המגה זמרת האמריקאית טיילור סוויפט, בחרה לסיים את סיבוב ההופעות הבינלאומי שלה דווקא בוונקובר. שלוש ההופעות האחרונות נערכו באצטדיון בי.סי בחודש שעבר מול קהל כולל של כמאה ושמונים אלף איש. לראשונה בהיסטוריה של האצטדיון הענקי נמכרו כרטיסים ליציעים שמאחורי הבמה כך לאלו שהסתפקו לשמוע את סוויפט אך לא לראות אותה. גם כרטיסים אלה נחטפו במהרה ומחירם הגיע לאלפי דולרים
אני זכיתי לצפות בהופעה האחרונה של סוויפט בוונקובר וכאמור של הסיבוב כולו וזו הייתה חוויה יוצאת מן הכלל. הזמרת המדהימה שרה למעלה משלוש שעות ורבע עם הפסקות קצרות להחלפת מלבושים. היא נראתה נהדר, בטוחה בעצמה אך גם אנושית ורגישה, שרה בקלילות אך גם בחוזקה רבה, נראתה בחלק מהשירים לעיתים מאוד נשית ומתוקה, ובחלק האחר חזקה ובוגרת תוך שהיא הדגישה את המילות באחד השירים הידועים שלה: “אל תקרא לי בייב”
סוויפט סיימה את ההופעה המרגשת בוונקובר בפנייה נרגשת ישירות לקהל המקומי תוך שהיא אומרת: “תודה שהפכתם את סיבוב ההופעות הזה למשהו שונה לגמרי מכל דבר שעשיתי בחיי. עם המנהגים שלכם, עם התשוקה שלכם, ועם איך כל כך אכפת לכם מהסיבוב הזה. זאת, אני חושבת המורשת המתמשכת של הסיבוב הזה. יצרתם יחד מרחב של שמחה ואהבה”. הקהל הרב שצפה בהופעה האחרונה כמו בשתי ההופעות הראשונות בוונקובר, יצא מכיליו כאשר הזמרת הצעירה עלתה לבמה ושרה ארבעים ושישה שירים מכל אלבומיה. כולם עמדו לאורך כל ההופעה, שרו ורקדו ללא הרף. וזה היה מאוד מאוד מרגש
סוויפט התחילה את הקריירה המוזיקלית שלה לפני כעשרים שנה כזמרת קאנטרי ואלבום הבכורה שלה יצא בשנת אלפיים ושש. מהר מאוד לאור כשרונה האדיר לכתוב שירים ולבצע אותם בצורה מעולה, היא עברה למרכז הבמה של מוזיקת הפופ. היא נחשבת כיום למותג המוביל ביותר בתחום המוסיקה בכל רחבי העולם. לא פלא הוא שסיבוב ההופעות האחרון שלה הכניס כשני מיליארד דולר. בו בזמן הזמרת כרגיל גילתה את נדיבות ליבה והעניקה לעובדיה הרבים בונוסים שהגיעו לקרוב למאתיים מיליון דולר. על העובדים נמנים: נהגי משאיות, עובדי קייטרינג, עובדי מסחור מוצרים, טכנאים, עובדי במה, תאורנים, צוות פירוטכניקה, אנשי סאונד, פועלים שונים, מאבטחים, עוזרי הפקה, מאפרים, מעצבי שיער, מלבישים, פיזיותרפיסטים, צוות צלמים, רקדנים, כוריאוגרפים, זמרים ונגנים
סיבוב ההופעות שיצא לדרך בחודש מרץ שנה שעברה, כלל מאה ארבעים ותשע הופעות בחמישים ערים שונות לאורך חמש יבשות. צפו בו למעלה מעשרה מיליון איש והוא הפך לרווחי ביותר בהיסטוריה, שבמקום השני נמצא אלטון ג’ון שעשה סיבוב פרידה אחרון מהקהל, והכניס כתשע מאות מיליון דולר
סוויפט שוברת כל הזמן שיאים חדשים בתחום המוסיקה כולל האלבום החדש והאחד עשר שלה, שהפך למושמע ביותר השנה. ואילו הספר של הזמרת שליווה את הטור שלה נמכר בלמעלה משמונה מאות אלף עותקים תוך יומיים בלבד
סוויפט בת השלושים וחמש היא ילידת פנסילבניה. היא התחילה בקריירה המוזיקלית שלה בשנת אלפים וארבע והסגנונות שלה: קאנטרי, פופ, רוק, אינדי ורוק אלטרנטיבי
הזמרת מתגוררת לסירוגין בניו יורק, בברלי הילס, נאשוויל ורוד איילנד. יש לה כמובן מטוס מנהלים פרטי. הונה של הזמרת האמריקאית מוערך במיליארד ושש מאות מיליון דולר
סוויפט מגדירה את עצמה כפמיניסטית, היא תומכת במפלגה הדמוקרטית בארה”ב ובבחירות האחרונות קראה לבחור בקמלה האריס לאחר העימות עם דונלד טראמפ. מספר העוקבים שלה גדל בכשני מיליון לאחר הצהרתה
Corey Levine has helped bring many Afghan women MPs and their families to safety in Canada. She will speak about her experiences at the Wallenberg-Sugihara Civil Courage Society event honouring her. (photo from Corey Levine)
The Wallenberg-Sugihara Civil Courage Society’s Civil Courage Award honours individuals who help others escape from unjust and dangerous situations at great risk to themselves, as both Sweden’s Raoul Wallenberg and Japan’s Chiune Sugihara did during the Second World War to help Jews flee the Nazis. On Jan. 19, at the society’s 20th Annual Raoul Wallenberg Day event, this year’s award will be given to Corey Levine, who has been helping women flee Afghanistan.
There were 69 women in Afghanistan’s parliament when the country experienced a brief period of democracy. When Kabul fell and the Taliban retook control on Aug. 15, 2021, these women had to flee or they would have been murdered. Most of them made it to Greece, Albania or elsewhere, where they lived until they were able to make their way to Canada or the United States. Others made it to Pakistan, where they live in hiding, in danger of being deported back to Afghanistan if found.
Levine has been doing human rights work in war zones for about 30 years. “I really embrace the idea of tikkun olam, that it is our individual responsibility to contribute to repairing the world,” she said.
Her first trip to Afghanistan, in March 2002, was as a consultant with the Canadian International Development Agency’s peace-building unit. “The Taliban had just been routed, and Western countries were starting to engage,” she said.
That was the start of a 23-year-and-counting relationship with the country, both as a consultant with various international organizations and personally.
The last time she was on a paid contract in Afghanistan, it was with UN Women. She was there for nine months, “seconded to work with Afghan women parliamentarians, to support them and develop some strategies, etc. I left Afghanistan six weeks before the Taliban took over the second time and, basically, from the time that I left, but especially the day that Kabul fell, Aug. 15, 2021, people started contacting me. At first, it was Afghan friends and colleagues – because I’d been going there for 20 years at that point – asking me for help. And I said, I don’t know, I’ll see what I can do. I couldn’t have imagined then that it would end up being a 24/7 crisis management [project] that I ended up doing for the past three-and-a-half years all on my own, voluntarily.”
