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This week’s cartoon … March 6/15

This week’s cartoon … March 6/15

For more cartoons, visit thedailysnooze.com.

Format ImagePosted on March 6, 2015March 4, 2015Author Jacob SamuelCategories The Daily SnoozeTags evolution, thedailysnooze.com
United in community

United in community

Purim Project co-chairs Rachael Lewinski and Rivka Moreno with premier sponsor, Remo Mastropieri of Real Canadian Superstore. (photo from Vancouver Hebrew Academy)

What do you get when you put 90 people in an auditorium filled with delicious snacks, drinks, piles of boxes and mounds of packing materials? The Greater Vancouver Jewish Day School Purim Project Packathon, of course! GVJDSPPP, for short. 😉

photo - Some 90 volunteers put together 1,300 mishloach manot packages
Some 90 volunteers put together 1,300 mishloach manot packages. (photo from Vancouver Hebrew Academy)

Each year, Vancouver Hebrew Academy, in partnership with King David High School, Pacific Torah Institute, Richmond Jewish Day School, Shalhevet Girls High School and Vancouver Talmud Torah, join together to promote community and raise funds for Jewish education.

photo - Students Kyla Charach, Lola Belzberg and Juliette Sandler were among the many volunteers
Students Kyla Charach, Lola Belzberg and Juliette Sandler were among the many volunteers. (photo from Vancouver Hebrew Academy)

Assembling the more than 1,300 mishloach manot packages is a huge undertaking, requiring planning, strategy and oversight. Not to mention an army of volunteers! As in past years, the packathon took place in the KDHS auditorium, and this year’s volunteers included VHA’s Grade 6 and 7 students, VTT’s Grade 6 students and more than 15 community volunteers. The pre-packing and labeling were done by students from VHA and PTI the day prior.

Purim is a time to promote unity and togetherness, and the packathon is an amazing opportunity to do just that. When students help and give back to a community that supports and gives to their school, the good will created goes full circle. “What a great way to start off Simchah Week at VHA!” said one of the VHA teachers.

Format ImagePosted on March 6, 2015March 4, 2015Author Vancouver Hebrew AcademyCategories LocalTags KDHS, King David High School, mishloach manot, Pacific Torah Institute, PTI, Purim, Richmond Jewish Day School, RJDS, Shalhevet Girls High School, Vancouver Hebrew Academy, Vancouver Talmud Torah, VHA, VTT
Collaborative kindness

Collaborative kindness

In Elie Wiesel’s The Power of Forgiveness, the Nobel Prize winner describes the Jewish view of forgiveness. Specifically, that in order to be forgiven, one must first admit to wrongful action and apologize. With that teaching in mind, Grade 6 and 7 students from Vancouver Talmud Torah were asked the following question, “Does one wrong act of an individual reflect on an entire person or organization?” “No!” proclaimed the students. The question was posed in reference to the recent dousing in cold water of a homeless man outside a Tim Horton’s on Robson Street.

Non-judgment, compassion and good deeds are not just lessons to be learned, but a Jewish blueprint for a life to be lived. Over the past few months, VTT’s students have been working on a service learning project that includes providing food for the homeless. When the time came to seek sponsors for this initiative, students suggested approaching Tim Horton’s.

“The people at Tim Horton’s were so moved that they jumped at the opportunity without even considering what might be in it for them. They were intrigued by the fact that Jewish students were inviting Muslim and Catholic students to collaborate to help the needy – a value shared by all the three religions and complementary to the many good programs that Tim Horton’s already does in the community,” said Shoshana Burton, VTT’s director of Jewish life and programming.

With Tim Horton’s support, on March 11, VTT students, along with seventh grade students from the Shia Ismaili Muslim community and St. Augustine School, will be serving 2,000 people food donated by Tim Horton’s. They will also distribute 2,000 toques with the message: “I am here. See me. Believe in me,” donated by Tim Horton’s for those in need in the Downtown Eastside.

