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Hear My Music premières

Hear My Music premières

At the première of Hear My Music at Labia Theatre in Cape Town on Feb. 15, are, left to right, Ntandazo (Didi) Gcingca, associate producer, and Dizu Plaatjies, the documentary’s subject, with Wendy Bross Stuart and Ron Stuart of WRS Productions. (photo from WRS Productions)

Dizu Plaatjies is a performer, scholar and cultural activist who has devoted his adult life to indigenous African music. His journey from childhood in the Eastern Cape and Langa Township to concert stages worldwide is the compelling story that is the focus of the documentary Hear My Music: The Dizu Plaatjies Story.

photo - Dizu Plaatjies is a performer, scholar and cultural activist who has devoted his adult life to indigenous African music. His journey from childhood in the Eastern Cape and Langa Township to concert stages worldwide is the compelling story that is the focus of the documentary Hear My Music: The Dizu Plaatjies StoryCultural Odyssey Films and WRS Productions (comprised of Vancouver’s Ron Stuart and Wendy Bross Stuart) premièred the documentary on Feb. 15 at Labia Theatre in Cape Town, South Africa.

Plaatjies has a vast international following, both of overseas students at the University of Cape Town, where he teaches, and fans of his recordings and concert work. Throughout his career he has maintained a commitment to nurturing a younger generation of artists, and founded the Amampondo ensemble. Among the first African musicians to tour extensively, they became familiar to world music lovers in Europe, the Americas, the Middle East and throughout Africa. They were a personal favourite of the late Nelson Mandela and Bishop Desmond Tutu.

Plaatjies recognized the need of local musicians for access to authentic and reasonably priced indigenous instruments, and has embarked on a program of instrument-making with apprentices from the region. His love of traditional African melodies and rhythms from various cultural sources has led to significant “salvage ethnomusicology” work. Apart from his own Xhosa heritage, he has promoted the musical styles of groups throughout southern Africa.

Despite his accomplishments and wide recognition, Plaatjies remains an approachable and humble individual. He is at home teaching children in a township school, exchange students at the university, and specialists in African music. On stage, he still exudes the enthusiasm he had when busking on the streets of Cape Town as a young musician in the early 1980s.

Format ImagePosted on March 17, 2017March 14, 2017Author WRS ProductionsCategories TV & FilmTags Dizu Plaatjies, WRS Productions
Fundraising with food

Fundraising with food

Israeli business owner and chef Yair Yosefi helped spearhead a fundraiser for Syrian refugees. (photo from Yair Yosefi)

A Tel Aviv restaurateur and bar owner wanted to do something about the dire situation of Syrian refugees, so he turned to what he knows best – food.

Yair Yosefi is the owner of Nahalat Binyamin restaurant Brut and bar Extra Brut. Thinking about how he might be able to help, Yosefi connected with his friend Ronit Vered, who is a food journalist. Together, the two created Kitchen Without Borders, which raises awareness of the plight of and funds for Syrian refugees.

“When you see what’s happening on the other side of the border, we have to do something,” Yosefi told the Jewish Independent. “We don’t have enough power. We aren’t politicians. We thought, if we have to do something, we will cook.”

Although Yosefi said he would gladly go to Syria to cook, his Israeli passport doesn’t allow him to do so. “It was a dream of mine to go to Haleb,” he said. “When I was living in France, I had friends from there … very interesting cuisine. But, having an Israeli passport, it’s impossible. Syrians can go into Israel, but Israelis can’t go into Syria…. So, we just decided we’d do what we can.”

They have raised funds by selling Syrian-inspired dishes at their restaurants and by getting other restaurants to join in the fundraising efforts.

Yosefi started Brut and Extra Brut with partners two-and-a-half years ago, soon after he returned to Israel from Paris, where he had been living and working for 10 years. He is now married and has a four-year-old daughter.

Of the restaurant, Yosefi said, “I’m co-chefing with my best friend, Omar Ben-Gal. I’ve been cooking for the last 20 years, since I was 20. We were born and raised in Tel Aviv. It’s the heart for Israel, heart of cultural life in Israel.”

Being the father of a young child, Yosefi feels especially concerned with the situation women and children are facing in Syria. With his friends in the restaurant industry, he wanted to help, but the question was how.

“Every restaurant decided on a dish – either one inspired by Syrian cuisine or, if that wasn’t possible, like with Thai or French restaurants, they’d choose a signature dish,” said Yosefi. “All the revenue from this, which ran for a few weeks, went to a foundation called Karam, based in the U.S. and created by ex-Syrians. Karam uses donations to help, especially, kids … education…. It’s very important.

“We forget, because of the war, they haven’t gone to school or kindergarten … so they’re helping the women and the kid refugees with basic things like food, tents, clean water, education … everything.”

Restaurants throughout Israel joined in the effort to raise the funds, many in Tel Aviv, as well as some Arab and Palestinian restaurants, from large restaurant chains to small mom-and-pop operations, said Yosefi.

