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Secure a future for Studio 58

Secure a future for Studio 58

(photo from langara.bc.ca)

It’s 50 years in the future. You’re in your landspeeder, zipping along the desert horizon to the Langara oasis for the opening production of Studio 58’s 2065 season! It features the usual outstanding student acting and production talent, plus a very special guest sponsored by the Studio 58 Legacy Fund, which you helped start back in 2015. “Who’d they bring in this year?” you wonder, doing a portal scan through the virtual implants in your right eye. “Ah, they’ve got Antony Holland again. Bravo!”

Holland founded Studio 58 in 1965 (at 94, he is Canada’s oldest working actor) and the Studio 58 Legacy Fund was created to celebrate the school’s 50th anniversary and help carry on its tradition of excellence. The fund will help expand the scope of Studio 58’s productions by providing exceptional practical learning opportunities not otherwise available within the program’s regular operating budget, allowing the hiring of guest artists to work on productions, and permitting the program to offer special workshops, mentorships, etc.

The fundraiser’s goal? To establish an endowment of at least $250,000 – and Langara College will match every dollar raised before March 31, 2015.

Performances play a crucial part within the total program. In the past – through special grant funding or partnerships with outside agencies and companies – Studio 58 was able to enhance the student experience through co-productions, special workshops and mentorships. Sadly, the financial landscape has changed hugely since 1965, which is why the school is now reaching out for help.

Studio 58 has never done anything like this, and is unlikely to again. Donors will receive a charitable tax receipt for any donation, whether made online at langara.bc.ca/studio-58/learn-about-us/legacy-fund.html or by cheque to Langara College Foundation, 100 West 49th Ave., Vancouver, B.C., V5Y 2Z6. Please specify Studio 58 Legacy Fund with your donation.

Format ImagePosted on March 13, 2015March 11, 2015Author Studio 58Categories Performing ArtsTags Antony Holland, Langara College, Studio 58 Legacy Fund
Na’amat stands in solidarity

Na’amat stands in solidarity

The Canadian contingent included representatives from Montreal, Ottawa, Toronto, Hamilton, Calgary, Edmonton and Vancouver. (photo by Israel Malovani)

Leaders of Na’amat Canada joined representatives of the organization from the United States, Brazil, Mexico, Belgium, Argentina, Uruguay and Israel for the first Na’amat International Solidarity Conference in Israel. The delegation, led by national president Sarah Beutel, were guests of Israeli President Reuven Rivlin during the conference’s opening session on Feb. 10.

Rivlin welcomed the representatives. “The state of Israel has always been committed to the value of equality,” he said. “In the Declaration of Independence, our leaders committed themselves to the complete social and political equality for all citizens of Israel, without distinction of religion, race or gender. And when we promise something, we then must be committed to working hard to deliver on our promises.

“You, the women of Na’amat, have always supported the state of Israel, and dedicated so much to the welfare of the citizens of Israel. You were always proud Zionists, even in times when people were afraid to show public support for Israel. Moreover, your support helped, and still helps us, to ensure that we live up to our promises and that we keep alive the symbiotic connection between Israel’s Jewish and democratic identities.”

Attendees at the conference also took part in groundbreaking ceremonies for a new day-care centre sponsored by Na’amat Canada.

Other highlights included visiting a centre for victims of domestic violence, an evening in the Ayanot Youth Village, a Na’amat’s boarding school and a day in Jerusalem.

Delegates discussed issues confronting Israel, women and families, and Na’amat’s role in meeting those challenges. The conference provided an opportunity to experience the fruits of the organization’s efforts to promote gender equality and to help women with child-care, legal and family issues, domestic violence and employment issues.

Format ImagePosted on March 13, 2015March 11, 2015Author Na’amat CanadaCategories NationalTags Israel, Na'amat, Reuven Rivlin, Sarah Beutel
Paris synagogue visit

Paris synagogue visit

The Hon. Rob Nicholson at the Great Synagogue of Paris during a trip to France, accompanied by Joël Merghi and Rabbi Moshe Sebbag. (photo from the Office of the Minister of Foreign Affairs)

The Hon. Rob Nicholson, minister of foreign affairs, visited the Great Synagogue of Paris during a trip to France, accompanied by Joël Merghi, chair of the Central Consistory of France, and the synagogue’s Rabbi Moshe Sebbag.

As they toured the synagogue, they discussed the recent attacks against the Jewish communities in France and Denmark and the importance of continuing to denounce antisemitism. Nicholson also took the opportunity to reiterate the Government of Canada’s support for freedom of religion, including through the Office of Religious Freedom.

Nicholson traveled to Paris to meet with Laurent Fabius, France’s minister of foreign affairs and international development. The ministers discussed a range of international issues, including the crisis in Ukraine, the fight against the Islamic State of Iraq and the Levant, and global terrorism. In addition, they discussed the state of the world economy and opportunities for growth, trade and jobs following Canada’s recent trade agreement with Europe.

This trip was Nicholson’s first visit abroad as minister of foreign affairs and is part of concerted efforts by both Canada and France to further strengthen the deep and long-standing bond between the two countries.

Format ImagePosted on March 13, 2015March 11, 2015Author Office of the Minister of Foreign AffairsCategories NationalTags France, Moshe Sebbag, Rob Nicholson
A designer for real living

A designer for real living

Berlin-based photographer David Meskhi took shots of ordinary people wearing Maya Bash clothing. (photo from israel21c.org)

When fashion designer Maya Bash began renovating a grimy auto-parts store in Tel Aviv’s Gan Hahashmal (Electric Garden) district eight years ago, she could not have known that the crime-plagued neighborhood would become “the second sexiest neighborhood on earth,” according to Thrillist, and a go-to destination for international fashionistas.