The students also will deliver gifts of hope and compassion. These are packages collaboratively created by all three communities that include necessities like toiletries and warm clothing, as well as a heartfelt note written by students and their families. “It’s the message that is accompanying the gifts of hope and compassion that we hope will inspire and lift individuals to see the greater good in humanity; a small message that will hopefully go a long way,” said Jessie Claudio, a VTT teacher involved in the project.

“It’s not enough to simply fill students’ brains with facts. A successful Jewish education demands that their character be developed as well,” added VTT head of school Cathy Lowenstein. “This hands-on chesed initiative is exactly the kind of learning our students will remember as they progress from elementary school to high school.

“It is hoped that by building bridges with other faith-based schools,” she continued, “VTT’s students will have the skills and experience to continue the work of cross-community dialogue and understanding as they become the next generation of Jewish leaders. By joining with others to address a very urgent need, our students and their teacher-mentors are fulfilling so many of the Jewish commandments to expand their universe of obligation. This is something we can all be proud of!”

Format ImagePosted on March 6, 2015March 4, 2015Author Vancouver Talmud TorahCategories LocalTags Cathy Lowenstein, Jessie Claudio, Shia Ismaili Muslim community, Shoshana Burton, St. Augustine School, tikkun olam, Tim Hortons, Vancouver Talmud Torah, VTT
האם הרפר עוזר לנתניהו להיבחר שוב לרשות הממשלה

האם הרפר עוזר לנתניהו להיבחר שוב לרשות הממשלה

ראש ממשלת ישראל, בנימין נתניהו, מברך את ראש ממשלת קנדה, סטיבן הרפר, בנמל התעופה בן-גוריון ב-19 בינואר 2014. לאחרונה נפוצה שמועה שהרפר עוזר לנתניהו להיבחר שוב. (צילום: חיים צח / לע”מ / Ashernet)

האם הרפר עוזר לנתניהו להיבחר שוב לרשות הממשלה?

לאחרונה נפוצה שמועה שראש ממשלת קנדה, סטיבן הרפר, עוזר לראש ממשלת ישראל, בנימין נתניהו, להיבחר שוב. גורם שמקורב למפלגת השמרנים של הרפר מציין, שהרפר שלח לישראל יועצים מהקמפיין שלו, שיעזרו לנתניהו לנצח בבחירות שיתקיימו בעוד כשבועיים (17 בחודש). היועצים של הרפר עובדים בקמפיין של השמרנים, לקראת הבחירות הכלליות בקנדה שיתקיימו בחודש אוקטובר.

הרפר ונתניהו כידוע קרובים מאוד. הרפר שנבחר במכהן ראש הממשלה מ-2006, הוא הידיד הקרוב ביותר של ישראל מאז. בפועל הוא המנהיג היחידי בעולם שמגבה את נתניהו וממשלתו כמעט בכל דבר, בכל הסכסוכים והעימותים המדיניים והצבאיים כאחד. הרפר הסתייג ממדיניות נתניהו רק בשני מקרים. הראשון – הבנייה בשטחי “אי 1” (בין ירושלים למעלה אדומים). השני – הוא לא הסכים לעמדת נתניהו בעניין הצבת הקווים האדומים לאיראן, בנושא החימוש הגרעיני (כפי שהובעה בנאומו באו”ם בספטמבר 2012). לכן בסך הכל לא מפתיע שהרפר רוצה מאוד שנתניהו יבחר לרשות הממשלה בפעם הרביעית, בדיוק כמו שהוא רוצה להיבחר לרשות ממשלת קנדה בפעם הרביעית.

יצויין כי כל פניותי לקבל את תגובות לשכת התקשורת של הרפר, נענו בשלילה.

בעמדת האייקון: עכשיו כבר לומדים על רונלדו באוניברסיטה

כוכבה של ריאל מדריד שהוא השחקן המוכר בעולם, כריסטיאנו רונלדו, מושך מעריצים רבים לאצטדיונים בהם הוא משחק, ולא מעט צעירות היו שמחות לצאת עימו. עכשיו מתברר שרונלדו מושך גם סטודנטים שמעוניינים ללמוד עליו, והוא נושאו של קורס באוניברסיטה של בריטיש קולומביה בקמפוס שבקולונה.