About how much was raised through the project, which ran Jan. 15-31, Yosefi explained that he and the other organizers decided ahead of time that every restaurant would donate directly to the foundation. “We trust each other, so we’re not even asking,” he said. “We decided not to count the money. Everybody gave what they made. I know it was quite an important amount … but, most important, it was an issue that was spoken about in Israel and the money obviously helped them – the refugees.

“From the Karam Foundation, we’ve heard two things. First, that it was a nice amount. And, secondly, that it was very heart-warming … [that] people from [across] the border, Israelis, chefs and bakers, gave money.”

As for the Israeli customers enjoying this special cuisine, Yosefi said, “People came and were looking for a certain dish from each restaurant devoted to the cause. It was very, very nice actually. It’s very nice when you go out, eat and drink, and you know that the dish means you’re donating money. Patrons are very generous.”

At Brut, they decided to make a spin-off dish, called Duhul Safadi, the recipe for which they were given by a Palestinian friend from Nazareth, though they called the dish A Night in Halab. Slow (overnight) oven-cooked lamb served on foraged vegetables cooked in yogurt, Yosefi described it as “our take on the Palestinian-Syrian dish.”

Brut chose this particular recipe because the ingredients are locally sourced, something they put an emphasis on with all their food.

Looking ahead for other ways to help, Yosefi said, “We’re going to do something, but we don’t know what yet. We want to see the reaction first.”

In September, Yosefi and his team will be going on the road for a few events in the United States, with stops in Charleston, Nashville and New York. They have been invited to Tokyo this April to do a pop-up booth.

“We’d love to bring our cuisine to Vancouver,” said Yosefi. “It would be fun. We’ll bring our knives and you bring your Canadian whisky. It could be a good match.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

 

Format ImagePosted on March 17, 2017March 14, 2017Author Rebeca KuropatwaCategories IsraelTags Israel, Syria, tikkun olam, Yair Yosefi
This week’s cartoon … March 17/17

This week’s cartoon … March 17/17

Format ImagePosted on March 17, 2017March 14, 2017Author Jacob SamuelCategories The Daily SnoozeTags sloths, thedailysnooze.com
מאה אלף דולר להגברת הביטחון

מאה אלף דולר להגברת הביטחון

איומים על הג’י.סי.סי של ונקובר: ממשלת המחוז תעניק מאה אלף דולר להגברת הביטחון. (צילום: Cynthia Ramsay)

הג’י.סי.סי של ונקובר מצטרף לרשימה ארוכה של למעלה מ-140 מרכזים ומוסדות יהודיים בצפון אמריקה, הנתונים לגל אנטישמיות חדש בחודשים האחרונים, ומקבלים איומים שונים בהם הטמנת מטעני חבלה. בקנדה הושמעו איומים דומים בשבועות האחרונים שעבר כלפי מספר מוסדות היהודים בהם בטורונטו ובלונדון.

הג’י.סי.סי פונה ביום שלישי שעבר ב-9 בערב עת התקיימה בו הופעה של הזמרת הישראלית, מאיה אברהם ולהקתה (בסגרת פסטיבל ‘חופצה’), לאור איומים של הטמנת מטען חבלה. האולם בו התקיימה ההופעה היה ברובו מלא אך חוקרי המשטרה לא מצאו שום מטען חבלה. לאחר זמן קצר המשטרה הכריזה שאין סכנה נשקפת לציבור והבניין חזר לפעילות רגילה. ביום ראשון ב-11 בבוקר הג’י.סי.סי פונה שוב בגלל איומים על הטמנת מטען חבלה. הפעם הבניין לא היה עמוס במיוחד והפינוי היה מהיר. גם הפעם למרבה המזל היה מדובר באיומי שוא.

לאור האירועים הוחלט בג’י.סי.סי להגביר את האבטחה במרכז והארגון ביחד עם הפדרציה של מטרו ונקובר, משתפים פעולה עם משטרת ונקובר. בהקשר זה אומרים בפדרציה כי הוקצו למעלה מארבע מאות אלף דולר לאבטחת 29 מוסדות של הקהילה היהודית באזור ונקובר. גם ממשלת מחוז בריטיש קולומביה החליטה לעזור והעניקה מאה אלף דולר לפדרציה, לצורך הגברת אמצעי הביטחון בארגונים היהודים באזור.

סקס אנד זה סקוז’י

זוג שקיים סקס סוער בג’קוזי בעיר קולונה וכיכב בסרט הוידאו של מצלמת אבטחה, נתפס על ידי המשטרה המקומית. בית המשפט הטיל עונשים על השניים כולל מאסר על תנאי לשנה, באם יחזרו על אותו מעשה.

