Purim is a time when we play with identities, dress in disguises and revel in deceptions. There is an aspect of great fun to this holiday, and there are lessons that are deeply serious.
One of the timeless aspects of the Jewish calendar is that, while the dates and texts may remain the same – Purim again will start the night of 13 Adar and the Megillah will not have changed – we, the readers, are different than we were last year and the circumstances of the world we live in have changed since our last reading.
As with many Jewish holidays, Purim includes a lesson about the importance of continuity and survival against existential enemies. This is, sadly, an enduring reality.
Just this week, at the annual conference on international security policy, in Munich, Germany, Israel’s Prime Minister Binyamin Netanyahu reiterated the danger posed by Iran’s nuclear program and warned that regime not to underestimate Israel’s resolve in confronting it.
There are other threats, as well, in the form of growing antisemitism among far-right parties in Europe and in the British Labour Party, online and in the number of antisemitic incidents reported in North America and elsewhere.
We are still trying to uncover whether antisemitism played a role in the mass murder of 17 students and teachers at a Parkland, Fla., school last week. The tragedy led a white supremacist group to claim the perpetrator was one of theirs, but, despite being widely reported, this claim has been debunked.
Five of the 17 victims were Jewish – the high school is in an area with a significant Jewish population – and the murderer’s online rantings were teeming with hatred of African-Americans and Jews. In one online chat, he claimed that his birth mother was Jewish and that he was glad he never met her. Per usual, we are engaged in debating what motivated the perpetrator – easy access to guns, mental illness, pure evil or various combinations of these. As usual, we will engage in a nearly identical cycle of shock, grief, argument and ultimate apathy the next time this occurs, and the next time.
Threats of another kind are also top news right now, with charges recently laid against a number of Russian individuals and groups who are alleged to have interfered with the 2016 U.S. presidential election. The deception appears to have involved creating and stealing social media identities, as well as starting fake political pages intended to divide Americans. A rally against Islam, in Houston, Tex., in May 2016, was met with a counter-rally against Islamophobia. Both rallies, it now appears, were incited by Russian troublemakers.
More seriously still, the allegation is that deceptive and outright false statements were made in online posts and advertisements, which had the apparent impact of suppressing support for Hillary Clinton in key swing states, thus electing Donald Trump president. As each new allegation and example of proof has arisen, Trump has misrepresented reality, deflecting charges that his campaign (including members of his family) was engaged in collusion with the Russians, and claiming vindication at every turn.
A better president would pledge to get to the bottom of whatever is (or isn’t) real in the matter. Instead, this president plays partisan games and, unlike King Ahasuerus, does not take wise counsel willingly.
So, identity, disguises and deception are not only central to our Purimspiels, but woven through our news cycles and sensibilities every day, demonstrating again the eternal relevance of our narratives. Each year, on this holiday as on other days, we recognize and gird ourselves against the threats to our identity and existence. But we also celebrate our survival and rejoice in our not insignificant good fortune.
At Share the Journey on Feb. 6, before the official program started, left to right: Carmel Tanaka, Leamore Cohen, Penny Gurstein, Shane Simpson, Alisa Polsky, Tammy Kalla and Clark Levykh. (photo from JCC inclusion services)
“Inclusion is the framework for our community’s future,” said Shannon Gorski, executive member-at-large of the Jewish Community Centre of Greater Vancouver board of directors, at Share the Journey: An Evening of Inspiration. “The JCC was my second home volunteering since childhood,” she said in her opening remarks. “We want to make sure the JCC grows to support all who depend on its presence.”
The Feb. 6 event at the Rothstein Theatre was one of several initiatives being led by the JCC during Jewish Disability Awareness and Inclusion Month (JDAIM). It featured a few speakers, including Shane Simpson, provincial minister of social development and poverty reduction, as well as the screening of a video of the Bagel Club’s trip to Israel last year and of the film My Hero Brother.
The Bagel Club is a JCC inclusion services program. According to the website, the group is “a social club for adults with diverse needs that focuses on social and recreational activities while promoting Jewish heritage, education and community engagement.” Activities include yoga, Israeli dancing, arts and crafts, outings and music appreciation. The Bagel Club also runs a community kitchen focusing on creating “delicious and nutritional kosher-style meals” together. Eleven Bagel Club participants were present on the night of Feb. 6, with Lyle Lexier offering a few remarks on the use of language regarding differing abilities and David Benbaruj introducing the film screening.
