JCCGV

Community gathering place

Many community events, lessons and celebrations take place in the Jewish Community Centre of Greater Vancouver’s Wosk Auditorium. (photo from JCC)

A sense of family and community, somewhere to be physically active and mentally stimulated, a haven in which to socialize and relax, to have a nosh, a lifeline during the pandemic and a place to be with like-minded people after Oct. 7. The Jewish Community Centre of Greater Vancouver – “the J” – “is a warm and welcoming place for Jews and the community in general,” offered JCC executive director Eldad Goldfarb.

The Jewish Independent spoke with Goldfarb and others recently, to see how the centre has fared since the Hamas terror attacks on Israel, the Israel-Hamas war and the rise in antisemitism around the world, including in Metro Vancouver.

“The level of security has seen a noticeable increase,” said Goldfarb. “The initial shock had an effect on our entire community, which felt insecure and somewhat afraid to venture out and into Jewish community facilities. This fear quickly changed into a desire to congregate, be with fellow Jews in safe spaces, and the JCC is a place where everyone feels safe and welcome.”

He praised the Vancouver Police Department and its role in allowing the community to gather safely.

“The VPD is amazingly supportive of the Jewish community and the JCC,” he said. “They are doing above and beyond within their limited resources to provide both physical as well as emotional safety at this very difficult time for our community. The JCC staff team is very vigilant and pays close attention to anything out of the ordinary.”

Goldfarb has been the J’s executive director for 11 years, and was assistant executive director for the six years prior to that. He said the centre has “expanded its programs and services, providing substantially more scholarships and subsidies to families and individuals.” And he and the JCC board “have been involved in the conceptualization, visioning and creation of JWest, an exciting innovative community project for generations to come.”

“The JCC has been working diligently on expanding our capacity, we have made investments in recruiting top-notch staff, replacing and transforming our technology systems in order to improve customer experience, ease the registration process and create efficiencies in the organization,” said Goldfarb.

“We’re always trying out new programs,” Hila Olyan, senior director of programs, told the JI. “I’m especially excited about programming for new families, which ramps up this coming fall: pre- and post-natal yoga, baby sign and sing, stroller fitness, storytime in the library. We’re also trying out some new children’s programming over the summer. Music, Music for Littles and Music, Music for Babies will be offered on Sundays. I can say from personal experience that my toddler loves the program. He’s been taking it since April.”

photo - The J's many programs include ones to introduce toddlers and their families to the joys of music — The J’s many programs include ones to introduce toddlers and their families to the joys of music. *(photo from JCC)*

While the programming hasn’t changed much in response to Oct. 7, Olyan said “the interest in being part of programs has increased. I think, for many people, myself and my family included, the opportunity to participate in Jewish and non-Jewish programming, but in a safe space surrounded by like-minded people, is more important than we previously realized.

“We’ve also tried to be thoughtful as we plan and host our community events like the recent Festival of Israeli Culture. We are thinking about how we can honour the challenging times we are living in, but also celebrate the beautiful culture we all know and love.”

She pointed to significant participation in events such as seniors luncheons, the J’s annual Purim Party and other activities.

“The people of our community want to be around other community members and I think it’s a great thing,” said Olyan. “The atmosphere has shifted a few times. We’ve moved from shock and devastation to strength and resilience. I think it’s a real testament to the spirit of our community.”

“The JCC has and will always be a safe place for me and my family and the entire community,” said Michael Averbach, who has been going to the J since he was a kid himself. “Oct. 7 didn’t change my frequency of visits or how I feel about being at the JCC, nor should it for any current member, but my message to those considering joining – there’s no greater feeling of family than being at the J. It’s the only place where we can truly interact with all sectors of our community, from the non-observant, to the Reform, to the Orthodox and everyone in between. Furthermore, the JCC was built on the foundation where everyone is welcome, regardless of religion or race.”

In addition to being a J member, Averbach has chaired the centre’s main fundraising event, the RBC JCC Sports Dinner, for many years. Attesting to his family’s generations of involvement with the JCC, the welcome desk everyone passes on their way into the centre is called the Betty and Louis Averbach Membership Desk, named after Averbach’s grandparents. And the next generation is also involved.

“We’ve had our kids in day camp and swimming lessons over the years and, personally, I enjoy boxing sessions with Alexei to keep me sharp and on my toes and to complement my regular fitness routine,” said Averbach. “I also try and get to the J in the later evenings up three to four times a week to enjoy the sauna and steam in the men’s spa.”

photo - Working out at the J — Working out at the J. (photo from JCC)

When asked what keeps him coming back to the centre all these years, Averbach said, “The warm feeling and sense of community walking through the doors.”

This is an aspect that also appeals to J member Cathy Paperny and her family, who joined the JCC in 2006 when their children began the 2-year-old program.

“I appreciate being surrounded by a Jewish community,” she said. “I have a good relationship with Eldad and we often have good talks about various topics, including the war in the Middle East. During these challenging times, it’s especially important to be surrounded by like-minded people. I feel I have that at the JCC.”

The social aspect is one of Olyan’s favourite parts of her job.

“I like the combination of interacting with members, program participants and administration. I like thinking about how we can make our programming stronger and then having the opportunity to put plans into action and see the results. Every single day I meet and talk with interesting people who are all here at the J for their own unique reason – a workout, childcare drop-off, gymnastics, music lessons, a holiday or festival.”

