Gregor Craigie, host of CBC Radio One’s On the Island, interviews Eleanor Wachtel at Congregation Emanu-El on Sept. 15, at 2 p.m., about her career helming the CBC’s premier literary program, Writers & Company. During her 33-year tenure with the show, Wachtel spoke with a Who’s Who of authors, including Saul Bellow, Michael Ondaatje, Mordecai Richler, John le Carré and Kazuo Ishiguro.
“[Eleanor’s] sense of respect, her tact, her utter lack of obsequiousness . . . and her uncanny ability to ask difficult questions have endeared her to readers and listeners,” said Canadian writer Carol Shields, whose book, The Stone Diaries, won the Pulitzer Prize for fiction in 1995.
Craigie is both an author and an expert interviewer in his own right. A journalist for more than 25 years, his most recent book, Our Crumbling Foundation, which examines Canada’s housing crisis, is a national bestseller.
The event is part of Emanu-El’s 160th anniversary celebrations, and is a fundraiser for the synagogue, which is undergoing structural and other renovations. Tickets ($36) can be purchased at ticketowl.io/cevbc.
Left to right: Congregation Emanu-El president Ilana Stanger-Ross, MLA Grace Lore, Prof. Richard Kool, Victoria Mayor Marianne Alto, Emanu El’s Rabbi Harry Brechner, MP Laura Collins and MLA Lana Popham on Aug. 18 at the shul’s 160th birthday party. (photo posted on Facebook by Lana Popham)
Victoria’s Congregation Emanu-El, the oldest synagogue on the West Coast and the oldest synagogue still in continuous use in Canada, has been commemorating its 160th anniversary with various events this summer, including an evening concert and an afternoon of poetry, music and food.
On Aug. 15, Tehila Nini Goldstein, a soprano based in Berlin, performed Ladino, Yiddish, Spanish, Hebrew and Yemeni songs, accompanied by Robert Holliston of the Pacific Opera Victoria and the Victoria Conservatory of Music. Goldstein has won the Tel Aviv Music Academy Singing Competition, received a scholarship from the America Israel Cultural Foundation and taken home a prize in the Liederkranz Foundation Competition in New York.
On Aug. 18, municipal, provincial and federal politicians, as well as representatives from several religious groups, attended an anniversary ceremony, emceed by Richard Kool, a professor of environment and sustainability at Royal Roads University.
On Aug. 15, Tehila Nini Goldstein performed songs in multiple languages, accompanied by Robert Holliston. The event was part of Congregation Emanu-El’s 160th anniversary celebrations. (photo by Penny Tennenhouse)
The events coincided with a campaign, still underway, by the Conservative shul on the corner of Blanshard and Pandora “to restore, preserve and revitalize” the synagogue. The Romanesque Revival building, a National Historic site, is having work done on both its exterior and interior.
Restoration began this spring, with repairs to the brick outside of the building to ensure structural integrity. Interior restorations include repairing water damage and wall cracks; painting the sanctuary; replacing lighting, smoke detectors, sound and security systems; and refinishing flooring and external doors. Regarding security, Emanu-El plans to set up CCTV cameras, with other systems to improve preparedness.
In August, the congregation held a general meeting at which a motion to increase the complete restoration budget to $1.5 million easily passed, with no objections and one abstention. According to the shul, the meeting filled four Zoom screens, with some members tuning in from Nova Scotia, staying up well past midnight in the Atlantic time zone.
Scores of individuals and families have contributed to the architectural revitalization project. The synagogue offers the opportunity to “buy a brick” with a minimum donation of $54. The Ronald S. Roadburg Foundation, the Victoria City Heritage Trust and the Jewish Federation of Victoria & Vancouver Island are among the organizations supporting the project.
Jews first started arriving in Victoria in sizable numbers in the 1850s, with the majority traveling from San Francisco. During this era of prospectors, fur traders and steamships, those looking for gold needed to stop in Victoria, the provincial capital, for a mining licence, before moving onto the places where gold was discovered on the mainland.
