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Tag: Victoria Shoah Project

Theatre that educates

Theatre that educates

Wendy Kout’s play Survivors is based on 10 real-life stories of young people’s Holocaust experiences. (photo by Peter Nadler)

Last year, Victoria-based Bema Productions and the Victoria Shoah Project collaborated on a pilot project: a nine-performance tour to middle and secondary schools of Survivors, a Holocaust-themed play by Wendy Kout. The success of the tour, which reached more than 1,100 students and 500 adults in the Victoria area, has led the organizations to broaden their reach throughout Vancouver Island, Metro Vancouver and other Western provinces beginning this autumn.

“Following our pilot tour in Victoria, we were asked to cover the Western provinces, and I happily accepted the challenge,” said Zelda Dean, the director of the play. “We will be touring to 30 schools on Vancouver Island in October 2023. In the fall of 2024, we will tour on the Mainland and in Alberta. Saskatchewan and Manitoba will be toured in 2025 – 150 performances in total will be presented.”

Citing a 2018 Canadian survey produced by the Azrieli Foundation, Yad Vashem, the United States Holocaust Memorial Museum and the Claims Conference, the Victoria organizers offer compelling reasons why Holocaust education is necessary today, particularly (but not only) for youth. According to the survey, 52% of millennials cannot name a concentration camp or ghetto; 62% of millennials did not know that six million Jews were killed in the Holocaust; 22% of millennials haven’t heard or are not sure if they have heard of the Holocaust; and 23% of all Canadians believe that substantially fewer than six million Jews were killed (two million or fewer) during the Holocaust, while another 24% were unsure of how many were killed.

“I have been alarmed at the ongoing rise in antisemitism for some years and have been looking for a suitable educational play. I had previously produced a play by Wendy and loved her work,” said Dean, regarding the selection of Survivors.

The intention of the one-hour play, suitable for those from Grade 6 to adulthood, is to provide a vehicle to teach lessons from the Shoah to younger audiences. Based on 10 real-life stories of young people’s Holocaust experiences, the play hopes to enable students to recognize the short- and long-term causes and effects of prejudice, discrimination and, ultimately, genocide. It also aims to foster critical thinking and bring the importance of human rights and social justice advocacy to the forefront.

Survivors goes through the chronological history of the Holocaust by enacting the experiences of Jewish children and teenagers from Europe. The young cast of six professional actors portrays the survivors, starting at innocence and continuing through the terrifying rise and rule of bigotry, xenophobia and violence, before they immigrate to America.

The play includes the true stories of a teen who watched her boyfriend being taken away to a concentration camp, a girl who was separated from her parents and relocated to England through the Kindertransport and a boy whose family struggled to escape to China.

Dean credited the young actors in the production for their diligence and dedication to their parts. “I put a casting call out and was delighted that a large number of very skilled young actors tried out for the roles. Those who were cast were tasked with doing considerable research into the Holocaust prior to rehearsals starting,” she said.

Survivors was originally commissioned and developed by CenterStage Theatre in Rochester, N.Y., in 2017, when Kout was asked to write a Holocaust play about survivors who had immigrated to the city. Shortly thereafter, while watching neo-Nazis march in Charlottesville, Va., Kout expressed the feeling that she was not simply writing an historical play but also a “warning play.”

The Victoria production in November and December 2022 – which played in school auditoriums, theatres and libraries, and had four public performances – was the first international tour of the play. There are other tours currently on both coasts of the United States, with Kout, along with the New York company that developed Survivors, creating a documentary on how the play came to be.

“Sharing the history of the Holocaust with students provides an important historical example of the dangers of allowing hatred and intolerance to take hold within a society,” said former B.C. minister of education Rob Fleming about the Victoria tour.

Additionally, several students who saw the play offered their input concerning how the performance affected them.

“I want to continue to learn more about the Holocaust and people’s stories. I’ve read [Elie Wiesel’s] Night and seen this play but other than that I haven’t heard many personal stories, so I’d like to learn more,” said one.

“I learned once again that I should not judge others selfishly based on race, religion, appearance or prejudice, and I will try to [remember that] whenever I meet new people from now on,” contributed another.

The organizers are looking for financial support to fund the upcoming Western Canadian tours.

“Over $450,000 is required to offer this powerful educational play to so many students, and we are actively fundraising to individuals, corporations, foundations, etc. We are running a campaign inviting folks to sponsor a school in their area for only $500,” Dean explained.