Left to right: Kathleen Muir, Harriet Kositsky and Shannon Gorski. (photo from JCC inclusion services)
Many at the event, including Simpson, when he took to the stage, were wearing the black T-shirt the JCC made for JDAIM, which says, “Labels are for clothes,” on the front. In his remarks, the minister spoke about the importance of inclusion and diversity work throughout all of the communities of British Columbia and highlighted the work of his own department, which focuses on community-building and poverty reduction within its greater mission.
Simpson shared some of the results of the fact-finding mission his ministry had recently undertaken in 28 communities in British Columbia. He highlighted the urgent situation in the province with regard to poverty and inequality: “678,000 people live in poverty in British Columbia,” he said, “which is 15% of the population. Forty percent of those are the working poor; one in five children live in poverty. If you are indigenous or have special needs, you are twice as likely to be poor.”
The minister said “social isolation is a key piece” that needs to be addressed throughout the province. “After people with disabilities in this province tell me they don’t have enough money, they tell me they want a job, they want to contribute,” he said. “When employers reach out and hire a differently abled employee, they tell me after they made the fit, they got a remarkable employee.”
Leamore Cohen, inclusion services coordinator at the JCC, introduced the video on the Bagel Club’s Israel trip. As Omer Adam’s “Tel Aviv Habibi” pulsed in the background of the video, the audience clapped to the beat.
Tammy Kalla and Penny Gurstein then read a list of Jewish Federation of Greater Vancouver Inspiring Inclusion grant recipients. Congregation Beth Israel was given funds to hire a tutor so that children with learning challenges could learn to read Torah; Beth Tikvah to hire the appropriate professionals to enable children and youth with invisible disabilities to participate fully alongside their peers in a range of programs; the JCC for a new program called Family Yoga Fundamentals; Richmond Jewish Day School to offer a fully inclusive music program; and Vancouver Hebrew Academy to instal a wheelchair ramp to the playground equipment that has been specially designed for children of all abilities.
The evening concluded with the 2016 Israeli film My Hero Brother, directed by Yonatan Nir. It follows a number of Israelis whose siblings have Down syndrome, as they take their brothers and sisters hiking in the Indian Himalayas. In introducing the screening, Benbaruj spoke beautifully about love, community and his wish that the inclusive communities we had learned about throughout the night could be a model for the world.
Matthew Gindinis a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.
Prime Minister Binyamin Netanyahu at the Munich Security Conference. (photo by Amos Ben Gershom IGPO via Ashernet)
Speaking at the Munich Security Conference, which took place Feb. 16-18, Israeli Prime Minister Binyamin Netanyahu holds a piece of an Iranian drone shot down over Israel last week. Netanyahu warned that Israel could strike the Islamic Republic. Looking directly at Iranian Foreign Minister Mohammad Javad Zarif, Netanyhau asked, “Mr. Zarif, do you recognize this? You should, it’s yours. You can also take back with you a message to the tyrants of Tehran – do not test Israel’s resolve!” The drone, which entered northern Israel from Syria near the Jordanian border, was shot down by an Israeli attack helicopter. In response to the drone incursion, the Israeli Air Force attacked the mobile command centre from which it was operated. During the operations, one of the Israeli jets was hit by a Syrian anti-aircraft missile and crashed; its pilot and navigator were able to parachute out of the plane and land safely in Israel.
Rebecca Fannin, founder of Silicon Dragon, at the event in Tel Aviv on Jan. 29. (photo from silicondragonventures.com)
Perhaps unlikely partners – 6,000 kilometres away from each other – Israel and China are cooperating and collaborating on business and investment deals worth billions of dollars. But it’s a not-so-hidden secret that China has been falling in love with Israeli start-ups, entrepreneurs and high-tech in general. And the feeling’s mutual.
The phenomenon was discussed Jan. 29 at an event called Silicon Dragon Israel, held at WeWork Sarona in Tel Aviv. Silicon Dragon events have occurred around the world since 2010.
Forbes contributor and author Rebecca Fannin is founder of Silicon Dragon, which boasts a 30,000-strong network of executives, entrepreneurs, venture capitalists and angel investors. She recently noted in Forbes that “several mega-funded Chinese tech startups are poised to go public this year or next,” with a potential combined worth of a quarter-trillion dollars.
There are likely to be Israeli fingerprints in some of those, and other recent, deals, given how Royi Benyossef, developer relations manager of Samsung Next, explained, “They’re mesmerized by Israel and their technology-exporting capabilities…. The idea that it’s a ‘start-up nation’ leads the Chinese to believe this is a place they want to invest in.”
Benyossef was on the panel discussing how key Asian corporations are leveraging Israel tech knowhow. He was joined by the director of investments of Singtel Innov8, Gil Prashker.
