Writers often get submission calls saying “Sorry, we cannot pay you, but our publication is widely distributed. You’ll get great exposure!” I don’t bother, thinking something like “No, thanks. I live in Manitoba, Canada. We can die of exposure.”
For most, writing isn’t lucrative. If I sell an article, sometimes the cheque covers the grocery bill. Years ago, I decided that I don’t work for free. I avoid residencies and literary submissions with reading fees. Even a well-appointed writer’s residency often costs money for travel, food or lodging. Meanwhile, I pay for utilities and care for my kids, so I write at home. It’s cheaper. Same for reading fees. Although small publications need support, if I pay them to read my submission, it conflicts with my goal to get paid. It’s common sense when trying to make a living.
In early November, I read Winnipeg Free Press editor Ben Sigurdson’s column about writers, books and awards called “Paper Chase.” The headline read “Authors, artists boycott Israeli cultural orgs.” It summarized a petition signed by “thousands” of writers, listing by name some with Manitoba connections. These writers choose to avoid working with Israeli cultural and literary institutions, publications and festivals because they are ostensibly “complicit in violating Palestinian rights.” The petition doesn’t mention Hamas, which governs Gaza. It doesn’t hold Hamas or Egypt accountable for their contributions to the crisis or mention Oct. 7. There’s no reference to the wider global conflict, which includes Iran and Hezbollah, among others.
By withdrawing their work, these authors want to punish non-political Israeli entities. They assume that, with their great literary fame, they’re important enough that their choice matters. They wish to deprive Israelis of hearing or reading their work. Due to their moral outrage, these authors won’t earn money from Hebrew translation rights, appearances at Israeli universities, conferences, festivals or book signings.
I noted that Sigurdson’s column removed the name of Jonah Corne, a Jewish University of Manitoba professor, from his list of Manitobans who boycott Israel’s literary scene. I don’t know why he did that.
Some suggest these protests are against Israel, where half the world’s Jewish population resides, but not against diaspora Jews. Why then leave a Jewish Manitoban off the “notables” who joined the boycott? Is it a mistake, or a tell? This protest conflates all Jews and Israelis, no matter one’s political beliefs or where one lives.
Writers fail to look after their own self-interests, be they monetary or ethnic, with this type of activism. Signing a petition could bring an author’s work attention, assuming “any publicity is good publicity.” Yet not all Manitobans on the petition got that dubious editorial publicity. Omitting a Jewish Canadian from the list of Manitobans who signed the boycott smells fishy.
Sigurdson also didn’t mention the long list of authors and creatives who signed a counter-petition by the Creative Community for Peace. This group is against discriminatory cultural boycotts. They support free expression for all. This list includes many recognizable names, from popular and intellectual circles, including Ozzy Osbourne, Mayim Bialik, Bernard-Henri Lévy and Gene Simmons, among others. Professors, actors, directors, musicians, Pulitzer-winning journalists and Nobel Prize-winning authors populate this list. These creative communicators, against boycotts and for free speech, include Jewish writers, but also allies.
This connects to the commotion about Canada’s Giller Prize. Jack Rabinovitch started this prize in honour of his late wife, the journalist Doris Giller. This award is Canada’s largest literary fiction prize, which comes with $100,000. The prize highlights Canada’s diversity and literary excellence and is sponsored by Scotiabank. It’s now fashionable to protest the prize and Scotiabank’s investment in Israeli arms manufacturer Elbit Systems. The petition lists others, including Indigo and Audible. Many authors now protest and boycott the jury. Others pull their work from consideration and sign petitions against the Giller via “Canlit Responds.”
The Globe and Mail’s Marsha Lederman writes that, if Scotiabank were sufficiently pressured, it might withdraw sponsorship from the prize rather than fully divest from whatever financial investment offends the protesters. No other sponsor would be likely to take on a prize that comes with so much protest baggage. The largest Canadian literary fiction award would disappear. Have these protesting authors thought this through? If the Giller Prize collapses, Canadian fiction authors can no longer benefit from it.
Rabinovitch and Giller were Jewish Canadians. This prize celebrates Canadian literature. In 1972, Giller, as a Montreal Star writer, worked as a correspondent in Israel, but this couple lived in Canada. Protesters forget to be grateful. The generosity of this prize and the positive attention it brings Canada’s literary scene shouldn’t be underestimated. Lederman writes that protesters haven’t targeted other large literary awards with financial ties to Israel or many other businesses on the boycott list. Is this protest about financial ties to the Middle Eastern conflict, or is it about bias against Jews, even if they live in Canada?
Practically, writers must make money if they want to work in their field. Publicity for political pet causes might make money from literary appearances, book signings, sales, or translations. But boycotting financial opportunities and suppressing access to books doesn’t help writers support themselves. Many readers support worldwide free expression and won’t purchase the books of those who boycott. Some readers won’t support those who hold Israeli cultural institutions, literary events or citizens responsible for a conflict that spans the Middle East. We don’t hold the Giller Prize, a literary award, responsible for North American political conflicts and policies. Why hold it and Israeli literary institutions responsible for a war started by Hamas and Iran?
In Canada, we celebrate diversity. The 2024 Giller Prize jury writes: “Writers of fiction imagine … what it means to be another: to be marginalized, to be suppressed, to be guilty – to be joyful! – or simply not seen.” Writers remain unseen and marginalized when readers don’t buy or read their work.
Further, Canadians have marginalized Jews, both in Canada and worldwide since Oct. 7, 2023, failing to condemn Hamas or antisemitism. For those who choose boycotts, that “othering” and marginalization of the world’s small Jewish population remains acceptable. Some now believe that, when it comes to the cultural contributions of Jewish Canadians, “none is too many.”
Cutting communication with the Israeli literary scene threatens Canadian cultural institutions. A political boycott also threatens half the world’s population of Jews, those in Israel. It doesn’t embrace free expression or bring peace. As Lederman suggests, it’s unlikely to help any Palestinians.
Boycotts allow writers to shoot themselves in the foot. Writers can’t pay for essentials when they aren’t paid for their work. Without big awards, even famous writers sometimes can’t pay for groceries. Limiting readership limits income. It’s noteworthy that, while past Giller winners protest, the media hasn’t reported on anyone returning that $100,000 prize.
Choosing diversity means including all Canadians, even Jewish Canadians who create opportunities like the Giller Prize. When it comes to how we behave, cause and effect still matter, even when writing and selling fiction.
Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.