In Vancouver, on the evening of Nov. 10, the Canadian Shaare Zedek Hospital Foundation will present Voices of Resilience, featuring Prof. Ofer Merin, director general of Shaare Zedek Medical Centre, and Glenn Cohen, former Mossad psychologist and hostage negotiator. Part of a national tour, the event aims to shed light on the experiences and insights following the tragic events of Oct. 7, 2023.
Prof. Ofer Merin, director general of Shaare Zedek Medical Centre. (photo from CSZHF)
Merin completed his fellowship in adult cardiac surgery at Sunnybrook Hospital in Toronto. Upon returning to Israel, he became a pivotal member of the Shaare Zedek team, where he now serves as director general. A colonel in the Israel Defence Forces, Merin has led numerous humanitarian efforts and, as of Oct. 7, 2023, has headed a medical intelligence committee that plays a role in assessing the hostage situation in Gaza.
Glenn Cohen, former Mossad psychologist and hostage negotiator. (photo from CSZHF)
Cohen has served as an air force pilot, Mossad officer, hostage negotiator and special forces psychologist for more than 30 years. Retiring with the rank of colonel and chief of psychology in Mossad, he now trains organizations worldwide using a methodology he developed. During the war that followed Oct. 7, Cohen has served more than 100 days to date in reserve duty, providing critical debriefing for the released hostages.
All proceeds from Voices of Resilience will go to the Healing Minds Campaign, which focuses on extending the mental health support available at Shaare Zedek Medical Centre. This initiative provides specialized training in therapy, post-traumatic stress disorder counseling, psychotherapy and other services for those affected by the Oct. 7 attacks. The centre hopes to increase their mental health team from 14 to 42 professionals to meet the overwhelming demand, an increase that would require $1.6 million Cdn for medical and para-medical training, as well as ongoing staffing costs.
To date, Shaare Zedek has treated more than 700 individuals, primarily IDF soldiers, with injuries ranging from minor to life-threatening. Nearly every patient presents signs of mental trauma, whether immediately or in the weeks following hospitalization. Many young patients have been exposed to traumatic battlefield conditions and the loss of life. Even those who initially report limited emotional impact often show symptoms later. To address this, Shaare Zedek has created a comprehensive emotional trauma care service. Every patient admitted for war-related injuries is evaluated by the psychiatry team, they are monitored throughout their stay and receive counseling prior to discharge, with follow-up care recommendations.
To attend Voices of Resilience in Vancouver on Nov. 10, 7 p.m., visit linktr.ee/voicesofresilience2024. Tickets are $18 ($72 for the VIP meet-and-greet). The location will be provided to registrants closer to the event date.
– Courtesy Canadian Shaare Zedek Hospital Foundation
Gregor Craigie, host of CBC Radio One’s On the Island, interviews Eleanor Wachtel at Congregation Emanu-El on Sept. 15, at 2 p.m., about her career helming the CBC’s premier literary program, Writers & Company. During her 33-year tenure with the show, Wachtel spoke with a Who’s Who of authors, including Saul Bellow, Michael Ondaatje, Mordecai Richler, John le Carré and Kazuo Ishiguro.
“[Eleanor’s] sense of respect, her tact, her utter lack of obsequiousness . . . and her uncanny ability to ask difficult questions have endeared her to readers and listeners,” said Canadian writer Carol Shields, whose book, The Stone Diaries, won the Pulitzer Prize for fiction in 1995.
Craigie is both an author and an expert interviewer in his own right. A journalist for more than 25 years, his most recent book, Our Crumbling Foundation, which examines Canada’s housing crisis, is a national bestseller.
The event is part of Emanu-El’s 160th anniversary celebrations, and is a fundraiser for the synagogue, which is undergoing structural and other renovations. Tickets ($36) can be purchased at ticketowl.io/cevbc.
Novelist Milan Kundera said of Jews in the 20th century that they “were the principal cosmopolitan, integrating element in Central Europe: they were its intellectual cement, a condensed version of its spirit, creators of its spiritual unity. That’s why I love Jews and cling to their heritage with as much passion and nostalgia as though it were my own.”
I love reading these words, it helps me keep my head up. And motivated. I think of them often as I work on two major concerts which celebrate multiple aspects of Jewish heritage and history, the devastating impacts of hate, and the need for more love and compassion in the world today.
You may remember my last endeavour, Project Tehillim, which was about the salvation of the Bulgarian Jews during the Second World War. (See jewishindependent.ca/music-to-say-thank-you.) I grew up in Bulgaria and, while I never experienced the antisemitism, I knew about it from history books. This is why I am shocked and horrified at what is going on around the world, including here in Vancouver. One of my friends said: “The evil is shocking. The willingness of this evil to parade itself is even more shocking.”
