An Arkia plane lands at Eilat Airport. (photo from Ashernet)
Ever since 1949, Eilat Airport has been an important link between the resort city of Eilat on the Red Sea and the busy central part of Israel. However, it is due to close later this year when the newly constructed Ramon Airport opens some 20 kilometres north of Eilat. The land that the Eilat Airport currently occupies will be used to build a new city centre consisting of hotels, shops and a residential area, as well as a new rail terminal.
David Broza (below) will be joined by Mira Awad in concert on Feb. 28, as part of this year’s Chutzpah! Festival. (photo by Nahum Leder)
Israeli singer-songwriter David Broza is returning to Vancouver – and he’ll be joined by friend and fellow Israeli, musician (and actor) Mira Awad. The two will perform in concert on Feb. 28 as part of the Chutzpah! Festival, which runs Feb. 16-March 13.
“I have known Mira Awad for about six years,” Broza told the Independent. “First time I saw her perform was at the Tel Aviv Cameri Theatre, which is one of the most important theatres in Israel. I was very impressed and started following her work. When I was ready to go into the studio to record the album East Jerusalem/West Jerusalem, I asked her to come and sing a couple of duets with me.”
While Awad and Broza may have met only a handful of years ago, Awad told the Independent, “I grew up on Broza’s music and persona, and admired what he did.”
The two crossed paths on more than one occasion after their first meeting, said Awad. “Later on, we met several times on stages and in life, until he called me and asked that I collaborate with him on his album and movie East Jerusalem/West Jerusalem. I was proud to join him on that brave project, and we’ve been performing together since.”
East Jerusalem/West Jerusalem, which features mainly Israeli and Palestinian musicians, was recorded over the space of eight days and nights in Sabreen Studio in East Jerusalem in 2013 and released the following year. Co-produced by musician (and actor) Steve Earle and music producer Steve Greenberg, the creative journey was filmed and made into a documentary by the same name, which also came out in 2014 – and is currently available on Netflix.
“(What’s So Funny ’Bout) Peace, Love and Understanding?” is among the songs featured on the album and in the film. As is clear from human history – and current events – peace, love and understanding are downright scary to some people. Nonetheless, Broza and Awad have dedicated their lives not only to music, but to peace and other social issues.
“I am a human being and I feel kinship with all other human beings. It is beyond my grasp how people can hurt other people like what is happening in the world,” said Awad. “I just cannot understand how one man can think that another is less than him, or deserves less. So, inequality and injustice, no matter where, are total obscenities in my opinion, and I feel obligated to do anything in my power to banish them.”
David Broza (photo by Ilan Besor)
“I have always been involved in social activities, ever since I was a young boy,” said Broza, giving as an example his continuing work with people with disabilities and, in particular, with the Israel Sports Centre for the Disabled in Ramat Gan, which his father helped found when Broza was about 6 years old. “He would then take me along and ask me to help around,” said Broza of his father.
Broza also brings music to Shuafat refugee camp in East Jerusalem, which he discusses in the documentary East Jerusalem/West Jerusalem.
“The coexistence initiatives I have been involved with since I was 19,” he said, “are much due to my grandfather, Wellesley Aron, who, amongst many other initiatives, was one of the founders of the Israeli Arab village Neve Shalom/Wahat al-Salam, where the essential curriculum for peace studies and conflict resolution is developed. So, when I recorded my first written song ‘Yihye Tov’ (‘Things Will Be Better’) and it became a big success, I joined in all activities … in support of the peace process which had just started, [in] 1977.”
On the peace front, both Broza and Awad – and many others advocating for peace – face strong and even dangerous opposition.
“I would think that Mira probably has more of an issue since she is very committed to finding a way and is ahead of the pack,” said Broza. “I have been at it for so many years that it has become part of my being. I also believe in working with everyone when it comes to coexistence and conflict resolution, so I don’t exclude either the Palestinian side or the settler side. Of course, I am not immune to controversial and sometimes harsh commentary and opposition.”
In an interview last year with British online media outlet Jewish News, Awad – who was born in Rameh, in the Galilee, in northern Israel, and whose father is Palestinian and mother is Bulgarian – describes her situation.
“You call me Israeli Arab – but I call myself Israeli Palestinian and even that causes controversy,” she told the paper. “If I say that I am Israeli Arab, then my fellow Palestinians think that I am trying to disown my Palestinian roots and if I call myself an Israeli Palestinian, then the Israelis feel offended. They say: ‘If you are so Palestinian, go live in Gaza.’
