young adults

Community milestones … Waldman Library, Kleiner Services, Prairie Sonata

The winning entries of the Isaac Waldman Jewish Public Library’s bookmark contest.

Isaac Waldman Jewish Public Library wishes mazal tov to the winners of its bookmark contest and to all the contest participants. “We really appreciate the efforts of all the participants and the wonderful creativity they have displayed in designing their bookmarks. It was a pleasure to review them all,” said the library in an email. “This year, we have chosen four designs that best reflect the theme of sh’mirat ha’teva, protecting the environment.”

Chosen were the bookmarks by Eli Stefanek, Grade 2, Richmond Jewish Day School; Nicole-Noya, Grade 4, RJDS; Dov Bondar, Grade 5, RJDS; and Eva Rogachevsky and Abrianna Jacobs, Grade 5, Vancouver Talmud Torah.

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Kleiner Services Inc., owned by Mary and Konstantin Kleiner, was among the top five finalists for the Best Immigrant Entrepreneur Award this year. This award recognizes outstanding new Canadians who, after immigrating, have created successful small businesses while demonstrating leadership and breaking down barriers.

Across four days earlier this month, Small Business BC announced six winners in various categories, capping a competition that saw 937 award nominations in 88 communities across the province. The Best Immigrant Entrepreneur Award went to Charcuterie Vancouver, and the other three finalists were Audielicious Restaurant (Fort St. John), Artemex Mexican Handcrafts (West Kelowna) and Soul Bite Food Inc. (Coquitlam).

Kleiner Services Inc. is a professional moving company that offers pre- and post-moving services, such as packing, storage and assembly. They are based in the heart of the Lower Mainland, servicing Greater Vancouver, Fraser Valley and Vancouver Island.

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The Independent Press Award recognized Prairie Sonata by Winnipeg-based writer Sandy Shefrin Rabin as the winner in the category of Best Young Adult Fiction.

The competition is judged by experts from different aspects of the book industry, including publishers, writers, editors, book cover designers and professional copywriters. Selected award winners and distinguished favourites are based on overall excellence. This year, the award had entries worldwide – from Australia, Canada, India, Ireland, Japan, Singapore, Switzerland and the United Kingdom, among other countries.

“The quality and quantity of excellent independently published books hit a record…. We are so proud to announce these key titles representing global independent publishing,” said awards sponsor Gabrielle Olczak.

To see this year’s list of winners, visit independentpressaward.com/2021winners. (The JI’s review can be found at jewishindependent.ca/life-changing-impact.)

Youth during the pandemic

Eleven months into the global COVID-19 pandemic and the statement, “we are living in unprecedented times,” has become commonplace and cliché. But, truth is at the root of this clichéd phrase. Finding and feeling our way through this new reality has been fraught with stark and opposing responses; from being immobilized and stuck, to being re-inspired and productive. As an educator and counselor who has been working with tweens, adolescents and adults in the community, I have witnessed both responses, or states of being, which are completely understandable and interchangeable as minutes turn into hours, as hours turn into days, as days turn over into weeks, and weeks turn into months.

For the purpose of this article, I want to focus on how the tweens and adolescents I work with have acknowledged that, while living life through COVID-19 is extremely tough, they have found, as the late Maya Angelou phrased it, “rainbows in the clouds” during this period. It is important to acknowledge the challenges youth face, such as experiencing restrictions to peer group interactions and experiencing the change of their schooling to remote learning. Further, an important yet more general challenge youth have faced is that the developmental stage these tweens and adolescents are in is typically punctuated by healthy detachment from their families and, in turn, usually is a period where more independence is fostered. This has been halted, interrupted and/or confused, as COVID-19 has demanded that youth are at home with their parents and families.

My overarching teaching and therapeutic philosophy is to meet the individual where they are. I try to listen to their spoken and unspoken language without handing out a quick fix. I am interested in how individuals, especially tweens and adolescents, connect with themselves as their lives have slowed down, as they have retreated to bedrooms, and in-person interactions and experiences have reverted to screens and the virtual world.

To facilitate a way into the interiority of my clients, I use the modalities of expressive arts therapies, contemplative writing and mindfulness practices. In the sessions I hold with them, they commiserate on how life is for them; grieving the smaller and larger losses and disappointments they have experienced; they freely use the session to rant and complain, and share their fears and anxieties. I then work with them in various creative and expressive modalities, which has enabled them to clarify, settle, discover and deepen a connection to their mind, body and heart.