נוח מקדונלד בן ה-18 מקולונה ובת זוגתו המבוגרת שרה אן קלמנטי בת ה-45 מהעיר סרי, מצאו ג’קוזי פנוי בגינה של בית רצועת החוף של אגם אוקנגן. השניים בדקו דרך החלונות שאין אף אחד בבית ואז התפשטו, עישנו סמים ושתו אלכוהול, ולאחר מכן ביצעו סקס בתוך המים החמים. בסיום האקט ולאחר שנחו קצת, מקדונלד וקלמנטי חשבו אף לפרוץ לבית אך ברגע האחרון חזרו בהם. הם עזבו את המקום לאחר הערב המהנה אך לא תיארו לעצמם שמישהו עקב אחריהם. בעצם מדובר במצלמת האבטחה המותקנת בגינת הבית, שצילמה את כל הערב הסוער של הזוג בג’קוזי. בעל הבית, דבון סמיט, שהגיע למחרת בבוקר ראה שהכיסוי של הג’קוזי הוסר. אז הוא החליט לצפות בסרט הוידאו של המצלמה, ונדהם לראות מה מקדונלד וקלמנטי עשו בג’קוזי שלו. סמיט הזעיק מייד את המשטרה שלקחה את סרט הווידאו, ובמהירות הצליחה לעצור את מקדונלד וקלמנטי. השניים הובאו בפני שופט של בית המשפט בקולונה. הוא הטיל על מקדונלד קנס בגובה מאה דולר פיצויים לבעל הג’קוזי, וכן מאסר על תנאי למשך שנה באם יחזור על אותה עבירה. על קלמנטי שהביאה את הסמים לג’קוזי השופט הטיל שישה ימי מאסר, קנס בגובה חמש מאות דולר לטובת סמיט, עשרים שעות של עבודות שירות וכן מאסר על תנאי למשך שנה באם היא תחזור על אותה עבירה. במשטרה מבקשים לציין שאין איסור על זוג לבצע סקס בג’קוזי, אך במקרה של מקדונלד וקלמנטי, הם השיגו גבול ונכנסו לג’קוזי פרטי.

יצרנית הג’קוזי שראתה את הסרטון החם באמצעי המדיה החברתית החליטה להעניק לסמיט מנעול לנעילת הכיסוי לג’קוזי, ללא תשלום.

דיירים שגרים מסביב לאגם אוקנגן מציינים כי לאחרונה קרו מספר מקרים בהם צעירים התגנבו לגינות שלהם ונכנסו לג’קוזי. המשטרה הגבירה לכן את השמירה סביב הבתים שליד האגם.

Format ImagePosted on March 15, 2017March 17, 2017Author Roni RachmaniCategories עניין בחדשותTags antisemitism, bombings, hot tub, JCC, Kelowna, security, threats, איומים, אנטישמיות, ביטחון, ג'י.סי.סי, ג'קוזי, הטמנת מטעני חבלה, קולונה
Return of looted art

Return of looted art

“Young Man as Bacchus” by Jan Franse Verzijl was among about 400 works owned by Max Stern that were forcibly sold by the Nazis in the 1930s. (photo from Max and Iris Stern Foundation)

When the painting “Young Man as Bacchus” by Dutch master Jan Franse Verzijl (1599-1647) went on display in New York City two years ago, the FBI moved in and seized the work. In the possession of an art gallery in Turin, Italy, the painting was among about 400 works owned by Max Stern that were forcibly sold by the Nazis in the 1930s.

In 1935, Stern was a successful gallery owner in Düsseldorf, Germany, but because he was Jewish, his collections were confiscated and sold by the Nazis. Stern would later move to Montreal, where he became a leading figure in the Canadian art world. After Stern died, in 1987, the beneficiaries of his estate learned of Stern’s Düsseldorf gallery and an extraordinary project began to seek restitution for the confiscated artworks.

Dr. Clarence Epstein, director of the Max Stern Art Restitution Project and senior director of urban and cultural affairs for Concordia University, will speak in Vancouver March 23 about the successes and challenges of the project.

The beneficiaries of Stern’s will are Concordia University, McGill University and the Hebrew University of Jerusalem. As a result, the art restitution project may be the only program of its type with three academic institutions working collegially to a common goal, said Epstein. His visit here is presented by the Canadian Friends of the Hebrew University, the Vancouver Holocaust Education Centre and Congregation Schara Tzedeck and is sponsored by Heffel Gallery and the estate of Frank and Rosie Nelson.

The Dominion Gallery, Stern’s Montreal business, remained in operation for more than a decade after his death. During this time, the beneficiary universities became aware of Stern’s prewar history.

“There was an entirely additional gallery business in Düsseldorf that his family had run before the war but had been closed by force as a result of Nazi persecution,” Epstein told the Independent in a telephone interview. “It wasn’t public knowledge. I think some people were aware of Dr. Stern’s past, but it coincided with the time when the issue of restitution was just starting to gain a little bit of traction in the art world and so it merited questioning. We just didn’t know how far to take it.”