For Paperny, that reason was the program for 2-year-olds. She said the J was the only place that offered it. “I liked that my children were attending with other Jewish children, some of whom became lifelong friends. It was close to VTT [Vancouver Talmud Torah] for afterschool programs and convenient for me when I was working at the Holocaust Centre,” she said.

Paperny worked at the Vancouver Holocaust Education Centre, which is on the lower level of the centre, until 2019, for about four years as the symposia coordinator and as a docent for more than 10 years.

In addition to the 2-year-old program, Paperny said, “Yaelle went to ballet classes when she was young and did Israeli dancing through Talmud Torah and then performed at the Festival Ha’Rikud events at the JCC until Grade 7. Both of my children attended Camp Shalom for a couple of years. One of my children did the leadership-in-training program at Camp Shalom. They also attended other sports camps, like soccer.

“I did personal training there for years and attended some of the fitness classes, including circuit training,” she continued. “Now, I swim, do private pilates with Camila, attend yoga twice a week and attend many fitness classes.”

She also attends Jewish Book Festival events and, often, Israeli dancing on Wednesday nights.

These types of activities are exactly what the JCC mission entails.

“For our Jewish community, we continue to be committed to our mission to provide programs to enhance positive identification with Jewish life and Israel,” said Goldfarb. “This can be seen in our children’s camps, early childhood education programs (daycare and out-of-school care) and with our Israeli dance classes – to name a few.”

Nava Creative Kosher Cuisine is also on site. A popular spot to have a coffee or lunch, it is hard not to run into fellow community members when you’re there: members of the J, people visiting the latest exhibit at the Zack Gallery or going up to the Waldman Library, staff from the various Jewish organizations housed in the centre, participants in different programs, parents picking up their kids, students from King David High School, which is located across the street from the centre, and others.

“The JCC, while not without its challenges, is a place of growth and potential,” said Averbach. “I am aware of the high staff turnover and the need for building upgrades and, together, we are actively working on raising the necessary funds to address these issues. If there’s one key area for improvement, it is staff training for those with special needs and neurodiversity. By properly implementing this training, we can ensure that all our children feel comfortable and welcome.”

And it seems that the J is committed to continually improving. For example, staff review its programming often.

“Every participant in a registered program receives an email link to a quick survey,” said Olyan. “We also look at our mission statement and consider how we can continue and better meet our mission and the needs of our community. Are we offering social, educational, recreational and cultural programs for every demographic? Finally, we consider what are the emerging trends and interests within and outside the Jewish community and is the JCC the right place for [such programs]. We really try to listen to our members and find out if there are particular programs they would like to see.”

As for her feedback, Paperny said, “During COVID, the J was a lifeline for me when virtual programs were available, and then when it opened up to in-person programs. My physical health is so integral to my emotional, mental and spiritual health. The J has always been there for me.”

Uprising observed

The Vancouver Holocaust Education Centre and the Jewish Community Centre of Greater Vancouver were among 125 partners presenting a global commemoration of the 77th anniversary of the Warsaw Ghetto Uprising recently.

Beginning and ending with stirring renditions of the “Partisans’ Hymn,” the online event, which also commemorated the end of the Second World War 75 years ago, featured a long list of singers and performers from Hollywood, Broadway and elsewhere, including Dr. Ruth Westheimer, Mayim Bialik, Whoopi Goldberg, Adrien Brody, Lauren Ambrose and dozens more.

We Are Here: A Celebration of Resilience, Resistance and Hope, which took place June 14, was produced by the Museum of Jewish Heritage: A Living Memorial to the Holocaust, Sing for Hope, the National Yiddish Theatre Folksbiene and the Lang Lang International Music Foundation.

“Zog Nit Keyn Mol” (“Never Say”) is generally called “The Partisans’ Song” or “The Partisans’ Hymn” in English and is an anthem of resilience amid catastrophe sung at Holocaust commemorative events. Written in the Vilna Ghetto by Hirsh Glik after he learned of the six-week uprising by Jews in the Warsaw Ghetto, its stirring concluding lines translate as, “So never say you now go on your last way / Though darkened skies may now conceal the blue of day / Because the hour for which we’ve hungered is so near / Beneath our feet the earth shall thunder, ‘We are here!’”

Other musical performances included a Yiddish rendition of Leonard Cohen’s “Hallelujah,” adapted and performed by pianist and singer Daniel Kahn; “Over the Rainbow,” from the 1939 film The Wizard of Oz, composed by Harold Arlen with lyrics by Yip Harburg, two friends from the Lower Eastside of Manhattan, against the spectre of a darkening Europe; and “Es Brent” (“In Flames”), a musical cri de coeur written in 1936 by Mordechai Gebirtig after what he viewed as the world’s indifference to a pogrom in the Polish town of Przycik.

Andrew Cuomo, governor of the state of New York, spoke of his father, the late former New York governor Mario Cuomo, who helped ensure the creation of the Museum of Jewish Heritage, the world’s third-largest Holocaust museum.

One of the other presenting partners, the National Yiddish Theatre Folksbiene, is the longest continuously producing Yiddish theatre company in the world, now in its 105th season. It was founded to entertain and enlighten the three million Jews who arrived in New York City between 1880 and 1920.

