Jewish museum

Take a trip back in time

School girls, Lord Strathcona School, 1915. The JMABC Walking Tours take participants on a journey through the girls’ Strathcona neighbourhood, as well as to the Mountain View Jewish Cemetery, where many of the community’s pioneers are buried. (JMABC L.00172)

This summer, the Jewish Museum and Archives of British Columbia is once again offering opportunities for time travel. JMABC Walking Tours are back, taking guests on an immersive journey into Vancouver’s Jewish past. All you need to bring for the journey is your curiosity – and a hat and water!

The Jewish presence in British Columbia goes back 166 years, to the days before Vancouver was established as a city. Early Jewish immigrants arrived in the region during the 1850s Klondike Gold Rush, along with masses of other hopefuls seeking fortune in the wilderness of the BC Interior. Unlike their contemporaries, early Jewish gold-seekers did not head to the mines. Instead, they opted to sell supplies to those seeking gold. In the mines, there was no guarantee that gold would be found; in the shops, even unsuccessful miners needed provisions, thus guaranteeing an income for the shopkeepers.

The earliest Jewish community in the province was based in Victoria. It was primarily made up of businessmen and their families, who had profited during the gold boom. As the rush petered out, Jewish-owned outfitter shops transformed into general stores or niche market suppliers that specialized in items such as stoves, fabric, dry goods and other essentials, updating their stock as necessary to meet the changing needs of the times. When Vancouver was officially established in 1867, Jewish storefronts in Gastown were among some of the earliest establishments along the main thoroughfare of Water Street.

Eventually, attention in the region turned away from mercantile pursuits and towards the burgeoning real estate market. With the completion of the CPR and the dedication of Vancouver as its terminus station, the railway company began selling off large packages of land that had been taken from Indigenous communities. Real estate investors jumped at the opportunity, and Jewish businessmen were among some of the first investors in what would later become the residential and commercial neighbourhoods of Downtown Vancouver. As the city expanded, surveyor groups purchased large swaths of the forested area to the south, which now comprises the bulk of the City of Vancouver. During this time of growth, Jewish real estate moguls were instrumental in securing space for a Jewish section within the then-newly established Mountain View Cemetery.

Around this time, the whispers of two core Jewish neighbourhoods sprang up: the West End, where those with more resources and status would settle; and the East Side, where immigrants and other lower-income families would congregate. The latter neighbourhood, Strathcona, was the closest residential area to the hub of the city. While the Jewish community eventually moved towards Fairview Slopes and Oak Street in the 1950s, the Strathcona neighbourhood continues to stand as a testament to the historic challenges and achievements of British Columbia’s early immigrants.

The JMABC walking tours seek to engage audiences in the remarkable structures and values that have contributed to Jewish life here over its history. Each tour introduces participants to the iconic characters, stories and cultural phenomena that formed the Jewish community’s foundations, and it is hoped that participants emerge from each experience with greater insight and new perspectives, inspired to continue building the legacy of the community in Vancouver.

Jewish Strathcona: The Architecture of Community-Building
(JMABC Walking Tours July 7, July 21 and Aug. 18, at 11 a.m.)

Since the city’s early beginnings, Vancouver’s East Side neighbourhhood of Strathcona has been home to multiple waves of immigrant communities. From the 1880s through the mid-20th century, Jewish immigrants were among the ethnic minorities that claimed these streets as home. As early as the 1850s, these Jewish pioneers were establishing essential services and buildings to accommodate the vision of a thriving Jewish community.

The JMABC tour of Strathcona highlights the themes of social welfare, family and tradition as cornerstones of Jewish communal development. The tour follows the journey of early immigrants to this area and the paths they took to found and build communal structures and social groups. Through the magic of storytelling, participants are transported back in time and immersed in the experiences of those who laid the groundwork for the expansive Metro Vancouver Jewish community we have today.

Mountain View Jewish Cemetery: Exploring Common Grounds
(JMABC Walking Tours July 14 and Aug. 4, 3 p.m.)

Despite its context and location, this tour is all about life! Like its sister tour in Strathcona, this experience transports audiences back in time to get to know the once-lively personalities of the people buried in the Mountain View Jewish Cemetery. Tour participants are encouraged to engage with the space and explore the unique aspects of the surroundings, looking beyond the façades of stone and dirt to understand the deeper nuances of this historic site. Using an audience-guided model, this tour can be repeated multiple times, with variable content and direction, stemming from three focal themes: the people, the stones and the stories. Each area of focus gives its audience new perspectives on the significance and role of a cemetery as a foundational pillar of Jewish community.