In another panel, moderator Simon Weintraub of Yigal Arnon and Co. explained the best way to cooperate with investors, especially when dealing with cultural barriers. As Yahal Zilka, managing partner and co-founder of Magma Venture Partners, explained, “In one word, building trust…. That doesn’t happen in one day.”
By way of example, Zilka said the GPS mapping app Waze “failed twice, miserably” in China. “And it all had to do with trust, nothing else. It clearly is a different interaction, pace and activity.”
Avishai Silvershatz, managing partner, Infinity Group, added, “The short answer is, be careful. Nothing in your experience will give you the experience to enable you to understand it. You have to have local partners, and be careful with them as well – it takes … years to understand. You have to be smart. There’s a lot of money to be made, because there’s as much money to be made as lost.”
One jolt for which most investors were unprepared was a recent government intervention. Weintraub said that, in 2016, business interaction from China was at an all-time high, until the authorities there “cracked down on the outflow of currency.” He said, “It caused tremendous uncertainty for 2017 … but now they’ve eased some of those restrictions.”
Zilka noted that the bureaucracy in China is comprised of “very complex structures.”
“In the same way that [Donald] Trump says ‘America first,’ the Chinese are saying ‘China first,’” explained Silvershatz. “They want investments to go towards their own strategic interests and goals. This is the ‘party line.’ It’s government, then corporate … so long as the government has their way.”
This panel also included Ehud Levy of Canaan Partners Israel, Aaron Mankovski of Pitango Venture Capital and Nathan Low of Sunrise Israel Tech Capital.
Independent of the event, some academics weighed in on why the Israel-China business relationship works so well.
“It’s different in organizational culture,” Daniel Galily, a former lecturer at Beijing-Geely University, told the Jewish Independent. “The educational system in China places great emphasis on discipline and obedience to superiors, while the Israeli educational system and the Israeli army encourage students and soldiers to think about new ideas and to solve problems in situations of uncertainty. The Chinese understand that, and so they strive to integrate the Israeli creativity to their economy, and also strive to learn how to combine creativity in to their economy.”
Dave Gordonis a Toronto-based freelance writer whose work has appeared in more than 100 publications around the world.
Prince Harry with Meghan Markle wearing Tuxe’s Boss bodysuit. (photo from Beretta/Sims/REX/Shutterstock via Israel21c)
Since announcing her engagement to Prince Harry last November, all eyes have been on Meghan Markle’s style. Coats, shoes, dresses and other fashion items worn by the bride-to-be have sold out in minutes. It’s no surprise that after she wore a bodysuit by Israeli designer Tuxe for an evening out with her betrothed, the style is now backordered until May.
The couple, set to marry in May, went to London’s Goldsmiths’ Hall for the Endeavour Fund Awards, which recognize injured servicemen and women. Known for her dressed-down-meets-royal style, the former actress layered Tuxe’s silk Boss bodysuit underneath a tailored black Alexander McQueen suit. On her feet, she wore Manolo Blahnik pumps.
“We’ve been royally approved!” the brand posted on Instagram after Markle was photographed wearing the bodysuit. “We absolutely love Meghan for all she has done for women’s rights and are honoured to be worn by someone who encapsulates what we stand for as a brand. She uses her spotlight to be an inspiration and she definitely is to us!”
Tuxe founder Tamar Daniel was born in Jerusalem, raised in London and is a graduate of Shenkar College of Engineering and Design in Ramat Gan. She founded her Philadelphia-based bodywear line in 2015, focusing on transforming the bodysuit, once a 1990s staple, into a chic, modern garment.
Her collection includes a range of bodysuits and has become particularly popular with professionals and religious communities, Daniel told Vogue in an interview. Prices range from about $80 for a simple sleeveless bodysuit to $463 for a cashmere turtleneck version.
Tuxe may not be the first Israeli designer that Markle has had her eye on. In December, news broke that Israeli designer Inbal Dror had been approached by the royal family to provide a sketch of a potential dress for Markle’s upcoming wedding to Prince Harry.
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Selections from the 2017 Inbal Dror catalogue. The Royal family is rumoured to have approached Dror for a sketch of a potential wedding dress for Meghan Markle. (photo from Inbal Dror via Israel21c)
On Dec. 18, 2017, Israel21c posted the story, “Is Meghan Markle going Israeli for her wedding dress?”:
It’s rumour, it’s conjecture, and it’s probably an awful lot of wishful thinking, too, but that’s not stopping Israelis from getting excited at the thought that Meghan Markle may choose an Israeli wedding designer for her dress on the big day.
All the kerfuffle began when news broke that Israeli designer Inbal Dror had been approached by the Royal family to provide a sketch of a potential dress for Markle’s wedding to Prince Harry in May.