The first Jews in town came with the prospectors, supplying mining camps with food, clothing, household goods and tools. By the end of the 1850s, roughly 200 Jews were living in Victoria and, by 1860, the Victoria Hebrew Benevolent Society, the first Jewish organization in Western Canada, purchased a burial site, which still serves the community to this day.
The congregation came into being in 1862, when community members purchased the synagogue’s present site, and a cornerstone-laying ceremony, attended by the many local luminaries of the time, took place on June 2, 1863. The building was designed by the first professional architect in Victoria, John Wright.
Over the course of Emanu-El’s existence, there have been some leaner times, particularly in the mid-part of the previous century, as Vancouver became the dominant provincial city. In the 1940s, with only a handful of paid-up families, the synagogue was in bad shape. To prevent the building from being condemned, its brick exterior was covered with stucco, its windows were blocked and a false ceiling was installed to help with heating.
In 1978, a group of volunteers decided to bring the synagogue back to its original condition, which cost, at that time, some $370,000, much of it coming from the Jewish community. Completed in 1982, the restoration was celebrated in a way similar to the original dedication in 1863, with people from many cultures coming together to honour the occasion.
In 2003, as the community continued to expand, Congregation Emanu-El added more space to host social and cultural activities. In 2013, the synagogue had its 150th birthday with musical and theatrical events, lectures, an auction, and a gala dinner at the Empress Hotel. There was also a reenactment of the original cornerstone-laying ceremony, including a parade. Today, the synagogue grows still, with hundreds of members of all ages.
On Sept. 15, at 2 p.m., Emanu-El will be the setting for a conversation between Eleanor Wachtel, the writer and broadcaster most known for hosting Writers & Company on CBC Radio One, and Gregor Craigie, who leads the On the Island morning show for CBC in Victoria.
Reflecting on the long history of the synagogue, this year’s b’nai mitzvah class at Congregation Emanu-El wrote: “When you come in the doors, you feel different from how you feel outside. There’s an ancient and respectful vibe here. That’s the sort of feeling we get in this building; we want to honour that age.”
Growing up in Vancouver during the 1960s and ’70s, I was the dancer, my brother was the guitarist and my sister was the writer, soon to blossom into a visual artist as well.
Devorah Stone, my sister, is one of the contributors to this year’s Calling All Artists exhibit, which opens at Victoria’s Congregation Emanu-El on Aug. 26. Since the early 2000s, the mostly annual event has celebrated artists of many kinds – sculpture, ceramics, textile, poetry, mixed media, fabric, music – who offer their interpretation of a rabbinical or biblical text that they’ve studied with the synagogue’s spiritual leader, Rabbi Harry Brechner.
Devorah Stone created a honeybee circle for this year’s Calling All Artists exhibit, which opens at Congregation Emanu-El Aug. 26. (photo from Devorah Stone)
“This year’s theme is ‘animals’ and since my name means ‘Honeybee’ in Hebrew, I went with that,” Devorah told me. “The bees in my work are all hand-felted, a technique that involves pocking at wool and shaping the form. I decided to present the bees in circles because they are so crucial to the circle of life.”
The artists’ works are up for six months in the shul’s social hall. Devorah has been involved with the event for the last 10 years. Rabbi Brechner gives a lecture on the theme and how it pertains to Jewish traditions, sacred writings and thought once a month for five months before the celebration. This year, his teaching focused on the significant symbolic and ritual roles animals play in Jewish texts.
“I’ve learnt so much about both art and Judaism attending the rabbi’s lectures,” said Devorah. “Anyone can join … you don’t even need to be Jewish.”
The Calling All Artists project is run by self-proclaimed “den mother” Barbara Pelman. She said there is a chapbook written every year with an explanation of each artist’s creative process and a copy of that is given out to guests.
“In last year’s Calling All Artists, I did the kohain gadol’s (high priest’s) breastplate with references to all the various colour and gem stones as described in the Torah,” said Devorah. “The only difference was the mannequin I used was a woman’s so I pretended that there might have been female priests at the time of the Temple!
“I’ve also done a collage of a person wearing a tallit and the burning bush, a three-dimensional piece of the Rosh Hashanah dinner, and another collage on a wooden cradle of the story of Abraham and Isaac.”