Drawn by the low rents, she and other avant-garde young designers banded together as Collective 6940, brainstorming funky and fresh events to help turn the quarter into the place it is today. As they meet success in Israel and abroad, many of these designers are moving elsewhere. Bash, however, is content to keep her shop and studio on Barzilay Street, about a mile south of where she lives.

photo - Fashion designer Maya Bash
Fashion designer Maya Bash. (photo from israel21c.org)

The 35-year-old designer has made a modest name for herself among buyers at Paris Fashion Week. As a result, her minimalist, deconstructed garments are sold in about 10 boutiques in Japan, Italy, Russia, Denmark, the Netherlands and the United States in addition to Israel. Last year, she launched an e-commerce site to make her collections available to anyone with a credit card. That decision came from her head rather than her heart.

“I’m not an online person,” Bash said with a ready smile. “I like to go and touch things. I’m very old-fashioned. I buy music CDs and magazines even though I could read them online. But you have to challenge yourself when you own your own business, and I’ve had the shop and studio for eight years. I really don’t want another shop because I see how much energy it takes.”

That’s a lesson she learned through experience. A few years ago, two German women entered her store and announced they wanted to open an Israeli designer shop in Berlin. Bash and several other designers in Gan Hahashmal were chosen to realize this dream.

“After six months, they came to me and said, ‘Most of the clothes we’re selling are yours, so let’s turn it into a brand shop.’ It was really good. We went to Berlin and reconstructed the shop and it was open for a year,” said Bash.

“But then I gave birth to my daughter and it was very hard to manage my shop here, let alone the one in Berlin. It was a great experience but it was too much, so we closed it.” Many of her loyal clients from Berlin have become online customers.

Person becomes design

Bash agreed to meet with me during the afternoon hours she spends in her store before fetching her three-and-a-half-year-old daughter from school. She wears a dark-grey oversize T-shirt silk-screened with the drawing of a child.

“Tel Aviv is a small city, and I often see people wearing my designs. I wanted to capture some of these characters,” she explained.

Bash asked visual artist Zoya Cherkassky to create stylized, whimsical sketches based on a dozen of the people she had seen wearing her clothing. The sketches were then hand-printed onto fabric and made into garments for women and kids. “I love the nature of this cycle; a person buys my clothes and then becomes the next design,” said Bash.

Bash also collaborated recently with photographer David Meskhi to create a photographic project in Berlin featuring “interesting people,” rather than professional models, wearing her designs. And, with director Max Lomberg, she produced the short film Wardrobe, “a metaphorical representation of my thoughts about fashion design.”

Freedom to play

The Maya Bash children’s line, still new and limited, gives its creator much satisfaction.

photo - Maya Bash’s recently launched kids collection
Maya Bash’s recently launched kids collection. (photo by Irina Kaydalina via israel21c.org)

“On small clothes, the detail stands out much more,” she said. “Designing for children is such a special pleasure. I have the freedom to play and exaggerate everything.”

But, she stays far from glam and glitter. The mostly unisex clothing Bash designs is basic above all.

“My style is simple, minimalistic and deconstructed. I work from the body’s anatomical lines. I really work in an old-school way, on paper. I’m not a trendy designer,” she said.

The most expensive item in Bash’s current collection is a NIS 4,300 (just over $1,350 Cdn) leather jacket with a hand-knit lining peeking out underneath. Leggings cost NIS 290 ($91), T-shirts NIS 370 ($116) and trousers NIS 590 ($186). Many of her creations have sold out.

Trained at the Shenkar College of Engineering and Design, Bash favors natural or organic fabrics such as cotton, alpaca and linen imported from Japan, but is not averse to incorporating viscose, polyester and nylon where she deems it appropriate, especially for outerwear.

Additional components are on her drawing board. “I want to continue on to shoes and accessories,” Bash said. “You cannot just stay in a comfortable zone doing what you know how to do.”

She tries to balance her desire for growth with her insistence on remaining a small, made-in-Israel business. Most of the production is done in a factory near Rehovot, and samples are sewn in her Tel Aviv studio, where her mother does some of the hand knitting.

For more information, visit eu.mayabash.com.

Israel21C is a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.

Format ImagePosted on March 13, 2015March 11, 2015Author Abigail Klein Leichman ISRAEL21CCategories IsraelTags Electric Garden, fashion, Gan Hahashmal, Maya Bash
נתניהו בקונגרס האמריקני

נתניהו בקונגרס האמריקני

כלי התקשורת בקנדה סיקרו בהרחבה את נאומו של ראש הממשלה, בנימין נתניהו, בקונגרס האמריקני ביום שלישי בשבוע שעבר. (צילום: Amos Ben Gershom / IGPO via Ashernet)

