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Tag: Eugene Yelchin

Stories to bring smiles

Stories to bring smiles

Delightful. That’s the first word that comes to my mind for two new hardcover children’s books by members of the Jewish community that will soon find their way to my youngest nieces’ bookshelves: Pip & Pup by Eugene Yelchin (Godwin Books) and Counting on Katherine: How Katherine Johnson Saved Apollo 13 by writer Helaine Becker and illustrator Dow Phumiruk (Christy Ottaviano Books).

Yelchin’s wordless book begins with a chick hatching. On a farm somewhere, having just come out of her shell, Pip sees the world for the first time. She spies a puppy sleeping under cover of a tractor. Fearless, she goes right up to Pup’s nose to say hello. When Pup awakens and barks in greeting, Pip is thrown into a panic, not quite prepared for the full size of her relatively large new friend.

When the rain starts, Pip literally climbs back into her shell, but just to stay dry. She is no longer afraid. In fact, when she sees Pup’s distress at getting wet and at the sound of the thunder and the force of the rain, she offers what help she can. The two start to play even before the sun comes out again. A broken eggshell dampens spirits momentarily, but then it’s Pup’s time to fix things, which she does.

Pip & Pup is a simple story that is evocatively illustrated using warm colours, texture and layers, combining pastels, coloured pencils and digital painting. There is a depth to the art and the story. Children and their adult readers will have fun asking each other questions as they go along. Do you think Pip is brave to say hello to Pup? Do you like the rain? How is Pup feeling right now? How would you feel if something of yours broke?

image - Counting on Katherine book coverMany questions will arise from reading Counting on Katherine, as well, though some of them will require a different kind of reflection, as the story touches upon racism, sexism and other such topics – in an age-appropriate way for readers 5 and up.

Becker interviewed Katherine Johnson, who turned 100 years old on Aug. 26, and Johnson’s family for this picture-book biography. Johnson was a mathematician at the National Aeronautics and Space Administration (NASA) and, among other things, her manual calculations were crucial in bringing the crew of Apollo 13 back to earth safely after it was damaged while in space.

In Counting on Katherine, we meet Johnson as a young girl: “Katherine loved to count. She counted the steps to the road. The steps up to church. The number of dishes and spoons she washed in the bright white sink. The only things she didn’t count were the stars in the sky. Only a fool, she thought, would try that!”

And Johnson was anything but a fool. She skipped three grades in elementary and was ready for high school at 10 years old. “But back then,” writes Becker, “America was legally segregated by race.” Johnson’s high school didn’t admit black students, so her father, by “working night and day, he earned enough money to move the family to a town with a black high school.”

Johnson’s next challenge was that, as a woman in that era, she was relegated to the teaching and nursing professions, so she became an elementary school teacher. However, in the late 1950s, the space race began, and NASA’s predecessor began hiring thousands of workers. “It even started hiring black women – as mathematicians.”

Johnson excelled at NASA and her work was integral to the United States’ space program, not just to the Apollo 13 mission, and Counting on Katherine has an epilogue that gives some additional information about Johnson. As well, Phumiruk’s imaginative digital artwork is also information-filled, clearly showing Katherine’s longing to learn, as she gazes from her bedroom window at the night sky; her joy with numbers, as she fills chalkboards with them; her anger at not being allowed to attend her town’s high school; her meticulousness, as she calculates a safe journey for Apollo 13. Counting on Katherine is a wonderful book.

Format ImagePosted on September 7, 2018September 6, 2018Author Cynthia RamsayCategories BooksTags art, children's books, Dow Phumiruk, Eugene Yelchin, Helaine Becker, Katherine Johnson, science, women
Arcady survives with soccer

Arcady survives with soccer

Eugene Yelchin’s illustrations are an integral part of the storytelling in Arcady’s Goal.

What a special tribute to a parent. Eugene Yelchin’s most recent children’s book,

image - Arcady's Goal - book cover

Arcady’s Goal, started with a 1945 photograph of the Red Army Soccer Club. One of fewer than a dozen photos of his family that “survived the turbulent history of the Soviet Union,” it includes the team’s captain, Arcady Yelchin, his father.