Sing for Hope, another partner, believes in the power of the arts to create a better world. Its mission is to “bring hope, healing and connection to millions of people worldwide in hospitals, schools, refugee camps and transit hubs.”

The Lang Lang International Music Foundation aims “to educate, inspire and motivate the next generation of classical music lovers and performers and to encourage music performance at all levels as a means of social development for youth, building self-confidence and a drive for excellence.”

The program, which runs approximately 90 minutes, is available for viewing at wearehere.live.

Israeli pucksters visit

Members of the Hockey Academy of Israel. (photo from Kyle Berger)

The Jewish Community Centre of Greater Vancouver, along with the Jewish Federation of Greater Vancouver, played host earlier this month to 27 young hockey players from Israel’s Northern District who were in town for an eight-day visit.

The stops for the athletes, ages 10 to 14, on their March 5-13 Vancouver trip included a fundraising exhibition game against the JCC league (which had some former NHL players in attendance), the JCC Purim party March 9, which had a hockey workshop for kids in the gym, and a Canucks game on March 10, where Vancouver took on the New York Islanders. The Israeli junior players also had a practice skating session with Barb Aidelbaum, one of Canada’s top power-skating coaches, and ate meals at the Israeli-owned Chickpea and the Palestinian-run Aleph restaurants.

The co-ed group, comprised of youth from a variety of backgrounds – Jewish, Muslim, Christian and Druze – is part of the Hockey Academy of Israel (HIA). Situated in Metula, Israel’s northernmost town – along the border with Lebanon – the HIA (formerly the Canada-Israel Hockey School) was started in 2010 thanks to the drive and ambition of a local Israeli apple farmer and hockey aficionado, Levav Weinberg, and the initial financial support of Canadian media mogul Sidney Greenberg. Presently funded by donors from around the world, the HIA sees as its goal to make hockey fun and affordable for kids who otherwise would not get the opportunity to play.

Since its inception a decade ago, the HIA has witnessed a growing passion for the game in Israel and now boasts more than 400 young players in its academy, all of whom play at the Canada Centre in Metula, home to the only full-sized hockey rink in Israel. This is the second time a group from the HIA has visited Vancouver, a trip that was organized by the JCC and financially supported by the Jewish Federation. Members of the HIA also have visited other NHL towns, such as Ottawa, Pittsburgh and Winnipeg.

The existence of a camp in an area that has frequently made headlines for regional animosities has shown that much good can arise from sport. Many lasting friendships between players of different ethnicities have been formed at the academy.

“There are few things in the world that bring people together the way sports can,” said Kyle Berger, sports coordinator at the JCC and local delegation head for the Maccabi Games. “Sports bonds teammates together, it bonds countries together and, in some rare cases, sports can even bring peace and unity when such things seems almost impossible. This is the magic of the Hockey Academy of Israel, which brings both Jewish and Arab youth and their families together in the name of hockey.”

The HIA says it has found that, as passion for hockey grows in a region surrounded by political conflict, so too grow the bonds and respect these teammates from different cultural and political backgrounds have for one another.

Berger, along with other members of the Metro Vancouver Jewish community, has visited the hockey academy on several occasions, starting in 2012. He told the Independent that he “was blown away” by what he saw when he first arrived. “I had no idea as to the extent of the passion and the intensity the hockey academy has created for the game in Israel, and how much it has done to unite people of different cultures,” he said.

Hockey in Metula, which was featured in the 2013 TSN documentary Neutral Zone, has had a short, yet storied, history. Before the HIA was created, Canadian coaching legend Roger Neilson taught a camp in Metula in the late 1990s and played an integral role in establishing a fervour for the game in Israel.

The HIA is presently coached by Torontonian Mike Mazeika, who believes “the main goal of the academy is to integrate Jewish and Arab kids together, playing hockey, so that they can understand each other and make a difference for the future. Is that going to get us peace in the Middle East? No, probably not. But, if you don’t start small and take small steps, you’ll never be able to take a big step.”

The JCC and Jewish Federation were helped in various ways to support the HIA’s visit, including by host families, sponsors or venue/activity donors. For more information, contact Berger at kyle@jccgv.bc.ca or 604-638-7286.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Not just in summer

(photo from Camp Shalom)

A couple of years ago, the Jewish Community Centre of Greater Vancouver’s Camp Shalom made a new commitment to families: “When they need us, we will be there!”

Camp staff decided on this motto when they noticed that their current families needed an increased amount of care. As a result, in addition to the existing summer and mid-year school-break camps, Camp Shalom started offering care for children from Vancouver Talmud Torah, Vancouver School Board, Vancouver Hebrew Academy and Richmond Jewish Day School on professional development days. Camp Shalom offers programs for children ages 3 to 15 for an average of 40 weeks out of the year, and is accessible to children who might have mental or physical disabilities.

“We want camp to be an inclusive environment for everyone. We want all campers to feel like they can participate in any of the activities,” said Marina Cindrich, Camp Shalom assistant director.

Supporting families and treating all campers as individuals has always been important to the Camp Shalom team. They recognize that they are a steppingstone into the Jewish camping world for many children in the city.