כלי התקשורת בקנדה סיקרו בהרחבה את נאום נתניהו בקונגרס האמריקני
כלי התקשורת בקנדה סיקרו בהרחבה את נאומו של ראש הממשלה, בנימין נתניהו, בקונגרס האמריקני ביום שלישי בשבוע שעבר. זאת, תוך מתן דגש לעימות שיצר נתניהו עם נשיא ארה”ב, ברק אובמה, שביקורו נעשה בניגוד לפרוטוקול ולכללים של מנהיגים זרים שמגיעים למדינה, כיוון שהבחירות בישראל יתקיימו ביום שלישי בשבוע הבא.
עיתון ‘גלוב אנד מייל’ ציין כי אובמה שלא טרח לצפות בנאום של נתניהו, לא מצא בו שום דבר חדש. לדברי העיתון למעלה משלושים חברי קונגרס מטעם המפלגה הדמוקרטית החרימו את את הנאום. מנהיגת המיעוט הדמוקרטי בבית הנבחרים, ננסי פלוסי, הגדילה לעשות ואמרה: “נאום נתניהו הוא עלבון לאינטיליגנציה של ארה”ב”.
‘גלוב אנד מייל’ הוסיף כי במשרד החוץ הקנדי הגיבו בזהירות לנאום. במשרד אמרו: “אנו תומכים בצעדי המשא ומתן עם איראן, אך במקביל אנו ספקטים לגבי כוונותיה של איראן בנוגע לתוכנית הגרעין”. לדברי הפרשנים של ‘גלוב אנד מייל’ “נתניהו גרם לממשלת הרפר להיות במצב מביך, כיוון שמצד אחד היא רוצה להביע את תמיכתה החזקה בראש הממשלה, ומצד שני היא לא רוצה להעליב את בת הברית הקרובה ביותר שלה”. בקרב הקהילה היהודית בארה”ב נשמעו קולות של תומכים ומתנגדים כאחד, לצעדו החריג והמתוקשר של נתניהו, שלא זכור כמותו בוושינגטון. גם בקרב הקהילה היהודית בקנדה יש תומכים ומתנגדים לנאום נתניהו.
‘גלוב אנד מייל’ ציין עוד כי הנאום מוושינגטון שודר בשעת ארוחת הערב בישראל, שבועיים לפני הבחירות בימים מכריעים לגבי עתידו של נתניהו.
עיתון ‘הנשיונל פוסט’ מצטט מחוקקים בארה”ב שאמרו שהנאום של נתניהו, סיים כל תקווה לתיקון מערכת היחסים השבורה בין עם אובמה. אחד מהסנטורים הדמוקרטים שהחרימו את הנאום, סטיב כהן, הדגיש בחריפות: “הדבר היחיד שראש ממשלת ישראל השיג הוא הרחבת הקרע בין שני המנהיגים”.
‘הנשיונל פוסט’ דיווח גם על התגובה הנרחבת של הבית הלבן על נאומו של נתניהו. להלן הדברים: “ראש ממשלת ישראל לא סיפק כל סוג של חלופה, שישיג אותו מנגנון לאימות, למנוע מאיראן להשיג את הנשק גרעיני. נתניהו נשא נאום די דומה ב-2012 על כמה שעיסקה עם איראן הולכת להיות מסוכנת. ובכל זאת שנה מאוחר יותר אפילו קציני מודיעין ישראלים ומספר חברי ממשלה בישראל, הודו במפורש כי המשא ומתן עם איראן, מנע ממנה להתקדם בתוכנית הגרעין שלה. עדיין אין לנו עיסקה, ואנחנו מנהלים משא ומתן למנוע מאיראן להשיג נשק גרעיני. אך שום דבר אחר לא מתקרב לזה. הסנקציות או אפילו פעולה צבאית לא תהיה מוצלחת כמו העיסקה שאנו מנסים להשיג”.
כתב ‘הסי.בי.סי’ השוהה בישראל, דרק סטופר, אומר כי נתניהו אמנם נאם בקונגרס, אבל יתכן והקהל האמיתי שלו היה כאן בישראל. כאשר קמפיין הבחירות הקרובות נמצא בשבועיים האחרונים שלו. הנאום נקבע לשעה שהישראלים יוכלו לצפו בו, בעת שהם בבית. נתניהו ידע היטב שהופעה חזותית חזקה תשחק לטובתו משמעותית בישראל. לדברי סטופר נתניהו מכה בתוף נגד איראן כבר שנים, ובנאום שלו הוא השתמש רבות באותה שפה ובאותם נימוקים כבעבר.
לטור שלו בעיתון ‘הטורונטו סטאר’ על ראש ממשלת ישראל, העניק הרב דב מרמור, שהוא ניצול שואה וממנהיגי היהדות הרפורמית החשובים ביותר, את הכותרת: “נתניהו בחר בתעמולת בחירות על חשבון מדינאיות בנאום לקונגרס”. ואילו כותרת המשנה של מרמור: “זה אתגר היסטורי למנוע שואה נוספת. בנוסף לאמצעי הבטחה קונבציונאלים דרושה מדיניות עדינה, ולא רברבנות ותעמולת בחירות”.

Format ImagePosted on March 10, 2015Author Roni RachmaniCategories עניין בחדשותTags Barack Obama, Binyamin Netanyahu, Congress, בנימין נתניהו, ברק אובמה, קונגרס
All ears on Netanyahu talk

All ears on Netanyahu talk

Israeli Prime Minister Binyamin Netanyahu addresses AIPAC. (photo by Amos Ben Gershom IGPO via Ashernet)

Washington, D.C.

Israeli Prime Minister Binyamin Netanyahu addressed the AIPAC Policy Conference Monday, presaging his address to the U.S. Congress Tuesday. “Never has so much been written about a speech that hasn’t been given,” he joked, referencing the controversy around his visit.

Netanyahu said the speech was not intended to show disrespect to U.S. President Barack Obama. “I deeply appreciate all that President Obama has done for Israel: security cooperation, intelligence sharing, support at the UN, and much more, some things that I, as prime minister of Israel, cannot even divulge to you because it remains in the realm of the confidences that are kept between an American president and an Israeli prime minister,” he said. “I am deeply grateful for this support, and so should you be.”

He said his purpose in coming was to “speak up about a potential deal with Iran that could threaten the survival of Israel.”

As prime minister of Israel, Netanyahu said, he has a moral obligation to speak up. “For 2,000 years, my people, the Jewish people, were stateless, defenseless, voiceless. We were utterly powerless against our enemies who swore to destroy us. We suffered relentless persecution and horrific attacks. We could never speak on our own behalf, and we could not defend ourselves.

“Well, no more, no more,” he said. “The days when the Jewish people are passive in the face of threats to annihilate us, those days are over.”

Of the controversy that surrounds his visit, and the apparent rift it illuminates, Netanyahu took the opportunity to itemize a long list of historical disagreements between the two allies.