Dror, who began making wedding dresses in 2014, favours sensual red-carpet glamour, with plunging necklines and figure-hugging hand-woven dresses. It’s quite a step away from traditional royal wedding gowns that usually err on the side of caution.
This isn’t the first time that Dror has been approached by celebrities for designer dresses. In 2016, pop diva Beyoncé wore a sheer high-necked white lace Inbal Dror bridal gown to the Grammy Awards.
“Beyoncé casually wore a wedding dress to the Grammys,” read the headline of Elle magazine afterwards, adding as a sub-head: “The queen can do as she pleases.”
“It was an amazing moment to see one of my favourite stars wearing one of my designs,” Dror told Brides after seeing Beyoncé in her dress. “I can’t even begin to explain the feeling. I am so excited for what is yet to come!”
Dror, a graduate of Shenkar College of Engineering and Design, sells her dresses for between £6,000 and £9,000 (about $10,500 to $16,000 Cdn) at the Morgan-Davies Bridal boutique in London – with fittings by appointment only. All of her outfits are individually made, and are based on 30 different measurements.
In an interview with Bridal magazine in 2015, Dror said, “A wedding is such a significant event in a woman’s life, and it’s how she feels wearing the dress that emphasizes her features, [which] can make her feel like the queen of the night.”
Israel21cis a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.
This year’s Winter Olympics, currently underway in Pyeongchang, South Korea, feature Israel’s largest-ever representation, with 10 athletes competing – in figure skating, skeleton and alpine ski racing. In the alpine skiing events, there is only one Israeli competitor – Itamar Biran – and the Independent spoke with him prior to the Games.
Born in London, England, Biran, 19, lives in Verbier, Switzerland, but grew up in Israel. As Israel’s second-ever Olympic skier, he follows in the footsteps of Mykhaylo Renzhyn, who competed for Israel in the 2006 and 2010 Winter Games. Renzhyn was Israel’s highest-ranked skier in those years, and made his Olympic debut at 27. Virgile Vandeput was 19 when he qualified in 2014, but wasn’t able to compete due to an injury sustained weeks before the Games. Though Biran is not the first Israeli skier, he has posted better results than all of his predecessors.
Biran said the 2018 Games are different than any other past Winter Olympics for Israel.
“The Israeli Olympic Committee is supporting us a lot more, and they are starting to recognize our winter sports are as important as summer,” he said in a phone interview from France, before heading to Pyeongchang. He went on to point out how the increase in support and funding has allowed more Israeli athletes to get the top of their respective sports. For example, Israel now has figure skaters in the world’s top 10 and Biran is in the top 15 for his age.
“In Israel, the only thing people know about skiing is Club Med in Europe,” said Biran, not excluding himself. It wasn’t until age 4 that his father, Doron Biran, took him from Israel to France, where he learned to ski and instantly fell in love with the sport.
After a number of years going to Club Med in France, Biran’s dad bought a house in Verbier in 2006. It was there where Biran really started to excel at the sport. At first, he and his father would travel to Switzerland over school holidays. Soon, the holidays turned into a full season living in Switzerland, and Biran started to race.
European ski racers usually begin racing at 8 years old, but Biran started late, at 12. As a dual citizen of Israel and the United Kingdom, he had the option of racing for Britain. He joined the British Ski Academy at 13, and was with them for a year, splitting his time between London and Verbier. He chose to race for Israel because he wanted to reconnect with where he had spent most of his childhood, and with his family in Tel Aviv.
Not only is Biran the best Israeli ski racer, he would also be one of the highest ranked British technical skiers if he had continued in their program. However, after he chose to represent Israel, at age 14, he dropped out of the British Ski Academy and joined a private training group of athletes from small nations. The group S-Team is based in Gerardmer, France, and includes athletes from Spain, as well as other nations that don’t have large alpine programs.
The 2018 Winter Olympics will not be Biran’s first test against the best. He made his debut in the top level in 2015 at the FIS (Fédération Internationale de Ski) Alpine World Championships in Beaver Creek, Colo., where he was the youngest competitor out of all male events, finishing 62nd in the Giant Slalom (GS). He competed at that level in the GS again in 2017 at St. Moritz, Switzerland.
Biran also represented Israel at the Youth Olympic Games in Lillehammer, Norway, in 2016, where he finished 38th in the Super-G. The Super-G is the second-fastest skiing event, behind the downhill, and is one of the two speed events. It is not an event he will be competing in at Pyeongchang, since he has focused on the more technical disciplines in slalom and GS since the Lillehammer event.