עשרים סטודנטים נרשמו לקורס היוצא דופן בחוג לסוציולוגיה על הכדורגלן הפורטגזי, שעוסק בהיבטים החברתיים והכלכליים שקשורים בו. הסטודנטים לומדים על תהליך ההתפתוחות של רונלדו, בן זקונים למשפחה ענייה בפונשל שבפורטוגל. מרקע עני זה בגיל 13 הצטרף למועדון מקצועני ספורטינג ליסבון, ומהר מאוד הפך לאייקון תרבותי וחברתי מהידועים בעולם, והוא מרוויח כיום 18.2 מיליון יורו בשנה. רונלדו למרות שעזב את ליסבון בגיל 18 ועבר למנצ’סטר יונייטד, מתברר לסטודנטים, נשאר מושא להערצה מצד פורטגזים בכל העולם, והוא עוזר להם לשמור על הזהות הלאומית. אחת משאלות המפתח בקורס מה הפך את רונלדו לכל כך מיוחד? התשובה כפולה: הכשרון הגדול שלו וכן כוחו העצום של משחק הכדורגל. רונלדו שמשפיע כצפוי גם מחוץ לעולם הכדורגל נחשב לכוח כלכלי אדיר. הסטודנטים חוקרים כתבות, ספרים וסרטים תעודיים עליו, פרסומות בהן השתתף (בעיקר להלבשה תחתונה שבמבליטה את גופו השרירי) ועוד.

רונלדו (30) ציין באחד הראיונות האחרונים כי האישה המשפיעה עליו ביותר בחייו היא דווקא אמו.

“תאומי הדודג'”: שני תינוקות נולדו ברכב בדרך לבית החולים

שני תינוקות תאומים שנולדו לאחרונה ברכב של הוריהם שגרים בסורנטו שבבריטיש קולומביה, זכו לכינוי “תאומי הדודג'”.

האם ניקה גילבאו (28) קיבלה צירים, ובעלה כריס סנט ז’אן הסיע אותה במהירות בדודג’ המשפחתית לבית החולים, שנמצא במרחק שעה (בקמלפוס). לאחר כחצי של נסיעה יצאה לאוויר העולם התינוקת, כשגילבאו נאלצה לילד אותה. היא טפחה קלות על גב התינוקת שהחלה לנשום בזכות עצמה, ואז עטפה אותה בחולצתה. בעת שהגיעו לחניית בית החולים יצא לאוויר העולם התינוק. צוות רפואי עזר לסיים את הלידה בהצלחה והעביר את התינוקות להשגחה רפואית.

גילבאו גדלה בחווה ועזרה לא פעם לבעלי החיים ללדת. לכן לא הייתה מודאגת וידעה מה לעשות לדבריה, בעת לידת התאומים שלה. מסתבר שדווקא הרופאים היו יותר מופתעים ממנה.

האם החליטה להעניק לתינוקת את השם נבדה סיירה ולתינוק את השם הנרי דודג’.

Format ImagePosted on March 2, 2015March 2, 2015Author Roni RachmaniCategories עניין בחדשותTags Binyamin Netanyahu, Chris St. Jean, Cristiano Ronaldo, Dodge Twins, elections, Nika Guilbault, soccer, Stephen Harper, University of British Columbia, אוניברסיטה של בריטיש קולומביה, בבחירות, בנימין נתניה, כדורגל, כריס סנט ז'אן, כריסטיאנו רונלדו, ניקה גילבאו, סטיבן הרפר, תאומי הדודג
Vancouver joins rallies

Vancouver joins rallies

The Feb. 18 silent march in honor of Alberto Nisman began on the steps of the Vancouver Art Gallery. (photo by Cynthia Ramsay)

Approximately 75 members of the local Argentine community and their friends and supporters gathered at the steps of the Vancouver Art Gallery on Feb. 18 in memory of Argentina’s federal prosecutor Alberto Nisman.

photo - Jewish community member Gabriel Patrich (left) was one of the Vancouver march organizers
Jewish community member Gabriel Patrich (left) was one of the Vancouver march organizers. (photo by Cynthia Ramsay)

A silent march, there were no speeches, but participants carried signs. They would like the government of Argentina to conduct a full investigation of the suspicious death of the 51-year-old Jewish lawyer who was found dead on Jan. 18 at his home in Buenos Aires. Nisman was investigating alleged Iranian involvement in the terror attack on the AMIA (Asociación Mutual Israelita Argentina) Jewish community centre in 1994, which killed 85 people and injured hundreds of others. He was found dead the day before he was to appear before a congressional hearing to air his contention that President Cristina Fernández de Kirchner, among others, arranged a deal with Iran to cover up its involvement in the bombing in exchange for economic benefits.