“In 1948, Secretary of State [George] Marshall opposed David Ben-Gurion’s intention to declare statehood. That’s an understatement. He vehemently opposed it. But Ben-Gurion, understanding what was at stake, went ahead and declared Israel’s independence,” said Netanyahu.

“In 1967, as an Arab noose was tightening around Israel’s neck, the United States warned prime minister Levi Eshkol that if Israel acted alone, it would be alone. But Israel did act – acted alone to defend itself.”

He noted, “In 1981, under the leadership of Prime Minister Menachem Begin, Israel destroyed the nuclear reactor at Osirak: the United States criticized Israel and suspended arms transfers for three months. And, in 2002, after the worst wave of Palestinian terror attacks in Israel’s history, Prime Minister [Ariel] Sharon launched Operation Defensive Shield. The United States demanded that Israel withdraw its troops immediately, but Sharon continued until the operation was completed.”

The reason he mentioned all this history, he said, was to make a point. “Despite occasional disagreements, the friendship between America and Israel grew stronger and stronger, decade after decade. And our friendship will weather the current disagreement, as well, to grow even stronger in the future. And I’ll tell you why. Because we share the same dreams. Because we pray and hope and aspire for that same better world. Because the values that unite us are much stronger than the differences that divide us. Values like liberty, equality, justice, tolerance, compassion.”

On Tuesday, Netanyahu addressed Congress, thanking Obama and the United States for support. “This Capitol dome helped build our Iron Dome,” he said.

The day before Purim, he made a parallel between Haman and Ayatollah Khamenei and outlined a litany of Iran’s sins. He warned that the agreement being negotiated “doesn’t block Iran’s path to the bomb, it paves Iran’s path to the bomb.”

If all else fails, the prime minister warned, Israel will do what it needs to do. “For the first time in 100 generations, we the Jewish people can defend ourselves,” he said. “Even if Israel has to stand alone, Israel will stand.” However, he added that he knows Israel does not stand alone because it has the support of the United States, an assertion that received an ovation from the combined senators and congresspeople.

Top of agenda

Fears that the controversy over Netanyahu’s speech to Congress could fragment the historic support for Israel across Democratic and Republican members of Congress pushed bipartisanship up the agenda of the 16,000-delegate AIPAC conference, which ran Sunday to Tuesday.

Former CNN anchor Frank Sesno interviewed Democratic Senator Ben Cardin and Republican Senator Lindsey Graham on stage at the conference, primarily about Iran’s nuclear program. Both politicians were emphatic that the pro-Israel consensus would withstand the tempest.

Cardin insisted that a final agreement must be transparent and allow inspectors on the ground throughout Iran. He favors increased sanctions on Iran if no deal is reached by the March 24 deadline. He said the only reason Iran is negotiating in the first place is because of sanctions and the economic isolation they have put on the country. “We’ve got to keep the heat on,” he said.

“Diplomacy would be the right answer, rather than war,” Graham said, adding that Congress should have the right to vote on the deal. “A bad deal is a nightmare for us, Israel and the world.” He warned that if Iran were to get a nuclear weapon it would lead to a nuclear arms race in the Middle East, with the Sunni countries seeking the same weaponry.

On the reactions to Netanyahu’s visit, the men were unanimous.

“Don’t lose focus,” Cardin said. “The bad guy is Iran.” He urged AIPAC delegates to put pressure on their members of Congress to support proposed legislation that would make it difficult or impossible for countries that boycott Israel to do business with the United States.

Graham, who is chair of the Subcommittee on the Department of State, Foreign Operations and Related Programs, received an ovation when he threatened to cut off money to the UN if vilification of Israel in the General Assembly continues.

The bipartisanship flag was waved again later in the day when Representative Steny Hoyer, the Democratic whip in the House of Representatives, and Representative Kevin McCarthy, the Republican majority leader in the house, spoke.

Lawfare not fair

The 1975 UN General Assembly resolution equating Zionism with racism is that body’s most notorious attack on Israel, said Brett Schaefer, a research fellow at the Heritage Foundation, but there have been 20 condemnatory resolutions against Israel just in this session of the GA alone, compared with three condemnatory resolutions for every other nation.

Likewise, the UN Human Rights Council, he said, has a disproportionate focus on Israel, while ignoring serious human rights abuses elsewhere. The council’s standing agenda has one permanent item on Israel and another item covering every other country on earth.

These institutional attacks on Israel began before the latest round of “lawfare,” Palestinian leaders’ attempts to gain international recognition without negotiating directly with Israel. Schaefer outlined a long list of successful and unsuccessful attempts by the Palestinians to gain legitimacy through the UN and its agencies. Yet such efforts are in direct violation of peace negotiations, which are premised on mutual recognition and negotiation, he said.

While Palestine has been recognized by UNESCO, the UN body on culture, education and science, Schaefer said Palestine is highly unlikely to be recognized as a full member of the GA because membership must be recommended by the Security Council to the assembly and the United States would likely veto such a move.

“What this is about is Palestinians getting what they want without compromise,” he said, noting that the Palestinian leadership has prepared their people to expect nothing less than complete victory and to view compromise as betrayal. However, Schaefer added, “They’ve been pretty successful so far.” The international community is “enabling Palestinians” in avoiding peace negotiations, he said. This includes the Obama administration, according to Schaefer, which puts pressure on Israel to compromise, but not on the Palestinians. “The Palestinians see no downside to what they’re doing right now,” he said, adding that there does not appear to be any reason to change course.

Gil Troy, a professor of history at McGill University, said the UN was founded as a great healing, redeeming instrument promoting the universality of human rights, but it is now a “Third World Dictators’ Debating Society.” A coalition of Soviet-led developing countries hijacked the UN from the democracies decades ago, he said.

With 193 member-states now, Troy said, the UN represents 193 forms of nationalism, but there is only one form of nationalism that is delegitimized by the GA – the Jewish nationalism called Zionism.

