Victoria – Page 2

Klezcadia a June highlight

Veretski Pass – Joshua Horowitz, left, Cookie Segelstein and Stuart Brotman – will be joined by clarinetist Joel Rubin to present the world première of music from their new album, Makonovetsky’s Scion. (photo from Klezcadia)

Victoria will host Klezcadia, a hybrid klezmer and Yiddish culture festival showcasing a West Coast lineup of musical mastery and mavenry. Running June 4-9 in-person and online, there is no charge to attend.

According to festival director Laura Rosenberg, Klezcadia intends to position Victoria as a focal point for klezmer and Yiddish cultural tourism. In conjunction with the music, the six-day event will present classes, workshops, lectures, demonstrations and open rehearsals conducted by artists, language faculty and other guests.

“Klezcadia’s audiences can expect cutting-edge performances – including three world premières – by some of the world’s leading klezmer artists. Additionally, participants at any level of experience will have opportunities to attend classes, workshops and presentations by these same artists and their Yiddish-language colleagues,” Rosenberg told the Independent.

“Our guiding principle is to make the safe in-person attendance experience and the virtual attendance experience as equivalent and rich as current technology allows, as well as to give the same level of respect to all attendees,” she said.

Some of the featured artists will be Veretski Pass, a Bay Area trio that will perform with clarinetist Joel Rubin; Vancouver musician Geoff Berner; and Jeanette Lewicki in her new show as Pepi Litman, an early 20th-century Yiddish theatre drag star.

Comprised of Cookie Segelstein (violin), Joshua Horowitz (19th-century button accordion) and Stuart Brotman (bass), Veretski Pass offers a wide mix of East European influences. Reuniting with Rubin, they will present the world première of music from Makonovetsky’s Scion, their new album for the Borscht Beat label.

Berner, a singer, songwriter, accordionist, novelist and political activist, will stage the première of Second Fleet, the Yiddish song cycle he recently co-wrote with Canadian writer Michael Wex, author of the bestseller Born to Kvetch, a humorous and scholarly look at the Yiddish language.

Lewicki will transmit the spirit of Litman, the original “drag king” of Yiddish theatre, in another première. The Pepi Litman Project will examine the time when a groundbreaking performer literally “wore the pants,” led her own touring troupe, turned taverns into theatres, and tested societal boundaries with her satire. Litman toured Europe and reportedly North America, too, singing, in male garb, at spas, inns and private homes in small towns and large cities alike.

Some of the talks and workshops on offer at the festival are The Barry Sisters: America’s Yiddish Swingsters, with Andy Muchin, the host of the Sounds Jewish radio show on PRX; Yiddish Through Song Lyrics, with Seattle-based Marianne Tatom, a Yiddish teacher and klezmer musician; and Yiddish Through Conversation, with Sasha Berenstein, a multi-instrument musician and fellow with the Yiddish Book Centre’s Yiddish Pedagogy Program.

On June 5, Christina Crowder of the Klezmer Institute will speak about the Kiselgof-Makonovetsky Digital Manuscript Project, an international endeavour connecting participants with the work of important klezmer musicians from the late-19th and early-20th centuries.

The festival will take a walk on the vilde side on June 8 with what organizers describe as “musical mash-ups, klezmer-adjacent adventures, song parodies, unusual instruments” and offering the forecast “you never know what will pop up in this clearing in the klezmer/Yiddish jungle.” The evening will feature Seattle neo-vaudevillian Mai Li Pittard, as well as local klezmer bands Kvells Angels and the Klezbians. A new klezmer ensemble, Kvells Angels, gave a concert last fall at the University of Victoria in which they performed works previously unavailable to musicians. The Klezbians, meanwhile, are a well-known band of “chutzpah-licious” musicians, and the group goes back many a year.

Victoria’s Congregation Emanu-El, under whose auspices Klezcadia is being produced, will host the finale concert at the Cameron Bandshell, located in Beacon Hill Park. The closing concert will be a gift to the city in celebration of the congregation’s 160th anniversary.

Festival organizers have made a concentrated effort to ensure that all participants enjoy a safe experience. The hybrid environment, they stress, will prioritize the well-being of immunocompromised and high-risk participants, for both those onstage and in the audience. Indoor activities will include protective protocols, such as supplemental air purification, required masking and daily onsite COVID testing.

“Klezcadia was inspired by deep listening to an online meeting of immunocompromised and high-risk musicians and Yiddish-language enthusiasts in early 2023,” Rosenberg said. “During the first two years of the pandemic, they had finally felt included in the klezmer/Yiddish community, since everyone’s only option was to gather online.”

The same groups felt marginalized again when most festivals returned to unmasked, in-person formats. Through dialogue with these groups, Rosenberg realized, Victoria had a chance “to become a host community for an inclusive form of cultural tourism.”

Rosenberg said her 45-year arts administration career came in handy when building a music festival from the ground up; she had already done so with two other festivals. It has been a year’s worth of full-time work to plan the format, bring in the artists and teachers, scout venues, initiate community engagement and, importantly, raise the money.