I can only respond with what I know best: the power of music and art. The arts have the incredible ability to affect people more profoundly than plain facts. It is personal stories, artistically presented, that have an emotional impact.
I am the artistic director, with fellow pianist Jane Hayes, of Yarilo Contemporary Music Society, which is dedicated to high-quality professional music performances. The Yarilo ensemble has performed in Zurich, Moscow, Sofia and Tel Aviv, and the society has commissioned a number of Canadian composers: Jocelyn Morlock, Kelly-Marie Murphy, Jordan Nobles, John Burke, Colin MacDonald, Michael Conway Baker and Farangis Nurulla-Khoja. We work with members of the Vancouver Symphony Orchestra and we collaborate with Leslie Dala, the conductor of the Vancouver Opera and the Bach Choir.
Because government and other funding for the arts is in huge decline, I am turning to you, my fellow Jewish community members, for help in realizing Yarilo’s next project: Compassion Above All.
The first concert of the project, To Hope and Back, is a chamber music event that will take place this year on Nov. 10, 2 p.m. and 7:30 p.m., at Orpheum Annex. The budget is $10,000.
To Hope and Back is based on the book of the same name by Kathy Kacer, the daughter of a Holocaust survivor. The book tells the story of the SS St. Louis through the eyes of two children on board the ship that sailed from Germany in 1939 carrying nearly 1,000 Jewish refugees and was refused the right to land by every country, including Canada, forcing it to return to Europe, where many of the passengers were murdered in the Holocaust. The November concert will include two child actors reading excerpts from the book and Kacer has confirmed that she would like to come for the event from Toronto. It will include the music of Philip Glass, Steve Reich, Iman Habibi and Gheorghi Arnaoudov. Steve Reich’s work, “Different Trains,”includes archival recordings from the trains going to Auschwitz.
The second concert, The Tale of Esther in Our Time, is a symphony music concert conducted by Dala, and it will take place in 2025, on March 29, 7:30 p.m., at Christ Church Cathedral. Its budget is between $60,000 and $80,000.
The featured work of The Tale of Esther in Our Time is Iman Habibi’s “Shāhīn-nāmeh,” which was nominated for a Juno and won the Azrieli Foundation award for Jewish music in 2022. Based on the poetry of 14th-century Judeo-Persian poet Shahin Shirazi, the composition depicts the tale of Esther and delves into the themes of love, spiritual struggle and devotion. “Shāhīn-nāmeh” calls out for love and compassion; it brings the heart of humanity into focus.
Also on the program will be Arvo Part (“Tabula Raza”), Peteris Vasks (“The Message”) and Kelly-Marie Murphy (“En El Escuro Es Todo Uno,” “In the Darkness We Are One”).
Please feel free to ask any questions. I will also happily take any advice for funding opportunities. Any donation, even the smallest one, is a great support, financial and moral.
Brian Gleckman in front of his work, “The Judgment of Solomon (Psak Din: Judgment).” Psak din is a ruling given by a beit din, a Jewish court. (photo by Olga Livshin)
Brian Gleckman’s first show at the Zack Gallery, Abstracted Identity, opened on June 18.
The artist has loved art since childhood. “I grew up in Los Angeles,” he said in an interview with the Jewish Independent. “It is a vibrant city for visual arts. There are an endless number of art galleries and museums, and I was always there. And, of course, I always drew and painted.”
After getting his degree in visual art and history from California State University, Gleckman traveled extensively around Europe, before settling in Vancouver more than 30 years ago. But traveling has remained his passion and, during his travels, he invariably focuses on art and art history, museums and galleries.
“When I first visited Europe, I fell in love with Rococo and Baroque,” he said. Baroque and Rococo are both highly ornamental styles, which infused the art and architecture of post-Renaissance Europe.
Later, he drifted towards more contemporary styles, both as an art connoisseur and in his own work. “I suppose I can call my art abstract expressionism,” he said.
“Colour for me is a vehicle that allows me to play with shapes and space,” Gleckman explained. “Spatial relationships and composition of the images are of the utmost importance to me. I’m also concerned with depth and texture. I aim to create visual tension in my paintings. I think art shouldn’t be too easy or too comfortable. I want my viewers to engage, to ask questions. ‘What did he mean by that?’ ‘How does it make me feel?’ My viewers might not arrive at the same inner realization I conceived, but their explorations are more important than my answers. When people interact with my art, they become part of the creation process.”
With his current show, Gleckman seeks to “portray things that lie beyond the tangible – that is, beyond the figurative, beyond the readily recognized narrative. The paintings in this exhibit are expressions of the inspiration I derive from biblical stories, religious thought, as well as rudimentary ideas within kabbalah. Selected from the portfolios of my professional artwork, these paintings are reflections of how I personalize the intangibles of Judaism.… These paintings are abstractions of my Jewish identity, an identity that is the product not so much of formal religious practice but the summative effect of intellectual and emotional sensibilities of my Jewishness.”