For more information about the play and to contribute, visit holocausttheatre.com or email info@holocausttheatre.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on July 7, 2023November 9, 2023Author Sam MargolisCategories Performing ArtsTags Bema Productions, education, Holocaust, survivors, theatre, Victoria Shoah Project, Wendy Kout, Zelda Dean
Our obligation to remember

Our obligation to remember

Isa Milman, a member of the Second Generation, lights a candle of remembrance at the Victoria Shoah Project’s Kristallnacht commemoration Nov. 9, accompanied by grandson Isaac Phelan. (screenshot)

In a Kristallnacht commemoration no less poignant because it was held virtually, speakers emphasized the responsibility to remember.

“Why do we keep remembering?” asked Isa Milman, a Victoria writer and artist who is the daughter of Holocaust survivors. “Why does it matter? Isn’t it time to let go, to move on, to stop looking back and turn instead to the present and the future?

“We believe that the lessons of the Shoah, the Hebrew term for the Holocaust, are more important than ever,” she said. “We must speak out against injustice wherever we find it and as soon as we find it.”

Milman was speaking Nov. 9, the 83rd anniversary of Kristallnacht, at the commemoration organized by the Victoria Shoah Project. It was the second annual such event held virtually in the city of Victoria, because of the pandemic.

“Every day, I am filled with grief when I think of my murdered family, shot into pits,” said Milman, “and my 2-year-old cousin Mordecai, who was buried alive because a bullet would be wasted on him.”

As she leaned in to light a candle of remembrance for family members, Isaac Phelan, Milman’s grandson, six days shy of his second birthday, ambled to his grandmother’s side.

“But here I am appearing before you, throbbing with life despite everything,” said Milman. “Tonight, we are reminded of our moral imperative to remember, to speak out and join together in the strength of community to protect everyone from harm, wherever and however it arises. That is the lesson of the Shoah we must never forget.”

Rabbi Lynn Greenhough of Victoria’s Kolot Mayim Reform Temple spoke of the precedents that allowed an event like Kristallnacht to occur.

“Kristallnacht reminds us every year that those buildings, those synagogues, those shops that burned across Germany were what was seen above ground,” she said. “Underneath that same ground were seams of hatred and fear of ‘those people,’ those ‘not Christians,’ that existed and smouldered for centuries and for generations. Hitler was not an anomaly.

“Tonight, we remember,” she went on. “And, tomorrow, we continue to do the work of bringing greater peace and greater justice into this world. We stand for our place in this world as Jews, as Israel, to ensure those underground seams of hatred never burst through the ground again.”

Congregation Emanu-El’s Rabbi Harry Brechner said he misses the power of having religious, ethnic and communal leaders stand with him on the bimah on the anniversary of Kristallnacht, something that has not been possible since the beginning of the pandemic.

“Kristallnacht is really about the entire city coming together to say: not here. I think that we are in a time now where so many injustices of our past are coming up, not just in Kamloops but all around us…. And, really, for us to really talk about reconciliation, we do need to face really difficult truths,” said Brechner.

Highlighting the theme of this year’s commemoration – “Communities standing together” – Richard Kool spoke of an encounter, when he was a young adult, with a figure who may have been the Prophet Elijah. Kool lent the man a copy of The Atlantic magazine and, when the man returned it, it included a handwritten note with a surah (chapter) from the Koran, in Arabic, and, in Hebrew, the words of Leviticus 19:33-34, which is a directive about the treatment of sojourners in your midst, because “for sojourners were you in the land of Egypt.”

Dr. Kristin Semmens, an assistant teaching professor in the department of history at the University of Victoria, noted that it was her sixth year participating in the commemoration, but the first time she shared her personal motivations.

“The Nazis sent my maternal grandfather, a 17-year-old Ukrainian boy, to be a forced labourer on a farm in Austria during the war,” she said. “He never saw his family again. My maternal grandmother was an ethnic German growing up in the former Yugoslavia. She fled the advancing Red Army to end up on that same farm. She also never saw her village again.”

Semmens’ mother was born in 1949, in a refugee camp for displaced Germans.