Locals seem eager for the festival to start. “I am optimistic based on expressions of pride I have heard from Victoria residents, on how quickly Klezcadia’s in-person registration reached capacity and on the eagerness of local tourism-sector businesses to be included in our visitors’ guide,” Rosenberg said.

People from more than a dozen countries have signed up to view events streamed online.

For more information, visit klezcadia.org.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Art beyond the gallery walls

For Dan Russek, art abounds in urban settings, whether it be in the form of manhole covers, bike racks or other items and scenes that city dwellers regularly encounter. Spurred by an early love of photography, he has been surveying cityscapes with an eye for “public art that goes beyond the gallery.”

photo - University of Victoria professor Dan Russek, author of Exercises in Urban Mysticism: Practical Poetry and other books — University of Victoria professor Dan Russek, author of Exercises in Urban Mysticism: Practical Poetry and other books. (*photo from Dan Russek)*

A professor in the department of Hispanic and Italian studies at the University of Victoria, Russek is the author of Exercises in Urban Mysticism: Practical Poetry, a 2020 book – written in Spanish, with the title Ejercicios de mística urbana: Poesía práctica, and published in Mexico – that explores the poetry of everyday life.

“One way I look at it is that I take the idea of modern art seriously,” Russek told the Independent. “When you see a painting by Jackson Pollock, you may understand its place in the history of art. But what Pollock is showing is a kind of texture, composition and movement that you can find outside of the gallery walls, appealing to a certain sensibility that takes you beyond the museum.”

Russek was intrigued by the 1996 book Manhole Covers, written by Mimi and Robert Melnick and published by MIT Press. It delved into how an object many consider ordinary can provide a record of the history of a city and, some would argue, be deserving of a spot in contemporary urban culture; in other words, seeing a utilitarian object as an “urban sculpture.”

Russek devoted a lot of space in his illustrated book to manhole covers, bike racks, various geometric structures and a variety of textures. Art, as he views it, extends far beyond the confines of canvas or paper. Indeed, by his admission, one of his favourite spots to be is on construction sites, especially in a place like Mexico City, where there are few restrictions for getting inside.

“You take something in itself that may not appear to be too interesting, but, when you look at it in a certain way, it becomes interesting. Or, to quote Gustav Flaubert, ‘Anything becomes interesting if you look at it long enough,’” Russek said.

As an example of this, Russek gives the work of American photographer Edward Weston in the 1920s and 1930s. As Russek describes it, in one image, Weston takes a simple green pepper and turns it into something “astounding.” The same can be done for bike racks and many other urban and industrial artifacts, he said.

Russek, who was born in Mexico, remembers being surrounded by relatives who were passionate about photography.

“As a kid, we would make an album while on a vacation. Each trip yielded an album, as did life events, weddings, bar mitzvahs,” he said. “Life was documented. It gave me a model. I began taking pictures in high school, and I realized I was interested in abstraction.”

Over the years, walking through the streets of cities like Chicago, Mexico City and Buenos Aires, Russek has been struck by many aspects of street art, including graffiti, another form of public art that is found beyond the gallery. In fact, some graffiti, he said, is as valuable as the art one finds in a museum.

“I wish I had my camera with me all the time. The reflections of light in the afternoon over the pavement, it’s phenomenal. The light making reflections on the water from a gutter – life is full of these interesting moments. Bringing the camera is a good thing because I don’t have to look for anything, the world sends it to me,” he said.

Russek completed a PhD in comparative literature at the University of Chicago, specializing in modern and contemporary Latin American literature and visual arts. His fields of research include the links between literature and the visual arts and media, urban studies and esthetics. He has explored the relations between modern technology, culture and literature, and centres on the notion of epiphany and the phenomenon of light. His first book, Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction, was published in 2015 by University of Calgary Press.

Some of Russek’s next plans involve going beyond the printed page. He wants to make videos, as the medium “allows you to do more stuff, with music and the matching of images, that you cannot do in a book.” He also writes poetry (sonnets in particular) because, for one reason, “you can take an object or an emotion and write a poem about it and elevate it to a new level of importance.”

Argentine writer Julio Cortázar is an example Russek cites of an artist reaching beyond the confines of a particular medium, an approach that is multifaceted or experimental. In one work, Último Round (Last Round), Cortázar created an almanac-style book filled with articles, poems, essays and illustrations.

Aside from teaching and writing, Russek is the coordinator of the Latin American and Spanish Film Week, now in its 14th year, held in the fall at UVic’s Cinecenta. He is also the president of the Hispanic Film Society of Victoria.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Creating a community

Laura Rosenberg and Andy Muchin co-founded the Victoria Jewish Culture Project with Farley Cates. Here, the two participate in the group’s 2021 Passover seder (screenshot)

In late 2019 and early 2020, before the pandemic struck and lockdowns took effect, a group of friends in Victoria gathered to talk about forming a cultural group – a havurah, or casual and friendly meeting place for people to discuss art and social events through a Jewish lens.

