmud Torah students in the new Hildy Barnett Wellness Centre. (photo from VTT)
“It was a dream that came true,” said Jeffrey Barnett of the new Hildy Barnett Wellness Centre at Vancouver Talmud Torah.
The centre, named in honour of his late wife, was dedicated last November.
“As a graduate of Vancouver Talmud Torah and as a teacher of over 30 years, and also being a child psychologist, she knew the value of supporting kids in a Jewish environment,” said Barnett of Hildy, who died April 25, 2024. She and Jeffrey were married 47 years; they have two children and four grandchildren.
Hildy Barnett specialized in education for children with special needs. She worked with the Vancouver School Board for three decades and, after retiring, continued to work with children and teens in various capacities. She volunteered at Canuck Place and with the Jewish Community Centre of Greater Vancouver, among other things. She helped start Jewish Family Services Vancouver’s Innovators Lunch, with friends Naomi Gropper Steiner, z”l, and Kristina Berman.
Shortly before Hildy Barnett passed away, she and Jeffrey made the decision to fund the wellness centre at VTT. Hildy had asked Shirley Barnett, who had a relationship, via her sons, with Shane Foxman, associate director of development at VTT, to inquire about legacy opportunities at the school. Foxman connected Shirley with Emily Greenberg, VTT head of school.
“When Shirley first told me about Hildy, I asked her to tell me a bit more about what she did, her passions, her career,” Greenberg told the Independent. “It became almost immediately clear that she should be part of realizing the vision for the wellness centre. As her health diminished rapidly, Shirley came to the school and I told her to film me speaking about my vision for the space, the children it would serve and the reason we needed to create such a space for our students. I knew what I wanted it to look like, but I wanted to paint that picture for her. I remember, when we stopped recording, I had goosebumps because I could feel how special this room was going to become.
“We hurriedly sent the recording over to Hildy’s daughter, Mira, to show her in her hospital bed,” continued Greenberg. “I remember Shirley got a text back from her within a few minutes. She said that it was exactly what she had hoped for. Hildy, unfortunately, passed away just a couple hours later, but I have always been so grateful that she knew about the wellness centre before she left this world. I think this has made this work even more sentimental. We really wanted to get every detail right.”
Before she died last April, Hildy Barnett, with her husband Jeffrey, decided to fund the building of a wellness centre at Vancouver Talmud Torah, which has been named in her honour. (photo by Alexandre D. Legere)
A VTT newsletter leading up to the centre’s November dedication noted, “Approximately 20% of our students require some form of extra assistance to fully engage in the curriculum and to meet their full potential…. Over the last several years, we have completed a landscape study to understand best practices for supporting students with learning needs and have implemented several new layers of services to help create unique learning pathways.”
The study comprised a review of what many other schools are doing for student support services, said Greenberg. “There were many takeaways,” she said, “but one of them was that the spaces we create can really enable the programming and support we want to offer. The wellness centre has catapulted our counselors from being in a windowless, uninspiring, tiny office to in a centre that exudes safety, support, belonging and comfort.”
Over the past five years, VTT has gone from having a half-time counselor to two full-time counselors: Donna Cantor and Shakaed Greif. The two are both experienced counselors who are helping “to better support our students, parents and, sometimes, staff, as they navigate the many pressures and challenges of life, especially in a post-Oct. 7 world,” said Greenberg.
The counseling team “has been imperative in helping our many new Israeli students settle into life at VTT. They also run many support groups, including our Free to Be Me club, Chesed club and more,” she said.
The Hildy Barnett Wellness Centre allows Cantor and Greif to have their own offices, as well as a shared space for working with small groups and families.
“When I look back, in a very quiet way, Hildy did what she loved and, having the facility at TT is the ultimate,” Jeffrey Barnett told the Independent. “It brought smiles to her face. She knew that she wasn’t going to be around. She knew that the legacy she was doing would benefit so many youngsters, including the fact that our own grandchildren would be at the school, and that not only this generation but future generations [would be helped]. And it made me feel good that she felt good. It’s still very sad, very touching, and we miss her a great amount.”
Barnett spoke of Hildy’s approach to education, which was based on the methods of the late Dr. Reuven Feuerstein, with whom Hildy Barnett had studied.
Feuerstein was a psychologist from Romania, who trained with the Russian psychologist Lev Vygotsky, explained Charlene Goldstein, who, with Hildy Barnett, years ago established with the Vancouver School Board a learning centre for speech language pathologists, teachers, counselors and others, which has since faded away. Goldstein is a registered psychologist in the neonatal follow-up program at BC Women’s Hospital and Health Centre; she also has a private practice.
“Reuven came to Israel right after the Holocaust and he began to work with children from the Holocaust, as he did with children from Ethiopia,” Goldstein told the Independent. “And what he saw was that these children only lived in the present, that they had limited memories of the past and very few [visions] of the future, and that was because, to protect them, their parents didn’t want them to know too much, plus they had a lot of losses. So, he had a group of volunteers together who would sit by the beds of these children, so if they had nightmares, they would calm them.