“My family’s experiences were, of course, nothing like the suffering of the Jews of Europe during the Shoah,” she said. “I mention them now only to tell you why I became an historian. I wanted to know more about that time. And I did learn more. As an historian of Nazi Germany and the Holocaust, I know more than I ever wanted to about how awful human beings can be to one another. Every year, I stand before you and recount the events that are themselves horrific, but which only preceded far worse horrors to come. This year, given our world’s current challenges, I want to do something different. I want to highlight those who stood up to the Nazis at each stage, no matter in how small a way. I must stress at the outset they were exceedingly few. One of the most upsetting outcomes of my research is endless evidence about how ordinary Germans not only passively accepted but also often enthusiastically supported Hitler’s persecution of other Germans.”

In response to the 1935 Nuremberg Laws, there was precious little opposition. A rare exception, she said, was Carl Friedrich Goerdeler, the mayor of Leipzig, who expressed outright criticism of the laws. In 1944, he would be executed for his part in the plot to kill Hitler.

She also cited Otto Wels, chairman of the Social Democratic Party, who spoke out in parliament, but who soon had to flee the country as the Nazis cracked down on their opponents.

“The regime imposed a boycott on Jewish-owned stores, businesses and practices. Brown-shirted Stormtroopers and Hitler Youth stood outside, refusing customers entry. Many ordinary Germans obliged and even openly jeered the humiliated shop owners,” Semmens said. “Others, though, bypassed the … sentries and went shopping. They apologized to Jewish business owners. They brought flowers to their Jewish doctors to express compassion. That they rejected injustices directed at individual Jews was encouraging, yet it must be said that they almost never openly criticized the Third Reich’s newly realized systemic racism.”

While the murder of almost 100 Jews, the arrest of 30,000 more and the destruction of hundreds of synagogues and thousands of Jewish-owned businesses over that one night is widely known, she said, extensive damage to private residences is less well remembered. Semmens spoke of survivor testimonies of the night.

“They recalled spilled ink on paintings, rugs and tablecloths, and that blankets were cut with glass shards. Many dwellings were now uninhabitable,” she said. “Though such wanton damage and public violence upset many Germans, there were almost no cases of open opposition to Kristallnacht – but some defied the Nazis’ intentions in other ways. They denounced assailants, vandals and thieves to the police – not surprisingly, to no avail. Others assisted Jewish Germans directly by providing food, shelter and loans of household objects to replace those destroyed or stolen. They warned Jewish neighbours about impending arrests and even, albeit infrequently, hid them from the Gestapo. Some brave police officers and firefighters protected synagogues and doused their flames against the Nazis’ orders to refrain.”

Despite these anecdotes, important and uplifting as they may be, Semmens said, “Far, far too many merely stood by.”

She said, “It is easier to turn a deaf ear or a blind eye to discrimination and defamation – yet we must find courage to challenge the wrongs of our society.”

Format ImagePosted on November 19, 2021November 18, 2021Author Pat JohnsonCategories LocalTags commemoration, Harry Brechner, Holocaust, Isa Milman, Kristallnacht, Kristin Semmens, Lynn Greenhough, memorial, Richard Kool, Shoah, Victoria Shoah Project
Commemorating the Holocaust

Commemorating the Holocaust

Magdeburg, Germany, 1938. (photo from Bundesarchiv / Bild 146-1970-083-42)

Next month, our community marks the 83rd anniversary of Kristallnacht, the state-sponsored pogrom known as the Night of Broken Glass, which took place on the night of Nov. 9-10, 1938. Hundreds of synagogues were burned, Jewish-owned businesses were destroyed, nearly 100 Jews were killed and 30,000 were sent to concentration camps. The shards of broken window glass seen in front of Jewish-owned stores the next morning gave this event its name.

On Nov. 4, 7 p.m., streaming live via Vimeo, the Vancouver Holocaust Education Centre in partnership with Congregation Beth Israel features keynote speaker Judy Batalion, author of The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos, in conversation with the VHEC’s Dr. Abby Wener Herlin, and a Q&A. Visit vhec.org for details.

On Nov. 9, beginning at 7 p.m., streamed live on Zoom, Victoria Shoah Project hosts a program called Communities Standing Together Against Hate: Lessons from Kristallnacht. Remembrance is essential, however we also must act in tangible ways to protect all peoples. The Shoah Project is inviting political and law enforcement leaders, as well as representatives from the diverse faith communities, to join together at the commemoration to lead the reading of a pledge of mutual respect and support. Join in remembering the past and committing to take action for a better future where we will respect and protect our neighbours, not remain silent in the face of any injustice against any person or group and work towards building bridges leading to unity and shalom. For more information, visit victoriashoahproject.ca.