Director Ben Horev has committed the camp to providing a personalized experience for each family – whether it’s their first time at camp or their 10th, they will receive personal attention. This includes family meetings, scholarships and any other support a family might need for their child to attend camp. In the past, Camp Shalom has partnered with families from the Tri-Cities to bring them camp. This past summer, they introduced Kaitana Shalom, an ulpan-like day camp with Hebrew-speaking counselors and all activities in Hebrew, to help Israeli families integrate into Canada.

Camp Shalom will be kicking off 2020 summer camp registration with a Family Day concert and camp event (in partnership with PJ Library), which will feature Music with Marnie, as well as activities for the whole family. The event will take place on Feb. 17, 10 a.m.-2 p.m.

New this year, Camp Shalom is introducing a major change to their enrolment. They will be retiring the two-week sessions and replacing them with week-to-week registration instead. This will allow families to design a better fitting schedule for their needs.

For more information about Camp Shalom, contact Horev at 604-638-7282 or ben@jccgv.bc.ca.

Classes on being a DJ

Michael Fraser teaches group electronic music and DJ classes at the Jewish Community Centre of Greater Vancouver. (photo from Michael Fraser)

As a violinist, music producer and DJ, Michael Fraser’s musical talents traverse many realms. Yet, despite the proficiency and versatility he has to create his art, Fraser believes that “personal connection to music transcends skill.”

It is that personal musical connection that the 30-year-old, born-and-raised Vancouverite hopes to instil in the next generations – be they performers or devotees – in the group electronic music and DJ classes he is teaching at the Jewish Community Centre of Greater Vancouver through spring 2020.

The early stages of Fraser’s musical trajectory began in grade school as a Suzuki violin player, though numerous other styles – from classical to hip-hop – seeped into his sphere of artistic influences through various musical mentors. Among them was Vancouver-based saxophonist and flautist Tom Keenlyside, who had a tremendous impact and helped Fraser “connect with music in an abstract, rather than a theoretical, way.”

Marrying and starting a family with his partner Camille, though, has brought about a shift in Fraser’s musical focus in recent years. The sense of wonder possessed by children, and the simple way it is often expressed, led him to view things from a different perspective and to feel a sense of responsibility to teach.

Fraser began playing music for his son before his son was even born. When Isaac turned three, Fraser observed him connecting to the process of making music himself.

“After Isaac was born, I started to see that my purpose as a musician is to help young artists develop their innate creativity and coach artists to deeper levels of emotional intelligence,” said Fraser. “When my son asks to hear my music, I want to help him cultivate a relationship to music and life that goes beyond what words can express.”

Fraser’s professional musical career began in 2007, while in his late teens. Since then, he has collaborated with numerous recording artists, including the Ault Sisters, a Toronto-based vocal jazz trio; performed at the Shambhala Music Festival and the Montreal Jazz Festival, among many other venues; and opened for internationally known acts, such as Michael Bublé, Caravan Palace and Arrested Development.

His success as a live performer led him to working with Ben Affleck on the original score for Ben Affleck on the Meaning of Life, an animated short film about the actor and director’s Eastern Congo Initiative, which premièred at the 2012 Toronto International Film Festival. Fraser also appeared as a violin player in a scene of The Revenant, an Academy Award nominee for best picture in 2016 and for which Leonardo DiCaprio won the prize for best actor.

Currently, Fraser is devoting his expertise to artist development (on both the career and creative sides), as well as working with Black Octopus Sound, a company that produces samples and musical production tools.

Fraser said he has always felt “a visceral connection to Jewish music that can only be explained as being deeply embedded in my DNA. It is the main access point for a depth of emotion that can only be expressed through tones and rhythms.”

On Oct. 29, he began facilitating his first DJ course at the JCCGV for youth aged 10-16, showing them the basics of how music is composed electronically, and the ins and outs of being a DJ. This session ran until Dec. 17.

He could feel how the group connected with the music, and foresaw many new up-and-coming DJs in the Vancouver Jewish community.

“When I am in the class with students, we are focused on how the beat feels. Are there styles of music that feel good? Knowing your tastes is going to differentiate yourself from other DJs,” Fraser explained. “I will sit with a class and play various drums and figure out which one speaks to a particular student. Having that distinction brings us closer to the music – which chords carry tension and which carry release in chord progression? What does that connection to music feel like? How is it one can play the same series of notes in different order and have a different outcome feeling?”

His students take what was done in class and make musical experiments when they get home. Fraser finds that, when they open up GarageBand or Caustic, two of the more popular DJing apps, they don’t feel as though they are doing homework.

Often, he noted, students have used DJing apps before. He also pointed out that, unlike kids from earlier times, kids today don’t differentiate between DJs and music creators. Those barriers are completely gone, he said.

The courses – $180 for JCCGV members and $225 for non-members – comprise 10 lessons, run Tuesday evenings and are open to kids 10-16. Students should bring a pen and paper, a mobile device (laptop, tablet, cellphone) and headphones. For more information, visit jccgv.com/performing-arts/school-of-music.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Election views diverge

The Independent spoke with people in the Jewish community to gauge attitudes as the federal election approaches. What we found was a diversity of views and a lack of consensus.

An informal focus group of residents at the Weinberg Residence raised issues of out-of-pocket expenses for medical treatments and a lack of available doctors.

“You lose your doctor, you can’t get another one,” said one senior voter.

There was not great enthusiasm for any of the party leaders. One participant said she had lost respect for Liberal leader Justin Trudeau long before the recent brownface and blackface issue emerged.