Historical fiction aimed at kids age 9 to 12, Arcady’s Goal (Henry Holt Books for Young Readers, 2014) will hold the interest of older readers and elicit much discussion. Set in Soviet Russia during Stalin’s reign of terror, its main character, Arcady, is a feisty, self-confident 12-year-old who has lived in several children’s homes (“home” being euphemistic for camp or prison) since he was 3 years old and his parents were arrested on the charge of “participation in a terrorist organization. Preparing to overthrow Soviet power and the defeat of the USSR in a future war.”

Arcady has survived on his wits, his courage to stand up to those in authority and strength to deal with the consequences, and his incredible skill at soccer. Playing one-on-one soccer with other kids for rations, Arcady initially seems ruthless, but the act of it is revealed when he returns his winnings (“an eighth of bread, our daily ration”) to the boy he beats. And, when a group of inspectors comes to the compound, Arcady makes a deal with the director: Arcady will play whomever the director lines up and, for every win, the director will give him and the loser of the match two bread rations.

During the “games,” one of the inspectors seems especially interested in Arcady. While Arcady didn’t believe the director who, when trying to convince him to play, said there might be a soccer coach among the inspectors scouting for new talent, Arcady nonetheless starts thinking that this man is indeed a coach. When Ivan Ivanych returns to adopt Arcady, the boy thinks it’s because of his soccer talent – and that, if he fails to perform as expected, he’ll find himself back at the children’s home.

Without revealing what happens, the relationship between Arcady and Ivan is really touching. Reading how it develops, the hurdles they both have to overcome, the trust they both need to gain, the courage they both need to find, is inspiring, especially surrounded as they are by people who would do them ill out of fear or ambition – with two notable exceptions. Arcady’s Goal is a well-told story that respects its readers and doesn’t shy away from difficult material even while delivering a positive, hopeful message. The black and white illustrations by Yelchin communicate an additional depth of feeling and movement, or stillness.

image - The black and white illustrations by Yelchin communicate an additional depth of feeling and movement, or stillness.
The black and white illustrations by Eugene Yelchin communicate an additional depth of feeling and movement, or stillness in Arcady’s Goal.

Yelchin, who was born in Russia, left the former Soviet Union when he was 27. Arcady’s Goal is considered a companion novel to Breaking Stalin’s Nose (Henry Holt Books for Young Readers, 2011). Also written and illustrated by Yelchin, the 2012 Newberry Honor book centres around 10-year-old Sasha Zaichik, who has wanted to be a Young Soviet Pioneer since he was 6 but when the time comes to join, “everything seems to go awry. Perhaps Sasha does not want to be a Young Soviet Pioneer after all. Is it possible that everything he knows about the Soviet government is a lie?”

In the author’s note that follows the story in Arcady’s Goal, Yelchin writes about an experience he had in the summer of 2013 when he was at Oakland University in Michigan to speak to students who were studying Breaking Stalin’s Nose. After his talk, he caught a cab to the airport. The driver had also come from St. Petersburg. When the reason for Yelchin’s trip came up in conversation, the driver fell silent, then revealed that his grandfather had died as a result of being sent to a hard labor camp for 10 years by Stalin. “I caught myself leaning in close to hear Yury,” writes Yelchin. “He was whispering.

“And so it goes. The terror inflicted upon the Russian people by Stalinism did not die with those who experienced it firsthand but continued on from one generation to the next. It is as if anyone born in the Soviet Union continued to suffer from a post-traumatic stress disorder that has never been treated.” The Communist Party, with its preemptive strikes against people who might disagree with them, “ensured that this trauma would live on even after the demise of communism. It did so by shattering families of the enemies of the people. Their family members were denied places to live, work, permits and food rations. Children suffered the most. Infants were separated from their mothers, placed into the security police-run orphanages and often given different surnames.” Yelchin notes that everything was taken away from these children, and that children could receive the death penalty at age 12. For these and other reasons, says Yelchin, even 60 years after Stalin’s death, a cab driver thousands of miles away from Russia whispered “as he shared the fate of his grandfather, an enemy of the people.”

There is a teacher’s guide for Arcady’s Goal that can be downloaded from eugeneyelchinbooks.com/arcadys-goal.php. It is quite intriguing in and of itself, and would be an excellent resource for non-teachers as well.

Format ImagePosted on December 12, 2014December 10, 2014Author Cynthia RamsayCategories BooksTags Eugene Yelchin, Henry Holt Books, Soviet Russia, Stalin
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