– Courtesy Vancouver Holocaust Education Centre & Victoria Shoah Project

 

Format ImagePosted on October 22, 2021October 21, 2021Author VHEC & VSPCategories LocalTags commemoration, Kristallnacht, Vancouver Holocaust Education Centre, VHEC, Victoria Shoah Project
Panel on shared legacy

Panel on shared legacy

A still from the documentary Shared Legacies: From the left are Martin Luther King Jr., Ralph Abernathy, Maurice Eisendrath and Abraham Joshua Heschel during the march from Selma to Montgomery, 1965.

The Victoria Shoah Project held a panel discussion on Oct. 20, following an online showing of the documentary Shared Legacies: The African American-Jewish Civil Rights Alliance.

The 2020 film, part of the sixth annual Victoria International Jewish Film Festival, chronicles the common history of prejudice and hardships each group has faced, and features footage of the relationships of such luminaries as Dr. Martin Luther King and Rabbi Abraham Joshua Heschel. Included are interviews with many prominent civil rights leaders of the time, such as Andrew Young, John Lewis, Rabbi Alvin Sugarman and Rabbi Peter S. Berg.

After the screening, there was a Vancouver Island-based panel discussion with Adrienne and Barrie Carter, Paul Winn and the Victoria Shoah Project’s Robert Oppenheimer. From their own experiences, they each spoke about African-Canadian and Jewish-Canadian relations. They also talked about the film, and the events from 1960s America that it depicts, from personal, historical, present-day and Canadian perspectives. Rick Kool, also of the Shoah Project, served as moderator.

Adrienne Carter was born in Hungary in 1944, as the Nazis marched into the country and were increasing their campaign to exterminate the Jews. Many in her extended family died in Auschwitz. She and her family moved to Canada in 1956, following the Hungarian Revolution. “The whole stateless experience is very well known to me,” she recalled. “I married Barrie in 1965, at a time when Blacks and whites rarely ever connected, let alone married, and at a time when many Southern states had laws against interracial marriages.”

A co-founder and the director of services at the Vancouver Island Counseling Centre for Immigrants and Refugees, she has spent much of her working life helping immigrants by providing therapy to those who have experienced trauma, including intergenerational trauma.

Barrie Carter, who was a special needs education assistant until his retirement, told the audience of his early years. Born in Jacksonville, Fla., he moved to the northeastern part of the country where, in his teens, he volunteered with the NAACP in Bridgeport, Conn., and in New York and picketed Walgreens to challenge their segregationist luncheonette policies in the South. He immigrated to Canada on a bicycle in 1963. “While I was riding north, people were taking the bus south to the March on Washington. But I just had to get away,” he said.

Both Barrie and Adrienne Carter have traveled around the world, providing services to victims of torture and genocide.

Winn, whose work experience includes having been the executive director of the Canadian Race Relations Foundation, followed by recounting his experiences growing up in Toronto’s diverse Kensington Market neighbourhood.

“When I was 10 or 11, I was a Shabbos goy. I would do some things for the neighbours on Saturdays because they were unable to perform those tasks for religious reasons,” Winn recalled. “I got invited to bar and bat mitzvahs.”

He said, “It was natural for the Black and Jewish communities to support each other when there were struggles with such things as immigration. When I watched the film, I remembered how the connection between the religious Black and Jewish communities helped bring about a lot of activities in Canada, as well.”

Oppenheimer, a clinical psychologist with a focus on traumatized children and youth, a human rights activist and a staunch promoter of Holocaust education, also shared some information about his career. Reflecting on the 28 years he spent working in Detroit, he said, “It was an interesting experience for me. I was the only non-African-American on the staff and I was impressed with how welcoming the community was to me.

He added, “One of the things that impressed me about the movie was when Heschel said ‘not to be a bystander to history.’ I think that is central to my idea of human rights, that we cannot just stand by.”

“One of the things that really hit me in the film,” said Kool, “was a pastor standing in a church with a rabbi who said, ‘Reverend King isn’t here anymore, Rabbi Heschel isn’t here anymore, but are their children here now?’”

Barrie Carter observed that the youth in activist groups today “have the same dynamism as we did. They have an energy and a knowledge of concepts. It isn’t just a blind following. It is a positive morality.”

“They seem to believe it is part of their responsibility to make things better,” added Winn about today’s activists. “They want to make things better.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

***

Note: This article has been amended to reflect the correct name of the film festival. It is the Victoria International Jewish Film Festival.