The Max Stern Art Restitution Project has become a significant entity, with staff in Montreal, Ottawa, Washington and New York, as well as researchers in Europe. In addition to the obligation Epstein has to maximize the financial outcome for the beneficiaries of Stern’s will, there are other factors driving the project.

“There were fiduciary obligations, which is part of estate management,” he said. “There were moral implications, because this was something that was right for the universities to do on behalf of their great benefactor Max Stern. And then there were educational opportunities that this could open up in the fields of art history, of social justice, of art and law, the mechanics of the art market – and this enticed all kinds of academics to get involved in the project.”

The return of “Young Man as Bacchus” is among 16 successes the project has seen so far. While the restitution of that piece involved law enforcement, it also exemplified the good faith response of the gallery into whose possession the painting had fallen.

Every country has different rules and statutes of limitations around the return of art that has been stolen or forcibly sold, and the Stern project navigates the law as well as less litigious means of restitution. Through the recommendation of the German Friends of Hebrew University, the German government recently announced tax receipts for the owners of returned artworks. In the cases of galleries or museums, the reputation of the institution could suffer if they are known to be in possession of a work of dubious provenance, so this encourages cooperation. Individual collectors may not have the same impetus for preserving a reputation, but once a piece of art is identified as coming from Stern’s Düsseldorf collection, it bears a figurative black mark that makes it valueless on the open art market. Even so, Epstein said, the project does not seek to punish anyone for unwittingly possessing such a work.

“We don’t intend to be the bearers of bad news about the state of the work that is in their possession,” he said, “so if there’s any way that we could alleviate that kind of misfortune with some kind of tax relief, we would do so. But it hasn’t been tested yet.”

One example of an innovative solution found is the case of a work that was discovered in a Düsseldorf gallery. While the ownership was transferred to the Max and Iris Stern Trust, the universities agreed to lend it back to the gallery for long-term display.

“In their case, everybody kind of got their cake and ate it, too,” said Epstein. “It is owned by the Stern Foundation but it is lent to the Düsseldorf Museum.”

While Canada does not have the sort of art sector that New York or the capitals of Europe have, Epstein credited the federal government, specifically Minister of Canadian Heritage Mélanie Joly, for expressing the Canadian government’s commitment to restitution.

What happens to the artworks when they are returned varies. In the Düsseldorf case, the gallery in possession maintained custody. In some instances, the pieces have been sold to fund additional work of the project. (Once returned, the black mark is eliminated and the piece can be exchanged in the legitimate art market.) Others are loaned to museums and public institutions.

Next year, an exhibition of works from Stern’s collections will open in Düsseldorf, later traveling to Haifa, Israel, then Montreal.

Popular culture has taken on the topic of art restitution, Epstein said, and this is a good thing. For example, Monuments Men is about Allied soldiers charged with rescuing cultural artifacts before the Nazis destroyed or hid them, and Woman in Gold focuses on an American woman’s legal fight with the government of Austria to return a painting by Gustav Klimt that was stolen from her family by the Nazis. There have also been documentaries on different aspects of pillaging during the war. Epstein credited Helen Mirren, the star of Woman in Gold, for personally taking up the cause of restitution and making it more public.

“Any way we can make more public the challenges of the recovery of these kinds of objects, and the more we keep it in the spotlight, the more I think we’re going to be able to generate sympathy and attention from the groups that are in possession of those works,” he said.

While the Stern project has seen the return of 16 works and has located several more that are the subject of negotiation, it is impossible to know precisely how many cultural artifacts were stolen and remain unidentified.

“There is a number circulating on the internet in the hundreds of thousands in terms of objects that remain unrecovered,” said Epstein. “I don’t think it’s ever going to be possible to nail down that number … because we are talking about an historic loss that is multiplied over millions of people’s losses, that is also somewhat effaced as a result of time and lack of memory and archives. But that’s really the tip of the iceberg in terms of losses because in terms of material losses, everything that was in the possession of a Jewish family that was oppressed could still be in circulation now – musical instruments, jewelry, the list goes on. But those items were a lot harder to trace in terms of ownership and attribution than a painting has been. Works of art that are under a certain value and have not been researched historically are probably still circulating in the tens of thousands.”

Epstein added that Stern also had significant B.C. connections. His gallery represented E.J. Hughes and Emily Carr, two of this province’s most noted artists.

Admission to the March 23, 7:30 p.m., talk at Schara Tzedeck is free but an RSVP is requested to [email protected].

Pat Johnson is a communications and development consultant to the Vancouver Holocaust Education Centre.

Format ImagePosted on March 10, 2017March 8, 2017Author Pat JohnsonCategories LocalTags art, CFHU, Heffel Gallery, Holocaust, Nazis, restitution, Schara Tzedeck, VHEC
Creating dialogue, friends

Creating dialogue, friends

The Peace Factory founders Joana Osman and Ronny Edry spoke at the University of British Columbia on Feb. 6. (photo by Zach Sagorin)

“Israel loves Iran,” “Palestine loves Israel,” “Israel loves Palestine,” “Iran loves Israel & Palestine.” The Peace Factory uses social media to connect people in the Middle East, to build relationships and see one another as human beings with visions of peace.