Jewish community member Gabriel Patrich, one of the organizers of the march in Vancouver, was satisfied with the local support. “The main rally in Argentina drew [up to] half a million people, and there were big events in Miami, Australia, Spain, France and Israel. We are proud to take our part and demand a full investigation of Nisman’s murder and the truth he was about to bring to light.”

In addition to the call for justice, Patrich told the Independent, “we were also there … to honor a courageous man, who knew that his life was in danger – he said that his investigations might cost him his life.”

Reports are that some 400,000 people attended the Buenos Aires march alone. On her website, Kirchner criticized that event as being politically motivated and, “not at all an act of homage to the tragically deceased, with the obvious exception of their immediate families.” She said its one merit was that it showed “that in Argentina, your country, you can disagree, you can insult the government and the president, and can move freely. It was not always so, so do not speak of dictatorship.”

For those interested in more about the AMIA bombing, Argentine author Gustavo Perednik has written a “lightly veiled” fictional account based on documents provided him by Nisman. It has been translated into English – To Kill Without a Trace: A Prequel to 9/11, the 1994 Terrorist Bombing in Buenos Aires and the Iranian Connection (Mantua Books Ltd.) – and Perednik will be in Vancouver for the book’s launch at the Isaac Waldman Jewish Public Library on March 23, at 7 p.m. Also speaking will be Dr. Elena T. Feder, who wrote the introduction to the English translation. Anticipating a full house, the library requires an RSVP to 604-257-5111, ext. 248, or [email protected] by March 19.

Shahar Ben Halevi is a writer and filmmaker living in Vancouver.

Format ImagePosted on February 27, 2015February 26, 2015Author Shahar Ben Halevi and Cynthia RamsayCategories LocalTags Alberto Nisman, AMIA, Asociación Mutual Israelita Argentina, Cristina Fernández de Kirchner, Gabriel Patrich, Iran, silent march, terrorism
Family inspires playwright

Family inspires playwright

Caitlin McCarthy and Amitai Marmorstein co-star in What You’re Missing by Tamara Micner, which is at Chutzpah! March 10-15. (photo by Tim Matheson)

Playwright Tamara Micner returns to Vancouver in March for the North American première at Chutzpah! of What You’re Missing, a play based on her family’s stories, but in which we will all, no doubt, see aspects of our own experience.

photo - Tamara Micner
Tamara Micner returns to Vancouver for the North American première at Chutzpah! of What You’re Missing, a play based on her family’s stories. (photo from Tamara Micner)

Micner left Vancouver in 2003 for Yale, where she earned her bachelor of arts in English literature. She worked with Google for a few years, which took her to San Francisco and Toronto, then studied at Cambridge, receiving her master’s of philosophy in 2011. When she last spoke with the Independent, she was on her way to London, England, because, as she told the JI, “for plays, London is the best city in the world.” There, she has continued learning and working, not only in theatre, but also as a journalist and copywriter. The JI caught up with Micner earlier this month.

JI: When the JI last spoke with you, Fantasmagoriana was at the Edinburgh Festival Fringe, and you also had two new plays in the works, one of which was called Highlight. Could you share some aspects of its development, from its première at Cambridge in 2011 as Highlight to its run last year as What You’re Missing at King’s Head Theatre in London, to its upcoming production at Chutzpah?

TM: What You’re Missing has been in the works for four years, and hopefully it will continue to live after Chutzpah as well.

We started developing the play during my master’s degree at Cambridge, with a rehearsed reading and a run at the main student theatre. I then left it for awhile and worked on other projects, and gave myself time to come back to it with greater distance and a clearer head.