As COVID hit, with everyone at home and in-person meetings impossible, the group, which had called itself the Victoria Jewish Culture Project, held its first gatherings over Zoom. These days, the VJCP, under the leadership of members Laura Rosenberg, Andy Muchin and Farley Cates, still meets weekly and for Jewish holidays over Zoom.

“As a result of what at that time felt like an interim, for-the-moment format, we started having a variety of events on Zoom, including holiday celebrations and commemorations, as well as a weekly discussion group,” said Rosenberg. “I am shocked to note that here we are almost four years in.”

The discussion group at first would meet to go over the Torah portion of the week. Once the biblical cycle was complete, the group shifted to different social and cultural topics from week to week. While most of the VJCP attendees are based in Victoria, they have active members elsewhere. Because their meetings are held on Zoom, geography does not pose a barrier.

“We have an active Zoomer from Salt Spring Island every Saturday,” said Muchin. “For some of our holiday events, we have people pop in from various places – relatives of friends, friends of friends, even my sons played roles in our Zoom Purim spiels, from different American cities.”

“VJCP is basically a group of people who generally view things from a secular humanist perspective. The biggest thing we are offering right now is the opportunity for some discussion among people of different backgrounds,” said Cates. “We want to look at things critically and think things through.”

Rosenberg said, while she was excited about a weekly discussion group four years ago, she never anticipated it would end up becoming such an important venue for the exchange of ideas and a catalyst for many of the other events the group has organized. Holiday celebrations have included a drag Purim spiel, co-sponsored with the Klezbians band and an outdoor Tashlikh ceremony at Esquimalt Gorge Park.

“It has been a generative force and this, I think, is something which will continue to be a core activity for this group, and [it will] continue to generate ideas and thoughts that can bring a number of different activity spin-offs,” Cates said.

“I would go so far to call the Saturday morning a ritual we have developed for ourselves. It is really a part of my Saturdays. There’s always a critical mass of people,” said Muchin. “It is a great ongoing connection for us in addition to being a wonderful way to explore issues.”

“What we are trying to do,” explained Cates, “is reflect on what the Jewish community is faced with, as well as what other communities are faced with, and what the world is faced with generally.”

Since the events of Oct. 7, the members of VJCP have expressed gratitude for having a “safe haven” in which civil and open discussion can take place.

“We have a forum where we can discuss these things that were obviously deeply painful and could have been very divisive, but we could discuss them in a respectful manner – even when, as individuals, we did not always agree,” Rosenberg said.

Aside from the VJCP, Rosenberg, Muchin and Cates have been engaged in various aspects of Jewish cultural life and beyond for a long time. Rosenberg plays concertina for the Victoria-based, all-female klezmer ensemble Kvell’s Angels. She is also the newly appointed director of Klezcadia, a klezmer music and Yiddish culture festival run through Victoria’s Congregation Emanu-El. The festival will have its inaugural season in June 2024.

For the past 13 years, Muchin has been the host and producer of Sounds Jewish, a weekly radio show that airs on Mississippi Public Broadcasting and is distributed on PRX, a web-based radio platform. As well, he is active with the Victoria International Jewish Film Festival (VIJFF) and has written for several Jewish publications.

Cates has been co-director of the VIJFF for four seasons. Outside the Jewish community, his “pet project” is Theatre Inconnu, the longest-surviving alternative theatre company on the island, where he serves on the board. Furthermore, he is involved in various cultural activities in the Victoria area, such as a performing arts centre on the West Shore and the Arts & Culture Colwood Society.

The VJCP says the group is open to new members and welcomes suggestions for activities or programs others are interested in pursuing. They are holding a Hanukkah party over Zoom on Dec. 15 at 7 p.m. For more information about the event and/or the VJCP, write to myrna.oy@gmail.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Victoria deli’s new chef

Lox Stock and Bagel’s new chef Lina Fainblum, left, and recently retired chef of 33 years Rose Carr, who will still be involved with the deli’s operations. (photo by Sam Margolis)

In June, Lox, Stock and Bagel deli at the Jewish Community Centre of Victoria was in something of a … well … pickle. A replacement needed to be found for Rose Carr, who had been overseeing the kitchen for 33 years, nearly the entirety of the deli’s existence, and about whom there are not enough superlatives to express her significance to both the local community and the customers the eatery serves.

Confronted with having to search for another chef, the JCCV advertised the vacancy. Many people applied but there was not a good fit, that is, a person who could fully appreciate the haimish (homelike) atmosphere of the deli and commit to staying in the position long term. The deli was forced to close.

Fortunately, the despair loyal patrons had to endure was short-lived, as Lina Fainblum, a member of the community and someone who loves cooking, came along.

“Everyone was thrilled,” said Larry Gontovnick, president of the JCCV. Lox, Stock and Bagel reopened in October, with a Wednesday to Friday schedule. Within three weeks, the deli resumed its original Tuesday to Friday hours.

“From looking pretty bad, it is going to what we wanted,” said Carr, who remains a beloved fixture at Lox, Stock and Bagel. “Lina is a mini miracle. Our prayers were answered.”