Calls for help started coming from people Levine didn’t know. “In a way, it was almost like an underground railway,” she said, with so many people, as individuals or as part of organizations, trying to get out of the country, Afghans at risk of being killed by the Taliban. Helping people escape was unfamiliar work for many of the people involved. “We were all kind of flying by the seat of our pants,” she said.
“It’s one thing to get people into safe houses. That’s only a temporary Band-Aid solution. It’s how to help them afterwards, how to help them reach safety. And then I started organizing private sponsorship. Canada has this unique program where groups of people in a community can come together and raise money and privately sponsor refugees.”
Levine has managed to organize seven private sponsorship groups in Victoria, where she lives, and is working on an eighth. Amid this work, she returned to Afghanistan in June 2022. While there on that trip, she tried to help some of the women MPs who had been left behind, and this work became part of her ongoing efforts to rescue at-risk Afghans.
“In September 2022,” said Levine. “I went to a conference in Ottawa and I met a few MPs…. I don’t know how, but I put together an all-party group of MPs that were interested in helping me get these women out.”
The resulting group comprises Bloc Québécois citizenship and immigration critic Alexis Brunelle-Duceppe, who was a co-chair of the Special Committee on Afghanistan; Conservative MP Alex Ruff, who twice served in Afghanistan with Canada’s military and was also on the special committee; Liberal MP Marcus Powlowski, who had spoken out, even before the Taliban retook Afghanistan, about the need for Canada to help Afghans; Green Party leader Elizabeth May, who used to be Levine’s MP and who had already helped Levine in this area; NDP foreign affairs critic Heather McPherson and Liberal MP Leah Taylor Roy, who were also keen to participate, said Levine.
“One of the women we were trying to help, and the event is dedicated to her memory, she was killed by the Taliban in January 2023,” said Levine, referring to Mursal Nabizada. “She was one of the women I had met when I was in Afghanistan in June of 2022…. Before that, we had been working under the radar with the government…. But then, once her death happened, because it was international news … the MPs released a statement about it, which got a lot of traction. The government stepped up after that, and we went back underground, so to speak,” mainly for security reasons.
However, the MP group has since become more public – a CBC documentary on their work aired last October. Its members continue to negotiate for more Afghan women MP refugees to be able to come to Canada and, from their efforts so far, seven Afghan families are here safely, said Levine. “One of them is going to be speaking at the event on the 19th.”
Former Afghan MP Gulalai Mohammadi, who escaped to Canada with her family last year, is that speaker. In addition to Mohammadi and Levine, May will also participate, representing the MP panel.
The Jan. 19, 1:30 p.m., event will take place at the Peretz Centre for Secular Jewish Culture. Admission is free, but donations are welcome, with donations of $36 or more receiving a tax receipt. A reception will follow the program.
For more information on the Wallenberg-Sugihara Civil Courage Society, visit wsccs.ca.
Kfir Bibas was abducted before his first birthday. His second birthday is this Saturday. (photo by Pat Johnson)
The Gregorian calendar has turned over a new year, but the vigils for the Israeli hostages continue without interruption.
Daphna Kedem, who has organized the weekly events since hours after the Oct. 7, 2023, terror attacks, acknowledged that it has been effectively an additional full-time job and that the commitment has taken a toll.
“But it’s also given me energy to continue, in a strange way,” she told the Independent in the moments before the vigil at Vancouver City Hall last Sunday. “I have to be here. I have to do it. I can’t be anywhere else.”
Inevitably, numbers have dwindled from the initial weeks, and some people have suggested to Kedem that she alter the events from weekly to monthly to get the numbers up. She’s not confident that would make a difference and, she added, that would send a negative message. To shift from the weekly routine would imply “that we are normalizing and accepting the situation of the hostages” and that is a message she will not accept, she said.
Ari Mansell is a core volunteer who is present for setup and teardown every week, as well as occasionally playing violin.
“I come here as the smallest thing I can do to help my community,” he said. “It’s a labour of love for me. It’s hard for me to stay away.”
His participation has made him feel more connected to his community.
“I’ve increased my community around me,” he said. “Moving here eight years ago [from Edmonton], I didn’t really know anyone here. This unfortunate event has brought us together and I’m so thankful for the people that I’ve got to know over this time – the musicians, Daphna, the organizers – it’s enriched my life. I don’t do it for me, but at the same time it’s helped me.”
Joanita Nakasi is one of many Christians who attend on a regular basis. She has always prayed for Israel, she said, and so, when Oct. 7 happened, she felt moved to stand with the local Jewish community. She urges others to accompany her.
“They should also come and join,” she said. “We stand together until all our brothers and sisters are back.”
Richard Lowy, who has performed music and sung at many of the vigils, lauded the community for coming together across ideological lines.
“The idea that you’re secular, you’re religious, you’re nonreligious, you’re right-wing, you’re left-wing, you’re for Trump, you’re for Biden, you’re Jewish – it doesn’t matter,” he said. “It doesn’t matter what you think. When the Nazis came, they came for the Jews regardless of your beliefs or where you stood.”
He recounted an experience he had during the process of writing a book about the Holocaust experiences of his father, Leo Lowy, a “Mengele twin.” The book will be released on Jan. 27, which is International Holocaust Remembrance Day.
“While I was working [on the book], I’m reliving the horror of Auschwitz and looking at the faces of the people that are in this concentration camp and the families and the people that were brutalized and I had to take a break because it’s just so horrific,” he said. “As I walk out to the front, where the bike lane is, there is a group of young kids riding their bicycles with their Palestinian flags yelling, ‘From the river to the sea’ right in front of my house. It’s just so devastating to see this.”
In the cold sunshine Sunday, Jonathon Leipsic asked to be described solely as “part of klal Yisrael.”
Leipsic said he was asked to speak about antisemitism, but demurred.
“For me, antisemitism is a relatively irrelevant topic,” he told those gathered. “You may say have I lost my mind. What about this rising antisemitism?”
Jonathon Leipsic, “part of klal Yisrael,” fears sinat chinam, baseless hatred, more than antisemitism. (photo by Pat Johnson)
He said the Jewish community has done a good job teaching the next generations about antisemitism and the Shoah, to be good stewards of memory.
“We as a people undoubtedly will suffer, but we are eternal,” he said. “At the end of the day, we are eternal if we follow the words and the guidance provided to us.”
What worries him more, he said, is sinat chinam, baseless hatred.
“Baseless hatred among klal Yisrael and division and a lack of shalom bayit [peace in the home] within our people – this is, by far, and has always been, the only true threat to the eternity of am Yisrael. Our rabbis teach us that the First Temple was destroyed because of the most profound and abominable sins one could imagine that could be happening within a place of Hashem…. But yet, what brought down the Second Temple? Sinat chinam. Baseless hatred among klal Yisrael.”
He urged the audience to embrace the diversity of opinion within the community and “be less afraid of antisemitism and much more concerned about sinat chinam.”
Ohad Arazi moved to Canada from Israel in 2006 and has spent two decades bringing together Israeli and Canadian technology companies and people. As a son of a diplomat, he has spent more time living outside Israel than in it.