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To join a tour or to book a private one, contact the JMABC office at 604-257-5199 or [email protected].

– Courtesy Jewish Museum and Archives of British Columbia

Elana Wenner joins museum

Elana Wenner (photo from LinkedIn)

Elana Wenner, who became the director of programming and development at the Jewish Museum and Archives of BC (JMABC) on Aug. 1, brings an enthusiasm and desire to make the stories of the local Jewish community better known and more meaningful.

Born and raised in Vancouver, one of Wenner’s aims is to stress the stories of Jewish people in British Columbia and how all can benefit from, and are connected to, those first Jews who came to the province.

“The story is not just history, it is an ongoing, living story that we are all part of,” she said. “It is something that includes every single Jewish person in BC. We are preserving, maintaining and sharing the stories, but I would also add … we are helping to create new ones.”

Before working at JMABC, Wenner, who obtained a bachelor’s and a master’s in Jewish studies from McGill and Concordia, respectively, taught at King David High School and Vancouver Talmud Torah, schools she herself attended growing up here.

“Coming into this job combines my two-dimensional interest in history and my interest in education, and bringing stories to life to not just children but anyone who is interested,” she said.

Another of Wenner’s goals at the museum is to make exhibits not merely interesting but accessible and enjoyable, believing people will remember things when they feel a strong emotional connection with it.

“My philosophy of education is always about interactive, experiential education – things that people can actually be a part of and interact with instead of just being part of an audience,” she explained. “The idea is people will come, interact and engage with the story and be able to walk away with a piece of it that is a part of them.”

Wenner’s experience as a teacher will help in dealing with any possible challenges the new position may bring, she said. “I have discovered that teaching is a great place to figure out things because it includes the skills one needs for any other job.”

Since starting in August, Wenner has been busy researching places and venues, interacting with current donors, making sure that members are keeping up with their annual contribution and seeking donors elsewhere, as well as handling grant applications and marketing. She is also managing the JMABC social media accounts and providing informational fliers about the museum to synagogues during the High Holiday season.

“I am trying to get awareness of who we are, as many people did not know there is a Jewish museum in Vancouver and I would like the word out there that we exist because we have a lot to share,” she said.

“The history of Jewish Vancouver is such a good story and it deserves to be told [but] so many people just don’t know about it,” she added. “I am lucky to be one of the few who has spent some time digging deeper into this story.”

Wenner herself descends from a family that has been in Canada a long time by local Jewish standards – her ancestors arrived in Saskatchewan in 1888 – and that, she said, helped spark her interest in history and, specifically, Jewish history.

“My ancestors took photos of everything on a Brownie camera,” she recalled. “They developed their own film and it’s almost as if some of them are selfies. They were taking photos of casual life. It is rare to find non-formal photos of that period. You see what life was like, you see how people dressed.”

Daniella Givon, president of JMABC, said of Wenner’s arrival at the museum, “The board of JMABC is very excited to welcome Elana. Elana is full of energy and has a vision for the organization and her role in it. She has been familiar with JMABC since a young age, and has always cared about the organization. We feel fortunate to have her aboard.”

JMABC has several events scheduled for the coming year. On Nov. 21, the museum will hold its annual general meeting, which will feature the launch of Land of Hope: Documents on the Canadian Jewish Experience (1627-1923), edited by Richard Menkis and Pierre Anctil.

Later this fall, in partnership with Jewish Family Services, JMABC will put together the Supper Club, a series of dinners designed to share food and stories that reflect the diversity of the Jewish community in the province. Past menus have included Sephardi meatballs, namoura (orange cake) and Syrian-Argentinian fusion.

For the spring, Wenner is planning a pop-up exhibit that will showcase the original JMABC collection, when it used to be situated at the Jewish Community Centre of Greater Vancouver. “We are hoping to revamp the exhibit and connect the story to where the Jewish community in Vancouver is today,” she said.

During warmer periods of the year, JMABC will continue to offer historic walking tours of Mountain View Cemetery and the Oakridge, Strathcona and Gastown neighbourhoods.