“I was disappointed in him way back when he went to India and there was this whole thing of dressing up in Indian costumes. I felt it wasn’t very statesmanlike.”

“I feel that he’s had his chance and I don’t want to vote for him because he showed us what he can do. I don’t think he’s got what it takes,” said another voter.

“I expected nothing from Trudeau and I got it,” said another.

But there was no groundswell of support for Conservative leader Andrew Scheer.

“I’m disappointed,” said one. “I haven’t heard anything that’s promising.”

Some voters said NDP leader Jagmeet Singh comes across as sincere, but one said he has a lot of repair work to do with the Jewish community after his party’s positions against Israel in the past.

Elizabeth May, the Green leader, was viewed positively, but not seen as prime minister material.

“She’s very good at her subject, but I can’t envisage her really understanding what’s going on in the economy, in foreign affairs,” one resident said.

Among more than a dozen participants, the vast majority had a positive view of their incumbent MP, Jody Wilson-Raybould.

“I think she deserves better than she’s had,” said one person, while a Conservative supporter said she wishes Wilson-Raybould was running for her party, because she’d like to vote for her.

A show of hands indicated well more than half are undecided about who to vote for.

“Everybody’s confused,” said one, to laughter all around.

* * *

Alice Sundberg, director of operations and housing development for Tikva Housing Society, would like to see the federal government get back into funding nonprofit housing.

“We think that there is a really significant role for the federal government in making rental housing more affordable,” she said. Rather than subsidies to renters, which go into the pockets of landlords and don’t create new housing, she would like to see either capital grants to reduce mortgages for nonprofit or co-op housing, thus reducing the rental costs, or ongoing operating subsidies to organizations like hers that develop new housing.

“We don’t have enough supply,” said Sundberg. “Back in the ’90s, when the federal government withdrew from funding new affordable housing, it was really the beginning of our homelessness crisis.”

Housing is also a topic for Eldad Goldfarb, executive director of the Jewish Community Centre of Greater Vancouver. The centre’s redevelopment will include at least 300 units of affordable rental housing. His team has spoken to many federal officials, including MPs, but, so far, he said, “No commitments, no confirmations, lots of good feedback and great understanding of the project, support for it, but nothing has translated into actual commitments, funding, promises, nothing of that sort.”

Support for the housing component might include financing from the Canada Mortgage and Housing Corporation, rather than grants, though he hopes for federal cash for the new JCC building. He credited the federal government for stepping up with funding for security infrastructure for communities at risk, but added there is always need for more.

* * *

The rise of hate-motivated rhetoric and violence leads some community leaders to call for more federal action and leadership.

“With the rise of antisemitism, racism and far-right extremism, particularly in the online space, the Vancouver Holocaust Education Centre would welcome a comprehensive strategy to tackle hate in all its forms,” said Nina Krieger, executive director of the VHEC.

Russ Klein, principal of King David High School, would like to hear party leaders and candidates address how they are demonstrating moral and ethical leadership that creates trust and inspires Canadians, especially young people.

“How will they work to ease a society which seems quick to feel fear and seems overly stressed and anxious?” asked Klein. “I want to know how they will support a kinder, more inclusive society that offers hope and opportunity for all but especially to young people and to the most vulnerable in our society. How will they work to maintain affordable housing, livable wages and allow people to manage a balanced lifestyle in cities like Vancouver, where young families cannot afford to live in their current community? We live in extremely concerning times globally and I want Canada to lead in decreasing world tensions – how will they do that?”

* * *

Similar broad topics arose among a handful of University of British Columbia students who met at Hillel House to discuss issues that are important to them. All agreed that there has not been enough discussion of foreign affairs and there is a lack of substantive difference between the parties on issues like immigration.

“I don’t see any candidate that has a clear foreign policy vision, even though I think Chrystia Freeland is, personally, a great minister of foreign affairs,” said Adam Yosef Dobrer, a third-year political science student who is volunteering on Zach Segal’s Conservative campaign in Vancouver Granville.

Dobrer also wants Canada to return to the Conservative policy of defunding the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA), which he called the greatest obstacle to peace between Israelis and Palestinians.

“In the last four years, I found it very difficult to understand where Canada as a nation lies in foreign affairs,” said Nika Perel, a fourth-year psychology student from Ontario who plans to vote Conservative. She credited the previous Conservative government with more clarity on Israel and Palestine and on Russia and Ukraine. “Stephen Harper made it very clear that he took a position supporting Ukraine.”

Jake Reznik, a nursing student with an undergraduate degree in kinesiology who remains an undecided voter, said Canada is not adequately standing up to China over its treatment of the Muslim-minority Uygher population or its other human rights violations. He added: “There is a lot of influence that the Chinese government does have in Canada that goes under-recognized.”

Matt Perzow, an NDP supporter who plans to vote strategically for Joyce Murray, the Liberal candidate in Vancouver Quadra, to prevent a Conservative government, emphasized health care, including mental health services. Defending Canadian values like multiculturalism and care for the most vulnerable are also things he wants to see party leaders prioritize.

All the students agreed that supporting Israel is an important consideration in their vote, but also said it will not be the deciding factor.