Conducting expressive art exercises on secured video has been a poignant and immediate process. Using the shared-screen option, tweens and adolescents have been able to create and present their creations in real time. Expressive art therapies have encouraged self-discovery and enabled youth to access a range of emotions and insights that many of them did not even know they were experiencing. Engaging in exercises such as “what is in my heart?,” “draw a place,” “shape of me” (for which they can attach photos) have lowered stresses and anxieties, assisted in attention span and focus, and created an emotional uplift and emotional awareness. In these stressful, highly anxious times, expressive arts therapies have assisted greatly in calming, centring and linking youth to both their interior selves and the larger landscape of their lives, despite the uneasy and ongoing pandemic landscape.

Contemplative writing is a compassion practice that encourages one to write whatever the mind has to offer. It is a modality that helps to access who we are, what we need and what we want. It is an embodied practice that allows connection of one’s head, heart, body, breath and the page. Individual contemplative writing sessions have enabled youth to listen fully to themselves and the stories they need to tell and share. It has enabled youth to be listened to and, furthermore, to understand their own insights and often non-realized thoughts. I often tell my clients: tell your stories, I will hold your words and the spaces between them. The modality of contemplative writing has allowed youth to gain confidence and feel empowered, as they accessed and used their own voices, and overall experienced a sense of agency through their writing, telling and sharing of stories.

Throughout my sessions, in conjunction with expressive arts therapies and contemplative writing, I often employ various mindfulness practices. The general aim of mindfulness is also to connect with oneself. For tweens and adolescents, who are used to, even in COVID-19, a fast-paced, pop-up, manic existence with multiple devices in reach of their hands and gazes, mindfulness offers a sharp departure. The frenzied pace of day-to-day life often increases anxiety and depression in young people. It needs to be said that, often, the anxiety and depression is more of a low-grade malaise that we are unaware of until we begin to practise mindfulness.

Generally, mindfulness involves slowing down, delving into a deeper breath, noticing and following through into various practices to relax the mind and body. With tweens and adolescents, I also invoke the senses, encouraging them by carrying out exercises that use guided imagery and engagement of the five senses. This sensory engagement includes holding and touching various objects and taking time to peel and eat (taste) an orange. In the slowing down, in the distillation to being in the moment, in the focus of breath awareness and sensory awareness, I have found youth to become more relaxed, receptive and connected. Once they have practised mindfulness, it serves as a useful and cushioning tool whereby youth are able to calm and centre themselves as they navigate their day-to-day lives.

Dr. Abby Wener Herlin holds a doctorate degree from the University of British Columbia. She is the founder of Threads Education and Counselling and works with tweens, adolescents and adults. She carries out themed social justice and creative arts and writing workshops for students, teachers and schools. She is available for therapeutic sessions and contemplative writing workshops. She can be reached at [email protected] or via threadseducation.com. This article was originally published on health-local.com.

Magnifying emotions

Gila Green will talk about her two latest books at the Jewish Book Festival on Feb. 9. (photo from JCC Jewish Book Festival)

From the first page, White Zion reads like a memoir. Through 16 short stories, we get to know Miriam and her family, from her great-grandparents to her own children, as well as the places they are from, including Yemen, Israel at various points in its history and Canada. It is easy to wonder how much of Miriam is her creator, Israeli-based writer Gila Green, who will be at the Cherie Smith JCC Jewish Book Festival Feb. 9.

“The stories in White Zion are all about emotional truths,” Green told the Jewish Independent. “So, if that’s what’s coming across, that is some measure of success. I did not say this but Alice Munro did – I recall reading an interview with her in which she said: ‘If your audience thinks all you did was wake up and write down everything that happened to you yesterday, then you’ve succeeded.’ I would love to hear about how readers relate to these emotional truths, how they connect.”

Green will also bring her young adult novel No Entry to the festival, for which she will talk at both the Jewish Community Centre of Greater Vancouver (12:30 p.m.) and the White Rock/South Surrey Jewish Community Centre (4 p.m.) that Sunday.

The heroine of No Entry is Yael Amar, a teenager from Ottawa, which was where Green was born and has lived. Yael has traveled to South Africa to intern for a spell at a private bush camp near Kruger National Park. (Green’s husband is South African, and Green has lived in the country.) There with the intent of helping protect elephants from poachers, Yael ends up in danger herself.

Despite the connections her books may, or may not, have with her own family, Green prefers to write fiction. She described nonfiction as “limiting” for her.