He reacted negatively when, prior to moving to Canada, his mother warned him that, as a Jew, “The only place you will ever feel truly safe is here in Israel.”
“I was so angry at her. I said, ‘I am a child of the world,’” Arazi recalled. “I am moving to one of the most liberal and pluralistic countries in the world. Please, Ima, don’t project your scarred Holocaust psyche on me.”
Then Oct. 7 happened.
“On that day, the world witnessed unspeakable atrocities as Hamas launched a brutal attack on Israel, resulting in the loss of innocent lives and the abduction of many,” he said. “But one more thing happened that day, which is that Canadians got their first glimpse of where our country could be headed. Shortly after the news of the scope of the atrocities began coming to light, revelers and anti-Israel protesters took to the streets in Canada.… Across governments, schools, unions and media, a toxic environment has emerged, fueling hostility against Canadian Jews.”
Israel’s war against Hamas, Hezbollah and the Houthis is proceeding successfully, he said. “But our war, as Jews in the diaspora, the war we are facing day in and day out, is a war of ideas, a war of words, ideology and truth,” said Arazi. “Our Canada should be the model for building a future where the values of humanity triumph over hatred and where every hostage is safely returned to their loved ones.”
Aliya Oran Dobres, a 15-year-old Grade 9 student at King David High School, shared her harrowing experiences of being pursued by a threatening group at a mall because of her Star of David necklace, as well as the threats her friends have experienced. In the days after Oct. 7, her fellow students covered their uniforms when in public, she said.
“We should not be scared for who we are,” she said. “As Jews, we must stick together and be strong.”
Ebube Anachebe is a fourth-year electrical engineering student at the University of Calgary, who is in Vancouver for an internship. She returned days ago from her second trip to Israel in the past year, with a Christian organization called Passages.
“The aim of the mission is to bring Christian students to the Holy Land to walk in the footsteps of Jesus,” she said. “However, since Oct. 7, they have been shifting their focus toward not just bringing students to the Holy Land, but also mobilizing Christian students to stand alongside their Jewish brothers and sisters against antisemitism.”
About 100 others joined Anachebe on the nine-day tour.
“We experienced the Jewish roots of our faith, we experienced the love of our saviour, gifted to us by you guys, our Jewish brethren,” she said. “We encountered modern Israel and we bore witness to the realities of what happened on Oct. 7.”
She shared several memorable encounters with Israeli individuals, including Shahar, a resident of Kfar Aza.
“His beloved community was torn apart and ransacked by Hamas terrorists. When we asked him why he returned, he said, ‘Israel is my home, this kibbutz is my home, I have nowhere else that I would want to go.’
“The group’s tour guide, Danny, recounted how, on Oct. 7, when awakened by sirens at 6:30 am, his son asked him, ‘Daddy, why won’t the bad people let Israelis sleep?’
“He shared about the difficult moment when, a couple of hours later, he was called to the reserves and he had to tell his son, ‘I won’t be here for your birthday tomorrow,’” Anachebe said.
She said that, when Oct. 7 happened, “it awoke two different camps of people.”
“It awakened the antisemites, who had been slumbering,” she said. “But I tell you it also woke up leaders who didn’t even realize that they were leaders until they were called up for such a time as this, to stand up against this evil of antisemitism. This is what I witnessed when I went to Israel. I witnessed leaders who will rise up and pray for Israel, the hostages and the brokenhearted.”
Anachebe said, “We Christians see you, our Jewish brothers and sisters, as mishpachah, family. We are standing and we are standing alongside you. Am Yisrael chai.”
Thomas Hand and the survivors of the massacre at Kibbutz Be’eri hope to return home in 2026. (photo by Gil Zohar)
Kibbutz Hatzerim, eight kilometres west of Be’er Sheva, best known for its drip-irrigation plant, also houses the newly established quarter here for the survivors of Hamas’s Oct. 7, 2023, massacre of more than 130 of Kibbutz Be’eri’s 1,071 residents. Emily Hand and her Dublin-born father Thomas, 64, are among the 200 refugees living there. In 2026, they hope to move back to rebuilt homes in their community alongside the Gaza Strip.
“We’re still in the stage of demolishing the houses beyond repair,” Hand said. A quarter of Be’eri’s housing is unsalvageable.
Some vegetation has been planted around the new temporary bungalows at Hatzerim, and the site is beginning to resemble a kibbutz neighbourhood. But little else is normal.
The Hands marked the anniversary of Emily’s release from imprisonment in the tunnels of Gaza on Nov. 26. A week earlier, the Irish-Israeli celebrated her 10th birthday. Thomas no longer allows his daughter to be interviewed by the media. The probing questions she faced raised horrific memories of captivity that she is still struggling to process, said her father. She has engaged in various therapies, including seeing a psychologist weekly, horse riding and puppy love with their pooch, Johnsey.
“She’s living day to day, enjoying every day,” her father said.
The Hands moved to their home at Hatzerim shortly before Rosh Hashanah and Emily started the new school year there. Before then, they had been sheltered at Kibbutz Ein Gedi’s hotel by the Dead Sea.
Like his daughter, Hand too is struggling. In the days after Oct. 7, he was initially informed his daughter had been murdered. After a month, that assessment was revised to missing. After more uncertainty, she was then declared a hostage – and finally released in a swap for Hamas gunmen and other terrorists.
The Hand household is still decorated with balloons from Emily’s recent birthday party. Among the guests were fellow hostages Noa Argamani, Ra’aya Rotem and Hila Rotem Shoshani, who surprised Emily with a cake and candles. Argamani, who was imprisoned with Hand, was rescued on June 8, after 245 days in captivity, in a joint operation by the Israel Defence Forces, Shabak (Israel’s security agency) and Israel Police.
Hand said Emily is adjusting “incredibly well.” But then he contextualized what that means: “She still sleeps with me. Usually in my bed.”
“She was captured from a MaMaD [safe room]. And that’s a trigger,” he said.
The constant roar of jets flying overhead to and from the nearby Hatzerim Air Base adds to their ill-ease. Hand’s conversation is punctuated by sighs and tears. “Don’t mind me,” he said. “It’s just part of the process.”
None of the kibbutz’s protected spaces had bulletproof doors, he noted. His own MaMaD wasn’t equipped with a lock, he added. “I just had to hope and pray.”
Other general tactical mistakes included storing the kibbutz’s guns and ammo in a central location rather than having them distributed among people’s homes. Half the members of Be’eri’s emergency response team were gunned down trying to reach the armoury, Hand said.
His first concern on Oct. 7 was for Emily, who was sleeping over at a friend’s house 300 metres away. With bullets flying, there was no chance to run there to attempt to rescue her, he recalled.
He left his shelter at 10 a.m. Armed with his pistol, two magazine clips and a bullet in the chamber, he positioned himself by his kitchen window, which offered a wide field of fire. The Hand family house was relatively untouched apart from shrapnel damage.
“While I couldn’t protect my daughter, I was able to protect three houses,” he said.
Hand remained at his post until 11:30 p.m., when IDF soldiers arrived.