“Then, he began to notice that some people were saying that these children were incapable of learning, that type of thing,” she continued. “But what Reuven and Vygotsky believed in [is that] you can have direct learning, where, let’s say I’m a child and I’m looking at putting some blocks together and I figure it out and nobody has to tell me what to do. Or, you could have mediated learning, which is, someone is between the child and the activity helping them to learn what to do.
“So Reuven, and I still do this now – when a child says to me, I can’t do this, I say, well, what do you already know here? What do you already recognize? What about this is new? And I start asking questions about things. So, what do you call this? Oh, my goodness, look at all of these things that you already know. Reuven would also say to teachers, think of the child, and his logo was ‘just a minute … let me think.’ Because he believed, as I do, that everybody has the potential to think, everyone has the potential to learn. We may not all learn everything the same, but we have potential to learn. And that everyone has potential to give back to society.”
Part of the funds raised by the Hadassah Bazaars – which Hildy’s mother, Marjorie Groberman, helped start here and in other places across Canada – were sent to Israel to support Feuerstein with his work, said Jeffrey Barnett.
Groberman, who was “Mrs. Hadassah-WIZO for many years,” had heard Feuerstein speak at a Hadassah convention, said Goldstein. He was brought to Vancouver by Hadassah-WIZO and Variety Clubs International, with which Jeffrey Barnett was involved, she said.
Feuerstein came back to Vancouver many times, said Goldstein. When here, he trained many educators, including those who worked with Indigenous children.
“Some of the children would think he was Santa Claus and would call him that because he had a long, white beard and his beret,” said Goldstein.
Among the people in Feuerstein’s sphere was Dr. Lorna Wanosts’a7 Williams, an expert in Indigenous language revitalization and education. Williams met Goldstein and Barnett in the mid-1980s, when she was hired by the Vancouver School Board as a specialist in First Nations education.
“I was looking at Reuven’s work because of his ideas around what happens with children when they get separated from the knowledge, from their parents,” Williams told the Independent. (People wanting to know more about this aspect of Williams’s work should watch the 1994 National Film Board of Canada documentary The Mind of a Child.)
Williams said Hildy Barnett was focused on “supporting all children to learn and enable them to overcome all their trauma. She just was so dedicated to that kind of work.”
Barnett knew how to move things along, said Williams. “She was able to bring people together in such a beautiful way.”
She added, “I really honour her for all the help she gave me and that she gave many other people. She was very quiet but she was very strong.”
Goldstein, who knew Barnett from having grown up in the local Jewish community, before they connected more in Hadassah-WIZO and with Feuerstein’s work, echoed Williams’s observation.
“Hildy had the most gentle voice, she had a great sense of humour, but she had strong determination,” said Goldstein. “In Star Trek, there’s one person who says, ‘Make it so,’ and that’s what Hildy was like. She would say, ‘Make it so,’ and you just didn’t say no to Hildy because Hildy listened to everybody and had such compassion, such compassion.”
Rabbi Philip Bregman, at back, and Jeffrey Barnett, middle, hang the mezuzah at the door of the Hildy Barnett Wellness Centre, along with Barnett’s daughter, Mira, and son, Joel, who is holding one of Barnett’s grandchildren, Blake. (photo from VTT)
The Nov. 24, 2024, dedication ceremony of the Hildy Barnett Wellness Centre was originally envisioned as a small family gathering to honour Barnett’s legacy, said VTT’s Greenberg. “But, to our delight, she was so beloved in the community that many more people attended.
“I think it was an opportunity for many people to pay their respects to her powerful legacy of believing in children, and the Hildy Barnett Wellness Centre has become a healing place in so many ways, including for those who are grieving Hildy’s loss.”
Sara Ciacci, z”l, was a passionate advocate against domestic violence, establishing ASTEH, an emergency shelter for women escaping abuse. (photo from JFS Vancouver)
Sara Ciacci, z”l, is, in many ways, an urban legend – a name synonymous with impact, compassion and transformative change in our community.
Ciacci dedicated her life to fighting food insecurity, most notably co-founding the Jewish Food Bank in 1984. She was also a passionate advocate against domestic violence, establishing ASTEH (Alternative Short Term Emergency Housing), an emergency shelter for women escaping abuse. And JFS Vancouver has recently honoured Ciacci’s extraordinary impact by renaming ASTEH to Sara’s House, a tribute to her unwavering commitment to empowering women and building their resilience.
A survivor of domestic violence herself, Ciacci deeply understood the fear, shame and stigma that women and children face when escaping abuse. Her firsthand experience drove her determination to create a safe space where Jewish women and their children could find refuge and rebuild their lives.