Devorah has always been fascinated with art.
“As a child, there was nothing better than a box of crayons and endless paper,” she said. “I drew space ships, planets and alien worlds. I also drew castles and princesses. I loved it. My imagination had no limits.”
In her 20s, Devorah spent four years at the University of Victoria, earning a bachelor of fine arts. All the while, she felt inspired by Emily Carr and Indigenous art.
“I loved the way Carr personified nature and her magnificent trees,” she shared. “I marveled at the complexities, elegance and craftsmanship of the First Peoples of the land.”
Our parents also brought us up with a strong Jewish identity.
Devorah Stone (photo courtesy)
“Being Jewish, I was taken by the imaginative work of Chagall, his goats and houses and how everything seemed to be floating or suspended,” said my sister. “Later on, I began to be influenced by the school of Bauhaus design, especially Kandinsky, his calculated and yet whimsical designs.”
After Devorah moved to Victoria 20 years ago, she joined the Pandora Arts Collective Society. The group exhibits its works at the Little Fernwood Gallery twice a year and Devorah recently sold a painting there.
The collective is a community of people whose mandate is to facilitate and support mental health through the social and educational benefits of a free and welcoming creative arts space. The studio is open to everyone: professionals, students and beginners. The atmosphere is especially sensitive to people who are using art therapeutically. Devorah is on their board and has planned events for them in the past.
“We inspire and mentor each other,” she said. “I have learnt so much about art from that group. I’ve been introduced to many different kinds of art and artists, as well as being influenced by so many artists in our synagogue. The joke is that you can’t throw a rock without hitting an artist in Victoria!”
When she was living in and around Vancouver, Devorah brought up three children, two of whom live in the Lower Mainland. She visits all of us frequently and spends a lot of time on the ferry.
“I love doing fast sketches of the scenery as it goes by,” she said. “I also do fast sketches at outdoor concerts and festivals, which Victoria has so many of.”
Devorah uses pencil crayons, acrylic paint and watercolours, creates collages and sometimes three-dimensional art made out of whatever she can find.
“I love experimenting and I feel that all my art is influenced by being Jewish,” she said. “It all has a profoundly Jewish way of seeing nature and of being.”
The best way to view Devorah’s art is through Instagram @devlovesart.
Cassandra Freemanis a journalist and improviser who lives in East Vancouver.
Last November, Dror Israel helped evacuees from northern Israel celebrate the holiday of Sigd. (photo from Dror Israel)
Noam Schlanger of Dror Israel is returning to British Columbia to discuss the group’s emergency response after the Oct. 7, 2023, Hamas terror attacks in Israel. He will speak at Congregation Emanu-El in Victoria on May 28, at 7 p.m., and at Congregation Beth Israel in Vancouver on June 2, at 5 p.m.
“We had been working with many of the affected communities for a long time before the attacks, so, when the war broke, we had the connections and the know-how to immediately set up educational frameworks for evacuated communities, with an emphasis on therapeutic and empowering platforms,” Schlanger the Independent.
“I will also be talking about our work with the tens of thousands of evacuees from the north, who still haven’t returned to their towns and homes. We have been providing day camps, leadership training courses and social-emotional support to many children and teens who have been living in cramped hotel rooms with their parents for seven months.”
Schlanger is an engagement director with Dror Israel, an Israeli organization that teaches leadership and responsibility for both individuals and community. Comprised of 1,300 trained educators in 16 communities on the social and economic periphery of the country, the organization promotes social activism to drive positive change. Educators live in the neighbourhoods they serve to bridge gaps and solve local problems. Through its youth movement, schools and programming in Israel, it helps an estimated 150,000 people a year.
Dror Israel educators have supported children traumatized by previous wars, the COVID lockdowns and the war in Ukraine. During the current war, the organization, in cooperation with local municipalities and the Israel Defences Forces Home Front Command, has established programs to help evacuees and residents who have been hardest hit.
Schlanger shared several stories of how Dror Israel has played a crucial role in allowing life and events in the country to continue as normally as possible under the circumstances. In November last year, they helped evacuees celebrate Sigd, a holiday celebrated by Ethiopian Jews that falls 50 days after Yom Kippur.