Although she has cut down her work in the kitchen, Carr is still on the board of the JCCV and runs the deli. The social aspect of the deli is very important, Gontovnick noted and, in this regard, Carr, who is also known as “Grandma Rose,” is in a class of her own.

“I’m in my third generation at the deli,” she said. “When I started here, people were bringing their little ones. Grandma Rose goes crazy when infants come in. And these kids grow up and come back and then bring in their little ones.

“We also have a lot of seniors who come in and they are treated with respect because we are all seniors,” she added.

When Carr arrived from Los Angeles in 1990, the JCCV at 3636 Shelbourne St. in Victoria’s Cedar Hill neighbourhood was in its fledgling stages, having just opened in June 1988. She introduced herself and has continued in her efforts to bring New York and Los Angeles deli food to Vancouver Islanders ever since.

At that time, the deli was located in a space at the centre that could only accommodate 15 people. Since then, it has expanded to seating 60 and, as Carr says, “many a day, we are full.”

Word of the wonderful dishes – such as knishes and kugel – spread shortly after the deli originally opened more than three decades ago. On one occasion, a group of firefighters came to test the exits of the JCCV. They wound up staying for lunch and told their friends and family, who were also eager to have a delicious and nearby nosh.

“It was recognized fairly early on that the customer base was non-Jews who lived in the area, enjoyed Jewish food and saw this as an affordable offering,” said Gontovnick. “It continues to this day. Most of our clients are non-Jewish. They love the place, the volunteers, the affordability and the quality of the food. It’s second to none. We have had a steady clientele. People come three or four times a week to eat.”

“People love us. They feel at home, they start clearing tables and they have been very generous with donations. They have been incredible accepting us as being Jewish.” added Carr. “After the Hamas attack, people whom we didn’t know would come into the JCC. They didn’t know anyone Jewish but would come to say they were praying for us. We are very well known and well liked in the community.”

As did many other establishments, Lox, Stock and Bagel faced challenges when COVID-19 struck in March 2020. The JCCV, at the time, decided to switch to takeout via the side door of the building. When the weather was balmy, they would set up tables outside.

One lasting result of the pandemic at the deli was the removal of a partition at the JCCV to open up more space and allow people to dine at tables further apart from one another.

Lox, Stock and Bagel, which received its name following a contest in the mid-1990s, serves all the standards one might expect at delis in much larger metropolitan areas: blintzes, matzah ball soup, pastrami on rye, jumbo hot dogs, pickled herring and gefilte fish. For dessert, there is the “Better Than Sex Chocolate Cake,” a favourite at the deli and at local fairs and, according to numerous sources, an item that lives up to its billing.

Lox, Stock and Bagel is open Tuesday to Friday from 11:30 a.m. to 1:30 p.m. From Dec. 5 to 15, it will be the site of Latke Mania. Hundreds of latkes will be prepared on several fryers for all those in the community to have a chance to mark Hanukkah with the traditional savoury treat.

“Our motto is: everyone’s welcome,” said Gontovnick. “This is nice place to come and just have a Jewish experience.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Help fund Gary documentary

The costs of completing the documentary A 20th Century Passion include editing time, colour correction and sound mix. (screenshot)

A GoFundMe campaign has been launched to bring to the big screen a documentary about the late Peter Gary, a Hungarian-born composer, Holocaust survivor and resident of Victoria.

The online fundraising effort to complete A 20th Century Passion was started by filmmaker David Malysheff and Gary’s widow, Judith Estrin. Their goal is $35,000.

Gary passed away in 2016, the same year his oratorio A 20th Century Passion premièred in Jerusalem. The work spans the period from the First World War to the Nuremberg trials, including his experiences living in and surviving three years in three different concentration camps.

Gary had a message, the campaign organizers say, which was to stamp out hate. Over the years, he delivered this message to tens of thousands of students throughout Canada.

“The message of the oratorio is to remember history, that hate is ugly and brutal and should be stopped. It is a love piece in honour of Peter’s mother, who was brutally murdered by the Nazis while Peter spent three years in death camps,” Estrin said.

“Like all classical oratorios, it is tragic – this one deals not with the life of Jesus but with the six million murdered Jews. Because Peter had to deal with the murdered bodies of children, he dedicated the piece to the murdered 1.5 million Jewish children,” she said.

While Gary wrote the oratorio over a period of many years, revising it right up to time of his death, it was mostly written during 1970s and 1980s. Barak Tal, the conductor who led the work in Jerusalem, spent time with Gary at his home, going over every note.

The documentary explains how the oratorio came to fruition, using the Jerusalem performance as the score beneath the narrative. The film also shows Gary speaking to high school students about his experiences.

Malysheff, who has been a cinematographer for The Nature of Things, Us and Them and The Fifth Estate, described the film as a passion project – one for which he has not received any payment in the seven years since he began working on it. The costs of completing the film, including editing time, colour correction, sound mix and more, have led Estrin and him to appeal to the public for support.