To find out more and to view current online exhibits, visit jewishmuseum.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Community artists highlighted

Guest speaker Marsha Lederman addresses the crowd at the launch of the 40th issue of The Scribe on April 19. (photo from JMABC)

Last month, the Jewish Museum and Archives of British Columbia (JMABC) released its 40th issue of The Scribe, the organization’s mostly annual publication that chronicles various aspects of Jewish life in the province. This latest issue features 30 members of the local Jewish visual arts circle: painters, sculptors, mixed media artists, illustrators, textile artists, art educators, art consultants, an art curator and a gallery owner.

The official launch of the publication at VanDusen Botanical Garden’s Floral Hall on April 19 incorporated a silent auction of works donated by many of the artists highlighted in the issue. The items ranged from original paintings and sculptures to art books, sets of cards, and an art consultation.

The festive atmosphere buzzed, as people talked and laughed and greeted their friends. After the mixing and mingling, several speakers addressed the crowd. JMABC past president Carol Herbert acted as emcee, introducing current president Daniella Givon, the issue’s managing editor Carol Crenna and the keynote presenter, Marsha Lederman, who is Western arts correspondent for the Globe and Mail.

Givon gave an overview of the history of the JMABC, calling it the “community storage of history and memory.” She also talked about The Scribe and how it has evolved since its first issue.

Lederman’s address included a video presentation, as she concentrated on the theme of what makes Jewish artists Jewish, how their Jewish identity informs their art. The artists’ Jewishness is much more than the tragedy of the Holocaust, she said. There is a place in Jewish art for humour and family, for traditions and ecology. Lederman didn’t mention every artist featured but she mentioned as many as she could, given the time constraints, and her delivery was laced with admiration for the artists’ love of life, their creativity and their courage.

Crenna, who was hired specifically to lead this issue of The Scribe, talked about her excitement when she received the offer. “I’m not Jewish,” she said, “but so many Jewish people affected my life. I worked in businesses owned by Jews. I ate at Jewish restaurants. I wore clothing designed by Jewish designers.” She spoke about the stories in the magazine, which inspired her. She also said a few words about the visual aspect – the multiple colourful illustrations that made the publication an artistic creation of its own. And she introduced her graphic designer, Sonia Bishop.

“The Jewish artists in this magazine, and the ones we didn’t include – they are all fearless,” Crenna said. “They reinvent themselves again and again.… Their creativity has no limits.”

The magazine itself is a glossy, large format publication. Each of the 30 features inside is based on an interview with an artist, plus several colour illustrations of that artist’s works.

In her email interview with the Independent, Crenna said, “I was hired to complete this issue last June. Before, [Jewish Independent] publisher Cynthia Ramsay edited a number of previous issues on a volunteer basis, but this was the first time that the JMABC hired an editor to create one of its publications. The job was advertised, and I was hired due to my experience and the vision I had for The Scribe.”

Crenna has been a journalist for 39 years, including nine years as a columnist for the Vancouver Sun. “I have been an editor of nine magazines varying in subject matter. I have been the managing editor of the national visual art magazine Art Avenue for the Federation of Canadian Artists for seven years. I am also an artist. It was my wish to create a visually beautiful, more contemporary and more reader-friendly version of The Scribe…. I was very inspired by the incredible stories I read in the previous issues.”

She also said she wanted to make the magazine more accessible to a wider audience, not just Jews, and ruminated about the selection process – how the editorial team chose 30 artists from the much larger artistic community. Every issue, the team must narrow its subjects down to fit the constraints of a finite publication.

“An artist subcommittee was formed in the year prior to the beginning of work on this issue, before I was hired,” said Crenna. “This committee compiled a list of approximately 70 established B.C. artists or those that are emerging…. All are professionals. All have sold their works and have had exhibitions. To reduce the numbers, since 30 is the average number of individuals featured in every issue of The Scribe, it was decided that photographers would be excluded. They will have their own issue.… Some artists opted out, as well. Also, it was decided that the publication should include others within the artistic community…. Therefore, art consultants, a curator, an art educator and a gallery owner were also included in the visual arts issue. After much consideration, only living artists were included, since there are no archival interviews with those who are deceased.”