“As soon as someone tells me to write a true story, I’m suffocating,” she said. “I have to start questioning what is fact, what is memory, what lacks context, what is something I’ve just convinced myself is true and on and on. I spent four years at Carleton [University in Ottawa] studying for a journalism degree, so all of that kicks in. In the end, the short story is a wrung-out sock, more like a dozen tangled wrung-out socks. No one wants to read a sock. There is no connecting with it.”

Fiction allows for the expression of emotional truths that would be impossible to express otherwise, she said.

“Writing fiction allows me to hone in on a feeling – something I want my audience to feel, which is how I start every story I write. I ask myself, ‘How do I want this story to make the reader feel?’ and I start from there – and I can hold that emotion under a magnifying glass. I can distort it, blow it sky high, cut interference to ant height or delete. I can take one characteristic of one person on a single day about a single event and I can magnify it, so that the rest of the human being is rendered invisible. These were some of my goals with White Zion. The characters are all gross distortions of one human trait or another.”

But that doesn’t mean that facts don’t enter her work.

“I tried to be as faithful as possible to the historical period,” she said, referring to the stories in White Zion, “and I spent months researching everything, from what vegetables they could have been selling in the Jerusalem market post-1948 to how they could possibly have been heating their homes. I also used the same biographical details for two of the characters, Miriam and her father. It was important for me that Jewish fiction expand to include Yemenite voices, religious voices, gay voices, the more voices the better.”

Green also did much research for No Entry and, in addition to crafting an entertaining, at-times tense, thriller-like novel, she educates readers on the nature of elephants and the very real threat of their extinction.

“Yael is a Jewish eco-heroine,” said Green, who noted that the character’s boyfriend, David, is also Jewish. “She’s not religious but both of her parents are Jewish – she mentions in No Entry how the South African traditional dish she tastes for the first time reminds her of her mother’s chulnt on the Sabbath and, in No Fly Zone, she has an Israeli-themed dinner with her parents. None of the other characters are Jewish…. I do like exploring different kinds of Jews though. If readers want a more obvious Jewish heroine in the sequel[s], please write to me.”

Green has finished writing No Fly Zone, the next book in what might become a series. In it, she said, “Yael Amar is back with her best friend Nadine Kelly, this time protecting Kruger National Park from the skies. But she is about to learn a big lesson when it comes to moral relativity and friendship.”

Green added, “I set out to thread the senseless loss of human life with the equally nonsensical destruction of animals in No Entry and I continue this in the sequel. I did this not because I’m trying to make a point about the connection or status between humans and animals – that’s the wrong way to understand my motivation. Rather, I’m trying to weave together the criminals who commit these inhuman acts: they’re connected.

“Often,” she said, “the same people willing to sell illegal blood ivory are involved in terrorism, human slavery and other acts that bring nothing but grief to the planet. I wish to emphasize this linkage, to shout it from the rooftops. But, in real life, I figured an exciting, adventurous, teen novel was a more effective way to go.

“I purposely made the terrorist event [in No Entry] happen in Canada because I want to get the message across that fatal betrayal doesn’t just happen in Africa or the Middle East. That attitude might allow some of us to feel off the hook. It happens everywhere and we all have to make sure we are part of the solution or there won’t be one and that thought is too devastating to imagine. I refuse to go there and No Entry ends on a victorious note for a reason.”

Though the sequel has been written, its publication date will depend on what happens in Australia and the bushfires that continue to destroy the country. Green shared, “I am very sad to say that my publisher Stormbird Press was on Kangaroo Island and has burned to the ground. The staff was evacuated on Dec. 20th. We are all praying for their safety and that they fully recover but, for now, everything is at a standstill and there is terrible devastation.”

Green is already working on her next novel. In A Prayer Apart, her main character, for the first time, is male, she said. “He’s an Israeli-Jewish teenager living through the 2014 war with Hamas, knowing he’s next in line for the front line. By the same token, he’s had it with his parents and school and his rebellious behaviour lands him in lockdown, one step away from juvenile jail.”

She said she will let readers know on her website, gilagreenwrites.com, when the publication details are finalized.

An avid reader since childhood and now a prolific writer, with four books published since 2013 and two more on the way, Green said, “Mankind cannot live without stories. Period. We are our stories. When people are down, what they are really saying very often is they don’t feel connected. Stories connect us.”

For the Jewish Book Festival lineup and schedule, visit jewishbookfestival.ca.