The importance of A 20th Century Passion at this time cannot be overstated, Estrin said. “With antisemitic hate crimes and acts up just since Oct. 7, the message to stamp out hate, to go in peace, is more critical than ever,” she said. “The world has lost its moral compass, and this piece is about the hope that [people] will remember what horror the 20th century held for the world. We are facing an enemy who wants to annihilate all Jews. Once they are done with us, they will come for everyone else.”

screenshot - The documentary shows Peter Gary, a Holocaust survivor, speaking to high school students about his experiences — The documentary shows Peter Gary, a Holocaust survivor, speaking to high school students about his experiences. *(screenshot)*

The filmmakers also point out that a significant number of North Americans born after 1981 cannot name a single concentration camp or ghetto and think that fewer than six million Jews were killed during the Holocaust. An alarming percentage of young people, they added, hold the opinion that the Jews caused the Holocaust.

Gary was born in 1924 into an artistic family that included famed Hungarian musicians, such as conductor Eugene Ormandy and pianist Lili Kraus. Through his mother’s encouragement, he began his musical training on the piano before the age of 5.

Deemed a musical “wunderkind,” Gary was admitted at the age of 9 to Budapest’s Franz Liszt Academy of Music, where he studied advanced choral and orchestral composition, as well as conducting, under the tutelage of Bela Bartok, Zoltan Kodaly and Leo Weiner.

In 1940, Gary’s education stopped when both he and his mother were arrested by the Nazis. His father was away on a business trip, which allowed him to escape into hiding. Gary spent the next years in concentration camps before he was liberated from Bergen-Belsen by the British on his 21st birthday.

Following the war, Gary moved to Paris to resume his musical studies at Sorbonne University. He received a doctorate in musicology there in 1949.

Gary then immigrated to the United States and, for a brief time, worked in the music department at MGM. In 1963, he took a year off to compose a ballet suite that was performed in France. During his life, he composed more than 20 orchestral pieces, which have been performed in the United States, Canada, Germany, Holland, France and Scotland.

The film runs approximately 90 minutes. Malysheff and Estrin would like it shown at Jewish film festivals and in schools. They have a curriculum for secondary schools that uses the libretto as text. To date, the oratorio has been translated into Hebrew, French and German.

The Jerusalem performance of A 20th Century Passion is available on YouTube. More on Gary can be found at jewishindependent.ca/help-passion-to-israel and jewishindependent.ca/holocaust-survivor-peter-garys-oratorio.

To donate to the documentary’s fundraising campaign, visit gofund.me/d335a5f8. All who send in a contribution will receive a screen credit for being part of the message of the film.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Survivors a cautionary tale

On Oct. 29 at the Phoenix Theatre in Victoria, there will be a one-night-only performance of Wendy Kout’s play Survivors, which is touring schools this month. (photo by Peter Nadler)

In light of the success of last year’s pilot tour, the educational play Survivors is touring middle and secondary schools throughout Vancouver Island this month. And, with the support of the University of Victoria, there will be one public performance of the play this month: at the Phoenix Theatre, Oct. 29, 2 p.m. Last year’s public shows sold out.

Following the mistaken honouring in Parliament recently of Ukrainian-Canadian Yaroslav Hunka, who fought in a Nazi unit during the Holocaust, there should no longer be any doubt about the ignorance of the history of the Holocaust. This conclusion is further supported by the existence of monuments in Canada that honour Nazi veterans who were members of the Galicia division of the SS in Ukraine. Furthermore, Canada’s Governor General Mary Simon has apologized for the Order of Canada given to Peter Savaryn in 1987. Savaryn was chancellor of the University of Alberta and president of the Progressive Conservative Party of Alberta in the 1980s – he also served with the Waffen-SS, a voluntary Nazi unit in Ukraine during the Second World War.

A 2019 study done by the Azrieli Foundation, Yad Vashem, the United States Holocaust Memorial Museum and the Claims Conference revealed Canadians’ lack of knowledge of this period in history. For example: 62% of millennials did not know that six million Jews were killed in the Holocaust and 22% of millennials hadn’t heard or were not sure if they had heard of the Holocaust. Nearly one-quarter of all Canadians believe that substantially fewer than six million Jews were killed (two million or fewer) during the Holocaust.

History shows that when it comes to racist attacks and xenophobia, Jews are often the “canary in the coal mine.” Holocaust awareness and education could not be more timely or important. “We’re not just telling history,” said Survivors playwright Wendy Kout. “We’re telling history as a cautionary tale for the present and the future.”

Survivors explores hatred, the capacity to survive and thrive, and serves as a call to consciousness of the present challenges. Combining history with life lessons, the audience is guided through a time when hatred was normalized. The audience is both uplifted by the survivors’ triumphs and inspired to take action against present and future racism.

The play tells a chronological history of the Holocaust through the personal prism of experience, interweaving the stories of 10 Holocaust survivors, four of whom were still alive when the play premièred in New York in 2018. Though each has a unique story, all the survivors “went through this horror and came through the other side to build meaningful, contributing, beautiful lives,” said playwright Wendy Kout.