Crenna explained how the interview process worked. All of the participants were interviewed for this issue in 2022, she said. “These interviews – either on Zoom or in-person – were conducted by JMABC volunteers within the offices, where recording equipment is of high quality, so the future generations would be able to listen to them. The interviewers included Helen Aqua, Carol Herbert, Brynn Gillies, Perry Seidelman, Daniella Givon, Pam Wolfman and Bill Gruenthal. The 30 interviews lasted from one hour to two-and-a-half hours and were from 6,000 to 19,000 words. Afterwards, JMABC interns transcribed the recordings. Then I edited the information and wrote the features, which were then approved by the interviewees.”

Crenna organized with each artist to send her six high-resolution images of their artwork – in different styles/themes for variety – and headshots of them working on their art.

To purchase an issue of The Scribe or find out more about the JMABC, visit jewishmuseum.ca.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Museum releases 40th Scribe

Mordechai Edel is among the artists featured in the latest edition of The Scribe, which will be released April 19 at VanDusen Botanical Garden. (photo from JMABC)

The Jewish Museum and Archives of British Columbia (JMABC) is releasing its 40th issue of The Scribe, which celebrates the lives of B.C. Jewish residents by focusing on one sector each edition. The official release of the Visual Arts Issue will take place on April 19, 7 p.m., at VanDusen Botanical Garden, in the Floral Hall.

The 2022/23 issue features a cross-section of the province’s Jewish visual arts community, including painters, sculptors, mixed media artists, illustrators, textile artists, art educators, art consultants, an art curator and a gallery owner. Features are based on interviews recently documented for the JMABC and interviewees represent several cities and many islands. They include Ron Appleton, Miriam Aroeste, Hinda Avery, Suzy Birstein, Tanya Bub, Olga Campbell, Janis Diner Brinley, Mordechai Edel, Janet Essevia, Jessica Freedman, Linda Frimer, Monica Gewurz, Lori Goldberg, Pnina Granirer, Barbara Heller, Jeannie Kamins, Stacy Lederman, Julia Lucich, Anna Lutsky, Cynthia Minden, Suzy Naylor, Joyce Ozier, Nora Patrich, Marcia Pitch, Jack Rootman, Sidi Schaffer, Phyllis Serota, Elizabeth Shefrin, Carla Stein and Mia Weinberg.

“The Visual Arts Issue of The Scribe is surely one of the most dynamic and visually stunning publications in its 40-issue history,” said Daniella Givon, JMABC president. “Jewish individuals have made significant contributions to our province’s arts and culture sector throughout our history in B.C., and 2023 is a fitting time to take an historical snapshot of artists who are working and thriving here.”

Carol Crenna, managing editor of The Scribe Visual Arts Issue, added, “It’s been an extraordinary experience to meet this group of talented Jewish artists, many internationally known. They are fearlessly innovative, inspiring individuals with the strength and ability to push boundaries and bridge beliefs. They’re also wonderful storytellers with rich life experiences. I found their personal stories fascinating, and often entertaining, but, most important, they made me think differently.”

The publication’s launch will include a silent auction of artworks donated by many of the artists highlighted in the issue. The keynote speaker of the event will be journalist Marsha Lederman, Western arts correspondent for the Globe & Mail. Refreshments will be served. All proceeds are in support of the JMABC.

For tickets ($36), visit jewishmuseum.ca.

– Courtesy Jewish Museum and Archives of British Columbia

Snapshot of Jewish life

Looking Back, Moving Forward is available for purchase from the Jewish Museum and Archives of British Columbia. (photo from JMABC)

The first thing many readers will do upon opening the Jewish Museum and Archives of British Columbia’s Looking Back, Moving Forward: 160 Years of Jewish Life in BC is try and find their friends’ writeups and those of the organizations with which they volunteer or work. That is, if they didn’t submit their own writeup for the publication. If they did send in their bio or one for their family, then that’s the first page to find.

Even people who grew up in the province and have a multigenerational presence here will find novel tidbits in this 284-page hardcover (or soft) coffee table book. Published to celebrate the museum’s 50th anniversary last year, it is appropriately dedicated to Irene Dodek (1930-2019) and Cyril E. Leonoff (1925-2016). Leonoff was founding president of the Jewish Historical Society of British Columbia, which was established in January 1971. Dodek, also a founder of the museum and archives, “helped define its direction early on and conducted more than a hundred oral history interviews with members of our community.” More about Dodek and Leonoff can be found in the first pages of the book, before the greetings from Prime Minister Justin Trudeau and Premier John Horgan.