Of course, the Jewish Community Centre of Greater Vancouver, which is home to the Sidney and Gertrude Zack Gallery, felt like the perfect venue for such a show, but there was an additional reason why Gleckman wanted to exhibit at the Zack.
“After Oct. 7, I wanted to do something that had meaning,” he said. “I wanted to share my pride in my Jewish identity. At the same time, I wanted to be part of the effort to help Israel, to make my own contribution. But I am an artist. I create art. I thought maybe my art could inspire someone to do something for Israel, to help in some way.”
He approached the gallery with the idea of a show and offered to donate any proceeds from the sales of his paintings.
“I’m going to donate whatever I get to two organizations: ASI-Canada (Association for the Soldiers of Israel), which supports active-duty IDF soldiers, and Magen David Adom, which is Israel’s emergency response service. To promote the sales, I’m also offering 30% discount off my website prices for all my paintings.”
The exhibit comprises 27 paintings from several of Gleckman’s established series. “For this exhibition, I have included paintings that are accompanied by titles … for fuller comprehension,” he said.
“The titles invite viewers to search for and reflect on the nuances of their own understanding of the selected stories, themes and ideas,” the artist explained. “I’m not trying to dictate my own interpretations to viewers. Instead, with the titles, I try to nudge viewers in the right direction. The titles are sort of guidelines for understanding the images, their conceptual representation.”
“Yerushalayim (Jerusalem)” by Brian Gleckman. The Hebrew words in the painting are from Psalm 137: “If I forget you, O Jerusalem, may my right hand forget … if I do not bring up Jerusalem at the beginning of my joy.”
Most of the titles are in Hebrew, spelled phonetically in the English alphabet. Some are in English, but they represent Jewish customs and stories. For example, the large painting “Tikkun Olam” is a field of life-affirming blue, while “Shiva” is bleak and dark, a painting of grief and despair, but both will generate different feelings for everyone.
A few other paintings are linked to grief and death, but many sport bright colors, like “Aytz Chaim” – blue and gold and triumphant – which proclaims the artist’s vision of the Tree of Life. The painting, tall and narrow, is framed by golden words.
Another tall and narrow painting, “Tefillah” (a prayer), contains this one word in Hebrew, as well as 10 bright gold stars dancing on the blue background below, representing a minyan, the quorum of 10 men (in Orthodox Judaism) or people needed for Jewish communal prayers.
Another painting with words and colours woven together is “Yerushalayim.” Its golden-brown palette is reminiscent of the ancient city of Jerusalem, its modernity and its millennia of history, including conflict.
Then there are calligraphed Hebrew letters, each magnified manifold on its own black and white canvas. “Their shapes are still recognizable,” said Gleckman, “but I wanted to explore the possibilities, the situation where something we know becomes something else, something to investigate and find a new meaning.” Each of these letter-paintings is like a road, curling capriciously according to the letter’s design, leading the viewers towards the unknown.
Abstracted Identity runs until July 18. To learn more, visit the artist’s website, briangleckman.com.
Olga Livshinis a Vancouver freelance writer. She can be reached at [email protected].
Howard Kallner is being honoured at Schara Tzedeck’s MOSAIC gala on June 4 (photo by kenneth88/wikimedia)
“I have been very lucky in my life to be surrounded by lifelong volunteers and builders of community, both my parents, my in-laws and multiple other role models, and it just seemed natural to volunteer and be involved,” Howard Kallner told the Independent.
Kallner is being honoured by Congregation Schara Tzedeck at MOSAIC, the synagogue’s annual gala, on June 4.
“The first thing that came to my mind was discomfort,” said Kallner about finding out he was being recognized. “I was hesitant to accept because there are so many long-time shul volunteers, donors and community-builders who would be deserving of being honoured.”
Kallner has been a part of the congregation since he was 13 years old.
“My family had emigrated from South Africa when I was very young and their synagogues in South Africa were very similar to Schara Tzedeck,” he explained. “My parents, and now my family, have been members for over four decades. On my wife’s side, her great-grandfather, David Davis, was a founding member of Schara Tzedeck, and her grandfather, Charlie Davis, was a past president.”
Howard Kallner (photo from Howard Kallner)
For his part, Kallner was on the board for seven years before becoming president. He served three years as president and three more as past president, for a total of 13 years. He was serving as president when the pandemic hit.