The Victoria production of Survivors will be touring throughout the four Western provinces for the next few years. For more about those tours and the organizations collaborating on them, visit jewishindependent.ca/theatre-that-educates and holocausttheatre.com. For tickets to the Oct. 29 matinée at Phoenix Theatre, go to eventbrite.ca.

– Courtesy Victoria Theatre Productions

My Way Bikery expands

My Way Bikery owners Moshe and Leah Appel. (photo from My Way Bikery)

Vancouver Island’s only kosher bakery started the new secular year with new owners, Moshe and Leah Appel, and a slightly new name. What was formerly known as the Bikery is now My Way Bikery. The Victoria location, at 8-1701 Douglas, inside the Public Market at the Hudson, remains the same, though the selection has expanded to include more than baked goods.

Certified pareve kosher by Kosher Check and supervised by Rabbi Meir Kaplan from Chabad of Vancouver Island, My Way Bikery encourages customers to “challah” at them anytime. The bakery also delivers to customers and businesses all around Victoria, and people throughout Greater Victoria can place orders using SkipTheDishes, DoorDash and Uber Eats. Beyond Victoria, the bakery delivers as far up Island as Parksville and Qualicum Beach every Friday, with a minimum order of $25 placed by 5 p.m. on Wednesday.

“I’m the baker,” Leah Appel told the Independent.

“I’m everything else,” followed Moshe Appel.

photo - My Way Bikery lemon poppyseed muffins — My Way Bikery lemon poppyseed muffins (photo from My Way Bikery)

Originally from Montreal, the couple have known each other since they were 7 years old, but only got together after being in and out of each other’s lives for decades.

“My background is essentially in call centre work – inbound sales, inbound customer service and inbound security, things like that. But I’m extremely active in the Jewish community here in B.C., especially since first moving to Nanaimo,” said Moshe Appel.

“The idea for the business really didn’t come to fruition until I reunited with my childhood friend (and now wife), who is a classically trained baker and someone who has been in market research and management. Coming from Montreal as we both have, we were shocked at the lack of good Jewish food in B.C., and on the Island in particular.”

The Appels, who have always enjoyed cooking traditional Jewish recipes for their friends and family, started selling their goods at local markets a couple of years ago. The realization soon struck that they would need a larger space for their production. Serendipitously, they came across an opportunity last year when their friend Markus Spodzieja, founder of the Bikery, announced his intention to sell the business. The Appels purchased it, merging their original bakery name (My Way Bakery) with the Bikery to, as they say, “keep the nostalgia of Markus’s brand alive while adding our own recipes to the mix.”

According to the Appels, Spodzieja will be moving home to Nova Scotia to care for his grandmother.

The business obtained its first name, the Bikery, in 2017, when Spodzieja sold baked goods out of a 250-pound mobile vending bicycle as part of a pilot project for the City of Victoria’s Mobile Bike Vending Permit. It moved to its present location in 2021.

photo - My Way Bikery challah — My Way Bikery challah *(photo from My Way Bikery)*

“I met Markus when he first opened the Bikery and I was one of his first customers, but it was purely luck that I asked his advice for starting a business in Nanaimo and he handed us the business in Victoria. Unwilling to miss this G-d-given opportunity, we jumped on the chance,” Moshe Appel recalled.

“We are keeping much of the same menu as Markus did, but expanding it to include soups, salads, more breads and Jewish dishes and, in a few months, plan to expand it to include cholov Yisroel dairy products as well.”

The menu lists dozens of items. There are savoury pastries and shakshuka, halva and combos (including pita and Leah Appel’s hummus). Some of the popular items are the My Way Sandwich, potato salad, kimmel rye, peanut butter cookies and Israeli salad. A current hit is Those Darn Cookies, a sweet made with chocolate chips and almonds.

photo - My Way Bikery tahini cookies — My Way Bikery tahini cookies *(photo from My Way Bikery)*

Among the new touches are jelly chal-nuts, Leah Appel’s take on a jelly donut; challah dough stuffed with sweet jelly and topped with raw cane sugar; and Oyvegg, a roll with Daiya “cheese,” an egg, garlic aioli, lettuce and tomato.

The Appels are even offering goodies for canines – Dunstan Donuts. “Named after Dunstan, who was a very good boy,” the menu reads, “these certified-kosher pareve dog treats are made with oats and bananas and taste amazing! Dunstan’s Donuts are delicious enough for you, but made just for your four-legged friend!”

Favourites from the Bikery, including numerous varieties of pretzels and bagels, lemon-poppyseed muffins and challah in all shapes, sizes and flavours, are still available.

The Appels say they are in preliminary talks to open a storefront location in Nanaimo.

My Way Bikery is located toward the back of Victoria’s Public Market, which is situated close to City Hall and Centennial Square – a few blocks away from the Empress Hotel and Parliament – in a building that operated for several decades as a Hudson Bay department store. It is open Monday to Thursday, 7 a.m.-11 p.m., Friday, 7 a.m.-3 p.m.; and Sunday, 11 a.m.-6 p.m. Friday hours will be extended in the spring, as the days grow longer.