In 2013, I did more rewrites and started submitting it to theatres in London, including the King’s Head, which accepted it for final development. By the time we performed it last year, it was pretty well “finished.”

It’s gone through many rounds of changes. It started out more purely comedic and, over time, it’s gotten more political and more serious, alongside the comedy that (hopefully) pervades the piece.

JI: You described Highlight in the 2011 JI interview as being based on the beginning of your parents’ relationship, and as “a dysfunctional family comedy.” In general, what has been the reaction of family (and friends) to the plays in which they see themselves represented? Do you have any advice for aspiring writers as to how to use family/friend elements without causing (too many) hard feelings?

TM: My sense is that my relatives who inspired the characters in What You’re Missing have enjoyed seeing versions of themselves and their experiences represented onstage. (Or they’ve just been polite.) The play is critical and truthful, but it’s also a dramatization, and it’s written from a place of love and affection, which I think comes through. I wasn’t alive in the 1970s, when this play is set, so it’s drawing from elements of my family’s stories – from a specific time, place and set of experiences – to explore broader questions about family, love, politics, religion, gender and so on.

When we debuted the play in London, people of different nationalities, religions and backgrounds said that they related to the story and characters, and saw themselves or their lives reflected in the piece in some way. That response really pleased me (and was a relief!) because that was my hope. I see theatre as, among other things, a way to bring people together and remind us of the things we share.

I think artists need to share their truths, and personal experience is where a lot of our truths come from. That might cause hard feelings. But, if we’re honest and nuanced, rather than heavy-handed, people will respond and connect to the work, and the truth in it will come through.

JI: In 2011, you said that you chose to move to London for its theatre presence and because you loved the city. Has the city lived up to your expectations? Do you plan on staying for the foreseeable future?

TM: I’m very happy living in London. I’ve found a neighborhood and communities that I feel at home in, including easy access to pita, dates and baklava, and I’m still discovering more of the city and the country. I was approved for Polish citizenship last year, so assuming the U.K. doesn’t vote to leave the EU, I plan to stay here indefinitely.

JI: Will you be coming to Vancouver for the Chutzpah shows? If so, how much input, if any, will you have into this production? Did you have any hand in casting?

TM: Yes, I will be in Vancouver for the run. I’ve met with the director, John Cooper, in person and on Skype, and we’ve talked about the origins and development of the play and his vision for the production. He oversaw the casting, and I trust his instincts and judgment. It’s exciting to see how other people interpret your work and bring it to life, sometimes in surprising ways.

JI: Are there any projects you have currently on the go, or that you’re considering undertaking, that you would like to share with JI readers?

TM: I’m developing a new show, Wink the Other Eye, with two actors and a musician. It’s about music hall, a major genre of British entertainment from the mid-19th century until about the ’20s (when ragtime and revue, and radio, started taking over). For example, if you know the song “Daisy Bell,” that’s actually from music hall.

The show is devised – collaboratively created and written – which is a new style of working for me. We plan to do some showings of the piece in the spring, working toward a production later this year. We’ve been approved for funding from Arts Council England to finish development, which is a big help and a stamp of credibility.

Our show looks at Marie Lloyd, one of the most famous performers of her day, who toured the British Empire (South Africa, Australia, North America) and sang from the age of 15 until she died aged 52. She had a story similar to Whitney Houston’s, Judy Garland’s: an insatiable entertainer who lived to perform and had a pretty awful life offstage (including domestic abuse and alcoholism). The show combines live performances of her songs with important moments from her private life, and the actor who plays her is related to her. (We’ve put some of the music and comedy from the show online: soundcloud.com/winktheothereye.)

What You’re Missing is at the Rothstein Theatre from March 10-15. The other theatre offering is Kafka and Son, performed by Alon Nashman, on March 2. Visit chutzpahfestival.com for more information on these and other productions.