“You have to treat the Olympics as just another race,” said Biran, for whom rubbing shoulders with the best is nothing new. “I have no idols because I want to be their rival,” he explained about the racers on the FIS Alpine World Cup series.
In the weeks leading up to the Games in Pyeongchang, Biran competed in the World Junior Championships in Davos, Switzerland, and made his Europa Cup debut in Chamonix, France.
The young Israeli is among the first generation of athletes to have the opportunity to both go to school as well as continue racing on a European or World Cup level. Germany’s David Ketterer currently attends the University of Colorado and races for their college team, and Biran has similar plans – he has applied to Bocconi University in Milan, Italy, and Dartmouth College in New Hampshire, two schools that will accommodate his high level of sport. He is not in school at the moment, having graduated high school last year, but will begin his post-secondary education in the fall.
In Pyeongchang, Biran is set to compete in the GS on Feb. 17 at 5:15 p.m. Pacific time, as well as the slalom on Feb. 21, with the same start time. For the full Winter Olympics schedule, visit pyeongchang2018.com.
Ben Steiner is a Grade 11 student at St. George’s school. He is a freelance journalist as well as being a teaching assistant at Temple Sholom Religious School. Check out more of Steiner’s coverage at his website, vancitysport.com.
For years, Poles have bristled at terms like “Polish death camps” or “Polish concentration camps.” Rightly so. Places like Auschwitz-Birkenau were Nazi German camps on Polish soil. Calling them Polish camps was misleading and imputed the murder of millions of Polish Jews (and many other Poles) to Poles themselves. This is a linguistic formulation that should be avoided.
But it should not be illegal. There are few, if any, words that should be illegal, in our judgment. But the Polish government thinks otherwise and has passed a law that penalizes any suggestion that Poland was complicit in the Holocaust. So, anyone who uses such terminology as “Polish death camps” could face fines or up to three years’ jail time.
However, while the camps were German, there has never been any question about the willing complicity of plenty of Poles in the extermination of most of their Jewish compatriots. Many Poles were conscripted into the Nazi killing program, but others willingly advanced the mission. Notably, the murder of Jews in Poland did not end with the Nazis’ defeat. There were many instances of Holocaust survivors returning to their homes after the war only to be murdered by their former neighbours, the most notorious example being the Kielce pogrom of July 1946, in which about 40 Jews were killed and as many injured. To utter these facts in Poland now is presumably illegal. On the other hand, it is presumably not illegal to state the fact that many Poles risked their lives to save the lives of Jewish Poles.
The dreadful and confusing new law has been condemned by the American and Israeli governments, among others. Israel’s criticism hit a particular nerve with Andrzej Zybertowicz, an advisor to the Polish president and a sociology professor at Nicolaus Copernicus University. He suggested that Israel’s response to the law resulted from a “feeling of shame at the passivity of the Jews during the Holocaust” and he accused Israel of “clearly fighting to keep the monopoly on the Holocaust.” He went on to say: “Many Jews engaged in denunciation, collaboration during the war. I think Israel has still not worked it through.”
The irony is as stark as it is distressing, that Zybertowicz could accuse Israel of failing to work through its Holocaust history when his own country has just codified its own refusal to do just that.
Conversely, Germany has just announced that it will acknowledge as Holocaust survivors Jews who lived in Algeria under the Nazi-collaborationist Vichy French regime. This means about 25,000 people will be eligible for some compensation under the Conference on Jewish Material Claims Against Germany. This is a positive development, no matter how late it has come.
These two very different present-day actions, 73 years after the liberation of the camps, are but two examples of how we are still navigating the facts of the Holocaust. We are still determining, among much else, who are to be included among the perpetrators and who among the victims. And these are not even the much more difficult, perhaps impenetrable, moral questions and issues raised by the Holocaust. We have not come close to understanding the patterns of antecedents, the human and historical prerequisites that allowed the Holocaust to happen – and which permit genocides to continue happening.
Ezralow Dance’s Open comprises many themes. (photo by Angelo Redaelli)
Los Angeles-based Ezralow Dance kicks off this year’s Chutzpah! Festival at the Rothstein Theatre Feb. 15 with, appropriately enough, a work called Open, for its embodiment of myriad ideas and ways in which to express them.
Chutzpah! also features a range of creative expression every year, with performers from around the world in dance, comedy and theatre. As has become tradition, the Jewish Independent will highlight several of the performances prior to the month-long festival. This week, we focus on dance, speaking with Daniel Ezralow, as well as Israel’s Roy Assaf.
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“Open is a testament to what I believe,” Daniel Ezralow told the Independent in an email interview. “When my wife (who collaborated with me) and I were thinking of a title for the show, we played around with a lot of options, but when we came up with the one word Open, it expressed everything that I wanted to say. Be open, open yourself, open to others, open your eyes, open your mind, open your heart and stay open to the world in many senses.