“People may not like the idea of inclusion, the idea of welcoming everyone, but that’s why we are here – to invite those people to learn about the various cultures and faiths that are around us,” said Shem Arce when introducing the Active Community Dialogue (ACD) event Make a Friend, Make Peace. “With some dialogue and understanding we can create a community for everyone – no matter their religion, culture or ethnic background.”

Arce, a University of British Columbia film studies student from Mexico, recently began ACD with the goal of combating discrimination through meaningful, respectful dialogue and interactions.

ACD’s Make a Friend, Make Peace event on Feb. 6 featured a presentation from the founders of the Peace Factory: Ronny Edry, an Israeli graphic designer living in Tel Aviv, and Joana Osman, a Palestinian living in Munich. The pair also spoke at King David High School.

image - Israeli graphic designer Ronny Edry sent this poster out in 2012, when Israel was considering a preemptive strike against Iran
Israeli graphic designer Ronny Edry sent this poster out in 2012, when Israel was considering a preemptive strike against Iran.

The UBC event drew dozens of people, and Edry showed the crowd a poster he uploaded to Facebook in 2012, when Israeli Prime Minister Binyamin Netanyahu “was calling for preemptive strike on Iran,” when “it was quite stressing.”

The graphic designer decided to send something else to Iran. He designed a brightly coloured poster with a photo of him holding his daughter and bold text declaring, “Iranians / we will never bomb your country / We ♥ You.” Edry told the audience that the “five first comments were ‘delete it’” but, after leaving the poster online, he was surprised to find that “Iranians were commenting on the picture” and a line of communication was created.

“If something works, do it again,” said Edry. Soon, he added, “a lot of Iranians and Israelis started having a conversation.”

Interestingly, the security guard of the ACD event, an Iranian-Canadian man, had participated in the Peace Factory movement.

“When you don’t know someone and you close your eyes and think of the enemy, you end up thinking of some kind of monster,” said Edry. In Israel, “most of the time on the TV, they won’t show you the nice people of Iran.”

But, after starting the “Israel loves Iran” campaign, Edry received pictures from Iranians wanting to join. The movement has enabled many Iranians and Israelis to connect and build friendships online. And it continues to grow, with more than 121,000 likes and more than one million unique visitors each week to the “Israel loves Iran” Facebook page and more than two million views of Edry’s Ted Talk. The movement is continuing, with “both sides sharing stories and pictures of themselves,” said Edry.

With the success of “Israel loves Iran,” Edry said people were “coming up to me and saying, ‘Why don’t you do the same campaign with the Palestinians?’”

Soon after, Osman founded the group “Palestine loves Israel” to create a platform for Palestinians and Israelis to get to know one another through social media.

Together, Edry and Osman created the Peace Factory to “try to rehumanize the [other side] and give them a face and a story.”

Osman said building these connections “changes everything because, once you make a friend on the other side, everything changes for you.”

Osman said she asked herself, “As one person what can you do?” Her answer was, “You can be part of the change and you start communicating … if you can change one person’s mind, that may be enough.”

She added, “The enemy is nothing like you have in your mind … and, when you get to see his face and you see nice people,” you realize “they are not that bad.”

The Peace Factory’s vision is of a free and democratic Middle East, and they intend to build bridges and friendships to connect people with the same vision.

“It is not that we deny there is a conflict,” Osman said. “We have to pay attention to it, but I strongly believe that the solution can’t come from politics, it comes from people, real people connecting to each other…. Once you understand the other side is a real people with real pain … you come to the conclusion we are one people, one human race, with one goal to live in peace.”

To learn more, visit thepeacefactory.org. Anyone interested in future ACD events can find out more at acdmovement.com.

Zach Sagorin is a Vancouver freelance writer.

Format ImagePosted on March 10, 2017March 8, 2017Author Zach SagorinCategories LocalTags Iran, Israel, Joana Osman, Middle East, Palestine, peace, Ronny Edry, Shem Arce, UBC
Happy Purim 2017!

Happy Purim 2017!

image - JI mar 10 purim spoof 2017 colour

Format ImagePosted on March 10, 2017March 8, 2017Author The Editorial BoardCategories Celebrating the HolidaysTags fake news, Purim
How best to treat addiction

How best to treat addiction

The Feb. 22 panel discussion at Congregation Schara Tzedeck featured, left to right, moderator Dr. Auby Axler and panelists Rabbi Andrew Rosenblatt, Dr. Jenny Melamed, David Berner and Rebecca Denham. (photo by Zach Sagorin)

Approximately 5,000 Jews in the local Jewish community need support around addiction, according to Jewish Addiction Community Services Vancouver.