“When the COVID pandemic hit, we needed to pivot immediately to online programming, online services where applicable, continue live services with restrictions and make sure our community members, particularly our vulnerable ones, were connected and taken care of,” he said of how his role was affected. “One of the programs that came out of this was Shabbat in a Box. We recognized a need amongst our members and others in our community and delivered over 450 meals a week at the height of the pandemic. For the Jewish holidays, we were delivering over 650 meals accompanied by holiday-specific items so they could celebrate the holidays.
“Additionally, Schara Tzedeck, being an Orthodox synagogue, could not have Shabbat services online,” said Kallner. “With the exception of a few weeks when the government would not allow any public gatherings, we continued services in person with some significant modifications. When limited to 50 people per gathering, we moved services outside, in a tent in our parking lot. At times, services were held in sub-zero temperatures, with most attendees wearing ski jackets, toques and gloves. For the High Holidays that year, we had nine services a day for a maximum of 50 people. We had to find three sets of Torah readers, shofar blowers and leaders of the services.
“While, during COVID, it was undoubtedly the hardest I worked as president of the shul, it was also the most rewarding,” he said.
Now officially “just” a member and supporter of the synagogue, Kallner continues to be part of the Schara Tzedeck Cemetery Board and is a governor of the Jewish Community Foundation, as well.
“Giving back to a community that has given me and my family so much was very important,” he said. “With different experiences in my life and my relatives’ lives, including immigrating to a new country with little means and losses during the Holocaust, strong Jewish institutions ready for whatever the world would throw at them seemed crucial, and I wanted to do my part.”
Schara Tzedeck’s senior spiritual leader, Rabbi Andrew Rosenblatt, described Kallner as representing the beginnings of a new generation of leadership. At the time Kallner was getting involved, said the rabbi, “There weren’t a lot of people in their 40s who were stepping up to the highest levels of leadership at Schara Tzedeck.”
Kallner helped take the synagogue from being a 20th-century organization into being a 21st-century organization, said Rosenblatt.
”The backbone of an Orthodox synagogue, certainly in the Pacific Northwest, certainly in Vancouver, is people who have come from much more traditional Jewish communities,” he explained. “For example, Schara Tzedeck has a lot of Holocaust survivors. These are people who came from very traditional Eastern European communities, but you could also have people from Winnipeg or Toronto or Montreal, New York, those places you associate with very traditional, very committed Jewish communities. For a long time, we were able to be a community of people who grew up in that kind of tradition, but there was a recognition at Schara Tzedeck that we needed to be able to be a place which translated topeople who did not have that kind of traditional upbringing.”
Kallner had the analytical, organizational and people skills to help the synagogue do that, said Rosenblatt, highlighting Kallner’s leadership during the pandemic.
“He was practically a paid member of the staff at that point, in terms of generating and developing policy,” said the rabbi. “He was involved in helping us make sure that we were operating on the next level. And he also understood that our organization had to be structured in a way where we could have the manpower to be able to do that, and that outreach. Part of that was that the information technology had to be updated.”
Describing Kallner as “a very humble person but also very hard working,” Rosenblatt said, “one of the things that he was strongest at was helping us transition into a place where we were reaching out more…. One of the programs we developed under his watch was Shabbat in a Box. There were some pre-iterations before that, but it came to its full maturity under him.”
Among the other programs that will benefit from the funds raised at MOSAIC are the synagogue’s education initiatives, some of which reach beyond the shul to the broader Jewish community, such as the series Rosenblatt gave on the history of the Marranos.
“I recognize,” he said, that “one of the great sources of inspiration in Jewish identity is Jewish history.”
Since the Oct. 7, 2023, terror attacks and the subsequent war, his education efforts have been more focused on Israel.
“When Oct. 7th hit, and people started to hear immediately just garbage about colonialization, I realized that there was just so much that people didn’t know or understand,” he said.
The Zionist story most of us have been taught is the inspirational one, he said. “Not that it’s wrong, it’s just not complete, and all histories have complexities. I didn’t want people to be caught flat-footed on these things and be surprised by them.”
He gave the example of a sign he saw on an overpass on the way into Whistler Village recently.
“It says there can be no peace on stolen land. And I’m thinking to myself who stole the land from whom? At what point do you decide that the land belongs to someone? Are you willing to say that 638 is where we’re going to start everything, when Omar ibn al-Khattab conquered Jerusalem, is that the right time? Should we ask ourselves when the Abbasids or the Fatimids or the Umayyads, which one of them? Were the Ottoman Turks? Which one becomes the real owner? At what point do you decide that these things happen? People don’t know – maybe now they do more, but certainly on October the 8th they didn’t know – when was Israel first called Palestine, when did Muslims come to Jerusalem, when were Jews forced out, which empires conquered it … what really happened at Deir Yassin, what were the stages of the War of Independence, what happened? These things, there are a lot of resources on them … and, I thought, Jews didn’t know these things – not to mention that there are libraries full of evidence on Jewish indigenous life in Israel that is far, far older than anything having to do with the name Palestine, and I wanted Jews to be able to know that. I wanted Jews to be able to articulate it. I want Jews to understand a stronger connection to Israel. And I think that has been something that has been a real value added to people’s knowledge base.”