In her president’s message, Carol Herbert writes, “Our stories are fascinating, and demonstrate the evolution over time of our communities, from a few small clusters of Ashkenazi Jews from Eastern Europe in late 19th century to present-day diverse Jewish communities, comprised of individuals who originated from across the world; Sephardic, Mizrahi and Ashkenazi; secular and religious; leaders, activists and advocates for Jewish and general community causes.”

Both Herbert and the book’s editor, Michael Schwartz, director of community engagement for the JMABC, acknowledge that this publication is a partial snapshot of the community. They both encourage readers who haven’t done so yet “to share your memories of where we’ve been, celebrate with us where we are, and join us in envisioning where we might be headed,” writes Schwartz.

A chapter on the history of the JMABC begins the book proper. It is followed by brief regional histories – Victoria, Vancouver, Kootenay/Boundary, Okanagan, Prince George, Sunshine Coast, Central Vancouver Island and Whistler. The chapter on organizations is divided into those that work in advocacy and activism; religious observance; education; youth groups and camps; seniors; arts, culture and leisure; Zionism; Holocaust education; and anchor organizations. That last one, by the way, is where you’ll find the Jewish Independent (pages 126 and 127).

The Notables chapter is sorted chronologically: pioneers (1886-1945), postwar (1945-1970), modern (1970-2000), contemporary (2000-2010) and emerging (2010-present). Within each section, people are listed alphabetically by surname, as are the entries in the Family Album chapter. Rounding out the publication is a list of donors and an index.

Looking Back, Moving Forward offers a broad overview of many of the major players in the B.C. Jewish community over the 160 years since Jews first arrived here. It focuses on accomplishments and takes readers right up to 2021. It is easy reading, and no one need worry that any dirty laundry is aired. Given the celebratory nature of the book, none of the submitters (including the JI) talk about the challenges they’ve faced or controversies, and neither do any of the introductions to the various sections.

Some history is given only passing mention, such as what community fundraising structures were in place prior to the Jewish Federation of Greater Vancouver’s emergence in 1987, for example, but the book isn’t meant to be a comprehensive historical tome. Rather, it’s a fun, page-flipping community yearbook of sorts, which will hopefully motivate people to both learn more about the community and contribute their stories to its archival record.

Looking Back, Moving Forward is available in hardcover ($100) and softcover ($50). To place an order, contact the museum offices at 604-257-5199 or [email protected]. Shipping is available across Canada for a fee of $20 per book.

Museum releases new book

Jewish Museum and Archives of British Columbia releases its new publication Looking Back, Moving Forward after its AGM on Nov. 16.

The Nov. 16 annual general meeting of the Jewish Museum and Archives of British Columbia (JMABC) is the culmination of the museum’s 50th anniversary year of celebrations. The special occasion will not only feature Dr. Morton Weinfeld, Chair in Ethnic Canadian Studies at McGill University and author of numerous books on Canadian Jewry, but also the release of the new JMABC publication Looking Back, Moving Forward: 160 Years of Jewish Life in BC.

Taking place at Congregation Beth Israel, the 6 p.m. AGM will be followed by a reception at 7 p.m. and the keynote address. Weinfeld’s most recent publication is a revised and updated version of his book Like Everybody Else but Different: The Paradoxical Success of Canadian Jewry. His virtual presentation will highlight the unveiling of the JMABC’s Looking Back, Moving Forward.

Local historian Cyril Leonoff, who passed away in 2016, established what has become the JMABC with a group of volunteers in 1970. In his research on the B.C. Jewish community, he combed ship manifests and discovered that the first Jews to arrive in the province came to participate in the Gold Rush, in 1858.

The museum’s new book is a testament to the variety and tenacity of Jewish life all over British Columbia. The publication comprises interviews, archival research and community contributions from more than 200 B.C. Jewish community members and it includes more than 400 photos.

Organized into four sections, the book begins with a collection of essays on the history of Jewish life in various regions of the province. This section is followed by short descriptions of historic, modern and new Jewish agencies and organizations that serve(d) the social, cultural, political and religious interests of the Jewish community. Short biographies of notable B.C. Jewish figures from all areas of public and communal life make up the third part of the book. And, finally, a family-sponsored section gives some personal descriptions of a variety of families within the community.

A central mission of the JMABC is to raise awareness of the importance of everyday artifacts to the overall picture of Jewish history in British Columbia. Photos of a family barbecue or a trip to the beach, flyers, letters and other such memorabilia personalize history. Over the years, the museum has created exhibits, films, books and other research material, making its archives as accessible to the public as possible.