“So, I identify myself only as an Israeli and not Palestinian. It mixes things up when you say both. The mere fact there is controversy around the definition might show you just a little bit of the situation faced by Israeli Palestinians in Israel. We are walking a very thin line all the time.”
In the song “Bahlawan” (“Acrobat”) and in a TEDx Talk, Awad describes how she maintains her balance in life, using the metaphor of an acrobat, who, she explains, must keep looking forward, both in order to not fall, but also to potentially “fly” (again, metaphorically).
“When you believe in something, when your vision is clear, you are like a good acrobat, you look onto the horizon and keep your balance,” she told the Independent. “If you start looking down, and calculate your risks, you will certainly fall and be eaten by the wolves waiting for you to trip. I think both David and I have a clear vision for what we believe in and, therefore, we keep our balance.”
“Empathy is the key,” said Broza. “You cannot think of yourself as the one who knows better than the other. Must learn to listen, always. I learn all the time from being exposed to such diverse people. With music, there is only one way, and that is to harmonize, so we keep eyes and ears open and stay in tune together.”
“The evidence is there, everywhere, that people just want to live, go to work, raise their children safely and take them on the occasional holiday,” added Awad. “We just need to encourage these silent masses to participate in the change process, to push their leaders towards resolution that is good for humans on both sides of the fence.”
One of the ways in which Broza attempts to do this is through music, giving benefit concerts, performing in hospitals and in crisis areas, offering workshops, and participating in or leading other social-minded projects and collaborations. “It is the backbone of my world,” he said of music.
“Music is my personal therapy,” said Awad. “As a musician, I deal with my thoughts, pains, joys, through music. Nothing stays cooped up inside, it is all put out into the fresh air, where everyone can see and hear it. But, in addition, I really feel that music has an advantage, it aims straight to subconscious levels, where people have fewer defences and borders, therefore, we as musicians can penetrate where other change-makers cannot.”
Broza is “very much looking forward to returning to perform in Vancouver and finally to take part in the Chutzpah! Festival.” He said his show will cover songs from his 40-year career, including some of his biggest hits, such as “HaIsha Sheiti” (“The Woman by My Side”) and “Yihye Tov.”
“It also covers my Spanish albums and some of the American albums,” he added. “The highlight is my having Mira join me on our songs from the album and film East Jerusalem/West Jerusalem, and she will be performing a couple of her own songs.”
For her part, Awad said she is “looking forward to arriving in Vancouver with this powerful collaboration. I cherish the friendship with David and the magic that happens when we are on stage together. I hope we convince all the people present how stupid and foolish all these disputes are, and that the things we have in common are way deeper than the stuff that divides us.”
David Broza and Mira Awad in concert takes place Feb. 28, 8 p.m., at Rothstein Theatre. For tickets ($43.75/$31.35), call 604-257-5145 or visit chutzpahfestival.com. Other music offerings include the Klezmatics 30th Anniversary Tour (Feb. 23), Marbin with the band MNGWA opening (March 3), Maya Avraham Band (March 7), Lyla Canté (March 9), Shalom Hanoch with Moshe Levi (March 8) and Landon Braverman and Friends (April 2). The festival also features dance, theatre and comedy.
Maya Rae performs on Feb. 23 at Frankie’s Jazz Club. (photo by Saffron Kelly)
Vancouver jazz singer-songwriter Maya Rae will celebrate the release of her debut CD, Sapphire Birds, on Feb. 23 at Frankie’s Jazz Club. The album was produced by jazz impresario Cory Weeds, and features an ensemble of some of Vancouver’s greatest jazz musicians, including Miles Black, who played piano and acted as musical director, Weeds himself on saxophone, Joel Fountain on drums, André Lachance on bass and Vince Mai on trumpet and flugelhorn.
Rae’s burgeoning musical career – she is only 14 years old – had its genesis in nothing particularly special: band classes at school, a few musicians on her mother’s side of the family. Yet, from these modest beginnings, she has arrived on the Vancouver scene with a beautiful, textured voice well ahead of her years and a first CD that showcases excellent musicianship, both hers and that of the experienced ensemble brought together by Weeds and Black.
“If I had a dime for every time someone tells me they have a 14-year-old with tons of talent,” Weeds told the Independent, “I’d have retired in Mexico by now. When I heard Maya, I was pretty wowed, pretty shocked.”
Weeds said he carefully scrutinizes projects that are brought to him. “I don’t do these things for the money,” he said, “I do it because it’s a project I believe in. Miles Black was the X-factor behind the thing. He helped Maya select the music and charted it. It’s rare that a project goes so smoothly. The whole band gelled so well the album practically produced itself. It was just a real pleasurable experience.”