“It was a way of saying, leave your judgments at the door and try, just try, to be open-minded. I find that we are so full of judgment, many times we fail to see the beauty of what is so simple and directly in front of us. I am constantly attempting to open my mind and receive what comes to me. There is a wonderful concept, ‘to want what you get, not get what you want.’ I think Open has something to do with this.”
In his work, Ezralow is certainly open to new ideas and a wide variety of media. In his 40-some years in dance, he has performed with several companies, co-founded others and choreographed for numerous groups around the world, including Batsheva Dance Company, Paris Opera Ballet, Maggio Musicale Fiorentino and the Atlanta Ballet. He choreographed the opening ceremony of the 2014 Winter Olympics and Cirque du Soleil’s Love. He has created for dance festivals, Broadway shows, gymnastics competitions, television, film, commercials and other corporate projects, awards programs, pop star performances and music videos. The award-winning choreographer, director and multimedia artist has a vast and eclectic resumé, to say the least.
“I remember as a child always asking my father ‘why?’ I asked him why about just about everything. There is no question I am naturally curious,” said Ezralow. “I was once working with Chaim Topol on a project in New York City and we were in a taxi together. I asked him why – why does he work, why does he do the things he does? I’ll never forget the response he gave me. He said, ‘Curiosity.’ At that point, I understood that was the same thing that made me do the things I do. My mother always encouraged me to ask questions and to do what I believed in. I do lose myself in creations, but usually it is not an escape. In my best moments, I also try to live life like a creation and lose myself in it.”
In looking at his body of work, it’s hard to believe that Ezralow didn’t take a formal dance lesson until he was in his late teens, when he was a biology student at University of California, Berkeley.
“Dancing chose me so strong, I had little choice to shy away from it,” he said of his change in career direction.
“At the time, I was deeply disappointed with the American medical system. I felt it had nothing to do with helping people and was mostly about a hierarchy to achieve a status of life. The system was very closed to acupuncture, Eastern ideas and anything alternative. At the time, this made me feel that it was really askew and not for healing and helping people but rather for diagnosing, medicating with pills and cutting in surgery.
“Hopefully, this has changed and we are now entering a period of truer possibilities,” he said. “I just saw a wonderful documentary titled Heal, which delves into the human possibilities to heal ourselves. This is the kind of medicine I would like to get involved with. I also feel that the work I do is healing – dance is healing!”
About his goal as an artist, he said, “As I have grown, I have shed some of my desire to be a performer/exhibitionist and have been humbled with age, which has allowed me to dig deeper to understand that all I ever really wanted was to make people happy. Happy can mean crying, happy can mean laughing, happy can mean many things to me. I really just want to help people to be inspired to live another day of their lives on this planet.”
Ezralow’s father’s family came to Los Angeles via Winnipeg, of all places.
“My grandfather ran from the Russian revolution to Canada and settled in Winnipeg, where my father was born, who was one of a family of five. My grandfather was a carpenter,” he explained. The family moved to Los Angeles, he said, “probably because my grandfather saw there was opportunity. They settled in Boyle Heights, the poor Jewish area of L.A., and he began building houses. One by one, he would build a house, sell the one they lived in and move to the new house. I took a tour of Boyle Heights with my father before he passed away and he pointed out all of the homes my grandfather built and the family had lived in.”
According to the Jewish Journal, Ezralow’s parents met in Los Angeles; his mother was born in Poland, but the family emigrated when she was quite young.
“My mother grew up a Sabra in Palestine, before the declaration of the state of Israel,” he said. “All of my family on her side are still in Israel and I would travel every other summer with my family to Israel, so I am connected by heritage to a people I know intimately from my entire childhood. This has given me a sense of Jewishness as natural and surrounding me.
“In Los Angeles, as well,” he continued, “there is a very strong and permeated Jewish community, which I grew up in and was a bar mitzvah. But, after that, I felt that there was too much dogma in religion. I have worked many times with Batsheva in Israel and still have a deep connection to everyone. I am sometimes sad to see what is happening with the conflict there. But I feel a strong sense of Jewish humanity in my soul. It is something that is universal and not selective to one religion.”
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Roy Assaf Dance’s Six Years Later. (photo by Costin Radu)
Roy Assaf is both creator of and a performer in the two award-winning pieces he is bringing to the Chutzpah! Festival, starting Feb. 22.
“I dance in both works, the duet Six Years Later and the trio The Hill,” he said in an email. “Back in 2011 and 2012, when these works were created, it felt perfectly natural for me to choreograph and to dance the work at the same time. Nowadays when I create, it is not at all the obvious choice.”