Persistence a common theme

There is a bounty of books to read and review at the Jewish Independent. One of the many perks of my job is that I have so much culture literally at my fingertips. But, given the weekly deadlines and other demands of running a newspaper, I can’t always be au courant. So, hopefully I will be forgiven for reviewing four books published last year for this Passover issue: a memoir, a work of fiction (perhaps 😉 and two young adult novels. I’m excited to report that two of the books were written by people who have written for the JI and one was written by a local community member.

My favourite podcast is Wait Wait … Don’t Tell Me! And, even though I don’t run, one of my favourite magazines is Running Room. I’m not sure how I got onto their mailing list, but I always enjoy reading people’s inspirational stories of why they started running, I like the recipes and nutritional advice and the training tips, which are useful for other types of exercise. Anyway, all that to say I was excited when the host of Wait Wait, Peter Sagal, who is Jewish, came out with his new book, The Incomplete Book of Running (Simon & Schuster, 2018).

Sagal shares personal stories about why he started running, some of the marathons in which he has participated and people he has met along the way, notably a couple of runners who were blind (or almost), for whom he acted as a guide. Scattered throughout, he offers various facts and figures about running; its health benefits, as well as its downsides (I did not know about, to put it delicately, the digestive issues long-distance runners can face). He speaks somewhat vaguely but openly about the dissolution of his first marriage and he is refreshingly honest about his struggle with depression.

Running has helped Sagal deal with difficult circumstances, and continues to not only be a form of exercise for him, but something that informs how he lives. Among other things, running has taught him persistence and has made him more courageous; it has contributed to his “faith in the possibility of positive change” and his realization of just how enduring is love.

I admit that, despite Sagal’s enthusiasm, reading about multiple marathon experiences, as a non-runner, got a little tiresome. And the book isn’t chronological, so I wasn’t always sure of what point we were at in Sagal’s life. But, those minor criticisms aside, I enjoyed the book a lot, especially Sagal’s conversational style of writing and his humour. Having listened to him almost every week for so many years, it felt, at times, that he was right there, telling me his story; that I was listening to him, rather than reading him.

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There is no doubting that Curt Leviant is a talented writer, that he has a wicked sense of humour and a heightened sense of observation and awareness. Katz or Cats; Or, How Jesus Became My Rival in Love (Dzanc Books, 2018) is his most recent of many novels and fans will not be disappointed.

A book editor, John, and a writer, Katz, meet on the subway. On their commutes into New York, Katz shares what is ostensibly his brother’s love story, though it may be Katz’s. Part of the novel’s plot revolves around just how true, or fictional, is the story of Katz’s brother, who also goes just by his surname, Katz.

As the story goes, Katz (or Katz) meets a woman on a train. Maria is supposedly a devout Christian, but she has no trouble permitting a stranger to put his arm around her on first meeting, nor having sex pretty soon thereafter with said stranger, Katz, who she thinks might be married. Their relationship – and the novel – comprises much sex, a lot of talking about sex and many discussions about religion – Jesus, specifically, and Maria’s recurring feelings of guilt for not being what she thinks a good Christian should be.

As Katz relates the tale to John, the editor interjects every once in awhile to question apparent contradictions or errors in the telling. Some aspects – Katz’s marital status, for instance – remain unclear, and purposefully so.

Ironically, perhaps, given that the premise of the novel is a writer telling a story to an editor, Katz or Cats would have benefited from some tighter editing. More than one topic recurs and some points are made multiple times. While Katz’s wit and intelligence provide much to think about, I didn’t find him to be a sympathetic character, so “listening” to him became difficult. And, while I’m not a huge fan of political correctness, I found his treatment of Maria to be condescending and rude at times, and some of his quips to be on the edge of disrespectful towards other cultures. Though Katz refers to Maria more than once as smart, her waffling and some of her responses to Katz – and his reactions to her – don’t really support that notion.

Overall, while provocative in many ways, I found Katz or Cats to read like a book from another era. Many male writers, from Seneca to Henrik Ibsen to Thomas Mann to Leviant himself, come up in conversations in the novel, reinforcing my feeling that this book would be most appreciated by older, male readers. But I could be wrong. When I shared my views with Leviant – who regularly writes for the Jewish Independent’s holiday issues (see page 34 of this issue, for instance) – he shared that a similar novel of his, translated into French, got great reviews from young women critics.

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Ever since reading No One Dies in the Garden of Syn in 2016, I have been waiting for the second book of local writer Michael Seidelman’s trilogy featuring teenage heroine Syn. And, late last year, my wait was over.