Rae agreed. Asked if working with such seasoned musicians was intimidating, she said it wasn’t. “It was great; we had so much fun. They were so helpful, and they taught me a lot. It was an incredible experience to work with musicians like that.”
Weeds admitted to hesitating before releasing the album on his own label, Cellar Live, due to Maya’s youth. When he heard the finished project, though, his hesitation vanished. “You’d have to be an idiot not to put this out,” he said. “The talent’s there and, when the talent is there, age is irrelevant.”
The CD features two original songs, the title track “Sapphire Birds” (about her family) and “So Caught Up” (about the obsession with appearances among teenage girls). The album also features some excellent covers of standards like “I Feel the Earth Move” and “Summertime”; and surprises, with some smooth and skilled scatting from Rae. Rae’s singing is delivered with strength, precise phrasing and nuance, and is alternately delicate and full, easily holding the listener’s interest throughout the album.
The CD release will be a benefit concert, with proceeds going to Covenant House, a local nonprofit that serves homeless youth. Last April, Rae held a benefit concert at Temple Sholom to benefit Syrian refugee families. “In March, I was asked to open for Champian Fulton, and so I had a band and a set list all worked out, and then I heard my synagogue was sponsoring two Syrian refugee families and that seemed like an important thing to support,” Rae explained. (For more on last year’s concert, see jewishindependent.ca/jazz-to-benefit-refugees.)
Rae also sings once a month at Louis Brier Home and Hospital, accompanied by guitarist Sami Ghawi. She tells a heartwarming story about an incident that happened there recently involving Kenny Colman, a well-known jazz vocalist who was a longtime friend and colleague of Frank Sinatra, among others, and who now lives at the Louis Brier.
“We have an open mic when we perform there,” Maya said. “Kenny came to watch the show, and he joined us and sang. He has advanced Parkinson’s, and they said he hadn’t sung in the eight months since he’d been there. It was very emotional for everyone.”
For more on Rae, visit facebook.com/mayaraemusic. While reservations are now closed for the Feb. 23 show, there will be limited tickets available at the door.
Matthew Gindinis a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.
Temple Sholom Rabbi Dan Moskovitz addresses a Concerned Canadian Clergy for Refugees multi-faith clergy press conference at Jack Poole Plaza in Downtown Vancouver on Jan. 29. (screenshot)
The murders at a Quebec City-area mosque Sunday night shattered our sense of Canadian safety and multiculturalism. Six worshippers were killed and at least a score more injured in the shooting rampage inside a Ste.-Foy Islamic centre during evening prayers.
We are confident we reflect the intent of every reader and the broader community we serve when we offer condolences to and solidarity with the victims, their families and the entire Muslim community in Canada, each member of which must be feeling a sense of grief and fear.
We will not, however, state, as some inevitably do in such situations, that “We are all Muslims now.” After this tragedy, only members of the targeted group can fully appreciate the sense of isolation and anxiety such a tragic act instils. We cannot all understand the variety, depth and breadth of feelings of those affected, so, while we should acknowledge our common humanity and grief, we should offer special comforts to our Muslim friends and ensure that they know that Jewish Canadians and all Canadians sympathize with the uniqueness of a hate-motivated attack.
The grief that enveloped us late Sunday should not eclipse the light we witnessed on Sunday morning, when local clergy, led by Temple Sholom’s Rabbi Dan Moskovitz, other rabbis and clergy from different faith traditions, gathered to stand in solidarity against the executive orders signed by U.S. President Donald Trump last Friday.
The president decreed that all refugees would be immediately banned from entering the United States for at least 120 days. A parallel announcement declared that citizens of Iran, Iraq, Libya, Somalia, Sudan, Syria and Yemen would be banned from entering the country for at least 90 days.
The presidential orders came as a stunning blow to those who didn’t take Trump at his word. Even many who count themselves as among his fiercest opponents seemed to believe Trump would stop short of his most extreme promises. But there he was: doing exactly what he said he would do – banning Muslims from entering the United States (as well as taking preliminary steps to construct a wall along the border with Mexico).
“To be clear, this is not a Muslim ban, as the media is falsely reporting,” the president obfuscated in a written statement Sunday. “This is not about religion – this is about terror and keeping our country safe.”