A conundrum for Israel in all of this is that the UN is widely respected worldwide. “The United Nations is the greatest social services agency the world has ever seen,” Troy said. For the overwhelming majority of the world, it is a great organization helping their daily lives, therefore, if the UN hates Israel, Israel must be evil.

Schaefer said Palestinian leaders have benefited from their position as something between a government and a figurehead. “Palestinians have achieved some aspects of self-government but they don’t have any of the responsibilities of government,” he said. UNRWA and other international agencies use foreign aid to run the health, education and civil infrastructure in Palestine, so the Palestinian leaders do not have to take responsibility for their people. He said the world should force the leaders to govern their people.

Schaefer suggested that the United States begin using its own power at the UN. “The United States needs to elevate awareness among other countries that their votes at the General Assembly matter,” he said. There used to be a rule about aid to countries that do not vote with the Americans consistently, but that has been rescinded, he said.

Canada, eh?

An AIPAC session on relations between Ottawa and Jerusalem drew a respectable audience – mostly Canadians but a significant number of Americans as well – and this itself is a sign of Canada’s changed roles in the world, said Jonathan Kay. “No one would have cared what Canada thought 10 years ago,” he said.

Kay, editor of The Walrus and former editor of the National Post’s comments section, was joined on a panel by B.C. author Terry Glavin.

While Prime Minister Stephen Harper is widely credited (or condemned) for shifting Canada’s position to be more pro-Israel, Kay noted it was former Liberal prime minister Paul Martin who changed Canada’s voting patterns at the UN. Kay said he sees this shift as one of the most abrupt changes in foreign policy he’s ever seen. Canadian voting policy had been in line with European nations, he said, which meant generally anti-Israel, but it is now the most “doctrinaire pro-Israel country in the world.”

Glavin said the shift did not come from the top down. Changes in the views of the Canadian general public have been seismic, he said. Canadians had clung to the idea that their country is one of “peacemakers, not warmongers,” an “honest broker” and “not those vulgar Americans.”

As well, the presence in the Liberal and New Democratic parties of a small group of vocal anti-Israel members went largely unchecked until after the 9/11 terror attacks in 2001, when there was a significant shift in what Canadians were willing to accept in terms of radical foreign-policy views, Glavin said. “Most Canadians had enough by about 2006, 2007,” he added.

The Conservative party that Harper leads is technically less than 20 years old. When the Conservatives won a majority in 2011, Glavin said, some Canadians were waiting for the creation of a “Pentecostalist Taliban State.” Instead, he said, the country has accepted thousands of gay refugees, increased aid to Palestinians and focused on maternal health in the developing world.

Kay put it more succinctly, calling the Conservatives socially liberal on gay rights and abortion in a way that has no analogue in the United States. He characterized Canada for his American audience as “like one big Vermont,” and said the Conservative government accepts gay marriage as a given and, “cats aren’t marrying dogs or whatever.”

On the Israel front, Glavin said Harper has made clear that the struggle is between “free people and tyrants,” not between Israelis and Palestinians. The engagement in Afghanistan has also changed Canadians’ views of foreign affairs, he added.

Kay believes that the 1956 Canadian “invention” of peacekeeping was a stale dogma that Canadians cherished but were eventually prepared to abandon as the country became more confident. As the threats in the world, particularly radical Islam, increased, Canadians took a different view of their own role.

Will things change if this year’s election is won by Justin Trudeau, whom Glavin said some Canadians view as a “foppish drama teacher snowboarder”?

Kay predicts Trudeau would essentially ignore the Middle East. “To the extent that he knows about stuff, it’s domestic stuff,” Kay said.

Kay credits the CBC for moderating what was once a reliably anti-Israel bias, but Glavin raised a recent incident in which CBC television host Evan Solomon asked then foreign minister John Baird if he thought it was OK to appoint a Jewish person, Vivian Bercovici, as ambassador to Israel. Glavin said that the prime minister recently appointed Kevin Vickers, the heroic sergeant-at-arms who killed the terrorist on Parliament Hill last year, ambassador to Ireland and nobody questioned the fact that an Irish Catholic was being appointed to Canada’s highest office in Dublin.

Baird reflects

Recently resigned foreign affairs minister Baird rejected the idea that strong support for Israel has damaged Canadian relations with other countries, saying that Canada has better relations with the Arab world now than it has had in years.

As foreign affairs minister, he said, his job was to promote Canadian values and interests. Supporting Israel, he said, is where those two intersect.

On Iran, Baird said, history should provide an object lesson. Hitler published Mein Kampf years before he began the “Final Solution.” The world was warned. Now Iran is promising to wipe Israel off the map.

“We’ve got to take that incredibly seriously,” he said.

Pat Johnson is a Vancouver writer and principal in PRsuasiveMedia.com.

Format ImagePosted on March 6, 2015March 4, 2015Author Pat JohnsonCategories WorldTags AIPAC, Barack Obama, Ben Cardin, Binyamin Netanyahu, Brett Schaefer, Gil Troy, John Baird, Jonathan Kay, lawfare, Lindsey Graham, Pat Johnson, Terry Glavin, UN, United Nations
Nisman was a true hero

Nisman was a true hero

Gustavo Perednik, right, with Alberto Nisman in Jerusalem. Nisman’s work inspired Perednik’s novel. (photo from Gustavo Perednik)

The day before he was to present to Argentina’s parliament allegations that the government tried to cover up Iran’s involvement in the 1994 terror attack against the AMIA (Asociación Mutual Israelita Argentina) Jewish community centre, federal prosecutor Alberto Nisman was found shot dead in his home on Jan. 18.