Everyone Dies in the Garden of Syn (Chewed Pencil Press, 2018) starts with a violent prologue that both heralds what’s to come and starts to explain the “Creepers” – weird-looking creatures that seem to be combinations of two people or a person and an animal or insect – we met in the first novel.

In the introductory pages of Everyone Dies, Seidelman, in addition to moving the story along, reminds readers of what has come before. The action in this book centres around Syn’s need to rescue her sister, who has been kidnapped by Cole, a “boy” who befriended and then betrayed Syn – or, from his point of view, was befriended and betrayed by Syn.

Still missing as Everyone Dies starts are Syn’s parents, who disappeared when she was 5. Because of Syn’s actions in the first book, the garden, which once had healing powers – “no one dies” – has lost them, so now “everyone dies,” or can die, in the garden. Therefore, the situation is that much more dangerous now for Syn, who suffers from cystic fibrosis. Whereas she didn’t have to worry about her health in the first novel, it becomes another thing she has to battle in the second.

And there is many a battle in Everyone Dies, and lots of running and chasing. There were a few times I lost track of which universe (there are multiple) we were in, and, sometimes, who was fighting whom, but the action moves along and the tension builds. There’s a wonderfully satisfying twist at the end. And so begins the wait for Book 3.

To read more about Seidelman’s first Syn novel, visit jewishindependent.ca/first-book-of-trilogy-now-out.

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“When my 13-year-old son devoured Bulfinch’s Mythology after reading Rick Riordan’s Percy Jackson, I realized we need an exciting, thought-provoking series based on Jewish history, something that will send our kids reaching for a Torah, a Talmud or a Book of the Apocrypha,” wrote Emily Singer to the Jewish Independent in an email about her new book, Gilgul I: Rededication (Hadassa Word Press, 2018).

Singer, who lives in Israel, is a writer and a high school teacher. When she and her family lived here, she taught at Vancouver Talmud Torah. She has written several articles for the Jewish Independent so, when she contacted the paper about Gilgul, I happily agreed to review it.

Not surprisingly, knowing Singer’s skill as a writer, Gilgul is a compelling and radical take on the Chanukah story. While all the book’s hero David wanted to do was to play the game skyros with his friends, the game takes on a deadly seriousness for the 15-year-old when King Antiochus sacks the Temple and starts a war against the Jews.

David must be smart, brave, strong and compassionate to stay alive and save his family and his people. He must figure out who to trust, and the fact that it’s not always clear who the good guys and bad guys are adds tension and meaning to the novel. Even with the help of his equally heroic sister Leya, some unexpected courageous allies and a little magic, David has his work cut out for him. Gilgul will leave readers thinking anew about Chanukah, the rededication of the Second Temple, the Maccabees, the miracle of oil, and more.

Be a part of the solutions

Shabbat Dîner en Blanc attendees, left to right: Dana Troster, Brent Davis, Eliane Nevares and Emily Holzman. (photo by Ori Nevares)

On June 2, approximately 90 Jewish young adults from the Greater Vancouver area gathered for Shabbat Dîner en Blanc at VanDusen Botanical Garden. People came dressed in their finest whites, enjoyed the gardens and mingled with new people. Although a wonderful opportunity to schmooze and unwind, the event had a bigger purpose.

The dinner was an introduction to a new initiative coming to Vancouver at the end of this month. On June 25, Vancouver will host its first Community Hackathon. Modeled after Hackathon events in tech companies that use software and inter-professional efforts to solve problems in a short period of time, the Community Hackathon will tackle pertinent issues facing our community and try to solve them collaboratively.

The project will be facilitated by UpStart, an organization based in San Francisco that aims to inspire and advance innovative ideas that contribute to the continued growth and vitality of Jewish life. More than 20 cities in North America applied to have a Community Hackathon and Vancouver, along with Portland and San Diego, were fortunate enough to be granted the opportunity.

The Hackathon will be a full-day event where young Jewish adults will use design thinking to generate project ideas. The top three projects, as determined by a panel of judges, will receive seed grants of $3,200 each, as well as training and mentorship from UpStart over the months to follow.

This is a rare opportunity for younger community members to meaningfully engage in positive and sustainable change. If you are in your 20s and 30s and are interested in participating in the Hackathon, which will take place at Museum of Vancouver June 25, 9 a.m.-5 p.m., go to jewishvancouver.com and click on “YVR’s Community Hackathon.” For more information, email Eliane Nevares at [email protected].