This past March, students from Dror Israel’s Tel Aviv high school used their skills in urban agriculture to create community gardens. The portable gardens were made at several evacuee centres for displaced communities and not only provide fresh produce but therapeutic spaces that give solace and connection.
In April, 400 children from the evacuated city of Kiryat Shmona were supplied structure and some fun through a Passover day camp. The children, from grades 1 to 6, who are presently housed in Tel Aviv hotels, went bowling, visited an amusement park and had a picnic near the Alexander River.
Dror Israel has been giving evacuees the chance to have some semblance of a normal life. (photos from Dror Israel)
Dror Israel works with animals as well. Following the Oct. 7 attacks, many dogs ran away or were leftbehind. With the help and care of students in the Dog Training Vocational Course at Dror Israel’s high school in Karmiel, dogs went from being fearful and hesitant to curious and loving, and many are now ready for adoption.
Besides being an engagement director, Schlanger’s involvement with Dror Israel has included leading a youth centre in Kafr Manda, an Arab town in Lower Galilee, and working at the community garden in Akko (northern Israel).
From Schlanger’s standpoint, the essence of Dror Israel is one of an inclusive vision of Zionism that yearns to create space for everyone, and the dream of a just and equal Israel. He believes it is a welcome message amid the polarized discourse that has been prevalent in the country for many years.
Schlanger last visited British Columbia in the summer of 2022 and has maintained a close relationship with both Congregation Emanu-El and Congregation Beth Israel. In October 2023, only a couple of weeks after the Hamas attacks, he wrote to his friends in Victoria, “We will do our best to better people’s lives during these terrible days. Our educators across the country are continuing to assess the safest and most necessary next steps in our communities.”
“The sense of connection goes deep into our community and we have people there, too,” said Susan Holtz, executive director of Emanu-El, about the synagogue’s ties with Dror Israel.
Rabbi Adam Stein of Congregation Beth Israel said, “We are very excited to have Noam come here. Dror Israel is a wonderful organization that has been doing great work for Israeli civil society, especially for those who were evacuated after Oct. 7.”
“I visited Dror Israel in Akko and was very impressed at the programs they offered and the process they undertook,” Beth Israel member Penny Gurstein added. “Their commitment to social justice and partnerships between Jews, Arabs, and all sectors of Israeli society is even more needed now.”
Dror Israel was started in 2006 by graduates of the Israeli Youth Movement, Hanoar Haoved Vehalomed, who served together in the IDF and shared a belief in the founding principles of Zionism.
After his talk in Vancouver, Schlanger will travel to Portland to speak at the annual federation meeting there. For more information about Dror Israel, visit drorisrael.org.
Sam Margolishas written for the Globe and Mail, the National Post, UPI and MSNBC.
Congregation Emanu-El Synagogue (photo from Bema Productions)
Bema Productions, directed by Zelda Dean, is bringing the play Peace Talks to the Victoria Fringe Festival, Aug. 25-Sept. 4. Performances will take place at Congregation Emanu-El Synagogue’s Black Box Theatre, 1461 Blanshard St., pictured above.
Written and performed by Izzy Salant and Ryan Dunn, this run will be a world première of the work that saw a virtual staged reading in early 2021. Since that time, the playwrights continued to develop their play and raise the necessary funds to meet their goal of touring the show to university and college campuses in both Canada and the United States.
Peace Talks addresses the Israeli/Palestinian conflict. Noam watches helplessly as his best friend Andrew dies in an explosion right in front of him in a hookah bar in Israel. Noam believes he was responsible. After the catastrophe, Andrew’s bereaved American brother James sets out on a revenge plot against Israel and against Noam, as he also believes Noam is responsible for Andrew’s death. He puts his plan into action, actively sabotaging Israeli advocacy and promoting anti-Zionism to anyone who will listen, ultimately attempting to attain his true goal: to kill Noam.
James and Noam find themselves in a bitter internal and external struggle with Israel, Zionism, death, human rights, and Andrew’s memory. As they clash, they both discover some harsh realities of the Israeli/Palestinian conflict and that it is a world that isn’t as clear-cut as they thought.