Format ImagePosted on November 27, 2020December 7, 2020Author Sam MargolisCategories TV & FilmTags Abraham Joshua Heschel, activism, Adrienne Carter, African-American, Barrie Carter, civil rights, immigration, Jewish-Canadian, Martin Luther King, Paul Winn, racism, Rick Kool, Robert Oppenheimer, Vancouver Island Jewish Film Festival, Victoria Shoah Project, VIJFF
Kristallnacht programs

Kristallnacht programs

Dr. Chris Friedrichs will deliver the lecture “How to Steal from Jews: A Story from Nazi Germany and What It Teaches Us,” which will be available from Nov. 9, 7 p.m., from the Vancouver Holocaust Education Centre. The Victoria Shoah Project is also holding a commemoration, called “The Persistence of Creativity Emerging from the Shards of Tragedy.” (photo from VHEC)

On the evening of Nov. 9, both the Vancouver and Victoria Jewish communities will be holding virtual Kristallnacht commemorations. This year’s commemoration marks the 82nd anniversary of the state-sponsored Kristallnacht (Night of Broken Glass), which took place throughout Germany and Austria on the night of Nov. 9-10, 1938. In the course of just a few hours, hundreds of synagogues were burned, thousands of Jewish-owned places of business were destroyed, almost 100 Jews were killed, and 30,000 Jews were arrested and sent to concentration camps. The shards of broken window glass seen in front of Jewish-owned stores all over Germany the next morning gave the memorial event its name.

The Vancouver Holocaust Education Centre, in partnership with Congregation Beth Israel and with support from the Robert and Marilyn Krell Endowment Fund of the VHEC and funds from the Jewish Federation of Greater Vancouver annual campaign, is presenting the lecture “How to Steal from Jews: A Story from Nazi Germany and What It Teaches Us,” by keynote speaker Dr. Chris Friedrichs.

The Nazi regime not only murdered millions of Jews, it also relentlessly confiscated Jewish property from owners later sent to their deaths. The illustrated lecture by Friedrichs will describe the step-by-step process by which two elderly Jews from wartime Berlin were stripped of all their assets before they were deported to the death camps – and shows how Nazi officials then fought with one another about what to do with the stolen property.

Friedrichs is professor emeritus of history at the University of British Columbia, where he taught for 45 years before his retirement in 2018. He is a specialist in German history and has been active for many years in Holocaust awareness education.

The Vancouver event is pre-recorded and will be available for viewing any time after 7 p.m. on Nov. 9: visit vhec.org/events-gallery/#videos.

* * *

In Victoria, live-streaming via Zoom, the Victoria Shoah Project will present a program titled “The Persistence of Creativity Emerging from the Shards of Tragedy.” It is a remembrance of those who suffered on Kristallnacht and in the Shoah, as well as a reminder of how and why we, as a collective society, commemorate such tragic events. Remembrance is essential; however, we also must act in tangible ways to protect all peoples in our diverse community.

In recent years, there has been the unfortunate growth of attacks on minority groups and those who are “ the other.” This highlights the need for us to stand together to protect and safeguard all peoples, regardless of religion, race, sexual orientation or other factors, which may make them targets of a hateful few. And, in this context, the Victoria Shoah Project is inviting political and law enforcement leaders, as well as representatives from the diverse faith communities, to join together at the commemoration to lead the reading of a pledge of mutual respect and support.

It is also inviting the entire community to join the event – to remember the past and commit to take action for a better future, where we will respect and protect our neighbours, not remain silent in the face of any injustice against any person or group and work towards building bridges leading to unity and shalom (peace) in our community and beyond.

For more information, email victoriashoahproject@gmail.com, or visit victoriashoahproject.ca or facebook.com/victoriashoahproject.

Format ImagePosted on October 30, 2020October 29, 2020Author VHEC & Victoria Shoah ProjectCategories LocalTags Chris Friedrichs, Holocaust, Kristallnacht, Vancouver Holocaust Education Centre, VHEC, Victoria Shoah Project
Autograph book resurfaces

Autograph book resurfaces

Susi and Mænni Ruben, Copenhagen, 1960s. Mænni Ruben’s autograph book, compiled in Theresienstadt, is the focus of a new online exhibit launched by the Victoria Shoah Project. (photo from Victoria Shoah Project)

The Victoria Shoah Project has launched a virtual exhibit of an autograph book compiled by Mænni Ruben, a Danish violinist and graphic artist held prisoner at Terezin (Theresienstadt) concentration camp outside of Prague.