Exploring power of women

Expectations – our own and others’ – can motivate us or constrain us. Two recently published novels feature strong (Jewish) women who must fight for their independence, battling not only parental, societal and other judgments, but their own self-conceptions. One book takes readers to the wilds of Arizona more than a century ago, the other takes us to a contemporary world of privilege in Boston. Both are internal, as much as they are external, journeys, and both are journeys worth taking.

The Last Woman Standing: A Novel by Thelma Adams (Lake Union Publishing, 2016) is a fictional account of how Josephine Marcus met and fell in love with Wyatt Earp (and he with her). While the real-life Josephine apparently tried very hard to keep her and Wyatt’s private life private, Adams has mined what information exists and creatively filled in the blanks for the beginning, in 1880-1881, of their infamous romance.

Josephine defied all expectations when she ran away from home as a young teen in the 1870s and, though she returned, she didn’t do so for long. She left home again in 1880, at age 19, with a promise of marriage from Johnny Behan, a man she met on her first foray into the Wild West from the relative safety and security of San Francisco.

The daughter of Prussian Jewish immigrants who eked out a living on her father’s income as a baker, Josephine cannot bear to be contained by the strictures of society, her religion and her mother, whose story of coming to America is truly tragic. “I loved my mother but wouldn’t follow her down her path of righteousness and sorrow,” says Josephine in The Last Woman Standing. “We lived in a new world. She dwelled among old dybbuks.”

While the spirits of the dead might have haunted her mother, Josephine learned how brutal the living world could be when she arrived in Tombstone, Ariz. A shonda (shame) to her family – though her father and three siblings are portrayed as more understanding than her mother – Josephine becomes a shame to herself.

Johnny doesn’t follow through on his promises; in fact, he’s a cad who cheats and lies to get his way, including betraying Wyatt in order to become sheriff of the county. The position came with power, and money, but Johnny also knew of Josephine and Wyatt’s attraction to each other, so revenge was also a motivation. As well, Wyatt was a marshal – a position that deals with federal issues – and there was still unrest stemming from the Civil War. Johnny was friendly with the cowboy crowd, which generally voted Democrat and were sympathetic to the Confederates, if not Confederate veterans themselves, while Wyatt and his brothers were Republicans. These political differences no doubt played a part in the men’s animosity for each other.

Josephine eventually leaves Johnny, after one particularly harrowing experience in which he places her as a bet in cards and loses, and another in which she catches him mid-dalliance. On her own, she finally starts to understand a woman’s terrifyingly narrow set of survival choices – not that men were much more secure at that time and in that place. Wyatt must also fend for his life, and not just at the shoot-out at OK Corral.

All told, The Last Woman Standing is a fascinating tale, a western from a woman’s perspective, though it does drag a bit in places. It takes a long time in the narrative for Josephine and Wyatt to finally get together and they aren’t together for that long before Wyatt is a wanted man and must fight for his life. There’s a little too much of Josephine’s pining in the sections in which the lovers are separated, but, otherwise, this is a great read.

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Good Girls by Shalta Dicaire Fardin and Sarah Sahagian (Inanna Publications and Education, 2016) is a young adult novel that not-so-young adults – women mainly – will also enjoy very much.

When we meet Octavia Irving, 15, she’s in the middle of hosting the party of her life at her family’s summer home. And she’s loving it, until her 19-year-old boyfriend leaves early with a bunch of his friends. Fortunately for her, as it turns out, one of those friends vandalizes a neighboring home.

book cover - Good Girls — Good Girls book cover

Octavia’s father gets the news during the bar mitzvah of his wife’s nephew. We find out that this is his second marriage and that he had walked out on Octavia’s mother during her pregnancy, “because his parents found her bohemian nature objectionable.” We also find out that he has issues with “her lax parenting style.”

So, while Octavia may come from a family with money to spare, the family dynamic is complex. As well, the expectations her parents have of her, and that she has of herself, are low. However, when Octavia tells her father the name of the culprit, and he calls her mother, she knows things are about to seriously change – “No matter how badly she misbehaved, her parents had never teamed up against her before.”

Allie Denning, on the other hand, is one of the “good girls.” She loves being a student at Anne Bradstreet College, an all-girls prep school in Boston. She follows the rules to the letter and is totally focused on doing the best she can. But, no matter what she does, because it comes from a place of privilege, it doesn’t seem good enough for her mother, the daughter of immigrants, who grew up in poverty but managed to get a scholarship to Columbia then go on to graduate with a PhD from Harvard. Allie’s father also went to Harvard and her great-grandfather was a president of the university, so expectations all round are that Allie will continue the legacy.