The congregation has several individuals who have gone to do military service in Israel. “They are primarily Israelis who are here for various purposes, as shlichim [emissaries] or for educational reasons, and we’ve had real success in having them share their experiences and stories over the past number of months,” said the rabbi.
These types of programs have been a priority, said Rosenblatt, “to make sure that our communityreally stays close and understands the nuances and the issues. Every time we have the opportunity to give further insight, we do that.”
One of the people from Schara Tzedeck who has gone to serve was Assistant Rabbi Ishay Gottlieb. “He’s a major in the reserves in the IDF, and he left on Oct. 9th and wasn’t really back until the beginning of January,” explained Rosenblatt. “You’re essentially funding a staff member, like many Israeli organizations [are having to do], but there’s lots that had to be compensated for in that context.
“In some ways,” added Rosenblatt, “we’ve doubled our programming – run a regular program plus an Israel program. Not that we’re that different from the other synagogues [in that respect] but everything costs money and this is part of a case for giving. Since Oct. 7th, we really have been prioritizing the connection with Israel.”
He said, “When you walk into Schara Tzedeck, we want you to feel like you’re in a little embassy of Israel in this building. And participating in MOSAIC means that’s what you’re doing, you’re helping to support that – you’re helping to support a branch of Am Yisrael that is in Vancouver.”
To attend MOSAIC, RSVP by May 28 to 604-736-7607 or [email protected].
Chutzpah! Festival acting managing director Jessica Gutteridge. (photo by Tallulah Photography)
After nearly 25 years at the forefront of Jewish arts and culture in Western Canada, Vancouver’s international performing arts festival, Chutzpah!, faces an urgent financial crisis. And it needs your help to keep the stage lights on.
Shifting priorities in government arts funding, as well as the impacts of Oct. 7 and the war in Gaza, have created a perfect storm resulting in a dramatic drop in revenue.
How did this happen?
Chutzpah! depends significantly on government grants. Presently, the stagnant pool of arts funding, alongside a growing number of applications, means fierce competition for fewer dollars. In addition, Jewish arts programming officially falls outside of funders’ “designated priority groups.” Funders have told the festival that, this year, only 15-20% of proposals will be approved, and Chutzpah! has already been declined for several grants that it has received historically.
“The arts community, generally, is facing difficulties with sustainable government arts funding, as the funding pool has returned to pre-pandemic levels with more applicants seeking funding,” explained artistic managing director Jessica Gutteridge. “But there are compounded challenges that Jewish performing arts and artists are facing, especially as tensions escalate locally in response to the war inIsrael. Jewish organizations and events require additional security and access to funding is hampered by the fact that Jewish artists areexcluded from funding prioritycategories, due to a misunderstanding that Jews are a marginalized ethnocultural group, and not solely a religious group.”
Adding to the financial challenges, Chutzpah! opened last year within weeks of the Hamas attacks and war in Gaza, within an atmosphere of rising anti-Jewish hate that has been felt both globally and locally. Despite the festival’s efforts to ensure the safety of performers, audience and staff, ticket sales suffered dramatically. With Jewish arts organizations and events in Vancouver, across Canada and elsewhere targeted with petitions and protests, the erasure of Jewish language, art and culture is, once again, a real threat. As a community, we cannot allow this to happen.
This is why Chutzpah! urgently needs support. The challenges the festival faces are serious, but not insurmountable, and organizers are taking several steps to try and secure its future.
Chutzpah! is speaking with new philanthropic foundations, exploring capacity-building needs in the short- and long-term. Increasing its capacity would give the organization more resources to diversify and grow revenue through grants, audience development plans,sponsorships, private donations, and more.
As well, the festival has established a circle of advisors – a few community members who are passionate about the arts, the Jewish community and Chutzpah! With their help, the festival hopes to strengthen its base of individual donors and identify prospective program sponsors and partners.
Chutzpah! is also reaching out directly to its community of patrons and supporters to share the challenges it is facing and ask for support.
“We’ve been so heartened by the response to our campaign to date. We’ve nearly reached 50% of our goal,” said Gutteridge.
The goal is to raise $60,000 by May 31. There are five ways people can help:
1. Contribute to the campaign. You can donate online directly and securely through CanadaHelps (or by cheque to Vancouver West Side Theatre Society).
2. Help Chutzpah! grow its network of support by sharing information about the situation with like-minded friends/colleagues. Add a brief note explaining why you support the festival and ask them if they might consider doing the same.