For more information or to place an order, visit mywaybikery.ca, call 778-430-2453 or email contact@mywaybikery.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Opening gates of kabbalah

Rabbi Matthew Ponak recently released his latest book, Embodied Kabbalah: Jewish Mysticism for All People. (photo by Marilyn Wolovick)

Rabbi Matthew Ponak introduced his new book, Embodied Kabbalah: Jewish Mysticism for All People, this month both in a Zoom event and in-person at the Victoria Jewish Community Centre.

According to the book’s description, the objective of Jewish mysticism is to “touch infinity with your feet planted in everyday, ordinary reality.” The book contains universal teachings that Ponak believes are necessary to the world at this time.

Delving into a millennium of Jewish writings, Ponak hopes his approach will serve as a counterweight to the focus in modern spirituality on bliss and transcendence. Throughout the centuries, Ponak argues, Judaism – including Jewish mysticism – has held “being a good person” as the ideal.

Embodied Kabbalah, written in the talmudic style, in which commentary surrounds the original texts, looks to the mystic teachings for finding a healthy balance between one’s spiritual life and external commitments to family, work and community. Many of the book’s sources have been translated into English for the first time.

During the launch at the Victoria JCC, Ponak spoke of the personal journey that led to the creation of the book. In his initial studies, he observed two different paths. “One was a path of transcendence,” he said, “a path of bliss, that all is well in the world and we should be celebrating all day. On one level that appealed to me, but I felt there was something missing in it.”

The other path, he said, is one of transformation. “This is one of deep self-knowledge: that I could get to know who I was inside, and new parts of me would start to come forward. There is a deep, radical honesty that can liberate parts of who we are. Those parts can enter into our outer lives as we become more whole.”

Upon further exploration, he discovered there was a way to incorporate both paths into one’s life.

“I found a particular teaching that says there is a time to transform – the work week – and a time to rejoice – Shabbat. One day a week, it is time to celebrate all that we have and focus on the positive, to not get weighed down by the negativity,” Ponak said. “There is a time for the deep personal transformation of working on ourselves, the spiritual work week. On Shabbat, however, everything is whole and we are, too. We feed ourselves delicious food and take an extra nap to help our bodies know the world is complete.”

Ponak emphasized that it is not necessary to choose between the paths of rejoicing and of transformation. There is a time for working and a time for celebrating. If all one has is work, then there is the risk of missing out on the beauty of life, he said. Alternatively, if one is in a prolonged state of transcendent joy, then a spiritual leader, for example, might become unable to help others grow because they have “left the world, so to speak, unable to relate to people.”

He said, “It is good to come off the mountain. It took me a long time to understand the value of that. If I had a trauma or a difficulty in my earlier years as a seeker, it was with the bliss. The transformation stuff was hard, but I was able to get it once it was taught to me in an accessible way.”

Ponak retraced various aspects of his spiritual journey. He studied transpersonal psychology (or spiritual psychology) and other religions. Through this, he found he could be both a spiritual person and grounded. “But there was a deeper part of me that knew there was something else,” he said. “There must be something in Judaism.”

After several years of study at the Rabbinical School of Hebrew College, he was able to decode the texts on his own. He discovered the hidden treasure of grounded Jewish spirituality that had been there all along in lesser-known mystical writings.

“If I had access to Embodied Kabbalah as a teenager, it could have saved me a lot of headaches and heartaches, to say nothing of my family’s stress,” he said. “This is why this book is so close to my heart.”

Among those who would benefit from the book, Ponak pointed to those interested in Jewish mysticism, those who have Jewish ancestry but feel alienated from Judaism, and those who want to learn about universal Jewish teachings as part of the global spiritual landscape.

Yet, for him, “the call to action that feels most urgent is to help people who are ‘ungrounded,’ who are finding mystical writings or going to spiritual retreats but are not connected to the earth: to the body or to their emotions. It’s time to open up the gates of Jewish wisdom to all who can benefit from it,” he said. “I hope this effort will help spiritual seekers to be responsible, relatable, whole and healthy – along with spiritually connected – so that we can be of our greatest service to humanity.”

For more information or to order the book, visit matthewponak.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Candidates in Victoria

Tony Yacowar (PR photo)

Tony Yacowar will be vying for a seat on the Victoria city council this Oct. 15. Among his stated priorities, if elected, are affordable housing, addressing climate change and amalgamation within the Greater Victoria region.

Housing in Victoria, as in Metro Vancouver, is a primary concern among residents. Yacowar hopes to help pass the “Missing Middle Initiative,” a long-debated but deferred policy that he says would make it easier to add more housing units to areas of the city that have been traditionally residential.