The JMABC is hoping to ride the wave of enthusiasm and support from the past year of 50th anniversary activities, as it continues its role as both keepers and disseminators of history within the community and as ambassadors of the Jewish community to broader B.C. society.

Copies of Looking Back, Moving Forward: 160 Years of Jewish Life in BC are now on sale through the JMABC website at a 10% discounted price up until Nov. 16. After the AGM, the price will increase to $50 in general and to $100 for the limited edition hardcover version.

To attend the Nov. 16 event in-person or online, buy your $18 ticket via jewishmuseum.ca/fiftiethbooklaunch.

– Courtesy Jewish Museum and Archives of British Columbia

Teaching community’s kids

Congregation Beth Israel, children in costume, 1965. (photo from JMABC L.09778)

image - The Scribe book cover — The 2020/21 education-themed issue of The Scribe will be launched on Aug. 26.

The launch of the Jewish Museum and Archives of British Columbia’s latest edition of The Scribe will be held virtually on Aug. 26, at 7 p.m. This year’s book features stories, photos and some almost-forgotten details about Jewish education in British Columbia. Join the Zoom to hear from local leaders in Jewish education both past and present who will give context to this significant subject.

Anne Andrew, past principal of Temple Sholom Hebrew School, and Emily Greenberg, current head of school at Vancouver Talmud Torah, will lead the discussion. Andrew will focus on her long involvement with the Jewish education scene in Vancouver and Greenberg will share her perspectives on where Jewish education is headed. Considering the impact teachers, educational institutions and curricula have on the continuity and cohesion of a community, both this panel discussion and this issue of The Scribe speak to important issues.

photo - Story time, conducted by Gamliel Aharon, Beth Hamidrash B’nai Jacob, 1976 — Story time, conducted by Gamliel Aharon, Beth Hamidrash B’nai Jacob, 1976. *(photo from JMABC L.00155)*

The 2020/21 Scribe features information from the community archives about Jewish education around the province, spanning some 100 years. In addition, there are oral history excerpts from dozens of community members about various programs that have been offered over those years. Even in the very early days of the Jewish community in British Columbia, no matter where Jews settled in the province, there were all kinds of arrangements for the transmission of Jewish knowledge, culture and identity.

Zoom attendees will hear about iconic educators who instilled a love of Judaism and community spirit. Those who attended Jewish school here will take a trip down memory lane, being reintroduced to teachers from their past.

For more information or to register for the free online book launch event or to get your own copy of The Scribe, visit jewishmuseum.ca/publications/the-scribe or call the museum office at 604-257-5199.

– Courtesy Jewish Museum and Archives of British Columbia

Crackin’ Out online exhibit

A still from the documentary Crackin’ Out: The Ronnie Tessler Rodeo Collection, showing photographer Ronnie Tessler. The documentary was directed by Sarah Genge and produced by the Jewish Museum and Archives of British Columbia.

The Jewish Museum and Archives of British Columbia is currently hosting Crackin’ Out, an online exhibit of photographs of rural Western Canadian rodeo from 1976 to 1980 by Ronnie Tessler, along with a short documentary by director Sarah Genge. In rodeo, the term “crackin’ out” means “the beginning of the new season, breaking out of the chute, or even breaking out new chaps.”

“These explosive words epitomize for me the spirit of rodeo and the cowboy way of life,” Tessler explained.

The idea to shoot the images began as a “fun photo expedition” to Williams Lake Rodeo in 1976 by four friends who were members of a photography group, the Vancouver Image Exhibition Workshop, which is known for bringing in acclaimed guest artists.

The group worked together for a year and, with the permission of the Canadian Cowboys Association, produced an exhibit at the Finals Rodeo in Edmonton in 1977. Tessler worked independently for the next two years, documenting life at rodeos throughout the west, from British Columbia to Manitoba and into the northwest corner of the United States. Aspiring for objectivity, she realized it was not attainable.

“I wanted to know more about the cowboys, what went on behind the chutes and on the road and what motivated them to take on the challenges they did unsupported by a team or steady income,” Tessler said.

The exhibit takes the viewer not only to the action, the cowboys riding – and falling – but also to the personal and the life surrounding the event: the preparations, the traditions, the camaraderie and the love. The photos evoke an emblematic sense of a particular era in Western Canadian life.