“The amount of guilt that I felt at not going to save her [Emily] even at the risk of my own life…. But I knew I would be dead, and she would be an orphan. It was a very big thing afterwards. At the time, I was just in survival mode.”
With self-deprecating humour, Hand remembered he only had two cans of beer in the fridge that Saturday morning. It’s a mistake he has never repeated, he said, now always having a case of suds on hand.
Another cause of guilt is not being able to work. He had previously been employed at Be’eri’s printshop, and then as a painter at its toy and furniture factory. While the workshop has reopened, Hand is unable to commute the 90 minutes there, since he must stay close to his daughter. “I have to keep her normalized,” he said.
“They’ve given me a lot of leeway,” Hand said of the kibbutz secretariat. In the meantime, he devotes a lot of time to hostage issues.
Looking wistful, he concluded: “I will not feel safe going back to Be’eri with this government in power, and without Hamas being completely crushed.”
Michael Sachs is the first director of Western Canada for the Friends of Simon Wiesenthal Centre. (photo from FSWC)
The role is new, but the face is familiar. On Sept. 15 last year, Michael Sachs took the helm as the first director of Western Canada for the Friends of Simon Wiesenthal Centre. No stranger to Vancouver’s Jews, Sachs has been at the forefront of community engagement for a long time – first as a volunteer and, more recently, as a communal professional.
Jews are in a changed world since Oct. 7, 2023, Sachs contended in a recent interview with the Independent. He had already made a major career change years ago, moving from diamond wholesaling to Jewish community service. When the Hamas terror attacks happened and antisemitism skyrocketed, he found himself just where he felt he could have the greatest impact.
For more than three years, Sachs was executive director of Jewish National Fund of Canada’s Vancouver branch.
“I felt blessed and privileged to be in a role at JNF at a time when Israel faced some of its darkest times, to be able to support Israel and to be able to support the people,” he said. “Over that year, we saw and felt a change, or a progression, in what it feels like to be a Jew outside of Israel.”
The world situation hastened the opening of FSWC’s Vancouver office.
“There always was a plan to open in Vancouver,” said Sachs, “but because of the speed at which the hate rose to such a level, the need caught up to that.”
Sachs had already accepted his new role by the time JNF lost its charitable status in a conflict with Canada Revenue Agency, a legal and administrative battle that is ongoing. Sachs said JNF was “blindsided” by the federal agency’s rescinding of the crucial charity imprimatur but that it was announced after his acceptance of the FSWC job and had no impact on his decision.
Among the highlights of his time with JNF was going into the schools and sharing stories of Israeli resilience and marking holidays like Yom Ha’atzmaut and Tu b’Shevat.
“We had a lot of great events,” Sachs said, despite the limitations of the pandemic. “We did really creative and out-of-the-box thinking on how we approached fundraising.”
For example, JNF transformed the Negev Dinner, which had been a relatively exclusive annual gala, into a “Negev Event,” with far more accessible ticket prices that allowed larger audiences to see and hear Israeli actor, author and activist Noa Tishby in 2023.
Strengthening partnerships with other organizations was also central to his mission at JNF, he said. That cooperation will continue, he promises, as FSWC takes its place amid the constellation of community organizations on the West Coast.
Sachs’s priority for his new office is to maximize FSWC’s antisemitism training and workshops, which they have been delivering to businesses, law enforcement, educational institutions and others.
“Our training is the gold standard for antisemitism training in Canada,” said Sachs.
Also top of his mission is continuing to build connections with existing agencies.
“We’ve worked closely with CIJA [the Centre for Israel and Jewish Affairs], we work closely with Federation, we work closely with Hillel, to assist and provide that support,” he said.
His office may be in Vancouver, but Sachs is responsible for the organization’s programs across the four Western provinces, and he foresees much more work with non-Jewish organizations across the West, as well as supporting isolated Jewish individuals and groups.
Michael Levitt, national president and chief executive officer of FSWC, heralded the opening of the branch office and Sachs’s hiring as a sign of positive things in difficult times.
“The focus of our work in terms of building a more inclusive and respectful society by educating Canadians about the lessons of the Holocaust and advocating for human rights, standing up against antisemitism and racism in all of its forms, could not be more pertinent and critical in today’s society,” Levitt told the Independent. “One of the things that makes us unique is we have a focus and a presence both in education spaces, which is certainly a core pillar of what we’re doing, but also in advocacy spaces.”
Strengthening, rather than competing with other organizations, is the goal, Levitt said.
“To be inclusive, to not have our elbows up, to look for opportunities to add expertise, but do it in a way that is collaborative and cooperative and empowers any of the partners that we work with – that’s very much what we’ve been doing in Toronto and across the east and central Canada,” said Levitt. “We want to be working hand-in-hand with as many of these organizations as possible.”
Sachs is the ideal person for the new role, according to Levitt.
“His door is always open,” Levitt said. “From the moment I met Mike Sachs, I just knew that he was a future face for our organization on the West Coast. His experience, his commitment, his passion for the Jewish community, particularly out in Western Canada, the important work he had done with another organization we worked closely with over the years, JNF. He had the relationships, he had the drive and he had the attitude that just fit so well into our core beliefs as a team.
“I can’t think of a better individual than Mike Sachs to fly the Wiesenthal flag out in Vancouver,” Levitt said.
Flying the flag on the West Coast is also due to the support of Gordon and Leslie Diamond, and Jill Diamond and the Diamond Foundation, Levitt added.
“Gordon is a long-time board member of FSWC and the family have been very active,” said Levitt.
Ezra Shanken, chief executive officer of the Jewish Federation of Greater Vancouver, has worked with Sachs in many capacities over the years and welcomed him to the newish role.
“Mike’s energy and passion for our community and for Israel are truly inspiring, and he is a dedicated partner in combating antisemitism,” Shanken told the Independent. “He is the definition of a community leader – always going above and beyond for the benefit of others. Beyond being a trusted partner in so many initiatives, he’s also a great friend. I know he’ll continue to have an incredible impact in this new role.”
While in the private sector, Sachs was also engaged in the community, variously as president of the Bayit synagogue, in Richmond, as a board member at Jewish Family Services and Vancouver Hebrew Academy. In 2017, he received Federation’s Young Leadership Award and was one of the Jewish Independent’s 18 Under 36. Sachs is married to Shira and they are raising Izzy, 11, and Desi, 9.
Born in Stamford, Conn., Sachs moved to Vancouver with his mom Sally and stepfather Marshall Cramer in 1993, when the late business leader and philanthropist Joe Segal hired Sachs’s stepfather to run the clothing retailer Mr. Jax.
“It was only supposed to be for a couple of years, but we fell in love with the city and the community,” said Sachs.
The family purchased and ran Kaplan’s Deli. Vancouver Jews might hang out among their own shul crowd, attend different summer camps or go to different schools, but smoked meat is the ultimate equalizer.
“A lot of people know me from being behind the counter at Kaplan’s,” said Sachs. “That’s where I got my real dive into the diversity of our community.”
It was during COVID that Sachs decided to make a major life change.
“Like everybody else, we furloughed for a period of time. I said to my wife, I want to go back and do something I love,” he said.