Despite this contention, one of the stomach-churning aspects of this seemingly random list of Muslim-majority countries is what they share in common: as the New York Times has reported, these are countries where the Trump organization has few business interests. If one subscribed to the idea that banning people based on nationality was a wise move, certainly Saudi Arabia, which produced almost all of the 9/11 terrorists, and Egypt and the United Arab Emirates, which have not insignificant records of radicalization, would logically (if that is the correct term) be on such a list. So might Turkey. But residents of those countries can, for now, continue to enter the United States.
Trump’s orders were additionally jarring for Jews and others who were solemnly marking International Holocaust Remembrance Day at the very time Trump was turning America’s back on refugees. The history of the United States – and Canada, and almost every other country – in turning their backs on Jewish refugees is the reason the Holocaust was able to occur in the magnitude that it did. The callousness Trump exhibited in taking actions against refugees on International Holocaust Remembrance Day is abominable, even worse than his intentional omission of Jews in his Holocaust statement that day.
Syrian refugees are not, at present, finding every door in the world closed to them, as Jews did in the 1930s. They are, however, having the door to the golden medina – the great land of liberty whose preeminent symbol openhandedly welcomes the homeless, tempest-tost, huddled masses yearning to breathe free to a place of permanent refuge – slammed in their faces. In Trump’s America, Lady Liberty lifts her lamp beside the golden door only so that refugees can read the sign: “Keep out.”
The move by Canadian clergy is admirable. They deserve our thanks and support as they provide a model for individuals to take a stand at an important time.
Likewise, we were proud to see the remarks of Prime Minister Justin Trudeau, and the thousands of Canadians who have shared his sentiments, that Canada will step up where America is faltering and take in some of those refused entry to the United States. We invite readers to contact members of Parliament to let them know that plenty of Canadians – including Canadian Jews – understand that Canada is in a unique position to act at a time when the United States is betraying our erstwhile shared values.
By press time, it remained unclear what specific animosities drove the perpetrator of the Ste.-Foy attack. And, while it is premature to blame the murderer’s actions on ambient anti-Muslim agitation stoked by a swath of demagogues leading all the way up to the president of the United States, the rhetoric in which Trump and many of his supporters are engaging is certain to have negative consequences.
Consequences, too, will be felt from the actions of well-intentioned people. The rabbis and other clergy who step forward and condemn bigotry are the best antidote to the negativity and hatred we see. They are whom we should emulate. We must step forward with them.
Ken Levitt, president of Jewish Seniors Alliance, and Leah Deslauriers, coordinator of JCC Seniors and L’Chaim Adult Day Centre. (photo by Binny Goldman)
On Jan. 25, a treat awaited all who attended the screening at the Jewish Community Centre of Greater Vancouver of filmmaker Julie Cohen’s The Sturgeon Queens, the story of New York City’s legendary fish store (and restaurant) Russ and Daughters.
The documentary was presented by the Jewish Seniors Alliance of Greater Vancouver in partnership with L’Chaim Adult Day Centre, and was the second session of the 2016/2017 JSA Snider Foundation Empowerment Series. With the theme of Nourishing Tradition: Food, the Doorway to our Culture, this year’s series is being co-hosted with the Jewish Museum and Archives of British Columbia.
JSA president Ken Levitt welcomed the crowd with a groissen dank, todah rabah, big thank you to all involved, which set the tone and taam (taste) for what was to follow. Michael Schwartz, coordinator of programs and development of the JMABC, shared the news that the museum will soon be starting a Supper Club, which will take place at the Peretz Centre for Secular Jewish Culture, where the museum resides. He noted the important role that food plays in keeping traditions alive, in passing them on to future generations.
Michael Schwartz, coordinator of programs and development at the Jewish Museum and Archives of British Columbia. (photo by Binny Goldman)
Case in point is Russ and Daughters. Four generations have not only kept the appetizer shop alive – selling smoked fish, lox, herring and sturgeon – but grown it into a restaurant, as well. Stan Goldman introduced the film on behalf of JCC Seniors. He said it was at Russ and Daughters that he tasted smoked fish for the very first time.
According to the film, Cohen first discovered the renowned fish store in 2007. Upon realizing that “the daughters,” sisters Hattie (Russ Gold) and Anne (Russ Federman), were still alive, Cohen flew to Florida to interview them. The Sturgeon Queens is a feel-good documentary about the start of the shop, which Joel Russ founded in 1914. Russ had come to New York at age 21 and, starting in 1907, used a pushcart to sell his herring. He went on to sell the fish using a horse and wagon, before finally opening his store. He enlisted his daughters – who were in their early teens at the time – to help him. The sisters became full-time workers and eventually partners with their father in the business.