Assaf was born in Israel, and dance has been a part of his life for as long as he can remember. About 15 years ago, he started working with Emanuel Gat, initially as a dancer, then as an assistant choreographer. Assaf’s first choreographed work, in 2005, won two awards at the Shades in Dance competition in Tel Aviv. In 2010, he worked with the Noord Nederlandse Dans company in Groningen, Holland, creating for them a work called Rock.
“I was invited by their artistic director, Stephen Shropshire,” said Assaf about that commission. “The amount of trust that Stephen gave me while working with his company strengthened my belief in myself that I could and should keep making pieces.”
Since then, Assaf has created or co-created works for many other companies, including two full-length pieces supported by the Intima Dance Festival, a work for L.A. Dance Project for the Biennale de Lyon, a collaborative piece for the Royal Swedish Ballet, and a piece for the Gothenburg Ballet. This past fall, he began creating 25 People, working with third-year Juilliard students in New York City, where he was on faculty for a semester, which he is resetting with dancers in Israel.
For Assaf, dance is not simply art for art’s sake.
“I would like to give people room to imagine,” he said. “It’s certainly not about distracting people – I really hope we are in the business of encouraging or facilitating engagement in one’s own life. What a pity it would be if dance principally served to distract or disconnect someone from his or her experience. Please do come to a performance and be fully yourself there – see what you see, recognize what you recognize, run with your fantasies, meet your uncomfortable places.”
The duet Six Years Later explores the relationship between two people who have come together after having been separated for a long time, while The Hill is a commentary on war, based on the Hebrew song “Givat Hatachmoshet,” about a particularly devastating battle that took place during the Six Day War in 1967, a battle that Israel won but with great losses.
Despite the different subject matter, Assaf has described both pieces as having a lot in common.
“They share a spine, in terms of physical material,” he explained. “If you look closely, you may discover that they are both dealing with much of the same movement – but that the same movement has undergone a very different treatment in each work. You might say they share a point of origin, but parted ways in their process. Each work followed a path to its logical conclusion. Both, however, deal with the story of human touch: its effect, its consequence.”
For all of the Chutzpah! dance offerings and the full festival schedule, visit chutzpahfestival.com.
Israel’s Ministry of the Diaspora recently announced what it calls the most advanced system of its kind in the world to track antisemitic content on social media.
The Anti-Semitism Cyber Monitoring System, or ACMS, can find relevant posts that are antisemitic (using the definition devised by the International Holocaust Remembrance Alliance) on Facebook and Twitter in English, French, German, Arabic. It can see who posted and shared the comments. Other languages and social media platforms are expected to be added to the system as it progresses.
In a month-long trial run, the system identified 409,000 antisemitic posts by 30,000 individuals. Whether the system can or cannot catch every instance of antisemitism online is less significant than the fact that it is a tool to identify trends. In the trial, the system identified the world’s “most antisemitic cities” as Santiago, Chile; Dnipro, Ukraine; and Bucharest, Romania. Western cities that topped the online antisemitism list were Paris and London.
This is relevant research. It would be useful to know where Vancouver or Canada falls in such a ranking. That kind of information could help our community work with governments and other agencies to address the topic and devote resources to education and countering hatred.
But information is power. And power can corrupt. There is a difference between accumulating information that is (or can be) anonymized to allow for research into the topic. It is also fair to use such a system to identify individuals who should be reported to authorities for investigation for potential contravention of hate laws or for exhibiting potential for violence. But the words from Israel’s Diaspora Affairs Ministry Naftali Bennett were not reassuring. According to the Times of Israel, Bennett said the system would expose online antisemites “for all to see.”
“The time has come to put a mirror in front of our haters and expose the ugly face of modern antisemitism,” Bennett went on. “From now on, we’ll know who every antisemitic inciter is.”
Anyone who has spent time online and confronted the sorts of nastiness that exists there might find a sort of satisfaction at the idea that some of the people who are purveying the worst Jew-hatred will no longer get off scot-free. But let’s take a step back.
It is one thing for an intelligence agency – or a responsible nongovernmental organization such as the Southern Poverty Law Centre – to accumulate information like this for the purposes of research, monitoring dangers and notifying appropriate authorities. It would be quite another if, as Bennett seems to suggest, a government (or other agency) were to make public an online database of people who express offensive or racist comments online.
There is a website called Canary Mission, which, according to its self-definition, “documents people and groups that promote hatred of the USA, Israel and Jews on North American college campuses.”