Format ImagePosted on February 27, 2015February 26, 2015Author Cynthia RamsayCategories Performing ArtsTags Chutzpah!, Tamara Micner, What You're Missing
Relishing theatre life

Relishing theatre life

Rafaella Rabinovich’s designs from Sherlock Holmes and the Case of the Jersey Lily directed by William B. Davis at the Jericho Arts Centre. (photo by Steven Hooper)

Rafaella Rabinovich always knew that she wanted to be a theatrical designer, and she became one – and a successful one at that, without many detours or hiccups.

“When I was 12, my father gave me a camera,” she said. “I photographed lots of shows and I knew I wanted to frame the stage myself.”

photo - Rafaella Rabinovich’s costumes sing on stage
Rafaella Rabinovich’s costumes sing on stage. (photo from Rafaella Rabinovich)

After graduating from a high school for the arts in Israel and the mandatory army service, she enrolled in the set and costume design program at Rakefet Levy Design School for the Performing Arts in Tel Aviv. Upon finishing the program in 2010, she came to British Columbia. Today, she is a respected local set and costume designer, doing what she loves and living in a place she adores.

Of course, nothing was as easy or simple as it seems from a brief review of her resumé. “I wanted to make sets. I didn’t care about costumes,” she admitted, “but the design school where I studied only offered a combined program, so I took both. Now, I do more costumes than sets; it’s easier for me as a woman, but I still love doing sets.”

When she first came to British Columbia, she didn’t plan on staying. It helped that she was born in Canada and had Canadian citizenship. “I did have a Canadian passport so I wanted to look around and then travel to Africa,” she recalled. “I loved it here so I stayed. I still haven’t gotten to Africa, but it’s in my plans.”

To justify staying, she applied for a job, with Cirque du Soleil, no less. “I didn’t expect to be hired,” she said laughing, “but they got back to me. I ended up doing two jobs for them. After adding that to my resumé, it was easier to look for design jobs here. In the beginning, I worked as a waitress a lot. Now, I sustain myself with theatrical designs. I feel lucky.”

Unlike many costume designers, she doesn’t wish and never did wish to work in fashion. “I interned with a fashion firm and I learned a lot from them, but fashion doesn’t make my heart sing the way theatre does.”

She enjoys the variety her chosen profession offers, and she doesn’t shy from the smallest jobs. Circus and movies, commercials and theatre – they are all significant to her. From a couple costumes for a display at Science World to the set and costumes for the cast of 27 for her latest production, Fiddler on the Roof at Abbotsford’s Gallery 7, she has done it all. In the five years since she settled in Canada, she has worked on about 20 projects and, she is actively seeking more.

Rabinovich said she relishes every aspect of her work, from research to the final audience applause.

When she does her research for a show, she reads a lot. “For historical shows, classical paintings are great references. And, of course, I do a lot of research online,” she said. “I also read the plays. I need to know the story, the characters. We might have two stories set at the same time, but if the stories are different, the costumes and sets are different too. Think Oliver Twist and Napoleonic France: about the same time, but different places and different stories, different characters. I always need to know the character. Who she is, why she is wearing this hat, this dress. The costume has to complement her personality.”

One of Rabinovich’s past projects was a play that took place at the end of the 19th century, the same time period as Fiddler. “For that project, we wanted the costumes to be true to the times. But for Fiddler, I chose Marc Chagall as my inspiration.”

At times, she has collaborated with a director in her artistic decisions. “If he has a vision of the show, I would respect it,” she said. “He might say: ‘I want it sad’ or ‘It should be happy,’ and I would accommodate his suggestions in my designs.”

The sources of the costume materials and sets she creates vary greatly. Some pieces she buys in thrift or regular stores, others she designs from scratch or rents. “I’m not a seamstress but I know how to sew. Sometimes, if the project is on a low budget, I can sew the costumes myself, but usually, I have a seamstress. I know which vintage store in B.C. would be likely to have a fur coat of a certain color or a special type of curtains.”

She makes all her designs by hand, not on computer like some of her contemporaries. “I’m old- fashioned,” she joked. “I like feeling the fabrics, the textures.” She also likes incorporating lighting into her designs.