Russ’s addition of “and Daughters” to the name of the shop was unusual for those years. Ruth Bader Ginsburg (associate justice of the U.S. Supreme Court) states in the film that this move made her very happy, seeing this was an enterprise where daughters counted.
The Lower East Side, where Russ and Daughters has always been located, was the area in which immigrants arriving in New York first settled. And fish is what they ate – it was healthy and, more importantly, relatively inexpensive, as they struggled to make their way. Now, it is eaten not only because of its taste, but because it connects many to their ancestors; it is a comfort, or “emotion,” food, whose appeal goes beyond taste. Russ and Daughters customers sense this as they enter the shop, which seems to offer this same feeling.
The documentary was made to celebrate 100 years of Russ and Daughters, which survived many turbulent times, including the 1970s and 1980s, when things were most dire for them economically. The family still strives to maintain the traditions, quality and history of the shop, working to enrich the lives of their customers, who not only come to buy the food, but to linger and chat.
Nicki Russ Federman, who runs the establishment now, along with Josh Russ Tupper, said there was never anything glamourous about the store, that it was just hard work, but that Hattie and Anne had set the stage for their grandchildren to take over. Russ Federman was a health professional and Russ Tupper a lawyer, but they decided, after almost a decade away from the store, to return and make sure that Russ and Daughters continued.
Herman Vargas, who has been with the shop for almost 30 years now, is fluent in Yiddish and feels part of the family. The New Yorkers who frequent the shop also feel part of something, that they are connected to a living piece of the city’s history – some of the film is even narrated by several seniors who were gathered together by Cohen. Molly Picon, Zero Mostel and Morley Safer are just a few of the famous people who have come to the shop according to the documentary.
“It was powerful to watch the expression on my grandmother’s face as she watched the movie – she was watching her life affirmed,” says Nicki Russ Federman in the film. On Jan. 25, as the audience at the JCC watched, we, too, felt just how entwined are food, family, love and tradition.
When the JSA’s Shanie Levin thanked all those who made the screening possible, she asked if the film had been enjoyed and was greeted by a huge round of applause. Over coffee, tea and a nosh, comments overheard were “It warmed my heart!” and “It made me happy to be Jewish.”
The next session of the Empowerment Series takes place March 8, 11:30 a.m., at the Unitarian Centre and will highlight Israeli cuisine. For more information about it or the JSA, call Rita Propp at 604-732-1555, email [email protected] or visit jsalliance.org.
Binny Goldmanis a member of the Jewish Seniors Alliance of Greater Vancouver board.
Left to right, panelists Rabbi Don Pacht, Abba Brodt, Ellen Wiesenthal and Lu Winters with moderator Sherri Barkoff. (photo from the Bayit)
On the night of Jan. 24, four leading Jewish educators were panelists for the symposium Think Education, hosted by the Bayit and the Kehila Society. More than 50 people, from all walks of life, attended. Rabbi Don Pacht, head of Vancouver Hebrew Academy; Abba Brodt, principal of Richmond Jewish Day School; Lu Winters, counselor at King David High School; and Ellen Wiesenthal, director of Judaic curriculum and programming at Vancouver Talmud Torah, covered a variety of topics that had been suggested in advance by email by parents, such as making accommodations for working families, financial assistance and special education. The panel was moderated by Sherri Barkoff, president of the Kehila Society.
When the breeze from the forest fanned her branches, Willow could almost hear the gossip of the blue jays and the news of her old friends. (photo by Rob Hanson via Wikimedia Commons)
On Tu b’Shevat, when we look down at Mother Earth, instead of up, to find the Creator of All, the rabbis like to tell the story of Willow.
Once, many Tu b’Shevats ago, a young tree named Willow grew in the forest. The wind that cooled the forest in the summer and carried the gossip of the blue jays had brought her seed to this shady spot in the forest.
It was not the best location, since it was next to a much older oak tree, who towered over Willow like a big brother. He was so high and leafy and strong that most of the birds chose him as a nesting place; Willow only had a couple of caterpillars, who lived in one of her leaves. But, what bothered her most was that this jolly green giant blocked most of her sky.
“If I had three wishes like you get in fairy tales, I’d wish for an open spot on the meadow, an open spot on the meadow, an open spot on the meadow,” murmured Willow when the wind blew through her leaves. This little tree didn’t want any big brother blocking her sun and rain.