He loved the people he worked with in the diamond sector, he stressed, but his launch of a challah delivery service during the early weeks of the pandemic reminded him of the joy of engaging with people for a good cause.
“There were times that we delivered hundreds of challahs every week. It kind of opened my eyes that this is what I want to do,” Sachs said, defying the assumption that people don’t enter the nonprofit sector for the bread.
Artist Olga Campbell and her grandson Arlo, for whom Campbell wrote her memoir, Dear Arlo: Letters to My Grandson. (photo from Olga Campbell)
Recently, Olga Campbell published her third book, a memoir, Dear Arlo: Letters to My Grandson. Campbell’s new solo show with the same name opened at the Zack Gallery on Jan. 9. It features a selection of paintings and sculptures from the book, as well as a short film.
“The film starts the exhibition,” Campbell told the Independent. “It contains my photographs of Vancouver and its people. It is called Everybody Has a Story. The show and the book portray one of those stories – my story. But millions of other people have their stories, too, and, in the film, in my photos, I tried to tell some of those stories.”
Campbell said, “The book and the show are my answers to the questions my grandson asks. He is interested in our family’s past. We are very close, he and I. We just went to Nepal together. I thought I would write this book for him, as my legacy.”
The book does not concentrate exclusively on pain and tragedy, on the deaths of her family members in the Holocaust. It also celebrates the power of art and writing as a transformational and healing tool. Besides letters to her grandson, the book includes Campbell’s poetry and art, essays written by the artist, and her family’s traditional recipes. (See jewishindependent.ca/a-multidimensional-memoir.)
The Zack Gallery show is a subset of the book, a selection of paintings and sculptures the memoir highlights. The paintings are mostly collages based on the artist’s photographs. Each photo is Photoshopped into infinity, so none of the faces in the paintings have any resemblance to their origins. Campbell likes to experiment with images, looking at them from different perspectives, applying different approaches. Like her inner child who never grew up, she plays with them, making up different stories for different levels of perception.
One of the paintings, “Corridor of Memories,” has a couple of faces looking at the viewer with thoughtful, slightly anxious expressions. Behind those faces, a long corridor stretches into an unknown distance. The memories that come from that distance seem diverse and unsettling, a mix of positive and negative, but different for everyone.
“Corridor of Memories” by Olga Campbell. (photo by Olga Livshin)
“There is bad there but there is also some good stuff there,” she said. “I played with the faces in that painting. I thought it would be interesting to make them three-dimensional. That’s how I came up with the sculptures in the show. They are the result of the images unfolding from 2D to 3D.”
Another painting that underwent a similar metamorphosis is “Shall We Dance? – self meeting Self.” Campbell explained: “I took this image from the confines of a frame and brought it to life by making it three-dimensional. The title, ‘self meeting Self,’ refers to the small self, the individual, the ego, meeting the Universal Self, and the ensuing dance of Self-discovery, joy and wonder of life.”
The 3D dancers – a thickened silhouette of the flat painted image beside it – rotate. They are accompanied by the song “Shall We Dance,” played by a tiny music box, when someone winds it up.
“The Sky is Falling” by Olga Campbell. (photo by Olga Livshin)
Sometimes Campbell’s reconstruction of images results not in an additional dimension but in a deepening complexity of the original idea. In “The Sky is Falling,” she took a person’s outline from the painting beside it and embellished it with everything that she felt was relevant to our hectic lives. Unlike most of the other paintings in the gallery, there is no face in this one. The grey danger hangs over all of us, regardless of our facial features or skin colour.
“There are lots of similarities in our world today and the one that preceded WWII,” said Campbell. “That’s why I put a crow in that painting. A crow is a traditional symbol of death, but also of transformation, of change and the future.”
Like the book it is based on, the show is not linear. It reflects the artist’s response to various events in her life, both happy and sad, from her coming of age, to the current war in Ukraine. Both the memoir and the show emphasize Campbell’s personal journey through the beauty and the trauma of life, so inextricably entangled together.
At the gallery on Jan. 23, 7 p.m., Campbell will discuss her book and her art in an event co-presented by the Zack Gallery and the JCC Jewish Book Festival. Campbell’s exhibit will be on display until Jan. 27. To learn more, check out the artist’s website, olgacampbell.com.
Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].
Mitch and Murray Productions’ presentation of Heroes of the Fourth Turning co-stars, left to right, Jennifer Clement, David Kaye, Elizabeth Barrett, Aaron Craven and Nyiri Karakas. (Shimon Photo)
This is a story about the interesting and intersecting balance of faith, peace, politics, sex, sexuality, deceit, forgiveness and mysticism with the modern world. How do we grapple with the changing self, while clasping hands with those we no longer align with, but feel we must commune?” said Mitch and Murray Productions’ Kate Craven about Will Arbery’s play Heroes of the Fourth Turning, which has its Western Canadian premiere Jan. 31-Feb.9 at Studio 16.
“It’s about letting go of preconceived notions,” she said. “It’s about being wrong, even when convinced otherwise. It’s complex and startling and astonishing and I truly think it is one of the great plays of this generation.”
Heroes of the Fourth Turning has won multiple awards and was a Pulitzer Prize finalist. In it, reads the synopsis, “four young conservatives have gathered to toast the newly inducted president of their tiny Catholic college – one week after the Charlottesville riots in 2017. Their reunion spirals into spiritual chaos and clashing generational politics, becoming less a celebration than a vicious fight to be understood.”
“The play’s title is a take on the book The Fourth Turning by William Strauss and Neil Howe, which hypothesizes the cycles of history and attempts to teach us how to live through these cycles via examples from past generations,” explained Craven, who is the theatre company’s board chair and operations manager. “They base their hypothesis on the past 500 years of American history and uncover what they deem as a distinct pattern: that modern history moves in cycles, each one lasting about the length of a long human life and each composed of four times 20-year eras, aka ‘turnings’ that comprise history’s seasonal rhythm of growth – maturation, entropy and rebirth. Otherwise broken down as the High, a period of confident expansion, followed by the Awakening, a time of spiritual exploration and rebellion. Then, the Unraveling, in which individualism triumphs over crumbling institutions. Finally, the Crisis (the Fourth Turning), when society passes through a great and perilous gate in history, a specific time that requires a generation of heroes to rise up, resolve crisis and reset imbalances created in prior turnings.
“The Fourth Turning was written in 1997, at the tipping point between Gen X and the Millennial generation,” said Craven. “It references the Fourth Turning being in line with the coming of age of Millennials, a generation which three of the play’s characters fit into.”
One of those characters is played by Jewish community member David Kaye.
“I play a Catholic man in his late 20s named Kevin who is currently experiencing tremendous crises of identity and faith while struggling with alcohol abuse,” Kaye told the Independent. “A graduate of the Transfiguration College of Wyoming, Kevin received wilderness training, learned to scale mountains, ride horses, build igloos, memorize poetry and speak conversational Latin. Initially believing that he was being groomed to become ‘a leader of the world,’ Kevin has realized that he was woefully underprepared to actually live in the real world.”