Each project she works on presents a different challenge, she explained, but all of them embrace their own rewards. “Seeing your vision come to life, take shape on stage, is wonderful. When you hit the right note, when you think, ‘Yes, that’s it!’ its feels good. And of course I love it when the audience applauds, when the actors wearing my costumes are happy. I’m behind the stage, invisible to the public, and I like it that way, but I’m part of it. They applaud my costumes, too.”

Gallery 7 Theatre’s performance of Fiddler on the Roof is on stage March 13- 21 at the Abbotsford Arts Centre. For more information, visit gallery7theatre.com.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on February 27, 2015February 26, 2015Author Olga LivshinCategories Performing ArtsTags Fiddler on the Roof, Gallery 7 Theatre, Rafaella Rabinovich
Momo’s first migrants arrive

Momo’s first migrants arrive

Members of the Momo Minyan with Lhamo Dolma, Phurba Jompa and Lobsang Dolma. (photo from David Berson)

After a meeting between the Dalai Lama and Prime Minister Stephen Harper in 2007, and with the later support of then citizenship and immigration minister Jason Kenney, a resettlement plan for 1,000 displaced Tibetans in Canada was announced.

Seven years later, in April 2014, Or Shalom congregant Vicky Robinson gave a presentation on sponsoring Tibetan migrants. The presentation resulted in a number of congregants coming together to establish the Momo Minyan. The group was named by David Berson to represent a mixture of Jewish and Buddhist culture to help facilitate the move and integration into Canadian Society of two Tibetan refugees. (For a March 2014 story about the background of the group, click here.)

“I feel like I won the birthright lottery living here in Vancouver,” Berson said. “We started discussing the responsibility that this involves, because the Canadian government had given a go ahead for 1,000 people to come from Arunachal Pradesh, which is on the border with Tibet.”

Many of the refugees have been without status for more than 50 years, after India stopped granting Tibetans citizenship in 1959. As described by Berson, the Tibetans who are being sponsored lack many of the rights associated with citizenship and have been left with few choices.

“Tibetans that are on the border have limited rights, limited education [and] health care, but can work. We were moved by their story and their whole notion of the immigrant experience…. It is what the Jewish people have gone through.”

A trip was organized by the Minyan and its partners to visit the Tibetan communities in the fall of 2014. The trip involved assessing the conditions in remote villages in Arunachal Pradesh while trekking in the Himalayan mountains. On the journey, the participants traveled through areas considered sacred to Buddhists, where religious texts have been buried in Pemako, an area with 108 lakes.

Berson attended on behalf of the Momo Minyan, which joined with members of North Shore Search and Rescue. Many members of Or Shalom fundraised for the trip through donations to the Tibetan Cultural Society of British Columbia.

The main destination was Tuting, a city where 200 of the migrants live. When Berson arrived there, he was shocked at what he saw. “In Tuting, there is no internet, so any communication has to be done via snail mail. It can sometimes take a month or two … the way of life for Tibetans in this city is involved in some commerce and some farming, but they are still not looked at as full citizens.”

The trip also was an opportunity to promote Canada as the refugees’ new home. “We went to visit the resettlement office and presented them with a big Canadian flag, and we gave out a lot of Canadian pins along the way,” he recalled.

Since that trip, two Tibetan women who are being sponsored by the Momo Minyan have arrived in Vancouver. In September, Vancouver welcomed 36-year-old Lobsang Dolma and, in December, 28-year-old Lhamo Dolma arrived with her sister Phurba Jompa (who was sponsored by another group).

Once in Vancouver, members of the Momo Minyan assisted the new migrants in obtaining medical insurance, signing up for a social insurance number, assisting with English tests, helping to find work and housing for a one-year period.

Lobsang’s first job was at Or Shalom Synagogue, where she worked in the kitchen and as a custodian for pay. She has since worked as a dishwasher elsewhere four days a week and continues to take evening English classes.

While Lhamo continues to attend English classes alongside her sister four nights a week, her road has been less smooth and she has had less luck with employment.

According to Berson, members of the Momo Minyan are committed to introducing the migrants to people in their new communities. “It is hard for them; they left their families behind, want to be with their families. It is a sense of urgency many of us here do not need to experience because we do not need to worry about the basics of life.”