JACS offers various support programs for those battling addiction, and their families and friends, and organizes events for community education and awareness. On the evening of Feb. 22, at Congregation Schara Tzedeck, the agency partnered with Schara Tzedeck and the Jewish Federation of Greater Vancouver for a panel discussion on the fentanyl crisis and addiction in the Jewish community in general. Participating panelists were Rabbi Andrew Rosenblatt, addiction medical specialist Dr. Jenny Melamed, addiction therapist David Berner and director of services at JACS, Rebecca Denham; the moderator was Dr. Auby Axler.

“JACS Vancouver is a new agency trying to tackle a taboo and shame-filled topic that can ignite passionate responses and strong resistance,” explained Denham in an email. It is committed to supporting community needs relating to substance use, and values a diversity of perspectives on addiction treatment.

At the panel discussion, Rosenblatt spoke about some of the community concerns and the internal conflicts that some people experience when trying to determine the best approaches to addiction support.

Melamed, an addiction doctor who has been treating people with opioid addiction for 15 years, said, “People have been dying from heroin, people have been dying from all drugs…. There are many drugs out there that are as dangerous. Alcohol is one of the most dangerous drugs out there, 90% of the trauma seen in the [emergency room] after midnight is from alcohol. A heroin addict is a calm, sedated person who is nodding off in a corner, he’s not violent; he’s a danger to himself, and he’s not a danger to anybody else.”

She explained, “Addiction is a … disease situated in the primitive part of the brain…. The addiction goes and sits there and it says, ‘if you do not use me, you will die, you need me.’ This is where the team comes in…. We’ve got the ability to say, ‘I’m not going to listen to you anymore.’ But the power to overcome that is what is needed and it is strong and it requires meetings, it requires therapy, it requires a team, it really is a village to keep somebody sober in the long term.”

About 40 people attended the discussion and Melamed commented, “When you look at how big the Jewish community is and how small the attendance is here tonight … we live with our heads in the sand and we don’t realize how many of us have family members who are in addiction.

“We need to remove the stigma related to addiction. When we tried to get somebody in recovery to talk tonight, we couldn’t find anybody in the Jewish community who would come and stand up, because we put that big addiction sticker on people’s forehead. But we all know that it can happen to anybody. Yes, there is an enormous genetic component, a 40% genetic component when it comes to addiction, but there is trauma. Sexual abuse happens in any religion. Everything happens across the board.”

While the Downtown Eastside is often considered the centre of addiction and drug use, Melamed said this is not the reality. “The people on the DTES make up maybe one to five percent of the drug-using population. Seventy-five percent of people using drugs are what we call functional … nobody knows what is going on out there. If you can afford your heroin habit, then you’re OK until you overdose and it takes you over to the other side.”

Berner, founder and executive director of a residential treatment centre for drug addicts and alcoholics, has conducted almost 11,000 therapy groups.

“Addictions are coping mechanisms…. I’ve never met someone in addiction who hasn’t had a terrible upbringing, who hasn’t had severe trauma, serious trauma,” Berner said. “I’ve rarely met anyone who has addiction who hasn’t suffered physical or sexual abuse, or emotional-psychological abuse, or financial abuse.”

Berner posed the rhetorical question, “Can you change? No.” But, he said, “You can change the things you do, including picking up [drugs or alcohol].”

He said, “Every week I give a lecture, every Tuesday morning, and then do group therapy. One of the things I say week in and week out is, I don’t want to hear about your substance.”

Berner also commented on the government’s spending on addiction services in Vancouver.

“We’ve got harm reduction, that’s it!” he said. “And then prevention, treatment and the law are not only ignored officially … they are officially denigrated by the health department, by the ministry of health, and anyone that can make a decision.”

In response to an audience question – “How does the word recreational fit in with the level of risk that’s involved in drugs?” – Melamed responded, “I think you have to replace the word recreational now with Russian roulette because that’s the word we’re using. There is no safe use.”

“Even with marijuana?” asked another audience member.

Melamed said she knows, based on urine samples she has taken, that “some of the marijuana is laced with fentanyl.”

However, a man in the audience, identifying himself as a federal prosecutor who works with the police on narcotics, countered that assertion. “My understanding, after looking at various police files on where this has been reported, [is that] marijuana laced with fentanyl … is anecdotal. It is from people who have overdosed in a non-fatal manner and have reported it to hospital authorities, doctors, police officers, [saying] ‘all I used was marijuana,’ and this is to avoid, in my understanding, the stigma of being labeled a hard drug user…. There has been no actual seizure by police in B.C. of marijuana laced with fentanyl.”

However, the prosecutor added, “We see cocaine laced with fentanyl, we see a lot of heroin laced with fentanyl, we see methamphetamine laced with fentanyl.”

With Purim approaching, Rosenblatt noted, “Drinking on Purim happens a lot, especially in the Orthodox Jewish community, because there is a statement in the Talmud – a person is obligated to drink on Purim until they don’t know the difference between cursed be Haman, who is the villain of the story, and blessed by Mordechai, who is the hero.”