Again, a complex family dynamic. But one with which Allie more or less knows how to deal. As long as school is good, life is good. And that’s how Octavia throws a wrench into Allie’s world; she’s the bad girl who has been banished to the all-girls school, and she has the attitude to prove it.

One of Allie’s main sources of pride is being “the first 10th grader in ABC history to make captain of the debate team.” When Octavia tries out for the team at the behest of the school’s new guidance counselor, and makes it – showing a natural talent for debating – both Allie and Octavia must adjust. And, as the team gears up for a big competition, the girls must decide the person they want to be, whether or not that person meets their, or anyone else’s, expectations. The tension leading up to the debate is palpable and the reading compelling.

The cast of characters in Good Girls is diverse, and Allie and Octavia are not the only ones facing challenges and trying to figure out who they are. We meet fellow students and get to know the guidance counselor and other teachers, as well. The storyline doesn’t always go in the direction one expects, which is a great attribute for a novel. And, since it is a novel that is intended to be part of a series that will follow Allie, Octavia et al through their time at ABC, not everything gets resolved in this first instalment.

One of Inanna Publications’ priorities is “to publish literary books, in particular by fresh, new Canadian voices, that are intellectually rigorous, speak to women’s hearts, and tell truths about the lives of the broad diversity of women – smart books for people who want to read and think about real women’s lives.” With Good Girls, they have done just that.

From cardboard to folktales

Books can take you to the most captivating places. Not always happy places, but places worth exploring, places where the people, environment, challenges and culture are different. A place you can have adventures, learn from what has happened to others or just escape from your daily routine, all for the relatively low price of a book. Oh, and maybe a cardboard box.

The beautifully and creatively illustrated What to do with a Box (Creative Editions, 2016) features the rhythmic writing of Jane Yolen and the inspired art of Chris Sheban. The book is a tribute to the power of the imagination – a way to impart to the younger set that fun doesn’t necessarily need batteries. It’s also a reminder to parents that expensive toys aren’t at the root of what makes playtime enjoyable, and they may even be enticed to join their kids in a cardboard box adventure – if they’re invited to come along, that is.

The writing is simple, as it is for most picture books. That box, “can be a library, palace, or nook,” or a place you can “invite your dolls to come in for tea”; it can be a racecar, a ship, and so much more. And the art by Sheban looks as if he took Yolen’s advice: “You can paint a landscape with sun, sand and sky or crayon an egret that’s flying right by.” It is described as cardboardesque and, indeed, it looks as if he drew the illustrations on different types of boxes.

For slightly older readers (or listeners), Richard Unger has written and illustrated a more traditional story with Chagallesque art, Yitzi and the Giant Menorah (Penguin Random House, 2016). It is a picture book, but with a substantive amount of text on each page. It, too, is beautifully and creatively put together, with most of the text printed on a plain page that includes a black-and-white sketch that doesn’t overlap it in any way, making the reading easier. More importantly, it leaves most of the colorful, vibrant and expressive artwork on the opposite page free from writing. At the end of the book is the brief story of Chanukah.

While set on the eve of Chanukah in the shtetl of Chelm, this tale bears a similar message to What to do with a Box: money isn’t everything. It adds to that the lesson of gratitude.

In the story, the mayor of Lublin gives the people of the Chelm “the biggest menorah” Yitzi has ever seen and the villagers are so grateful, they want to thank the mayor in a way that matches the grandeur of his gift. This being Chelm, the solution doesn’t come easily but, after a few failed efforts, they succeed in a heartwarming way.

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For young adult readers, the stories are much more serious in both subject matter and tone.

Eva Wiseman’s Another Me (Tundra Books, 2016) is set in the mid-1300s in Strasbourg, France. It starts with the main character’s death at the hands of the men poisoning the town’s water – an act the Jews were accused of committing not only in Strasbourg, but other cities in Europe, as well. It was thought that poisoned water was causing the plague and, since fewer Jews were dying, the rumors began that they were causing the illness. In reality, Jews were also dying, but in fewer numbers because Jewish law required much more handwashing than was customary in medieval times.

Wiseman also elaborates upon less tangible Jewish beliefs in Another Me. When Natan, 17, dies, his story doesn’t end. He becomes an ibbur – his soul enters the body of another man; in this instance, that of Hans the draper.