There are other challenges for members as well, Berson described. “It is clothing, it is language, it is how to get from one place to another, we take a lot of things for granted … and language is so important. And, at the same time, these women want to start working because they will need to support themselves and to make a living, a real tradeoff between learning the language and wanting to earn.”

Financial challenges are deepened, as the two women want to make money to support themselves, but also want to save money to send back home to help their families.

Cultural norms also affect the migrants’ experience in Canada. An example is in acquiring doctor’s services, which can lead to issues with communication, and access to health services. In India, services are far away and there is not an expectation that there will be an interaction between patient and doctor. “There are different expectations [here],” Berson explained. “Canadians interact more with their doctors than in India.”

The minyan and the Tibetan Cultural Society of B.C. are committed to bringing as many Tibetans from Arunachal Pradesh as are on the list to resettle in Canada and welcome support for the project. Residential accommodation and employment opportunities are areas where the minyan has asked for assistance. More opportunities to sponsor future migrants may occur, as well.

Gil Lavie is a freelance correspondent, with articles published in the Jerusalem Post, Shalom Toronto and Tazpit News Agency. He has a master’s of global affairs from the Munk School of Global Affairs at the University of Toronto.

Format ImagePosted on February 27, 2015February 26, 2015Author Gil LavieCategories LocalTags Arunachal Pradesh, David Berson, Momo Minyan, Tibet, Tibetan Cultural Society, Vicky Robinson
Mystery photo … Feb. 27/15

Mystery photo … Feb. 27/15

A visiting dignitary signs the VIP guest register as others look on, Congregation Schara Tzedeck, 1974. (JWB fonds; JMABC L.14413)

If you know someone in this photo, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected].

Format ImagePosted on February 27, 2015April 1, 2015Author JI and JMABCCategories Mystery PhotoTags JMABC, Schara Tzedeck
Ruling against terror

Ruling against terror

Bodies are taken away following an explosion at the cafeteria of Jerusalem’s Hebrew University on July 31, 2002. Hamas took responsibility for the bombing, which killed seven people and wounded 70, but a new U.S. federal court ruling found the Palestine Liberation Organization and the Palestinian Authority liable for that attack and other committed during the second intifada. (photo from Flash90)

A New York City-based federal jury on Monday ordered the Palestine Liberation Organization (PLO) and the Palestinian Authority (PA) to pay $218.5 million in reparations to American citizens who were targeted by terror attacks in Jerusalem, and to the victims’ families. The ruling is seen as a major victory for those seeking to hold so-called moderate Palestinian factions accountable for terrorism.

The court ruled in favor of 10 American families who sued the PLO and PA for six different terrorist attacks that were linked to those groups during the second Palestinian intifada. Thirty-three people were killed in those six attacks between 2002 and 2004, and 450 were injured. Since the lawsuit was filed in a U.S. court under the Anti-Terrorism Act, the reparation amount is expected to triple to $655.5 million.

Among the families involved in the landmark ruling were representatives of four victims of a Hebrew University cafeteria attack in 2002, in addition to Palestinian shooting attacks and suicide bombings that took place between 2002 and 2004 in Jerusalem.

The plaintiffs won the case after a 10-year legal battle in which the defence claimed that the PLO and the PA were not directly responsible for the attacks, which were carried out by the al-Aqsa Martyrs Brigade and Hamas. The verdict is likely to bolster Israel’s longstanding claim that Palestinian factions such as Mahmoud Abbas’ PA – which many in the West consider to be more moderate than Hamas – support terrorism.

“The PA and the PLO and the Fatah faction were all involved in terrorism during the second intifada,” said Jonathan Schanzer, vice-president for research at the Foundation for Defence of Democracies and a former terrorism finance analyst at the U.S. Department of the Treasury. “Abbas reined in those groups and has done a reasonably good job of preventing their resurgence. But the sins of his predecessor, Yasser Arafat, continue to haunt him. And now it looks as if it will cost him, as well.”

Read more at jns.org.

 

Format ImagePosted on February 27, 2015February 26, 2015Author Sean Savage JNS.ORGCategories WorldTags PA, Palestine Liberation Organization, Palestinian Authority, PLO, terrorism

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