Nicholas Guerriero, left, Lorene Cammiade and Rudy Smith rehearse a scene from Bema Productions’ staging of Men Overboard, which will be at Emanu-El Synagogue’s Black Box Theatre May 5-15. Guerriero plays Jay Silver, a Buddhist monk and the youngest son of Zaida Ernie, Cammiade portrays Eva Fuzesi, the bar mitzvah tutor from Hungary, and Smith plays Doug Silver, Ernie’s middle son and a psychotherapist. (photo from Bema Productions)
Next month, Victoria’s Bema Productions mounts the first full production of Men Overboard.
Winner of the Long Beach Playhouse New Play Contest and a finalist for the Woodward-Newman New Play Award, Men Overboard was written by Rich Orloff. After well-received readings and workshops in New York, Philadelphia, Long Beach and Dayton, the play comes to Victoria, where the première will be directed by Kevin McKendrick.
Things get rough in Men Overboard: Rudy Smith puts a (fake) stranglehold on Nicholas Guerriero. (photo from Bema Productions)
The play focuses on a bar mitzvah for a boy, Abraham, who doubts he’s ready to become a man. The event brings together Abraham’s politician father and the father’s two brothers, a therapist and a Buddhist monk. Add their fading but forceful father and Abraham’s bar mitzvah tutor, a woman who loves Abraham and possibly one of his uncles, and it’s easy to see that Abraham is torn between obedience and defiance of his father. Tensions grow, affecting everyone in the family, until anger becomes abuse and it becomes clear that the family’s status quo is no longer an option. Men Overboard asks “What makes a man?” as it explores the responsibility each of us has to protect the souls of those we love.
The Bema production stars Lorene Cammiade, Nicholas Guerriero, Asa O’Connor-Jaeckel, Evan Roberts, Alf Small and Rudy Smith. It is produced by Alan Segal and takes place May 5-15 at Congregation Emanu-El Synagogue’s Black Box Theatre, 1461 Blanshard St. For tickets ($25) and showtimes, visit eventbrite.ca/e/295008758137.
University of Victoria’s Prof. Dan Russek spoke about Jewish writers in Argentina and Mexico, as well as Jorge Luis Borges’ Jewish-related writings. (photo from Dan Russek)
Dan Russek spoke on 20th-century Latin American writers, both Jewish and those who have been influenced by Jewish themes, at a Jan. 10 Zoom event organized by Congregation Emanu-El in Victoria.
Entitled The Golem Dances the Tango, the talk began with discussion of four Jewish authors – Alberto Gerchunoff and Ana Maria Shua of Argentina and Margo Glantz and Myriam Moscona of Mexico – before examining Argentine Jorge Luis Borges’ Jewish-related writings.
Gerchunoff (1883-1950) painted an idealized version of Jewish life in the Argentine countryside in his writings, with religious Jews as peasant farmers in a new land, explained Russek, an associate professor in the University of Victoria’s department of Hispanic and Italian studies.
In his best-known work, The Jewish Gauchos of the Pampas, a series of vignettes, “Gerchunoff was keen to find parallels between peasant life in Argentina and the Bible, and explore the interaction between Jews and the local residents,” Russek said. In one story, El Episodio de Myriam, a Jewish girl from a pious family elopes with a non-Jewish boy, causing uproar in the community.
Shua represents a more modern writer, less attached to traditions, said Russek. In her 1994 novel The Book of Memories, an anonymous narrator tells the story of the Rimetka family. “Gossip reigns supreme in this fictionalized account of a family. One feels as though we are witnessing a family dinner, perhaps a seder,” Russek explained. The narrator presents different and sometimes contradictory accounts, he said, creating a “series of foibles and misadventures with no end.”
Mexico’s Glantz incorporates much of her family story into her most-recognized book, The Genealogies, published in 1981. The daughter of immigrants from Ukraine, her father, Jacobo Glantz, was a promoter of Jewish intellectual life in Mexico, and once penned a poem about Christopher Columbus in Yiddish.