All summer long, Willow twisted and bent to find the sun. Trees need sun like we need love, or they dry up and die. But that tall oak decorated with birds’ nests blocked the direct rays. Only pale yellow fingers of light touched Willow. And, when fall came and most of the trees began their six months of rest, Willow slept poorly because huge acorns rained down on her from the heavy limbs of the oak. Like hail they fell. Each one could rip off a leaf. After this hailstorm of acorns, she dozed. But not for long, for soon a blizzard of leaves from the giant Oak overwhelmed her. They piled up on the forest floor almost taller than her. She could barely breathe.
What bad luck, thought Willow. “If only my seed had landed in that open spot over by the brook,” she mused, “I could have all the sun I wanted and only the sweet rain, not acorns with pointy ends, would fall upon my leaves and roots.”
Willow didn’t know how lucky she was to have a big sheltering friend. Young trees who tried to grow in open places were often washed into the brook by the rainstorms. And, when it didn’t rain, the sun burned them up and turned them into dead, dry sticks. And, without a big tree to shield you from the wind, one wild blast and you could lose every leaf you own.
As Willow continued to doze the fall away, she was awakened suddenly one day from her favourite dream in which lightning toppled the big oak, bird nests and all, and left a big, blue, empty space in the sky. She heard voices – happy, laughing voices of children.
Before Willow was fully awake, these children, with the help of a sharp shovel, had pried her roots from the earth and dumped her in a wagon. What an experience. Lying on her side, her roots all exposed. The movement made her dizzy. Soon, she was well out of the forest – even past the brook.
Eventually, the wagon stopped and the children put her back into the earth. Her new home was their backyard.
She was the only tree in the yard. The sun and the rain and the stars were all hers. At night, she could look up and see every star in the sky twinkle down on her. Better yet, during the day, no leafy branches blocked her sun. “This is living,” thought Willow, smiling up at the warmth. “If only I had a few bird nests, life would be perfect.”
But soon she began to miss the big oak – the sun was awful hot. And, when the clouds came to block it, that meant rain would follow. A little rain tasted good, but sometimes the rain turned the backyard into a swamp that suffocated her roots. She was scared. It was no fun being the only tree in the yard, thought Willow.
It was lonesome, too. There was nobody to talk to except the telephone pole on the street. And he just made a shrill noise in the wind. What could a dead telephone pole say to a young tree? But, when the breeze from the forest fanned her branches, she could almost hear the gossip of the blue jays and the news of her old friends.
As the years passed, something happened that the other young trees in the forest had whispered about. Willow grew seeds, and the willing wind soon carried them away and one of them happily arrived at the very spot where Willow had lived – beneath the giant oak.
The oak kept the sun from burning the new willow up. He gently filtered the rain and never let the wind pull at the little sister that grew under the shelter of his limbs. Big brothers aren’t all bad.
Ted Robertsis a freelance writer and humorist living in Huntsville, Ala. His website is wonderwordworks.com.
Ramat Gan Safari Park taking Conner back to the zoo. (photo from Ashernet)
Conner, before his foray into the world outside the park. (photo from Ashernet)
Conner, a 17-year-old capuchin monkey from Ramat Gan Safari Park, escaped the park earlier this month and set off on a foray into the outside world. Staff from the zoo scoured the immediate area around the zoo and eventually captured him, unharmed, after about a week. Peanut traps were set all around the area where Conner was thought to be hiding and, sure enough, Conner fell for the bait. None the worse for his adventure, Conner, after being checked by the safari park’s vets, was returned to his enclosure and was last seen telling his fellow capuchins what it is like on the other side of the safari park wall.
משרדי שוז.קום הסגורים בוונקובר ביום שישי האחרון (צילם: Roni Rachmani)
הקמעונאית למכירת נעליים במסחר האלקטרוני מוונקובר קבוצת שוז.קום טכנולוג’יס אינק, הכריזה ביום שישי האחרון על פשיטת רגל. המשרדים הראשיים של החברה ברחוב אלברני בדאון טאון ונקובר נסגרו ושומר הוצב במקום. כל האתרים של החברה באינטרנט הורדו. שוז.קום לא הצליחה להתמודד עם גופים מתחרים בעידן של תחרות שיווקית קשה, ההכנסות ירדו, החברה פיטרה עשרות עובדים בשנה האחרונה אך זה לא עזר.