Grouped into three chapters – “Before the Rodeo,” “The Rodeo” and “After the Rodeo” – each photograph is accompanied by stories, observations and explanations from Tessler that encapsulate the feeling that existed the moment each image was taken.

photo - A novice rider at the John Quintana Bull-riding School in Oregon, 1978. Photo taken by Ronnie Tessler. Part of the Crackin’ Out online exhibit — A novice rider at the John Quintana Bull-riding School in Oregon, 1978. Photo taken by Ronnie Tessler. Part of the Crackin’ Out online exhibit.

These images are what photographer Henri Cartier-Bresson, who is referred to in the exhibit, called “the decisive moment.” Or, as scholar John Suler, also quoted in the exhibit, described as “the moment when the visual and psychological elements of people in a real-life scene spontaneously and briefly come together in perfect resonance to express the essence of that situation.”

Rodeo was the first large, thematic body of work that Tessler did. Every project she undertook, she said, began when she “noticed themes coming out on my contact sheets and felt there was something I wanted to pursue. Each took about three years.”

Tessler’s Crackin’ Out was followed by her next major work, Israeli Suite, which was photographed over several visits to Israel. There was no similarity between these bodies of work and her last large project was different still – Jewish life in the West Kootenays.

As for the Jewish connections to the rodeo exhibit, Tessler observed, “I didn’t meet another Jew the entire time and did not encounter or make use of any specific Jewish values while doing the work. Many cowboys knew I was Jewish, and one asked what I was doing photographing a bull-riding school instead of watching Shoah on TV every night. I did enjoy the uniqueness of being an urban, Jewish woman with a family ‘goin’ down the road,’ putting myself on the line to record another way of life.”

Genge’s documentary Crackin’ Out: The Ronnie Tessler Rodeo Collection is part of the exhibit. It expands on the legacy of Tessler’s photography by exploring a multitude of perspectives on rodeo from such people as a stock contractor, a curator, a child of rodeo, a cowboy, an artist and a professor, as well as the archives intern who processed the collection.

“One photograph does not illustrate one idea. By speaking with eight different people, my aim was to bring their collection of voices together to elucidate an ever-shifting narrative of an image,” Genge said. “This film offers a brief glance at some of the distinct and disparate angles that create a multifaceted and, at times, conflicted understanding of Western Canadian rodeo.

“I endeavoured with this film to present aspects of rodeo frequently left untold, specifically its importance to Indigenous people, women and LGBTQ+ communities. It should be noted that, much like Tessler’s inherent presence in capturing these photographs, my subjectivity in curating them is unavoidable,” she added. “I am an unreliable witness who, six months ago, had never set foot at a rodeo, so my bias as an outsider is present throughout.”

The exhibit, which can be found at jewishmuseum.ca/exhibit/crackin-out, also features an hour-long video of its April 21 launch, which includes discussions with Tessler and Genge.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Kitchen Stories Season 2

Kind Café’s carrot lox is just one of the foods you’ll hear about during the podcast’s second season. (photo by Tosha Lobsing)

Looking for something to listen to? The Jewish Museum and Archives of British Columbia’s podcast The Kitchen Stories is back!

The Kitchen Stories explores culture, identity and community goings-on through conversations about food. Many of us have missed being able to connect with loved ones over food during the COVID-19 pandemic, and our relationships to shared meals and gatherings have had to shift. The Kitchen Stories is a chance to tune in to those food and community connections we’ve all been craving.

photo - In the first episode of The Kitchen Stories’ new season, Michelle Dodek tells listeners about her family’s traditional Rosh Hashanah lunch — In the first episode of The Kitchen Stories’ new season, Michelle Dodek tells listeners about her family’s traditional Rosh Hashanah lunch. *(photo from Michelle Dodek)*

I’ll be chatting with kosher food suppliers, holiday meal super-hosts, and other community leaders and members about all things food. And, in keeping with Season 1, the themes we’ll be exploring this time around are varied and guests will weigh in from different perspectives and experiences. While most of the topics covered are new, we’ll be checking back in on the state of food (in)security in the Greater Vancouver Jewish community, and the organizations at the forefront of tackling it, later on in the season.

I’ve also shaken things up a little, and a few of this season’s episodes consist of longer-form interviews with guests who’ve done a lot of thinking about Judaism and Jewish food, and the ties between the two.