3. If you or your contacts donate before May 31, campaign co-chair Emet Davis will match all gifts, up to a maximum of $10,000.
4. Increase your own impact by offering a formal or informal matching gift challenge within your personal or professional networks. Simply direct friends and colleagues to the festival’s donations page, confirm gifts, then issue your matching gift. Let the festival know if you do this.
5. Be a sponsor. Sponsorships subsidize production and associated costs for festival performances. There is a range of giving levels, recognition and other benefits.
“With rising costs for artists, staff and production expenses, all needed to bring the high-quality work that Chutzpah! audiences are accustomed to, we are looking to gather a small but mighty group of philanthropists and arts lovers to support us – producer-level supporters,” said Gutteridge. “This group will help offset the challenges we’re facing with limited government arts funding and rising costs, by financing specific content for the festival and joining us to share those programs with their networks. We can match their artistic interests to our programming – for example, help produce a series of Israeli artists, or step up to support an evening of klezmer music.”
“Until several years ago, I only attended Chutzpah! occasionally,” said Davis. “To be honest, I think I took for granted that it was a permanent fixture in our community. But, when I made a decision a few years ago to engage more meaningfully in Jewish community, the festival became part of my journey – it has deepened my knowledge and my sense of pride in my identity. Chutzpah! is about something much more than entertainment – it’s about the preservation and celebration of our language, art and culture. Now more than ever, I’m reminded we can’t take that for granted.”
Donate via chutzpahfestival.com or save Chutzpah! the processing fees and give by cheque to Vancouver West Side Theatre Society, mailed to 950 West 41st Ave., Vancouver, BC, V5Z 2N7.
Kyle Berger, left, and David Granirer headline the Jewish Seniors Alliance’s A Night in the Catskills on March 17. (photos from JSA)
The Jewish Seniors Alliance of Greater Vancouver is celebrating its 20th anniversary with an event that’s all about laughter.
A Night in the Catskills: Jewish Humour Then and Now takes place at Congregation Schara Tzedeck March 17, 6 p.m.
“Jewish humour has enabled the Jewish world to gain strength through a history that shows that we should not be in existence today, but here we are bigger, stronger and better than ever!” said Marilyn Berger, a past president of JSA, who will make her debut as a stand-up comedian at the event. “Ask Kyle,” she said, referring to one of her sons. “I have given my family plenty to laugh about.”
It is perhaps not a coincidence then that Kyle Berger preceded his mother on the standup stage, and also produces comedy shows. He and David Granirer, founder of Stand Up for Mental Health, are headliners of the 20th anniversary event, which will include a performance by magician Stephen R. Kaplan, aka the Maestro. The whole megillah will be emceed by JSA board member Michael Geller, whose involvement in JSA was inspired by his late father, Sam Geller.
“He derived a great deal of joy from regularly attending JSA events and this is one of the reasons why the organization is so special to me,” Geller told the Independent.
Michael Geller emcees JSA’s A Night in the Catskills at Schara Tzedeck. (photo from JSA)
“This comedy night is a follow up to a similar event organized by JSA 13 years ago,” he explained. “It was initiated by a phone call from the late Serge Haber, who called to tell me that the province had just canceled JSA’s gaming grant, but he knew my father would want me to help replace the funds. I asked how much was the grant. He said it was $18,000. I told him that was too much for me, but I had an idea.
“I was a fan of the website Old Jews Telling Jokes. Since JSA served many older Jews, I offered to book a room, buy some deli, and invite 17 of my friends to join me and each put up $1,000 and we would entertain one another with our favourite Jewish jokes.”
Haber – who founded JSA – liked the idea, as did the board, but they also wanted to join, and couldn’t afford to pay $1,000 each. So, the format was changed to one where people would attend and donate what they could, said Geller. Held at Congregation Beth Israel, almost 250 showed up.
“We presented clips from Old Jews Telling Jokes and invited people in the audience to share a joke in return for a donation. Everybody agreed it was a fabulous event,” said Geller. “There was just one small problem. We didn’t raise very much money.
“So, this year we are charging $118 dollars to attend. Some generous members of the community are coming forward and agreeing to be sponsors. This will allow other seniors in the community who can’t afford $118 to attend. It has also allowed us to hire Tim Bissett, an experienced professional event organizer to assist with the program.”
Stephen R. Kaplan is a special guest performer at the 20th anniversary celebration. (photo from JSA)
Expressing gratitude to the sponsors on behalf of JSA, Geller said, “we are hoping other community members will come forward, especially those who regularly share their favourite Jewish jokes on the golf course. Sponsors will be invited to participate in the program by telling a favourite joke or two, or introducing a favourite comedian or routine.”