Led by another prosecutor, Nisman’s AMIA case was dismissed last week by a federal judge on the basis of insufficient evidence. An appeal will likely follow (as at press time, it had not), and the case will continue. No one has been found responsible for the bombing of the AMIA, nor that of the Israeli embassy in 1992. Nisman’s suspicious death is under investigation.

image - To Kill Without a Trace book cover
To Kill Without a Trace author Gustavo Perednik speaks at the Waldman Library on March 23.

It is within this context that Argentina-born Israeli writer Gustavo Perednik visits Vancouver (and elsewhere) to discuss his novel To Kill Without a Trace: A Prequel to 9/11. Originally published in Spanish in 2009 by Planeta, the English edition was published by Ontario-based Mantua Books Ltd. on Sept. 11, 2004. It was translated by Dennis Burton, and Vancouverite Elena Feder wrote the foreword.

Written as an historical novel, writes Feder, To Kill Without a Trace “recounts the events leading up to the bombing of the AMIA and beyond, exploring the social and political implications both for Argentina and the world. Never losing sight of the human dimension of the tragedy, Perednik’s lightly veiled fiction is accurately based on reported facts and original legal documents, put at the author’s disposal by none other than the chief investigator of the case, Argentina’s prosecutor, Alberto Nisman.

“As it did for its Spanish readers when it was first released,” Feder continues, “this translation of Perednik’s account will make the AMIA bombing and its aftermath more accessible to its English readers. It will help them unravel the complex threads surrounding the facts and events leading up to and following the bombing, and will steer them through the arcane legal and political intricacies of this decades-long case.”

“I was motivated to write the book when I knew the fantastic work done by Alberto Nisman for justice in Argentina,” Perednik told the Independent in an email interview. “Here you have a man fighting by himself against all odds, inspired by the ideal of pursuing truth by all means. Moreover, I was encouraged by the fact that I was able to get plenty of information on Iranian terrorism thanks to my friendship with Alberto.”

Perednik has published novels, essays and countless articles in anthologies and academic journals. He said he chose the fictional form for To Kill Without a Trace “to make it more readable and compelling. The life of Alberto combines many aspects that are appropriate for a fictionalized chronicle: perseverance, idealistic youth and the metamorphosis of a personality due to the sense of a mission he felt about one specific case – the investigation of the AMIA terror attack.”

Perednik and Nisman met about 10 years ago, “when he read an article I wrote and emailed me that he agreed with me and that we should meet. Once we met, he told me that when he was a teenager he had heard me speak several times at the Jewish institution that I headed in Argentina.”

For the novel, Nisman provided “reports, opinions and projects,” explained Perednik. “Sometimes he also gave me pictures, and he often provided me the names of people who could help me in my research for the book.”

Perednik and Feder have been friends for about 15 years. “She translated my book Judeophobia into English – it is still unpublished,” he said, referring to the English edition. The book, which examines the origins and development of hatred towards Jews and various theories explaining it, has already been published in Spanish, Portuguese and Hebrew.

“It all started when she wrote to me about my article ‘Europe the Aggressor,’” he said. “She was on her way to a conference on Jew-hatred in Paris. She was the Canadian representative. Elena put me in contact with the publisher – Mantua Books – and she was kind enough to write the excellent foreword that helps to understand the case.”

Feder has volunteered many hours to the publication. “I do it out of conviction,” she wrote in an email. “I do it to honor the memory of my parents and the decimated family I never met, courtesy of the Nazis, who serve as models and heroes to the current instigators of hatred against the Jewish people.

“I stand on the side of those who consider Iran’s extensive, long-term and long-ranging aim to take over and cleanse the planet of all ‘infidels,’ instrumental in the resurgence and spread of Jew-hatred worldwide. Like my ancestors, I feel personally at risk, not for what I do or what I may or may not believe in, or where I may choose to live, but for who I am in the distorted lens of those who consider both my life, and this life as a whole, worthless.”

“I think Alberto Nisman’s devotion for the cause of justice should be valued everywhere,” said Perednik, “especially during these times in which the terrorist state of Iran seems to get away with its murderous campaign without anyone having the courage to confront it. Alberto had the courage and paid for it with his life. He was a true hero.”

Perednik will appear on CBS’s 60 Minutes on March 8, at 7 p.m. He will be at the Isaac Waldman Jewish Public Library on March 23, 7 p.m., with Feder. An RSVP is required to 604-257-5111, ext. 248, or library@jccgv.bc.ca by March 19.

Format ImagePosted on March 6, 2015March 4, 2015Author Cynthia RamsayCategories LocalTags Alberto Nisman, AMIA, Argentina, Asociación Mutual Israelita Argentina, Elena Feder, Gustavo Perednik, To Kill Without a Trace, Waldman Library
Whipping Man a must-see

Whipping Man a must-see

Left to right, Carl Kennedy, Tom Pickett and Giovanni Mocibob hold a seder in The Whipping Man. The symbolism of Passover is an integral part of Matthew Lopez’s play. (photo by Emily Cooper)

On April 9, 1865, the day before erev Passover, General Robert E. Lee surrendered his Confederate troops to the Union Army’s General Ulysses S. Grant at Appomattox, Va., ending the four-year American Civil War and setting the stage for the emancipation of African Americans. This intersection of events forms the backdrop of award-winning playwright Matthew Lopez’s powerful three-person drama The Whipping Man, currently at Pacific Theatre. The play, now one of the most produced dramas in America, is a searing exploration of family, friends, faith and freedom.

There were approximately 50,000 Jews in the South at the beginning of the Civil War. Their sons fought for the confederacy. Many of the families were successful and owned slaves. The Whipping Man is the story of one such family, the DeLeons of Richmond, Va.

The play opens on a stormy night with scion Caleb DeLeon (Giovanni Mocibob) returning in defeat from war to find his family’s mansion ransacked and all the slaves gone except for faithful old retainer Simon (Tom Pickett), who has remained to protect the premises and await the return of his wife and daughter. Another slave returns that night, John (Carl Kennedy), who was raised with Caleb – they are like “two peas in a pod,” according to Simon.