“I wouldn’t vote for any party that I thought would jeopardize the future of the Jewish people, whether it’s in Canada, in Israel or in another place,” said Perzow. “I’m not voting for somebody because of that issue, but, if I thought that something compromised the well-being of the Jewish people, I wouldn’t support them.”

Dobrer, whose family migrated to Canada from Israel when he was an infant because of the Second Intifada, said he has a “very resonant emotional connection” to Israel “but I am a Canadian first.” He is concerned about some election candidates, including Green party MP Paul Manly, who Dobrer says has a “long and sordid history of antisemitism and 9/11 ‘trutherism’ and delving into conspiracy theories.” (After being elected in a by-election this year, Manly denied he supports 9/11 conspiracies after the CBC reported on statements he had made in 2007 and 2011.)

The students all agreed that the environment and climate change are top issues for them and their peers, but expressed nearly universal hopelessness that anything substantive would change.

“I have no doubt that it will not be addressed,” said Reznik. “I know personally I’m not going to be willing to sacrifice my own standard of living and, at the same time, I think it is tremendously insulting on my part to tell someone else that they can’t attain my standard of living that we have here.”

“A lot of people are standing up and screaming about things, but they’re not going to do anything about it,” said Perel.

A hint of hope came from Dobrer: “From the government, I’m very skeptical. But from young intellectual minds, from the not-for-profit sector, from the private sector, every day there is more and more innovation, technological advances and more intellectual capital devoted to dealing with climate change.”

Mary-Louise Albert: Bidding adieu to Chutzpah!

Mary-Louise Albert was not only a dancer in the first-ever Chutzpah! Festival, but its poster model (see image below).

As the 19th annual Chutzpah! Festival approaches, ready to embrace its new season – no longer a spring festival but a fall one – it will have to loosen its embrace on its artistic managing director, Mary-Louise Albert. After 15 years heading Chutzpah!, this is her last. Albert is moving on to the next part of her creative and personal journey, and the Jewish Independent spoke to her about the festival, its legacy and what might lie ahead for her.

JI: What do you think the main impact of the Chutzpah! Festival has been for the Jewish and general communities and the relationship between the two?

MA: Presenting and facilitating the growth of professional performing arts is an exciting and multi-layered approach to uniting communities. I am very proud that we have brought the festival to a point of national and international recognition, as well as being one of the flagship Jewish festivals in North America.

Through the insistence of high standards and by supporting new work, the festival has increased an understanding and appreciation of programming that embraces an eclectic range that is Jewish arts and culture, in particular from a Canadian perspective. Expanding on this programming, Jewish and non-Jewish artists share our stages, increasing our ability to bring many Canadian and North American premières to Lower Mainland audiences. Seeing, over the past 15 years, audiences from all walks of life and backgrounds embracing the festival is particularly rewarding.

JI: Have you accomplished what you set out to do when you took over the festival 15 years ago?

MA: Yes, which feels very satisfying to be able to say. I wanted the festival to not only survive but thrive in a very competitive local and national performing arts scene, which is tricky given a cultural umbrella. This meant attaining an international standard – not just a couple of high-profile shows, but across the board. It also meant the dance and music programming had to expand, which has in particular allowed for funding opportunities and artist growth.

An area I’m very proud of is connecting urban and rural communities through creation residencies. Many B.C.-based Chutzpah! artists have had creation residencies in both the North Island region and in the Norman and Annette Rothstein Theatre, resulting in world premières, with these productions going on to tour nationally and internationally. For example, this year, Geoff Berner, T.J. Dawe, Toby Berner, Tallulah Winkelman and Jack Garten will be Chutzpah! artists-in-residence for a week in Sointula, Malcolm Island, where they will perform as well. Chutzpah! will be sending UNA dance company from New York City to perform in Sointula, Port McNeil and in Alert Bay with the N’amgis nation directly before their Vancouver performances, which is a rare and meaningful opportunity for all involved. Sharing artistic wealth with underserved regions of B.C. is and has been an important aspect of the festival for the past few years. It is also in keeping with the times.

image - Chutzpah! 2001 poster featuring Mary-Louise Albert — Chutzpah! 2001 poster featuring Mary-Louise Albert.

JI: In a couple of interviews I’ve read, you speak about how your training and working as a dancer was helpful to you in running Chutzpah! Could you speak a bit to that?

MA: I was trained in ballet and contemporary, danced professionally for 20 years and, within this time period, became a mother of two children. I was 45 when I stopped performing and, through support from the Dancers Transition Resource Centre, embarked on a new adventure of being the oldest “kid” in the class for a few years at Capilano U and BCIT’s Business School.

I was then hired by Gerry Zipursky [then-executive director of the Jewish Community Centre of Greater Vancouver, which is home to the Rothstein Theatre] and an inquisitive hiring committee (who I will always be grateful to) … and embarked on this job where I needed to come in running and move things forward. All this took stamina, tunnel vision, a somewhat sharp brain (and elbows), nerviness, flexibility and passion – things that a combination of dance training and a professional dance career prepares you for.

JI: In relation to Chutzpah!, what are one or two of your “I’m most proud of” moments?