For his part, Geller is preparing for his role as emcee by watching vintage and contemporary Jewish comedians and selecting material. “The program will also include some professional comedians who are volunteering their time, and special appearances by local rabbis who have been urged to share stories they would never tell in shul,” he said.
“I am thrilled to be celebrating our 20th anniversary and look forward to going from strength to strength as my own children now, believe it or not, become seniors!” said Berger, who shared her appreciation for the organization that Haber started.
“As I gracefully age,” she said, “I thank Serge for enabling me to spend my golden senior years embraced by the love that Seniors Alliance offers.”
“JSA undertakes many programs that benefit so many Jewish seniors, including the excellent Senior Line magazine,” said Geller. “While we are supported by many community organizations and foundations, we need additional funding. I am, therefore, hoping this evening will help promote the organization’s good work and, this time, actually raise money to allow it to continue.”
For tickets to A Night in the Catskills or to become an event sponsor, visit jsalliance.org or call 604-732-1555.
Jack Garton, playing a Jokeresque bellhop, manipulates the memories and thoughts of the Writer, played by Adrian Glynn McMorran. (Sarah Race Photography)
In Paper Thin Hotel, Leonard Cohen writes, “It is written on the walls of this hotel, you go to heaven once you’ve been to hell.” Heaven is where you will be if you catch Steve Charles and Tracey Power’s 2024 iteration of their 2012 hit Chelsea Hotel, playing at the Firehall Arts Centre until March 3.
Chelsea Hotel is a loving tribute to Cohen and his poetry, which transcends time and space while touching on enduring universal topics – passion, loss, sex, religion and politics. Although Cohen has been dead for more than seven years, his music and lyrics live on and perhaps are more relevant than ever given the troubled state of our world.
I saw the world première of the show back in 2012 (jewishindependent.ca/oldsite/archives/feb12/archives12feb10-02.html) and did not think anything could make it better but, after a cross-country tour and 400 performances, like a fine wine, it has improved with age. Half of the original cast returns to reprise their roles and they, too, have only become better with time. Power does triple duty as she choreographs, acts and directs, while Charles is musical director/arranger and musician/actor.
The sung-through musical revolves around a tortured writer (Adrian Glynn McMorran) shuttered up in a shabby room in New York’s Chelsea Hotel trying to forget his past so that he can be creative again. The show opens with him outstretched on a bed towering with crumpled paper, a metaphor for his cluttered mind. Each time he writes something down and throws it away, we feel his existential angst as he searches for inspiration from his life’s memories. Five actors, playing multiple characters, move in and out of his various visions, reminding him of his past romantic entanglements and indiscretions through songs like “Suzanne,” “Take this Waltz,” “First We Take Manhattan,” “Tower of Song,” “Dance Me to the End of Earth,” “Bird on a Wire” and, of course, “Hallelujah.”
All the scenes play out in the Writer’s mind – illusions in a carnival-like setting guided by a Jokeresque bellhop (a terrific Jack Garton) who pops in and out of the set as he manipulates the Writer’s memories and thoughts.
This truly ensemble production is a fusion of dance, music and theatre, with the multi-talented cast of six all triple threats – each capable of singing, dancing and playing the myriad instruments used in the show, ranging from the traditional – guitar, violin, keyboards and drums – to the more unconventional – banjo, ukulele, accordion and even a kazoo (showcased in the very erotic “I’m Your Man” number).
McMorran is sensational as the Writer. His vocals run the gamut from softly crooned ballads to frenetic rock ’n’ roll numbers. Power, Marlene Ginader and Michelle Bouey play the lovers and the muses, moving through the various vignettes in dreamlike, ethereal fashion. Ginader, in her blue raincoat, is touching in her portrayal of the jilted lover trying to get back into the Writer’s heart. Hovering quietly in the shadowy background, Charles switches effortlessly from instrument to instrument, until he emerges front and centre stage to sing a poignant “Famous Blue Raincoat.”
The staging is sublime. Kudos to set and costume designer Drew Facey for his fragile, paper-like set and simple costumes. John Webber’s mood lighting completes the surreal atmosphere.
As you unwrap the layers of this performance, so ably packaged by this wonderful cast, the pleasure only increases. There is so much to like in this production – don’t miss it.
As a bonus, on Feb. 23, the theatre is holding a special event, Endless Love, toasting the legacy of Cohen, which includes pre- and post-show receptions, cast mingling and, of course, the show. Tickets can be purchased at firehallartscentre.ca or by calling the box office at 604-689-0926.
Tova Kornfeld is a Vancouver freelance writer and lawyer.
Natalie Portman, Evan Goldberg and Seth Rogen (photos from Variety)
On Feb. 25, 1-5:30 p.m., the 58th annual Variety Show of Hearts Telethon will be broadcast on Global BC. The fundraising event will feature celebrity guests, including appearances by Natalie Portman, Evan Goldberg, Seth Rogen and others, as well as musical performances by renowned artists. Viewers will hear directly from the children and families that have been supported by Variety and the impacts the organization has had on their lives.