John has been on one of his forays, “liberating” food, utensils and other items from abandoned mansions in the area. He returns to find an injured Caleb, whose gangrenous leg needs to be amputated below the knee. Caleb’s refusal to go to the hospital means that Simon, aided by John, must perform the operation. Especially in the intimate space of Pacific Theatre, the intense, bloody scene, where the protagonists are fueled by whiskey and courage, is not for the faint-hearted, even though a judicious lighting cue takes some sting out of the visceral moment.

It was common for slaves to take the religion of their owners and to learn the customs and the rituals of their adopted faith, so, for Passover, Simon decides they need to have a seder. He sets about to find appropriate items for the seder plate from what little is left after the war: collard greens instead of bitter herbs, small squares of hardtack military ration as matzah, and the shank bone of Caleb’s dead horse, all to be accompanied by the requisite cups of (stolen) wine.

As the three sit among the ruins of the home that connects them, the words and songs of the Haggadah, celebrating the delivery of the Jews from bondage in Egypt, take on new meaning. Simon and John are now no longer slaves; Caleb is not anyone’s master. All three men are presumably equal and the interpersonal dynamics shift. Simon declares to Caleb at one point, “You don’t tell me what to do anymore, you ask me.” Each character must grapple with the upheaval of their world and the new freedom and responsibilities that it brings. As they work through their angst, secrets are disclosed that will forever change their lives.

The acting in this production is sublime. All three men give riveting performances, along with respectable southern accents.

Mocibob, who spends most of the time immobilized under a blanket on the stage – his leg having been amputated – peels away at the layers of his character, who has lost his faith, both literally and figuratively, during the years of war and who faces a moral conundrum regarding his family’s ownership of slaves, which, of course, affects his relationships to John and to Simon and his family.

Kennedy hits the right balance of pathos and anger in his portrayal of the young self-educated slave John, his experiences with the whipping man (a white man to whom Caleb’s father and other slave owners would send their slaves to be punished with lashings from a bull whip) and his slow acceptance of the reality of a crime he has committed.

But it is Pickett who really shines, as the wise old man who has seen it all and yet somehow remains unjaded. He infuses a majestic calmness into the role of Simon. We hear the heartbreaking recollection of Simon’s own whippings and the physical and emotional scars they left behind. We witness his stoicism when he receives news of the death of beloved “Father Abraham” (Abraham Lincoln, the “American Moses”) and hears of the fate of his family.

The set of The Whipping Man is appropriately dark and ominous. Fallen bricks and broken floorboards are set off with shadowy blue lighting and the glow of candlelight; the sound design is a mournful mix of rain and thunder. The shabby costumes add to the grit and desperation of the story. Together, the visual and audio serve as metaphors for the postwar devastation and confusion.

The play, while set more than 150 years ago, is still vitally relevant for contemporary audiences. Slavery, sadly, still exists and The Whipping Man program contains some data on modern-day slavery; hopefully, the play will encourage discussion about and involvement in combating it.

Theatre does not get much better than this – our attention is completely absorbed and we are transported to another time and place, yet by material that speaks to issues with which we still wrestle. There are Jessies on the horizon for this production.

Tickets for The Whipping Man, which runs until March 21, are available at pacifictheatre.org and 604-731-5518. The show is not suitable for children.

Tova Kornfeld is a Vancouver freelance writer and lawyer.

Format ImagePosted on March 6, 2015March 4, 2015Author Tova KornfeldCategories Performing ArtsTags Carl Kennedy, Giovanni Mocibob, Matthew Lopez, Pacific Theatre, Passover, Tom Pickett, Whipping Man
Making personal impressions

Making personal impressions

Leonard Shane’s artwork is on display at the Waldman Library until March 31. (photo by Olga Livshin)

When Leonard Shane was a child, his mother enrolled him in music lessons. “It lasted only a few months,” he told the Independent with a chuckle. “I didn’t like it. Then I began taking art classes, and it worked. I liked it. But I never painted as an adult until I retired.”

Shane worked all his professional life as an elementary school teacher. “I chose a profession because I wanted to make a living and I loved teaching. It demands lots of creativity. We worked on many creative projects with my classes – creative writing and art – and then I’d hang the children’s works all over the school.”

Fully engaged by teaching, he didn’t think about painting, didn’t have time for it either. “Teaching is an immense responsibility,” he said. “So many kids have personal issues. Some kids are damaged, and you try to help.”

Then, 14 years ago, he retired. “I thought, what to do with my days? So, I took up photography and painting. I could make art on my own terms.”

He also joined Toastmasters for a few years. “I felt alive when I spoke in front of an audience,” he recalled. “This is an important aspect of any art form for me: to express myself. That’s what my paintings are about. With each painting, I try to express what I feel at the moment. Some pieces are soft, the images demand watercolors. Others are strong, full of energy, and I make them in acrylics. With every picture, something wells up from the inside, it flows; it can’t be forced.”

He paints under the influence of inspiration, so there is no set schedule, no deadlines. “I paint when I’m in the mood. Sometimes, I don’t paint for weeks; other times, I have to do it every day, for three months in a row. But I always have some way out for my creativity. When we recently went on a trip to Mexico, I’d go alone to the beach and sketch. I love capturing the essence of a place, love painting outdoors. For me, it’s the preferable experience, enhanced by nature.”

Shane paints mostly landscapes and waterscapes. Sometimes, they are of places he visits often, walks past every day: boats in Richmond harbor or a shoreline in Delta, a local park or a neighborhood street. He might paint these images on location, from photographs, from memory or with the aid of the internet. He invariably puts his own unique style and interpretation into the paintings, making them his personal impressions.