פעילותה של הקבוצה כללה שלושה ערוצים במסחר האלקטרוני: שוז.קום, שומי.סיאיי ואון-ליין שוז.קום. בנוסף החברה הפעילה שתי חנויות חדשות ברחוב קווינס בדאון טאון טורונטו (שנפתחה בחודש יולי), וברחוב בורארד בדאון טאון ונקובר (נפתחה רק בספטמבר האחרון). משרדי החברה והמחסנים מוקמו בוונקובר, ברנבי ומעבר לגבול בסיאטל. עוד לפני מספר חודשים חשבה הנהלת שוז.קום שיש מקום להפוך את הקבוצה מגוף פרטי לחברה שנסחרת בבורסה וזאת לצרכי גיוס כספים. אך בפועל מתברר שבחודשים האחרונים נקלעה שוז.קום למצב כלכלי קשה שהחמיר מיום ליום. אפילו מינויו למנכ”ל של ברדלי וילסון בחודש ספטמבר האחרון, לא עזר לעצור את המפולת. וילסון לשעבר מנכ”לה של חברת אקספדיה וטריווגו נחשב למומחה בפעילות של המסחר האלקטרוני.
שוז.קום שהחלה לפעול ב-2012 הגיעה בשיאה למצבת כוח אדם של 650 עובדים אך בקיץ האחרון המספר ירד מספרם דרמתית ל-230. בעותה עת הקבוצה נחשפה ככל הידוע לפחות לארבע תביעות משפטיות בהיקף כולל של כ-434 אלף דולר, הרבה תלונות מצד הלקוחות על שירות גרוע, ואף תלונות מצד ספקים על חשבונות שלא שולמו.
מומחים בענף מציינים כי את שוז.קום ניהלו מומחים לתחום המסחר האלקטרוני, אך הקבוצה הייתה חסרה עובדים בכירים שמתמחים באופנה, עיצוב ומסחר של נעליים, והיא לא קראה את השוק נכון. עוד מתברר שהפעילויות של הגופים הענקיים כמו וולמארט שרכשה בראשית חודש ינואר תמורת 70 מיליון דולר את שוביי.קום, במקביל לאמזון שרכשה עוד קודם לכן את זאפוס.קום – שתיהן המתחרות הקשות של שוז.קום, פגעה קשות באחרונה. וולמארט שנחשבת לקמעונאית הגדולה בעולם עם הכנסות של 482.1 מיליארד דולר בשנה יכולה לרסק כמעט כל מתחרה עם היא רוצה. המומחים חשבו שאולי וולמארט או אמזון ירכשו את שוז.קום אך זה לא קרה. למרבית הפלא וילסון (שמחק בינתיים מהרזומה שלו בלינקדאין כי ניהל את שוז.קום) לא חשב שהמהלך של וולמארט יפגע בקבוצה מוונקובר. אך הוא טעה בגדול ורכישת שוביי.קום ע”י וולמארט היה כנראה הנוקאאוט האחרון שחיסל סופית את שוז.קום.
קבוצת שוז.קום הגיעה להכנסות של 89.2 מיליון דולר אמריקני בשנת 2014, ואילו ב-2015 ההכנסות גדלו משמעותית ל-223 מיליון דולר אמריקני. באותה תקופה החברה הצליחה למכור כשבעת אלפים זוגות נעליים ביום (של יותר מחמש מאות ברנדים שונים). בהנהלת הקבוצה תכננו להגיע אף להכנסות של כמיליארד דולר בשנת 2020 אך זה כבר לא רלוונטי. עדיין לא פורסמו הנתונים של אשתקד אך אין ספק שחלה נסיגה משמעותית בהכנסות החברה שחדלה מלפעול.
בעלי השליטה בקבוצה והיו”רים שלה, רוג’ר הרדי, ושון קלארק לא מגיבים בשלב זה על ההחלטה להכריז על פשיטת רגל והגנה בפני הנושים. השניים פעלו כל הזמן לרכוש ולאחד עוד פעילויות של קמעונאיות נעליים הפעילות בתחום המסחר האלקטרוני, תחת המטריה של קבוצת שוז.קום. עתה מתברר שהם הלכו רחוק מדי. ב-2016 שניהם זכו בתואר “היזמים של השנה בבריטש קולומביה” בתחום המסחר האלקטרוני. אך מתברר שתארים לחוד והמצב כלכלי של הקבוצה שהתטמוטטה לחוד.
The cast of Crossing Delancey, left to right: Jonathan MacDonald (Sam), Nina Tischhauser (Izzy), Joan Koebel (Bubbie), Helen Volkow (Hannah) and Jon MacIntyre (Tyler). (photo by Tracy-Lynn Chernaske)
Many of us are still looking for our bashert, our soul mate, that one person with whom we want to spend the rest of our lives. Sometimes, our family and friends try and guide us in our quest, sometimes we go it alone, double-clicking away in cyberspace, hoping to make the perfect connection and, sometimes, we hire a professional, a matchmaker. While that last approach may seem old-fashioned and outdated, it can work – as the latest offering at Metro Theatre, Crossing Delancey, charmingly illustrates.