While the character is drunk for most of the show, he is the only one asking questions, said Kaye. “He is often the butt of the joke but, ultimately, I think Kevin is the wise fool. Kevin wants so badly to connect with other people, regardless of their political leanings or religious affiliations. He wants to have hard conversations and expand his mind and is open to new ideas; unfortunately, he is not the greatest conversationalist.”
The role has certainly expanded Kaye’s mind. Having attended Vancouver Talmud Torah and King David High School growing up, the actor said “all of the knowledge of Catholicism I have is from pop culture, so building my character’s world has involved quite a lot of reading in theology and philosophy that I was completely unfamiliar with. As far as being a Jewish actor in the context of this play, I think that Kevin is actually the easiest character for me to identify with because he is constantly questioning things, and that was a core part of my Jewish education and exploration.”
Craven, who is also Jewish, “had the unique experience of growing up in a bi-faith family, one half Jewish, the other Pentecostal Christian.”
“It’s a difficult thing to belong to a family unit which falls on both sides of the faith divide and subsequently (often) political divide,” she said. “Perhaps this prepared me for a play like Heroes of the Fourth Turning. I find myself reaching for empathy for these often confused, sometimes wildly misguided characters and that makes this play very uncomplicated and uniquely human.”
She added that it feels like Arbery, the playwright, “is managing a perilous dance between faith, violence, truth and real-world events as his characters evolve and devolve in front of us. It feels much less about faith, religion and belief than it does about the crisis of being human. That’s relatable no matter who youare or which people you belong to.”
“This show can be viewed through many different lenses and each one will have a different takeaway,” said Kaye. The play will “ruffle some feathers,” he said. “But, if you are open to it, this is a show that will provoke thought, challenge perceptions, and might make you question the world around you.”
For Kaye, that is one of the main things he has learned from the character he is portraying – “that it is OK to question everything you have ever known to be true. It may be ugly and uncomfortable, but challenging your beliefs can lead to more authentic connections and a more fulfilling life.”
Craven said Mitch and Murray Productions’ goal has always been to present “bold, smart pieces that require the audience to be willing participants in the discourse and discussion. Our hope is that our productions showcase what it is to be a complex, imperfect human, as opposed to being a human who fits into a specific political, religious or cultural box, the aftermath of which potentially opens us up to empathy and understanding instead of division and despair.”
Set in rural Wyoming, Heroes of the Fourth Turning references hunting, there is a prop rifle on stage and gunshots are heard throughout the play. Other warnings include the use of coarse language and “heavy political debates which cover a range of difficult topics,” said Craven. “With this in mind,” she encourages people to come to the play with “a spirit of open-mindedness and an attitude of willingness – to see, hear and learn. All of which hearkens back to what I mentioned earlier about the plays Mitch and Murray attempts to produce – stories about a conflicted and imperfect humanity. We may not be able to see ourselves uniquely and specifically reflected in these characters, but there is certainly a reflection of humanity that is profound and deeply moving.”
Stories, she said, have “the capacity, when told well, to move and shape our molecules in a unique way. If we can be even a small part of creating compassionate debate, then we’re doing our job.”
Cantor Shani Cohen and Wendy Bross Stuart (photo below) team up for another Shabbat Shira concert at Temple Sholom, on Feb. 8. (photo from Temple Sholom)
“I’m looking forward to the Shabbat Shira concert as an opportunity for our community to come together and enjoy some beautiful music as a temporary respite from the challenges of the past two years, within the safety of our own walls,” said Temple Sholom’s Cantor Shani Cohen of her Feb. 8 performance at the synagogue with Wendy Bross Stuart.
“Shabbat Shira is the annual day when we read the Song of the Sea, which is the climax of the Exodus story,” explained Cohen. “To celebrate this Torah reading, there is a tradition of adding some extra musical elements to the weekend. That was the inspiration for the Shabbat Shira concert that Wendy and I are doing. We started this tradition last year, and it was a wonderful evening of music that brought the community together.”
Cohen and Bross Stuart have chosen a range of musical styles for the concert, from musical theatre to jazz to classical art song.
Wendy Bross Stuart (photo from Temple Sholom)
“One of our focuses in the concert is highlighting Jewish composers,” said Cohen. “In this vein, we will be performing ‘How Much Do I Love You’ by Irving Berlin, ‘Still Hurting’ from Jason Robert Brown’s Last Five Years and ‘Vanilla Ice Cream’ from Jerry Bock’s She Loves Me. There will also be some songs by the very talented Jewish songwriting duo Zina Goldrich and Marcy Heisler, including ‘The Last Song’ and ‘Let Me Grow Old.’
“Finally, I am excited to be sharing a few classical art songs, including some by contemporary American composer Lori Laitman from her song cycle ‘The Mystery,’ and one from Hector Berlioz’s song cycle, ‘Les nuits d’été.’”
Before Cohen went to cantorial school, she studied to be an opera singer. She still feels a strong connection with classical music, she said.
“While I love being a cantor and find the role incredibly fulfilling and meaningful, I realized that I still have a passion for opera,” she said. “Singing opera, for me, is like a workout for my vocal muscles, keeping them in shape and, in turn, helping me sing my cantorial music more confidently.
“I also think it’s important and healthy to have a work-life balance. For me, that means finding activities outside of synagogue life. Over the past two years, I have found some creative outlets that have allowed me to delve into classical music again in a different way than I do as a cantor. It has been an exciting and fun journey that has challenged me in new ways.”
Cohen’s passion for classical singing led her to Opera Lirica, headed by artistic director Trudy Chalmers, which is dedicated to bringing classical music to the community and providing performance opportunities to local opera singers. Among other things, Cohen was invited to perform as part of their Heritage Salon Series.
“My concert was on Nov. 10, and it was entitled The Sacred Tongue and the Mother Tongue: A Concert of Hebrew and Yiddish Songs. I had a wonderful time preparing for the concert with pianist Roger Parton [Opera Lirica’s music director]. I explored my own Israeli and Ashkenazi family background, and performed both new and familiar Hebrew and Yiddish repertoire…. It was a deeply personal concert, and I was proud to share it with not just the Jewish community, but the wider Vancouver music community. It meant a lot to me that after Oct. 7 and the rise in antisemitism that we have experienced, Trudy and Roger were both so supportive of this project and of me. This is the kind of crucial cross-cultural relationship building that I believe music can help us do.”
In another cross-cultural endeavour, Cohen will join the Jan. 26 performance of Songs of the Wasteland about survivor Renia Perel, which was written by Perel, who died in 2017, and arranged by Larry Nickel. The Vancouver Academy of Music is once again presenting the work, in honour of International Holocaust Remembrance Day (vancouveracademyofmusic.com/events).
For the past two years, Cohen has performed with the Reform Cantors and Cantorial Soloists of Canada (RCCC) organization in Toronto. “This year, we will be hosting the RCCC concert at Temple Sholom in May! More information to come,” she said.
Cohen and Bross Stuart first worked together on the community Yom Hashoah commemoration a few years ago, and in which both have participated multiple times. They also worked together in the Chutzpah! Festival concert debut of the Joan Beckow Project and album release; Bross Stuart and her daughter Jessica Stuart, who is also a musician, are co-directors of the project.