“I take photos with my camera, transfer them to my computer and then put my easel in front of the computer screen,” he explained. “I’d zoom on the photo, sometimes only a part of it, and paint. Other times, a painting might be inspired by others’ artistic works, by visiting galleries. I never copy a photo, always let my imagination fly, let the image evolve. A painting is like a meditation. It allows me to look inside myself.”

Shane has a series of Jerusalem landscapes although he has never been to Israel. Those pictures are a reflection of his inner self, he said. “I learn a lot about myself through my paintings,” he explained.

Some of his pictures are playful, like cats or dogs. Others are lyrical, reverberating with his affection for British Columbia and its diverse scenery. Still others are philosophical. “The end result is not as important as the process,” he said with conviction. “Painting is like a journey. You never know where it will take you.”

Initially, he didn’t think about selling his artwork; it was just a hobby. But that has changed somewhat. “First time I put my paintings out, some kind of outdoor art sale, I was upset that everyone walked past, nobody bought [one],” he said. “Now, I just enjoy the process. I know that we all have different tastes, but the joy of creating art stays with you forever. And I know that, at some point, someone will come along who would love one of my paintings and buy it. One of my wife’s friends bought my painting recently. She often tells me that seeing it on her wall every day invigorates her. It’s very rewarding.”

Shane also makes greeting cards from his paintings and photographs and sells them through several local gift and coffee shops. “You build a relationship with the owners this way,” he said. “After awhile, I approached some of them and offered to hang my art in their shops, and many agreed.”

That’s how Karen Corrin of the Isaac Waldman Jewish Public Library saw his work – in a Starbucks.

“I have known Karen for a long time,” Shane said. “She is a good friend. Suddenly, she called me. She said: ‘I didn’t know you painted. Let’s have your show at the library.’”

Shane’s exhibit of watercolors and acrylic paintings is at the Waldman Library until March 31. To learn more, visit lenshaneart.com.

Olga Livshin is a Vancouver freelance writer. She can be reached at olgagodim@gmail.com.

Format ImagePosted on March 6, 2015March 4, 2015Author Olga LivshinCategories Visual ArtsTags Leonard Shane, Waldman Library
The three trials of Gett

The three trials of Gett

Viviane (Ronit Elkabetz) and Carmel (Menashe Noy) in Gett. (photo from Music Box Films)

The marvelously claustrophobic and deeply damning Israeli courtroom drama Gett: The Trial of Viviane Amsalem – which opens March 13 at Vancity Theatre – actually consists of three trials.

Seeking a divorce after some 30 years, Viviane aims to cast her husband Elisha as the defendant. However, the government-funded religious court vested with authority over Jewish divorces won’t grant a gett without the husband’s consent – and the triumvirate of Orthodox rabbis insists it has limited power to pressure him. As a result, it often feels as if Viviane (rivetingly played by Ronit Elkabetz) is on trial. And, because the process seems arbitrary and unfairly skewed in favor of the husband (the taciturn, unwavering Simon Abkarian), the film explicitly puts the system itself on trial.

“Our work is very political,” said Shlomi Elkabetz, who co-wrote and co-directed the film with his sister Ronit. “Gett is a protest film.”

The Elkabetzes come from a Moroccan Sephardi background, and were born in Beersheva and raised around Haifa.

“We did not have any connection whatsoever to the cultural centres in Israel [growing up],” Elkabetz said during a visit to San Francisco last fall. “We did not have any access, not by our family members and not by the surroundings of the places we grew up in.”

As outsiders who had to push and elbow their way into Israel’s Ashkenazi-dominated cultural hierarchy, they take great satisfaction in Gett’s Ophir Award for best picture and selection as Israel’s official submission to the Oscars in the best foreign language film category. (It didn’t receive a nomination.)

The film’s structure and setup is simple and powerful: Viviane wants a divorce, and her husband says no.

“Just like that there is huge suspense, because we identify with the wish of Viviane to be free,” Elkabetz said. “The dream of the modern world is freedom. She wants something that all of us want.”

The corollary to rooting for Viviane is that the other characters assume the cloak of villains, but the filmmakers made a concerted effort to imbue Gett with nuance and ambiguity, which makes for a more interesting, provocative and richer work.

“[Ronit and I] don’t judge Viviane, we do not judge Elisha, not the judges, we do not judge [Viviane’s] advocate,” said Elkabetz. “Everybody has his place for performing their interior life and making it exterior in that little theatre of the court. Everybody is respected by us, the storytellers.”

Gett marks the third and final chapter of an exceptional trilogy that began, in the very first scene of To Take a Wife (2004), with Viviane’s seven brothers discouraging her from rocking the boat and seeking a divorce. Shiva (Seven Days), set a few years after Viviane has left Elisha, reunites the extended family for a funeral.

Shiva (2008) also won the Ophir for best picture, so the attention and respect of their peers is not a brand new experience for the Elkabetzes. One gets the feeling that Shlomi and Ronit (familiar to movie-goers from The Band’s Visit), a gay man and a woman, respectively, are fueled by the role of underdogs.

For his part, Shlomi Elkabetz wants to make accessible films that provoke audience reactions and, ideally, promote societal change. Intense and often intensely absurd, the beautifully crafted and acted Gett hits every mark.

“If I go to all this trouble, I want people to be aware of the film,” he said. “Part of my attraction in cinema is to try to make cinema that does not give up filmmaking. I’m not trying to flatter anyone but to be strict and radical and at the same time to be popular. Is it possible? I don’t know.”

Elkabetz laughs, at himself and the test he has set for himself. Consider it Gett’s fourth trial.

Michael Fox is a writer and film critic living in San Francisco.

Format ImagePosted on March 6, 2015October 27, 2015Author Michael FoxCategories TV & FilmTags gett, Israel, Ronit Elkabetz, Shlomi Elkabetz

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