As I’m sure you’ve experienced, when we set out to talk about food, we inevitably end up getting into so much more. I’ve had a great time discussing with my guests their views on questions like, How can we draw from Jewish tradition to help others? How can we use food to break down barriers in our community? Is being vegan a Jewish activity? I even put on my detective hat and dug deep into the mysteries of a secret family recipe.

The universality of food and its many symbolisms mean that every episode of The Kitchen Stories is different from the last and, just like a big holiday meal, we’ve got something for everyone.

The first few episodes of Season 2 of The Kitchen Stories will hit the airwaves starting March 4, with new episodes released weekly after that. You can subscribe wherever you get your podcasts. You can also check out Season 1 episodes at jewishmuseum.ca/the-kitchen-stories, on Spotify, or on Apple Podcasts.

Liana Glass is producer and host of The Kitchen Stories, Season 2.

Make history inclusive

Dr. Elizabeth Shaffer (photo from ischool.ubc.ca)

The expression of history matters. This issue, previously confined mainly to academic discourse, has been thrust into the public sphere as never before. In this year of upheaval and change, a spotlight seemed to follow the systemic racism exhibited by police forces across North America. Along with widespread protests about police behaviour came a wave of questions and action about how we choose to convey our collective history. Monuments toppled around the world, raising questions about how and why certain people are memorialized in our national consciousness and whose story is missing.

In Vancouver, the Jewish Museum and Archives of British Columbia is at the forefront of this dialogue, pushing the agenda of inclusion and trying to make sure that the stories of as many members of our community are heard and recorded. The museum, which was founded as the Jewish Historical Society of British Columbia, has been engaged for decades in collecting the oral histories of Jews from the spectrum of Jewish life – the stories that provide a greater context to what it means to be Jewish in this place.

This year, at the Jewish Museum’s annual general meeting on Nov. 18, the keynote speaker contextualized the importance of having a variety of voices and experiences shape our collective understanding of history. Dr. Elizabeth Shaffer, executive director of the University of British Columbia’s Indian Residential School History and Dialogue Centre and assistant professor at the UBC School of Information, spoke to a group of well over 100 people via Zoom.

Shaffer highlighted issues of social justice, marginalization, accountability and collective remembering. Each of these topics is thought-provoking on its own, but, grouped together, the picture she painted was more than the sum of its parts. Shaffer discussed why certain monuments are problematic. She said the protests that took place this summer across the globe created a robust dialogue about “who counts.” Increased understanding that our current narrative is depicted from the perspective of the colonizer has shown the need for viewpoints of “othered people” to be included.

While Shaffer’s primary focus is on reconciliation and how museums and archives should be reimagining their roles in terms of the Indigenous population of Canada, she presented a broad call to examine practices and positionality vis-à-vis marginalized people. She suggested that museums need to collaborate with communities more and that technology has presented us with unique opportunities to do so. Social media has democratized the recording of history, allowing more citizens to contribute to the dialogue in ways never seen before. The challenge for museums and archives will be to decide how to thoughtfully filter and present this information.

“Under-documented communities do not trust museums because they are not represented,” said Shaffer. She suggested that participatory archives, which are by their nature democratic, holistic and citizen-focused, would help fill in the gaps and provide a broader representation of our history. She said, “Archival records hold power … they hold the collective and individual memory, and shape who is included and who is not.”

The recognition that museums and archives are not neutral is an important part of this work. These are some of the challenges facing the archives and museums, as greater transparency and community participation make our institutions of memory “safe and non-oppressive spaces” and repositories of an inclusive history.

Shaffer called on museums and archives to be agents of change, to be actively anti-racist and to dismantle the oppressive practices that have excluded marginalized narratives. One suggestion she had pertaining to the importance of transparency is documenting the way the story is told. She said there are deep-rooted challenges in the long game, but she has seen an interest in the museum community to do things better.

“Humility as an institution is key,” said Shaffer. “We need to reflect and evolve and have the courage to act when change needs to be made.”

In response to a question from the audience, Shaffer endorsed the practices of the JMABC, as it fulfils its mission and mandate. She encouraged the community to support other organizations as well. “Cross-pollination enriches everyone,” she said.

For more information on the JMABC, visit jewishmuseum.ca.

Michelle Dodek is a freelance writer, chef and longtime community volunteer in Vancouver. One of her current involvements is as a board member of the Jewish Museum and Archives of British Columbia.