MA: There are so many that I am proud of, but I would have to say the festival has been a trailblazer in presenting Israeli artists – and often in their first Canadian or North American appearances. Artists such as the Idan Raichel Project, Kibbutz Contemporary Dance Company, Batsheva Dance Company, Balkan Beat Box, Yemen Blues, Idan Sharabi, Roy Assaf, Avishai Cohen Quartet, Itamar Borochov Quartet, Dudu Tassa, Diwan Saz, Maria Kong, Baladino, Victoria Hana, David Broza and Mira Awad, A-WA and many more. And continuing this year with AvevA, Yemen Blues, Guy Mintus Trio, and Rami Kleinstein.

As well, I’m very proud of the growth of the dance and music programming and how this growth has affected positively and in a multi-faceted way the artistic development of many artists.

JI: What’s next for you?

MA: I live in both Burnaby and in Sointula on Malcolm Island. Development of contemporary dance, rural B.C. and social causes are beckoning. At 64, I still have a bit of “oomph” left to pursue.

JI: If there is anything else you’d like to add, please do.

MA: I’m honoured and thankful to have worked with so many excellent professional colleagues in the arts world and at the JCC in accomplishing the festival’s achievements, as well as working with some wonderful volunteers. However, there are two volunteers in particular who I want to give a special thank you to. People with integrity and grace who have stuck by me and the festival from the very beginning – Harriet Wolfe and Lloyd Baron.”

B.C. helps JCC re-do

Left to right: The Hon. Selina Robinson, B.C. minister of municipal affairs and housing; Michelle Pollock, past president of the Jewish Community Centre of Greater Vancouver; and Eldad Goldfarb, JCCGV executive director. (photo from JCCGV)

Selina Robinson, British Columbia’s minister of municipal affairs and housing, visited the Jewish Community Centre of Greater Vancouver last month to make an announcement regarding the centre’s planned redevelopment.

On June 13, Robinson announced a provincial contribution to support the planning phase of the redevelopment, which intends to replace the existing JCC with a new facility where the existing parking lot is located, as well as a multi-use tower to be located on the site of the existing JCC, most of which will be housing. (For details of the plan, see jewishindependent.ca/jcc-site-to-be-redeveloped.)

“The B.C. government is committed to increasing the affordability and availability of housing in B.C. and we welcome opportunities, like the community centre-led project, that can support these goals,” the ministry of municipal affairs and housing said in a statement to the Independent. “A total of $200,000 has been provided to the Jewish Community Centre to support further development of the housing component of their plan. This plan has the potential to serve people at all ages and stages of life with housing, a new community gathering place, and services for seniors, children and their parents.”

Eldad Goldfarb, executive director of the JCCGV, said the province’s support for this component of the process is an important recognition of the value of the project for the community.

“It’s a very helpful contribution toward the planning process. It’s not money that will be used toward bricks and mortar because, at this point, we’re doing the planning, the rezoning, the budgeting and all these parts that are comprised of planning,” he said. “It’s an initial infusion of support, an investment by the province, to help us move the planning along towards getting this project started and completed.”

The redevelopment dovetails with a number of the provincial government’s priorities, including affordable rental housing, the creation of new childcare spaces, supports for seniors and cultural spaces.

Goldfarb said the community centre is keeping federal, provincial and civic officials closely informed about the project’s progress.

The City of Vancouver is expected to convene a public hearing on the proposed redevelopment this fall.

“We’re excited to see the B.C. government provide planning funds for the JCC redevelopment,” said Karen James, board chair of the Jewish Federation of Greater Vancouver, in a statement to the Independent. “This will be a transformational project for our community and the Oakridge area.”

*** This article has been edited to reflect that the redevelopment will no longer include a new home for the Louis Brier Home and Hospital. ***

B.C. premier tours JCC

B.C. Premier John Horgan toured the Jewish Community Centre of Greater Vancouver on March 29, speaking with community members of all ages. (photo from Office of the Premier)

B.C. Premier John Horgan visited the Jewish Community Centre of Greater Vancouver just before erev Pesach, March 29.

The premier had visited the JCCGV before, but only to attend meetings in the boardroom, and this was his first visit as the province’s head of government.

photo - Horgan toured the building, visited the Vancouver Holocaust Education Centre, the sports facilities and spent time with children and parents at the daycare — Horgan toured the building, visited the Vancouver Holocaust Education Centre, the sports facilities and spent time with children and parents at the daycare. *(photo from Office of the Premier)*

Horgan toured the building, visited the Vancouver Holocaust Education Centre, the sports facilities and spent time with children and parents at the daycare.

In a statement to the Independent after the meeting, the premier said: “People drive community. Touring the centre really hit that message home.… I was glad to meet with and hear from community leaders, see the range of services being provided and visit with kids, parents and educators at the childcare centre in advance of Passover.”

On April 12, the premier also participated in a Yom Hashoah ceremony at the B.C. Legislature, which included numerous survivors of the Holocaust. In next week’s Independent, there will be more about the Yom Hashoah commemorations that took place in Victoria and Vancouver.

“Our goal was for him to get to know us and get to see our centre, get to understand the level and breadth of activities we offer,” said Eldad Goldfarb, executive director of the JCCGV. “His focus was primarily on childcare and I think he had a few more visits during that day to other [childcare] facilities.… We wanted him to see what we are doing and we wanted him to hear about our plans for the future.”

While there was no formal agenda for the meeting, after the tour, Horgan met with representatives of agencies that are located in the building. He was introduced and thanked by Alvin Wasserman, vice-president of the JCCGV.