“Victoria has an urgent housing crisis and we need leadership that will articulate a cohesive vision for the city in order to build the housing we need. We have an immediate deficit of between 4,500 and 6,300 homes. People need places to live. This impacts absolutely every aspect of city life. The healthcare crisis in this province is exacerbated by the fact that doctors and nurses can’t find places to live. We all want safe communities to live in and, if we aren’t able to provide housing to folks experiencing homelessness, we aren’t able to have safe communities for the long term,” Yacowar said.

“Gentle densification of our residential neighbourhoods is an important aspect of how we are going to accommodate the next generation of doctors and nurses, small business owners, artists and young professionals. Folks at all income levels need places to live. Missing Middle is not the solution to the affordability crisis, but it is the solution to the question of ‘where are these folks going to live?’”

Further, Yacowar would like to build density around the Douglas Street Corridor, the main thoroughfare linking the Victoria’s downtown and uptown, to support light rail transit. According to Yacowar, there is a strong connection between more homes and better transit in terms of reducing a city’s carbon footprint overall.

Yacowar is also pressing for amalgamation. “We need a cohesive vision for our city and we can’t have each municipality doing its own thing,” he said. “A city of 245,000 would be better able to advocate for more support from senior levels of government when it comes to housing and transit than a city of 91,000.”

A certified public accountant who is currently the chief financial officer at Royal Mountain Records, Yacowar regards having no prior involvement in politics as an advantage.

“I think it’s important to have a diverse set of views and backgrounds on council,” he said. “We don’t often get accountants in politics and I think there is a real benefit to having someone at the table with the kind of organizational and financial background that a CPA would bring, as well as someone representing the Jewish and LGBTQ communities. Quite often we have career politicians and bureaucrats running for office, but our democracy is at its best when we have folks of diverse backgrounds bringing different points of view to the table.”

photo - Ben Isitt — Ben Isitt *(PR photo)*

Of the eight present councilors in Victoria, only one, Ben Isitt, is seeking reelection. Five councilors elected in 2018 are stepping down and two are running for mayor. Isitt, too, identifies as a member of the Jewish community.

Isitt has served as a city councillor and regional director since 2011. His short bio on the City of Victoria website notes that he is an author, historian and legal scholar, who has taught at the University of Victoria and other institutions. It notes: “Ben’s involvement in civic politics builds from grassroots volunteer work for social and ecological justice, in support of worker rights, climate action, Indigenous rights, non-violence, the abolition of poverty and racism, and protection of forests and farmland. Ben’s research on housing, land use, forestry and public education reflect this community-based approach, as does his hands-on experience as a former housing support worker with Victoria’s street community.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Speaker series returns

Kolot Mayim Reform Temple in Victoria is presenting a new season of its Building Bridges speakers series. The 2022/23 lineup will highlight the theme of Hineini: Answering the Call to Heal the World.

The Hebrew word Hineini can be translated as “Here I Am.” The series of six talks includes local, national and international speakers who have each in their own way stood up to create positive change in the world from a uniquely Jewish perspective. The monthly talks are offered free of charge and held on select Sundays from November to April on Zoom.

Beginning Nov. 6, 11 a.m. PST, the first speaker will be Rabbi Allan Finkel. Finkel is a Reform rabbi at Temple Shalom in Winnipeg. He will address the topic of Addiction in the Jewish Community and Jewish-based Recovery.

On Dec. 4, Elissa Bemporad, a widely published historian and professor at Queens College and the Graduate Centre – City University of New York, will speak on History is Not Destiny: Thoughts about the Russian War Against Ukraine and the Jewish Past in the Region.

Starting off the 2023 portion of the season will be Sari Shernofsky, a retired community chaplain from the Calgary Jewish community. On Jan. 6, Shernofsky will speak about Stories from the Narrow Bridge: Meeting People in their Time of Need. She will discuss her journey to chaplaincy, the patients she traveled with, spirituality and aging, and medical assistance in dying (MAiD).

Morton Weinfeld, professor of sociology and chair of Canadian ethnic studies at McGill University, recently published an updated edition of his book Like Everyone Else But Different. His Feb. 5 talk is titled Like Everyone Else But Different: The Jewish Glass is Half Full.

Pat Johnson, writer, organizer, entrepreneur and Jewish Independent editorial board member, will highlight his work with Upstanders Canada, an organization he founded to mobilize non-Jewish Canadians to stand up against antisemitism and anti-Zionism. His March 5 talk, Standing Up to Antisemitism, will explain coordinated steps anyone can follow to create a positive difference.

Rabbi Suzanne Singer, a former journalist and a Reform rabbi from Temple Beth El in California, will wrap up the series on April 6. With a history of leadership at Kolot Mayim, Singer will talk about Hope: How Do We Find Hope in a World with Unending Problems?

The word Hineini occurs 17 times in Hebrew scripture and is said at pivotal moments when profound change is about to take place. Kolot Mayim Reform Temple is an inclusive, welcoming congregation led by Rabbi Lynn Greenhough, who reminds us that, “Our world today cries out for responsive and responsible change; each of us can do our part in helping with that healing and transformative change.”

To register for any or all of the six talks that comprise the 2022/23 Building Bridges series, visit kolotmayimreformtemple.com.