Sanctuary for women, children
Sara’s House is a community-based housing facility providing security, stability and support to Jewish women and their children fleeing violence or at risk of homelessness. With the guidance of JFS counselors and care managers, women are empowered to explore their options and make decisions that lead to a safer, more hopeful future.
Over the years, Sara’s House has been a haven for dozens of women and their children. One such story is Abby’s.
When Abby first walked into JFS, she was overwhelmed with fear and desperation. Fifteen years into her marriage, a sudden violent shift forced her to confront the emotional, verbal and financial abuse that had been present from the start. She never thought she would find herself in this situation.
Abby recalled a comment from JFS executive director Tanja Demajo.
“Tanja told me she felt I had a very good chance of getting out of the abuse and I was a good candidate for ASTEH housing,” said Abby. “By the end, I felt overwhelming relief. It was the life preserver I needed to get out.”
A lasting tribute
JFS Vancouver is profoundly grateful for Ciacci’s legacy of dedication, empathy and action. With the renaming of ASTEH to Sara’s House, her vision of providing a haven for women and children will live on, inspiring future generations to continue the work of protecting and empowering those in need.
Community support helps sustain Sara’s House and the life-changing services it provides. To learn more or to contribute, visit jfsvancouver.ca/donate.
Levi Moskovitz has been elected to the BBYO International executive board. (photo by Jason Dixson Photography)
Vancouver teens joined thousands of peers, educators, business leaders and philanthropists from around the world at BBYO’s International Convention (IC) 2025 in Denver, Colo., Feb. 12-17. Levi Moskovitz, a student at King David High School, was elected as BBYO’s international teen treasurer (grand aleph gizbor) for the 2025-26 term. He is the only Canadian on the BBYO international board, which represents 70,000 teens from 64 different countries.
Moskovitz has been an active and dedicated member of BBYO Vancouver since he joined in Grade 8. He currently serves as regional godol (president) for Vancouver, where, along with a small cohort of fellow teen leaders, he has expanded the region from one chapter and a handful of teens to four chapters and more than 100 active teens.
Prior to being elected president, Moskovitz was the regional gizbor (treasurer). This position gave him real-world experience in leading successful fundraising initiatives, expanding community partnerships and empowering younger members to take on leadership roles. He also has been instrumental in growing chapter programming and strengthening BBYO’s presence across British Columbia.
For the next year, Moskovitz will help lead the organization as it celebrates Jewish identity, combats antisemitism, develops the next generation of youth leaders, and promotes its core values of faith, fraternity, patriotism, charity and integrity. As international teen treasurer, he will lead BBYO’s global philanthropy efforts, oversee the International Service Fund (ISF) and support chapter treasurers worldwide. He will help guide the movement as it raises and distributes more than $1 million in tzedakah (charity), including #GivingBBYODay. He will also collaborate with BBYO’s chief financial officer and board of governors on financial priorities within the organization’s $54 million annual budget. As part of the 12-person international teen board, he will shape BBYO’s global vision.
“Being elected as BBYO’s international teen treasurer is an honour,” said Moskovitz. “BBYO has given me incredible opportunities to grow as a leader, and I’m excited to help Jewish teens worldwide make an impact through philanthropy and financial empowerment.”
BBYO Vancouver’sgrowth in recent years has been helped largely by two major multi-year capacity-building grants: from the Ronald S. Roadburg Foundation and from the Diamond Foundation. Moskovitz’s election marks another milestone for the region’s legacy of leadership in BBYO’s international movement.
Vancouver BBYO has been at the forefront of community impact, organizing service projects and fundraisers that benefit local and global Jewish causes. The chapter’s close partnerships with King David High School, the Jewish Community Centre of Greater Vancouver and local synagogues continue to provide teens with opportunities for leadership, Jewish engagement and community service.
This year, Vancouver BBYO’s presence was felt beyond the election stage, with a delegation of 26 teens representing the city at IC 2025.
“Levi’s leadership and dedication have left a lasting mark on Vancouver BBYO,” said Persio Bider, BBYO Vancouver regional director. “His election to the international board reflects the strength of our growing community and the incredible potential of Jewish teens to lead on a global stage.”
– Courtesy BBYO International
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All in the family
Levi Moskovitz’s older brother, Judah, was the last Canadian elected to the BBYO international board, in 2023, as grand aleph shaliach (Jewish identity and Israel). His father, Temple Sholom’s Rabbi Dan Moskovitz, is a past international president (grand aleph godol, 1989-90).
The 100th anniversary of BBYO in Canada happens in 2026. “That anniversary will be part of a major effort to identify Canadian BBYO alumni,” Rabbi Moskovitz told the Independent.
For more information about BBYO in the Vancouver region, visit their website (via bbyo.org) or contact the regional director, Persio Bider, at bbyoteens@jccgv.bc.ca. If you are a BBYO alumn, join the BBYO Alumni Association to stay connected with the organization and support its mission.