“We each bring a different musical perspective,” said Cohen of working with Bross Stuart. “Wendy has a wealth of knowledge and experience in musical theatre, Yiddish music and jazz, while I have a background in Jewish and classical music. We each learn from the other, and are able to meld our experiences into programs that I believe are intriguing and exciting for our audience.”
When Cohen started working at Temple Sholom back in 2021, she was straight out of cantorial school, and had just moved to Vancouver from New York. Grateful for the opportunities she has had at Temple Sholom, she said, “I am especially thankful to work with the supportive and inspiring clergy team that we have: Rabbi Dan Moskovitz and Rabbi Carey Brown. It was Rabbi Moskovitz’s vision to bring in an ordained cantor to our synagogue for the first time, and both he and Rabbi Brown have been supporting me through every step of my transition into this vibrant community.”
Over the years, Cohen has found ways to bring more of herself into her job: “more of my passions, interests and identity into what I offer.”
“On a basic level,” she said, “my role includes leading prayer services, running our b’nai mitzvah program and officiating lifecycle events like weddings and funerals. Beyond that, I am passionate about growing our musical offerings at Temple Sholom, and I believe in the power of music to help us tap into our spirituality. That’s why I started a small vocal ensemble that sings at our High Holy Day services, as well as a few special Shabbatot throughout the year. I also started a Temple Sholom band, called the Temple Tones, who enrich our Friday night services a few times a year for holidays and Shabbatot.”
Cohen oversees the Sholom Shishim (60-plus) program.
“My goal with this group is to find new and creative opportunities to engage our seniors,” she said. There have been lunch-and-learns, speakers, concerts and various outings. “We now have on average 70 attendees per month, and our annual Hanukkah party gets up to 100 seniors!” she said.
“I run a monthly Temple Sholom Tea gathering at the Louis Brier for our members who live there, though anyone is welcome to join,” she added. “A few years ago, I began a program I call Teatime with Cantor Cohen, where I meet with small groups of Temple Sholom seniors in local cafés and tea shops, so they can get to know me, each other and, hopefully, create meaningful relationships in their own neighbourhoods.”
One thing Cohen loves about her cantorial role is that she works with people of all ages, from teaching classes at the shul’s religious school, to various adult offerings. “Recently,” she said, “I began a High School Prayer Leader program to train the next generation of prayer leaders.”
Cohen also started a Queer Torah Study group, which has evolved into Kehilateinu, the Temple Sholom Pride Club.
“When my wife and I moved to Vancouver, we were welcomed into the community with open arms, and I want to ensure that our growing number of queer members feel welcomed at Temple Sholom as well,” she said. “I know that Kehilateinu’s events have been especially meaningful since Oct. 7, when so many queer Jews were rejected by their social circles.”
Tickets for the Shabbat Shira concert are $18 for synagogue members and $36 for non-members. The Feb. 8 event starts at 7 p.m. with a happy hour and the concert is at 7:30 p.m. Register at templesholom.ca.
The JCC Jewish Book Festival opens Feb. 22 with Selina Robinson talking about her memoir, Truth Be Told. (photo from JCC Jewish Book Festival)
This year’s JCC Jewish Book Festival opens Feb. 22 with Selina Robinson talking about her recently published memoir, Truth Be Told.
Most Jewish Independent readers will be familiar with the events that propelled Robinson to write this book. The first chapter, called “Four Fateful Words,” starts at what some people may think is the beginning – when, during a Jan. 30, 2024, webinar, Robinson said the state of Israel was reestablished on a “crappy piece of land.” But she believes she had been targeted for months.
“It was sloppy language, nothing more, but it provided the Gotcha! for anti-Israel extremists to build a case that I was racist, Islamophobic, intolerant and an evil monster that needed to be canceled,” she writes.
“In an ideal world, it would have been the extremists who were dismissed, not me. In an ideal world, we would be blessed with leaders who can differentiate between right and wrong.”
Truth Be Told covers the fallout from her comments. Premier David Eby initially seemed prepared to stand by Robinson, but the political pressure – including from a group of Muslim clergy who threatened the NDP’s access to Muslim voters unless Robinson was dismissed – soon led to him firing her from cabinet, though he never used the word.
“I told the premier that if he wanted my resignation, I would give it to him, but he needed to ask for it,” writes Robinson.
“In the end, he didn’t fire me and I didn’t resign, although the undeniable conclusion of the call was that I was no longer in cabinet.”
After taking some time to absorb the situation, Robinson rallied.
“As part of my t’shuvah [repentance], the premier asked that I make a series of calls to Muslim community leaders,” she shares. “I began to think: What if I could engage with these groups and bring the Jewish community and the Arab and Muslim communities together in some way? These two heartbroken communities, both fearful for their families overseas and feeling powerless to effect change, could find commonality in that shared experience, at the very least. Action is always an antidote to hopelessness and helplessness. I could do this as part of my role as an MLA and the government could take credit for doing something meaningful that makes a positive difference for both these aching communities. For me, this would be a profound form of redemption, of t’shuvah, and also of tikkun olam [repair of the world].”
But this ray of light was soon extinguished, the idea being deemed “too political.”
“I knew in that moment that this was no longer my place, no longer my government, no longer my political party,” writes Robinson. “A place and a party where I belonged would recognize the opportunity for someone who was seen to have transgressed to do some good. My place, my party, would recognize the value of bringing people together. A place where I belonged would not be afraid to try something unique and potentially powerful.”
Robinson quit the NDP and finished her term as an MLA as an independent. She was going to retire anyway, but this was not how she wanted her political career to end.
And it was quite a career. With a master’s degree in counseling psychology, Robinson spent most of her working life as a family counselor and in senior roles in various social service agencies.
“I never planned to enter politics,” she writes. “The first real engagement I had was speaking to Coquitlam City Council, my hands shaking, in support of an emergency cold weather refuge for homeless people proposed by a church in my neighbourhood.”
One of the councilors suggested she run for council, and she did. She was elected to Coquitlam City Council in 2008 and reelected in 2011. Truth Be Told gives readers a glimpse of what that experience was like, what Robinson accomplished as a councilor, and more. We find out how and why she made the leap to provincial politics in 2013 – a decision in which the late John Horgan played a pivotal role. The memoir is dedicated to Horgan, for whom Robinson had great respect and a close relationship. As premier, Horgan was the one who appointed Robinson minister of finance after the 2020 election that gave the NDP a majority government. She held that position through COVID, the government managing to file budget surpluses despite the challenges the pandemic brought.
“What saddens me right now is that people are losing faith in government,” writes Robinson. “That is especially distressing because if anything should have renewed people’s faith in government, it was the collective response to the pandemic.”
When Horgan stepped down as premier in 2022 because of the toll his cancer treatments were taking on him, Robinson began to more seriously reflect on her own future. She had been in public service for so long, she wanted to spend more time with her family. In Truth Be Told, we learn more of her own fight against cancer – a fight that started in 2006, a fight she seems to have won, finding out on Oct. 6, 2023, that her cancer had disappeared. The celebration was short-lived. That evening, news started coming in of Hamas’s terror attacks on Israel.