Hans works for Wilhelm, with whose daughter, Elena, Natan has fallen in love. Natan has come to know all of these non-Jews from helping his father in the shmatte business. Wilhelm is one of the very few Strasbourgians who is not antisemitic. Hans is also a good person, though he is jealous of Elena’s affection for Natan. When Natan – to whom she’s attracted – becomes Hans – who she finds ugly – Elena struggles to see beyond the exterior.

While mostly told from Natan’s perspective, Wiseman also allows Elena to tell a substantial part of the story. It is sometimes hard as a reader to change gears, but the dual voices offer a deeper understanding of the situation of the Jews in the city (and beyond), and those who would help them. Being historical fiction, while Wiseman can play with magic, there is, sadly, no chance for a happy ending.

Magic – or, at least, ghosts – also informs the storytelling in Eugene Yelchin’s The Haunting of Falcon House (Henry Holt and Co., 2016).

Ostensibly, this book is a translation Yelchin has made from a bundle of decaying pages bound with twine that he came across as a schoolboy in Russia. He brought them with him when he immigrated to the United States, but let them sit for years. Apparently written and illustrated by “a young Russian nobleman, Prince Lev Lvov,” who was born in 1879, there were many pages missing or unreadable.

“I managed to establish a chronological order of the events and then divided them into chapters, matched the drawings to the chapters, and discarded those I could not match,” writes Yelchin in the translator’s note that begins the book. So “inwardly connected to the young prince” did Yelchin become, he writes, “I can’t be certain, but as I typed Prince Lev’s inner thoughts, I felt cool fingers firmly guiding mine across the keys.”

In the story, 12-year-old Lev’s hands are similarly guided by a mysterious force when he is drawing. Arriving at Falcon House from St. Petersburg to take his place as heir to his family’s estate, Lev – who bears a striking resemblance to his grandfather – dreams of being a hero and nobleman like his grandfather and preceding ancestors. But, with some mystical guidance from Falcon House’s resident ghost, Lev begins to understand that being nobility doesn’t necessarily mean being noble, and his family’s secrets, which are slowly revealed, make him rethink his aspirations.

The ghost, a scary aunt and the disturbing illustrations combine to good effect in The Haunting of Falcon House, even though the story takes a little too long to unfold. The detailed notes at the book’s end provide valuable historical context and add greatly to the reading experience.

Jane Yolen’s Briar Rose: A Novel of the Holocaust (Tor Teen, 2016) is also a retelling – an adaptation of Sleeping Beauty. And, it is a reissue, having originally been published almost 15 years ago in a series created by Terri Windling, which comprised novels by various authors that reinterpreted classic fairy tales.

In Yolen’s reimagining, Briar Rose (aka Sleeping Beauty) is Gemma, Rebecca’s grandmother. Unlike her cynical and competitive older sisters, Rebecca never tires of listening to Gemma’s version of the tale, which doesn’t quite match up with the traditional folktale. When Gemma dies, leaving behind a box containing a few documents and photos that don’t quite match up with what she has told her family about her history, Becca sets off to find the truth.

Her search – done in the days before Google – starts slowly, with the help of her editor, Stan, on whom she has a crush. It takes them from their hometown of Holyoke, Mass., to Oswego, N.Y., where refugees were sheltered at Fort Oswego: “Roosevelt made it a camp and, in August 1944, some 1,000 people were brought over and interned [there]. From Naples, Italy. Mostly Jews and about 100 Christians,” explains the reporter at the Palladium Times to Becca.

What she learns at Oswego leads her on a journey to Poland and to Chelmno. Of the more than 152,000 killed by gas (or shooting) at the Nazi extermination camp that was there, only seven Jewish men are known to have escaped. This allows Yolen to imagine that one woman survived the killing centre, which was established on an old estate in a forest clearing that had a schloss (castle, or manor house).

In Gemma’s cryptic telling of her survival, she is saved from the castle by a “prince,” who we find out was himself saved by partisans after his escape from Sachsenhausen concentration camp and then joined the resistance; in her story, briars take the place of barbed wire, the wicked fairy the Nazis. As Becca discovers the reality of her grandmother’s past and finds her own voice and identity through the journey, we also witness Poles’ difficulties in dealing with what took place during the Holocaust and we meet others – including Gemma’s prince – who are still trying to heal from the destruction the Nazis’ wrought.

Interweaving the “real” story with Gemma’s fairy tale is very effective at building the anticipation and, once Becca arrives in Poland, Briar Rose is a page-turner. One almost doesn’t realize how much they’re learning while they’re reading. Almost.