The site is a compendium of individuals who have made comments online or been seen at events of various types and includes links to their LinkedIn, Facebook, Twitter and other social media pages.
Some of the comments Canary Mission has assembled are indeed disturbing. “I swear if [a] Jew gets within 5 feet from me at the protest and says a word, straight murder,” one person wrote. “Ima kill a jew in a month,” wrote another.
There is also no doubt that, among these people, most of whom are university students, are some who have been drawn into anti-Israel movements and have made, as many of us do, occasional untoward comments on social media. It may be fine to call these comments out, but it is not acceptable to assemble in one place a group of people who vary widely – from those who should be reported to authorities for posing a danger to society to some who are probably legitimately attempting to make a peaceful political statement, however misguided we may think that message is.
This approach encourages vigilantism. It is the sort of tactic that has been used in the past by anti-abortion terrorists who have murdered or attempted to murder healthcare providers, including one right here in Vancouver who was shot through a window in his home.
Consider – and there is absolutely no reason to view this as far-fetched – that a website was set up to aggregate information about you, your parents, your children and anyone else you know who has traveled to Israel, donated to Zionist causes or attended pro-Israel events. There are a lot of irrational people in the world and a project like this could help them act out in potentially catastrophic ways.
Again, there is value and importance in accumulating this information. It should be shared with relevant authorities, including the universities, police, FBI, CSIS and so forth. But we should not be encouraging the public dissemination of this material. It is an extremely hazardous game.
U.S. President Donald Trump with Palestinian Authority President Mahmoud Abbas at the Presidential Palace, Bethlehem, May 2017. (photo by the White House)
Mahmoud Abbas has had enough. Thirteen years into his four-year term as elected leader of the Palestinian people, he has nothing of substance to show for his efforts and his friends are abandoning him.
On Sunday, his frustration was on full display during a two-and-a-half-hour speech.
Things have been building up lately for Abbas and his Fatah faction and, at a meeting of the Palestinian Central Council, he finally let loose.
Naturally, he focused on Israel, which he declared a European colonialist enterprise and denied Jewish connection to the land.
“Israel is a colonialist project that has nothing to do with Jews,” Abbas said. “The Jews were used as a tool under the concept of the Promised Land – call it whatever you want. Everything has been made up.”
Abbas, who has a doctorate in history, has taken a creative approach the discipline from the start, when his dissertation discounted the number of Jews murdered by the Nazis and contended that European Jews were collaborators in their own genocide in order to advance the cause of Zionism.
Of course, Abbas also railed against the U.S. president for his announced intention to move the American embassy to Jerusalem. Abbas accused Donald Trump of destroying the prospects for peace.
“Yekhreb Beitak,” Abbas said in the general direction of Trump. According to the Associated Press, the curse literally translates as “may your house be demolished.”
“In colloquial Palestinian Arabic,” AP explained, “the phrase can have different connotations, from a harsh to a casual insult, but its use in a widely watched speech seemed jarring – and could exacerbate his already fragile relationship with an American president who is particularly averse to criticism.”
If the U.S. president is a notorious hothead, that’s exactly how Abbas appeared Sunday, but certainly not without reason.
What must hurt more than anything is that Abbas now sees those who have been the Palestinians’ historic allies softening their resolve. As a New York Times investigation earlier this month indicated, while Arab leaders from Egypt to Saudi Arabia were making appropriate noises in public about Trump’s Jerusalem gambit, behind the scenes they are giving every indication that they won’t expend political energy on the matter.
The irony is clear – and for Abbas and his allies it must be especially painful.
The welfare of Palestinians has never been a genuine priority for the Arab world, even as they have propelled the Palestinian cause to the top of the global agenda, paralyzing the United Nations in the process. For Arab leaders, Palestinians have always been little more than a battering ram with which to land blow after blow against the Zionist entity. Palestinian life under Israeli occupation and autocratic leaders is filled with small and large indignities.
Now that geopolitics suggests Israel is not so much the regional threat that Iran poses, the Palestinians, once a useful weapon for the Arabs in their 70-year confrontation with Israel, are being cast aside.
Abbas’s obvious frustration Sunday suggests there may finally be a change afoot to the status quo that has been unsatisfactory for Israelis and even more so for Palestinians. What the future looks like for the Palestinians – and for their relations with Israel – remains unclear.
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Note: The headline of this editorial has been changed. In the Jan. 19 newspaper, the piece ran as “Abbas rightly irked,” which misled some readers to think that we agreed with Mahmoud Abbas’s remarks. We in no way condone his abandonment of historical fact, his inhumane accusation that Jews were complicit in the Holocaust or the many other false and immoral statements in his two-and-a-half-hour diatribe.