He said, “Maimonides says the way you should be happy on Purim is by spending most of your effort feeding the poor on Purim. Why? You would think that maybe Maimonides was democratic and would say something very nice like the poor deserve a holiday, too.… That’s not what Maimonides says at all. Maimonides says that there is no greater joy in the world than helping another person.”

“JACS was born out of a necessity and I think it is important to remind you that JACS is here to support you,” said Denham in wrapping up the event. “If a question doesn’t get answered tonight or if an issue gets triggered for you, reach out to us and we will support you just as the community has supported us. We wouldn’t be here today without the kind accepting spirit that runs deep throughout this community. From the support of the rabbinical leaders, professionals, individuals, family foundations, the support of the Federation … all of whom continue to strengthen JACS services … we are bringing this much-needed discussion away from shame and into a supportive light.”

To learn more about JACS Vancouver, Denham can be reached at [email protected].

Zach Sagorin is a Vancouver freelance writer.

Format ImagePosted on March 10, 2017March 8, 2017Author Zach SagorinCategories LocalTags addiction, fentanyl, health, JACS, Rebecca Denham, substance abuse
Treating intergenerational trauma

Treating intergenerational trauma

Left to right: Nina Krieger (Vancouver Holocaust Education Centre), speaker Mark Wolynn, Richard Fruchter (Jewish Family Service Agency), Nicky Fried (Congregation Beth Israel) and Shanie Levin (Jewish Seniors Alliance of Greater Vancouver). (photo by Rhonda Dent Photography)

On Feb. 15, Mark Wolynn, director of the Family Constellation Institute, spoke to an audience of almost 1,000 people at Congregation Beth Israel on the topic Understanding Intergenerational Trauma: How Inherited Family Trauma Shapes Who We Are and How to End the Cycle. The crowd sat in rapt silence as he unfolded his own story and the stories of some of the people his therapeutic approach has helped.

Introduced by Rabbi Adam Stein, assistant rabbi at Beth Israel, and Richard Fruchter, chief executive officer of the Jewish Family Service Agency, Wolynn quipped upon taking the stage, “The last time I stood at a synagogue pulpit was at my bar mitzvah.”

Wolynn said his work on intergenerational trauma has particular relevance for those who have survived genocide and war, such as First Nations people, refugees and Jews. His efforts to understand the effects of trauma began when, as a young man, he found himself going blind. He had “the bad kind of central serous retinopathy,” he said, “the five percent kind where it can lead to becoming legally blind.”

Plagued by grey blotches and blurs distorting his vision, Wolynn said he was terrified. He tried a litany of alternative medical cures, which didn’t help, and headed off on a quest for enlightenment.

After marathon meditation sessions and audiences with several gurus, Wolynn said he waited for hours for a satsang (sacred meeting) with a swami in Indonesia. When he finally made it to the front of the line, the guru looked at him for a moment and said, “Go home and make peace with your parents.” It wasn’t until he heard the same message from the next guru he visited that Wolynn returned home to begin his journey into healing his relationships with his family.

Years later, after making both personal and scientific study of the impact of family dynamics and inherited trauma (and healing his blindness), Wolynn has emerged with a persuasive vision of the role that unaddressed trauma can have in our lives – even if the trauma happened in previous generations, and even if you didn’t know about it. “Many of us spend our whole lives believing we are the source of our own suffering when we are not,” he said.

Wolynn presents his findings in terms of epigenetics, the study of how life experience can turn on or off certain genes. He points to findings in both humans and animals showing that the children of traumatized parents react with stress, fear or aversion to stimulus that traumatized their parents, even if the children themselves have no previous negative exposure to the trigger. “We think the effects – the alteration in the genes – may last for three generations,” he said.

Wolynn described several case studies in which patients had symptoms that could be addressed only after patients understood their source in something that had been done to (or by) a mother or grandfather. Wolynn challenged the audience to ask themselves what their greatest fear was and to put it into words, explaining that this was a clue to their “trauma language,” which could, in turn, be used “like breadcrumbs” to lead them back to the unrecognized traumas in their past.

Wolynn laid out a series of steps for uncovering intergenerational traumas and healing the brain. He also shared stories of his use of visualization, ritual and family communication to free both adults and children from chains they didn’t fasten themselves.

Alan Stamp, clinical director of counseling at JFSA, a co-sponsoring agency of Wolynn’s talk, told the Independent, “What Mark is doing is putting a new spin on how to get to the heart of it and resolve the difficulty. The past is alive in the present.”

Stamp said he knows of two people who attended a follow-up training session offered by Wolynn in Vancouver after the public lecture, and who have had success applying Wolynn’s method clinically; one of them being a counselor at JFSA. “It works,” said Stamp.

JFSA offers counseling for a wide variety of issues, and Stamp is hoping that attendees at Wolynn’s talk will be inspired to pursue healing, through JFSA or elsewhere.