The 1945 Theresienstadt Autograph Book Exhibit features panels and the 40-page book itself, which is replete with signatures, sketches and aphorisms from Ruben’s friends and acquaintances who were also incarcerated at Terezin.

The book records the closing period of the war as survivors were being liberated. It is a story not only of the horrors of Nazism, but of long-lasting friends, and the music and art that united them during dreadful times.

Ruben died in 1976 in Copenhagen. Though he never lived in or visited Canada, the book remained with his widow, Susi, who remarried after his death and settled in Victoria. Upon her passing, in 2018, the book came into the hands of Rabbi Harry Brechner of Victoria’s Congregation Emanu-El. He subsequently showed it to member Janna Ginsberg Bleviss, who became the coordinator of the exhibit project.

“When the rabbi showed the book to me last year, I could see right away that it was special and should go to a museum. It is in remarkable condition for being 75 years old and is a tremendous addition to Holocaust studies,” Ginsberg Bleviss said.

“I was fascinated by the book – who were these people and what happened to them? Reading the pages filled with optimistic greetings, illustrations and pieces of music was like finding a hidden treasure, waiting to be opened. I wanted to discover who these people were and hear their stories,” she added.

“This virtual launch [which took place Aug. 20] is meant to honour both Mænni and Susi, and the memory of those whose lives intersected in space and time in the Theresienstadt camp. None of the artists, musicians, composers or rabbis who wrote in the book are alive, but we can sense their lives through their traces here,” said Dr. Richard Kool, a member of the Victoria Shoah Project.

A number of panels show the powerful drawings of artist Hilda Zadikow, whose husband, sculptor Arnold Zadikow, died at Theresienstadt. One depicts the coat of arms of Terezin under a Magen David made of barbed wire. Another features three sad, grey sketches of the camp itself. In a third, there is a happier scene of colourful opera figures.

Her inscription in the autograph book reads, “Your old friend Hilda Zadikow wishes you all the best and delight in beauty.”

A poignant message comes from Rabbi Leo Baeck, an intellectual and leader of the German Jewish community and the international Reform movement, who wrote: “What you forget and what you don’t forget, that is what decides the course of your life will take.”

Pianist Alice Sommer Herz, the subject of the 2007 book A Garden of Eden in Hell and the 2013 Oscar-winning documentary The Lady in Number 6, was another prisoner at the camp. Sommer Herz, who died at age 110 in 2014, wrote in Ruben’s book: “In memory of music at Theresienstadt and in strong hopes of a better future.”

And a touching note comes from Miriam Pardies, someone Ruben seems to have known only in passing: “We know each other only from having greeted each other in a friendly way, but that too is a good memory,” she writes in the book.

“There is a huge educational value to these pieces for students learning about the Holocaust, or for researchers who want to continue exploring the stories of these most interesting people during an important time at the end of the Second World War,” remarked Brechner.

Ruben and his family were sent to Theresienstadt in 1943. A place where the Nazis kept prominent Jews, the camp housed musicians, intellectuals, artists, religious leaders and hundreds of children. In 1944, the inmates performed a concert for German visitors and the visiting International Red Cross – the performers were forced to act as though life at the camp was normal.

Losing his father at the camp, Ruben returned home after the war. A few years later, he met his wife. They married and both played in the Copenhagen Youth Orchestra – she on cello and he on violin. Mænni Ruben also worked as a graphic designer and Susi Ruben as a fashion designer; they were together for 24 years.

After her husband died, Susi Ruben’s company sent her to Israel, where she met Dr. Avi Deston. They married in 1978 and went to South Africa for 13 years, where Deston taught physics at the University of Transkei. On his retirement, they came to Victoria, in 1992.

The autograph book will be donated to the Canadian Museum for Human Rights in Winnipeg for their Holocaust gallery. To view the virtual exhibit, go to terezinautographbook1945.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on September 11, 2020September 10, 2020Author Sam MargolisCategories BooksTags Canadian Museum for Human Rights, Harry Brechner, history, Holocaust, Janna Ginsberg Bleviss, Mænni Ruben, preservation, Richard Kool, Susi Ruben, Terezin, Theresienstadt, Victoria Shoah Project
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