Robinson’s ambivalence about running for reelection was one of the reasons she didn’t pursue the party leadership vacancy Horgan’s departure opened. Other candidates bowed out, and Eby was anointed the new leader of the BC NDP and became premier in November 2022.
Robinson calls herself an “eternal optimist,” and that attitude has served her well. Despite being effectively demoted by Eby after he became premier, Robinson threw herself into the position of post-secondary education and future skills minister. It is interesting to read about some of the issues in that sector, and of the other portfolios Robinson held, as well as get some insider knowledge of how politics works and about the personalities of the people who represent us.
The crux of Truth Be Told is Robinson’s “four fateful words,” the reactions to them, and what was said and done – or, more importantly, what was not said and what was not done. Many of her colleagues were “quiet allies,” not willing to speak out.
“There are lessons from my experience that transcend my personal story,” she writes. “There are lessons for our democracy about the necessity to stand up to coercion from interest groups and harassment from mobs. There are lessons for leaders about how to act (and how not to act) when presented with choices between what is easy but wrong and difficult but right. There are lessons about speaking up rather than remaining silent.”
Truth Be Told is about a person doing what they passionately believe in, a person living their values – some of which were instilled at Camp Miriam, where Robinson was a counselor in her youth – and trying to make what they feel are positive contributions to the world.
Given what happened to her, Robinson could be forgiven for giving up and going quietly into obscure retirement. But that’s not who she is. She asks Canadians to have the courage to speak up, while recognizing that we should not “kid ourselves that a millennia-old problem will be resolved in a day.” She ends her book with calls to action, suggestions of what we each can do to counter antisemitism, as Jews (for example, don’t hide, “engage respectfully or not at all” and don’t give up) and non-Jews (speak up and engage with Jews, among other things), and as a society (for instance, protect students and nurture real inclusion). She includes some resources for readers wanting to explore various topics more.
In the “Final Reflections” chapter, Robinson writes, “We will never be perfect. The world will never be faultless. But repairing the world must always be our guiding star. Our reach must always exceed our grasp.”
Selina Robinson (centre front) was a counselor at Camp Miriam for four summers. She is pictured here, in 1981, with the Sayarim (Grade 5s) in that year’s first session. (photo from Camp Miriam)
Little did I know how much Camp Miriam would teach me about leadership, standing up for others and how to be the “Jew in the Crew” in the face of antisemitism.
I never had the opportunity to go to Camp Miriam as a chanicha (camper) and wish that I had had that opportunity. I am grateful however that, when I was 17, a fresh-faced graduate of Richmond High School, I got hired for the summer of 1981 to be a madricha (counselor).
I had no idea what I was getting into, but, within days, I realized that I had been missing regular contact with a Jewish community. Back in 1981, there were only four Jewish students in our school of 1,200. But Camp Miriam was much more than being in an environment where I didn’t have to explain myself, my traditions, my values. It was an environment that encouraged me to explore how I wanted to be Jewish. Learning about Israeli culture and history in a place that values debate and discussion taught me that all perspectives have value.I learned how to consider various perspectives, how to be respectful in debate and how to articulate my arguments.
Joining the tsevet (staff) was a tremendous opportunity to learn and refine so many leadership skills, setting a personal example, making sure that all members of the group are equally engaged and even how to chair a meeting with more than 100 campers (yes, it is possible to chair a meeting with more than 100 children).
Camp Miriam helped me understand not just the importance of social responsibility but how to put these ideas into practice. I got to see these ideals in action and see why they are important, and then to talk with the chanichimot (campers) about why we have these values and what they mean to us as Jews and as human beings who are responsible for one another. Whether we were cleaning the sherutim (bathrooms) or painting the rocks around the mifkad (flagpole), it was always with purpose and understanding that we were taking responsibility for our home.
Selina Robinson (fourth from the left) with the Amelim (third and fourth graders) in the second session of 1981’s summer camp season. (photo from Camp Miriam)
I worked at Camp Miriam over four summers and, as I reflect on my time there, I am struck by how those four summers impacted my life as I got my post-secondary degrees, worked in the social services sector, started a private practice and eventually moved on to politics. In every leap, my experiences at Camp Miriam were there with me: the importance of caring for others who might be down on their luck, the role of personal responsibility in decision-making and how to make collective decisions.
As a Coquitlam city councilor from 2008 to 2011, I put these collective decision-making skills into practice often. I listened to my colleagues around the council table present their arguments and determined if I agreed or disagreed with the direction they wanted to go – it was just like an asefa (meeting) that a kvutsa (group) might have about how to spend their kupa (collective pot of money). It was in these meetings with 11- and 12-year-olds that I learned how important it was that everyone have an opportunity to have their say so that we could make the best decisions for the collective. I was able to carry this experience with me into my political life.
When I became BC minister of finance in 2020, I received a note from Leah Levi, Camp Miriam’s registrar at the time. She sent me a note of congratulations and included “make good decisions with the kupa.” I had a good chuckle, realizing that is exactly what I was responsible for, our province’s kupa, making spending decisions with the Treasury Board and the cabinet. Little did I know that my four years at Camp Miriam would come in handy as I managed our province’s finances as we navigated through a global pandemic.
Upon reflection, I believe that my ability to sit around a cabinet or council table and make collective decisions, my appreciation of the responsibility for managing the province’s kupa, and even my decision to walk away from government inaction as antisemitism continued to raise its ugly head, all stem from how Camp Miriam helped me understand what it means to be a proud Jew and what it takes to be an effective leader. Camp Miriam helped me to be the person that I am today and for that I am eternally grateful.
Selina Robinson was the MLA for Coquitlam-Maillardville from 2013-2024 and a BC NDP cabinet minister from 2017 to 2024. She was fired from cabinet and left the BC NDP in early 2024. She wrote a memoir about her experiences, Truth Be Told, which is available on Amazon. For more information, visit selinarobinson.ca.
סוויפט סיימה את ההופעה המרגשת בוונקובר בפנייה נרגשת ישירות לקהל המקומי תוך שהיא אומרת: “תודה שהפכתם את סיבוב ההופעות הזה למשהו שונה לגמרי מכל דבר שעשיתי בחיי. עם המנהגים שלכם, עם התשוקה שלכם, ועם איך כל כך אכפת לכם מהסיבוב הזה. זאת, אני חושבת המורשת המתמשכת של הסיבוב הזה. יצרתם יחד מרחב של שמחה ואהבה”. הקהל הרב שצפה בהופעה האחרונה כמו בשתי ההופעות הראשונות בוונקובר, יצא מכיליו כאשר הזמרת הצעירה עלתה לבמה ושרה ארבעים ושישה שירים מכל אלבומיה. כולם עמדו לאורך כל ההופעה, שרו ורקדו ללא הרף. וזה היה מאוד מאוד מרגש
הזמרת מתגוררת לסירוגין בניו יורק, בברלי הילס, נאשוויל ורוד איילנד. יש לה כמובן מטוס מנהלים פרטי. הונה של הזמרת האמריקאית מוערך במיליארד ושש מאות מיליון דולר