JFSA, the Jewish Seniors Alliance of Greater Vancouver, Congregation Beth Israel and the Vancouver Holocaust Education Centre partnered to bring Wolynn to Vancouver, and the talk was additionally sponsored by the Lutsky families and Rabbi Rokie Bernstein. Banyen Books hosted Wolynn the day after his talk at the synagogue.

Matthew Gindin is a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.

Format ImagePosted on March 10, 2017March 8, 2017Author Matthew GindinCategories LocalTags Beth Israel, health, JFSA, JSA, Mark Wolynn, trauma, VHEC
Building a dream on Main

Building a dream on Main

Among the offerings at Olive+Wild are mezuzot, textiles and fragrances. (photos from oliveandwild.com)

Judaica. Most of us have some in our homes. A mezuzah, Shabbat candlesticks, a seder plate, a menorah. As much as synagogues are a crucial part of Judaism, the Jewish home is a place to celebrate and perpetuate our traditions and faith.

For many years now, in Metro Vancouver, there has been hardly anywhere to buy Judaica locally. Many people order lovely things online or buy them when traveling, but it has been nearly impossible to buy a beautiful challah or matzah plate in the city – until recently.

In September, Bella Zaidel, a friendly and charming woman, opened Olive+Wild. It was her dream and she told her husband Simon it was now or never, so they did it.

Located between 27th and 28th avenues on Main Street, Olive+Wild is nestled among an increasingly interesting group of shops. At first blush, the store reflects her years of experience in design and décor retail. The displays are natural and artful and feature a carefully chosen, unique collection of home décor; the pottery is eclectic, attractive, and dishwasher and microwave safe; and the furnishings would help update any room. It’s the kind of store I love to wander through when I’m on holiday, to see local artists along with other striking pieces from around the world.

photo - Among the offerings at Olive+Wild are textilesWalking past the stunning candles and the Vancouver Island-made pottery, shoppers find near the back two large display cabinets with collections of sparkling Judaica. One case is full of renowned South African artist Carrol Boyes’ work. A portion of this case is dedicated to decorative objects and the rest features mezuzot, Kiddush cups, candlesticks and challah plates. Most of Boyes’ work has an organic, modern appeal. Made of a combination of pewter, aluminum and stainless steel, these objets d’art don’t tarnish and stay looking silver and shiny.

On the other side of the store stands a cabinet full of Judaica from a variety of artists. Zaidel explained that most of the work comes from American designers like Michael Aram and Mary Jurek. She has one Israeli line and is actively looking to expand the number of Israeli-designed and -made items. She also hopes to increase her selection of matzah and challah covers.

There is an entire shelf with mezuzot, making it possible for most anyone to find their match. They also have many candlesticks and chanukiyot, matzah and challah plates, and decorative dishes for apples and honey. As Pesach approaches, new items like seder plates will be prominently featured in this area of the store.

While Judaica is not Olive+Wild’s core business – they also sell textiles, home décor, fragrances, dishware for entertaining and artisanal foods – both Zaidels have been pleased with the enthusiastic response they have received from customers.

Among the offerings at Olive+Wild are fragrances“It’s interesting to see the number of younger people in the neighbourhood who walk in and don’t know there is Judaica in the store and end up buying things for their homes,” said Zaidel. “There are certain things every Jewish person should have and our pieces are heirloom quality, so they will last a lifetime.”

When asked why she decided to carry Judaica, she replied, “Not many places in Vancouver carry it, you had to search high and low. We love the young, modern Judaica and decided to carry it. It’s been very successful.”

Although she assumes most of the people buying ritual Jewish objects are Jewish, she knows some of them are not.

“We had a non-Jewish lady come and buy all of our hand-dipped Israeli Chanukah candles,” she said. “I think she was giving them to her child’s friends at the JCC daycare.”

The packages of Israeli hand-dipped Shabbat candles caught my eye and I couldn’t resist buying them, as they are a perfect hostess gift.

Zaidel wants people to know that there is a place in Vancouver to buy meaningful gifts for weddings and b’nai mitzvahs. Buying online may seem appealing, but seeing an item in person and having excellent service makes a big difference, especially if it’s for an important occasion. In addition, Olive+Wild has a great return policy.

“We will give a full refund with receipt up to two weeks after the purchase,” said Zaidel. “In retail, everyone expects lots of returns after the big number of gifts sold in December. Even though we tell our customers about our return policy, we didn’t get one return in January! We have this policy because we want people to be happy.”

In addition to the Judaica, Olive+Wild carries some Israeli art and jewelry.

“We like to support Israeli artists, as well as local artists,” noted Zaidel. “I tell people we carry eclectic ‘must-haves’ for the home.”

For more information about their collection, visit oliveandwild.com.

Michelle Dodek is a freelance writer living in Vancouver.

Format ImagePosted on March 10, 2017March 8, 2017Author Michelle DodekCategories LifeTags Judaica, Olive+Wild

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