Set in New York in the 1980s, playwright Susan Sandler’s romantic comedy has five characters. We meet 30ish yuppie bookseller Isabelle (Izzy) Grossman, who lives and works Uptown and is enamoured of Tyler, a non-Jewish local author who often drops by the shop to check on his book sales. Meanwhile, back on the Lower East Side, on the main thoroughfare, Delancey Street, Izzy’s grandmother, Ida Kantor, has retained matchmaker Hannah Mandelbaum to find the perfect match for Izzy. What follows is a smorgasbord of Jewish humour peppered with witty Yiddish sayings – the evening’s program contains a glossary of the Yiddish words and phrases used in the play and it is a good idea to read it over before the show begins – as we follow the action to what we expect to be a predictable ending. Or is it?
Bubbie (Joan Koebel) will do almost anything to see her granddaughter, Izzy (Nina Tischhauser), married. (photo by Tracy-Lynn Chernaske)
On stage, the action alternates from Bubbie’s kitchen to the New Day Bookstore to a park bench. The curtain rises on the warm glow of the kitchen with Izzy (Nina Tischhauser) visiting Bubbie Ida (Joan Koebel) for their regular Sunday night tête-à-tête. Ida is the quintessential Jewish grandmother, doting on her granddaughter, making sure there is lots of food on the table (her claim to fame is her kugel), regaling anyone who will listen with tales of her youth, and being an all-around busybody. The night’s conversation leads to a discussion about loneliness and finding a mate. Izzy is adamant that she is a modern woman and does not need a man to feel whole. Bubbie, who continually reminds the audience in a number of melodramatic asides of what a beauty she was in her prime and how she had three marriage proposals, begs to differ. Bubbie makes it clear that her goal, in whatever life she has left, is to find her granddaughter a husband, so that Izzy will have true happiness. Enter Mrs. Mandelbaum (Helen Volkow) with her collection of photographs of eligible men. What a catch she has lined up for Izzy – Sam Posner (Jonathan MacDonald), the pickle man who runs the local deli – “a real mensch, a college graduate, a nice boy, goes to shul every day and, you could do worse.”
Unfortunately, Izzy is a bit of an intellectual snob and finds Sam bland and unromantic, so she shuns his attentions while focusing on Tyler Moss (Jon MacIntyre). Despite Izzy’s frosty attitude, Sam is smitten after their initial meeting and persists, using gastronomical courtship – an assortment of the “best pickles in New York” and chocolate cake – to woo her. He tells Izzy the story of a man whose life took a dramatic turn when he changed the type of hat he wore and that, although her Uptown life was “sociologically a million miles away” from Delancey Street, she, too, could change her style. The next day, a hat box arrives at Bubbie’s and Izzy has a new accessory – but will she wear it?
Each of the five cast members is strong but Volkow really shines. She is the stereotypical yenta with her cat eyeglasses, capri pants and oversized bosom (safely ensconced in a floral polyester top). She nails the New York accent and mannerisms.
Tischhauser adroitly handles Izzy’s metamorphosis from fantasist to realist in her choice of suitors, while MacDonald is an understated but effective beau, playing his role with calm and self-assurance. Koebel puts her heart and soul into Bubbie’s character and does a nice job with the Yiddish-heavy dialogue and the song and dance numbers. MacIntyre comes across as the stiff, self-absorbed man his character is.
One thing that Metro does particularly well is sets and this one does not disappoint. Divided into two, one side of the stage houses the bookshop; the other, Bubbie’s intimate apartment kitchen. The mood lighting and music, a mix of 1980s hits and klezmer tunes, bring it all together.
Kudos to director Alison Schamberger, with technical advice from decades-long JI contributor Alex Kliner, for bringing this light-hearted fare to Vancouver audiences.
A quintessential Jewish play with Yiddish humour, free parking, an upstairs bar and lounge, what’s not to like? Just go and enjoy – a nice pick-me-up for the January blues.
Crossing Delancey runs Thursdays through Saturdays, at 8 p.m., with two Sunday matinées, at 2 p.m., on Jan. 29 and Feb. 5. For tickets and more information, go to metrotheatre.com or call 604-266-7191.
Tova Kornfeldis a Vancouver freelance writer and lawyer.