“Variety is committed to stepping in for families who need urgent support and specialized care when there is nowhere else to turn,” said Andrea Tang, chief executive officer of Variety BC. “The essential programs, services and resources made possible by our generous donors not only transform daily realities for children – they change the trajectory of their future and positively affect entire communities across the province.”
Every donation made during the Variety Show of Hearts campaign will be matched, allowing donors to make twice the impact in a child’s life. Donors who join Variety’s monthly giving program or make a one-time donation of $169 or more will receive a limited-edition poster of Robert Bateman’s “Northern Reflections – Loon Family.” This artwork was commissioned in 1981 by the Government of Canada as a gift for HRH the Prince of Wales (now King Charles III) on his wedding.
To donate, visit variety.bc.ca or call 310-KIDS (5437) toll-free. To make an automatic $25 donation, text the word KIDS to 45678.
A full list of Variety Show of Hearts guests and performers can be found online at variety.bc.ca.
Theatre critic, author and actor Jerry Wasserman is the winner of this year’s Max Wyman Award in Critical Writing.
Jerry Wasserman
The annual award celebrates critical commentary on the visual, performing and literary arts in the province of British Columbia. It is intended to honour informed and compelling writing that stimulates critical thinking, fosters ongoing discussion about the role of arts and culture in contemporary society and demonstrates the value of creative commentary in our understanding of the world around us.
The winner receives a prize of $5,000 and a gold and emerald pin designed by Vancouver artist Robert Chaplin. A mentee, named by the laureate, receives a $1,000 prize. This year’s mentee is Angie Rico, an emerging writer and media artist.
The award was established in 2017 by philanthropist Yosef Wosk to honour the career and lifetime contributions of the Vancouver author, arts critic and commentator Max Wyman. It recognizes writers who have amassed a significant body of work. Eligible subjects of criticism include the visual arts, architecture and design, theatre, literature, dance, music, film and television, as well as more general cultural commentary.
Wasserman began working as a theatre critic on CBC national radio in the mid-1980s and broadcast weekly reviews on Vancouver’s The Afternoon Show from 1987 to 2003. He has since served as theatre critic for the Province and, currently, the Vancouver Sun. About 400 of his articles and reviews have appeared in those papers; since 2004, his website, vancouverplays.com, has received more than 1.6 million visits. He taught English and theatre at the University of British Columbia for more than four decades and served as head of the department of theatre and film from 2007 to 2012. His acting resumé includes stage appearances for the Arts Club, Playhouse, City Stage, Westcoast Actors, New Play Centre, United Players and Western Gold Theatre, and more than 200 film and TV appearances, from The X-Files, Look Who’s Talking and Alive to I, Robot, Watchmen and The Last of Us.
The jury citation reads: “Jerry Wasserman’s remarkable career in many ways embodies the aims of this award. His decades as a teacher and as a performer give his writing about the theatre a sympathetic and thoughtful understanding that is expressed in language that is lively, direct and deeply informed. The jury was unanimous in its appreciation of the way he has encouraged and enhanced a wider appreciation of the richness of the Vancouver arts scene and the talents of those who make that richness possible – both through his print and media reviews and through his website, which is a consistent source of information and critical context on all things theatre in Vancouver.”
Wosk commented: “Jerry Wasserman’s voice has been a steady and trusted source of information and context about the Vancouver theatre scene for decades. He treats criticism and commentary as an integral part of the cultural fabric, and sees the role of the critic not as an antagonist to the performer and creator but as a collaborator. I am delighted that he is to receive this award.”
* * *
Brighton Feldman has been named to the U-18 Canadian National Rugby Team for a tour in the Netherlands this summer. At the school-based age group, however, team members have to pay all their own travel expenses, so Feldman has started a GoFundMe page.
Brighton Feldman
“Ever since I started playing rugby, I’ve wanted to wear the leaf on my chest,” he writes. “Now that I have that opportunity, I need a little help to get me there. I promise to work my butt off and come away with some wins. Any support is appreciated.”
Feldman is the son of Steve Feldman and Kristen Sandborn of Victoria, and grandson of Pearl Feldman of South Surrey, B.C. He is a graduate of Congregation Emanu-El Hebrew School and is completing Grade 12 at Royal Bay Secondary School in Victoria. He plays basketball and rugby for his school teams, as well as playing rugby for the WestshoreFC and, now, for Team Canada. He has previously played and captained the B.C. Bears provincial rugby team.
Next year, Feldman will be attending the University of Victoria, working towards a degree in physical and health education. At UVic, he will compete as a member of the Vikes Rugby Team.