While affordable housing was not on the agenda officially, Goldfarb said he discussed with the premier the opportunity for including such accommodations within the planned redevelopment of the JCCGV site. The new provincial government made a substantial commitment to affordable housing in its first budget, Feb. 27.

Nico Slobinsky, director of the Pacific Region for the Centre for Israel and Jewish Affairs, said Horgan was at the centre more to listen than to talk.

“He was there to learn a little bit about what the centre does and the opportunity to connect with the community since becoming premier,” said Slobinsky, who helped arrange the visit. “He hasn’t had a chance yet to do that. He did that before but not since becoming premier.

“As a community,” he said, “we have long enjoyed a great relationship with the provincial government and we are very happy to see that continue.”

Artists’ views of friendship

Orly Ashkenazy’s “Strings.” (photo by Olga Livshin)

The Festival Ha’Rikud group exhibit at Zack Gallery, Celebrating Friendship, presents 23 artists in a variety of styles and media. Each artist, in his or her own special way, explores the theme of friendship.

Photographer Judy Vitek interpreted the theme literally. The children in one of her photos and the texting teenage girls in another live hundreds of miles apart, on different continents, but their friendships are unmistakable.

photo - Gaye Collins’ “Friendship through the Sands of Time” — Gaye Collins’ “Friendship through the Sands of Time.” *(photo by Olga Livshin)*

On the other end of the spectrum, the abstract canvas by Lauren Morris could be seen as a medley of lines and colours, intertwining and mixing like friends at a party. Or perhaps it is a firework explosion. Or a flower bouquet a friend brought one summer afternoon.

Flowers bloom in Carl Rothschild’s paintings as well, but there is nothing abstract in his imagery. Maybe the artist glimpsed his poppies and lilies in a friend’s garden or on a neighbouring street. Cheerful and unblemished, his flowers are his friends. They wave their bright petals in recognition of their creator’s love for his home city.

In contrast to Rothschild’s decidedly local milieu, Gaye Collins’ painting, “Friendship through the Sands of Time,” feels like an exotic metaphor. Two black figures stroll away from the viewer through a vague landscape, reminiscent of yellow dunes or poetic imagination. The painting is dreamlike, and the figures undefined. Friends or lovers, they tell a story everybody knows, but nobody remembers.

Another metaphor, Jennie Johnston’s small and elegant quilt, is a labyrinth, a place of search and contemplation, a path leading into the heart. Whose heart? Everyone must decide for themself.

photo - Lori-ann Latremouille’s “Flowers of Friendship” — Lori-ann Latremouille’s “Flowers of Friendship.” *(photo by Olga Livshin)*

Between conceptuality on one hand and photographic precision on the other, two paintings stand out – two of the few where faces play the major role. While Yodhi Williamson’s “Chance Meeting on 4th Ave” conveys the simple joy of accidentally bumping into an old friend, Lori-ann Latremouille’s “Flowers of Friendship” channels a more complex narrative. In it, undertones of doubt and surprise mingle with recognition and kinship in the artist’s deceptively transparent double portrait.

Faces also appear in Sima Elizabeth Shefrin’s two tiny fabric panels, but here they resemble primitivistic art, innocent and childlike, ideas rather than portraits. In both panels, an Arab and a Jew refuse to succumb to the current political facts – they want to be friends.

Hope also emits from Alina Smolyansky’s shining piece “Jerusalem Domes of Faith.” Three temples of three different faiths grow out of the same root, united inside one hand, one hamsa, one finite world.

photo - Alina Smolyansky’s “Jerusalem Domes of Faith” — Alina Smolyansky’s “Jerusalem Domes of Faith.” *(photo from the artist)*

Pamela Cohen explores a different aspect of hope: an aerial view of a brightly coloured patchwork of countries and borders. Could friendships develop across those delineated borders, as the artist implies? Or is it wishful thinking?

Orly Ashkenazy’s composition “Strings” doesn’t feel very hopeful, although its meanings resonate on many sublayers. At first glance, the painting is a random collection of rough face drawings. They look like pencil sketches. A tangle of cotton strings stretch and intersect, cross and turn, connecting those faces. The strings bind them, bind us all; however, a splash of red paint runs from top to bottom of the painting, dividing it into two separate parts like a river of blood. No string crosses the river, no connection manifests between its two sides.

photo - A tapestry by Vladimira Fillion-Wackenreuther — A tapestry by Vladimira Fillion-Wackenreuther. *(photo from the artist)*

Another work, a tapestry by Vladimira Fillion-Wackenreuther, pays tribute to Prague, the city of the artist’s youth. Tinged with nostalgia, the woven image is playful, uplifting. It reflects Prague’s medieval architecture, its culture-infused streets and traditional Czech marionettes. The city is indisputably the weaver’s friend, and she invites all of us to join in the friendship.

Many other artists are featured in the show – Aurel Stan, Ava Lee Millman Fisher, Beryl Israel, Claire Cohen, Gail Davidson, Joel Libin, Joyce Ozier, Monica Gewurz, Marion Eisman, Patricia Haley-Tsui, Sidi Schaffer – and each has enriched the concept of friendship with his or her unique perspective, talent and skills.

The exhibit opened May 4 and runs until May 22.

Olga Livshin is a Vancouver freelance writer. She can be reached at olgagodim@gmail.com.