The Genealogies “is a form of literature as transcription and personal document,” Russek said. “It is a family story centred on her parents and her own coming of age. In Glantz, we see an adoption of Jewish culture but not of Jewish faith nor a strong sense of belonging.”
Moscona, a poet, journalist and translator, was the most contemporary writer of the four. Born in Mexico City to Ladino-speaking Bulgarian immigrants, her autobiographic novel Tela de sevoya explores her quest to find her cultural and linguistic heritage.
Russek then discussed Borges, a Judeophile who had several Jewish friends, from his time studying in Geneva, as well as literary mentors, such as Baruch Spinoza and Franz Kafka. Borges credited his English Protestant grandmother for providing a passion for Israel through a love of the Bible, and recognized Judaism as a pillar of Western Civilization.
In 1934, early in his literary life, Borges wrote an article called “I, A Jew,” which was a defence against an attack from a fascist magazine accusing him of hiding his Jewishness. In it, Borges says he would not mind at all being Jewish.
Borges lauded Israel in his poetry. In his 1969 collection In Praise of Darkness, he views Israel as a place that transcends Jewish history and the stereotypes associated with Jews. Two of the poems were written after the Six Day War and herald Israeli heroism on the battlefield.
In “Israel, 1969,” Borges writes, “You shall forget your parents’ tongue and learn the tongue of Paradise. / You shall be an Israeli. / You shall be a soldier. / You shall build the homeland with swamps, you shall erect it in deserts.”
Jewish characters and themes appear in “The Secret Miracle” and “The Death and the Compass.” And Borges had an abiding interest in kabbalah, which is documented in his essays and lectures. About his story El Aleph, Borges wrote: “In the kabbalah, that letter [aleph] signifies the En Soph, the pure and unlimited godhead; it has also been said that its shape is that of a man pointing to the sky and the earth, to indicate that the lower world is the map and mirror of the higher.”
Russek concluded with Borges’ poem “The Golem,” from the 1964 book El otro, el mismo. “Despite the logical structure of the poem, the theme deals with magic, myth and religion. The main philosophical/theological subject is the relationship between the creator and its creatures,” Russek said.
Russek is the author of Textual Exposures: Photography in 20th-Century Latin American Narrative Fiction and the upcoming Exercises in Urban Mysticism, a book of illustrated poetic prose. He coordinates Victoria’s annual Latin American and Spanish Film Week at Cinecinta.
Sam Margolishas written for the Globe and Mail, the National Post, UPI and MSNBC.
Rabbi Matt Ponak is the new education director and assistant rabbi at Congregation Emanu-El. (photo from AJNews)
Going as far back as his days with Northwest Canada Region of B’nai Brith Youth Organization, Matt Ponak has had a passion for the spiritual aspects of Judaism, and now he is bringing that passion to Victoria.
Having impressed the congregation as an interim rabbi during Rabbi Harry Brechner’s sabbatical, Congregation Emanu-El announced in mid-May that Ponak would be joining them on a full-time basis as education director and assistant rabbi. Officially, his position began last month, following his graduation – with a master’s degree in Jewish studies – and his June 7 ordination from Hebrew College in Newton, Mass.
Ponak grew up in Calgary, where he attended Jewish day school at Calgary Jewish Academy, and was a member of Beth Tzedec and Temple B’nai Tikvah congregations. Through high school, he was an active member of B’nai Brith Youth Organization and attended Camp BB Riback as a staff member. His ties to Vancouver Island are also strong.
“I grew up in Calgary and spent many summers on the Island growing up,” he said. “My mother is from Port Alberni and I have many relatives in the area.”
Although his spiritual education led him to American schools and life, Ponak said he is looking forward to planting roots back in Canada, and making Victoria his new home. “I’m so excited about this because I get to return to Canada and to live in an incredible city with a community of warm, embracing, open-minded and dedicated people,” he said.
Before rabbinical school, Ponak earned a master’s in contemplative religions at Naropa University, a Buddhist-inspired institution in Boulder, Colo. He earned an undergraduate multidisciplinary degree with a minor in religious studies from the University of Calgary, and also has a certificate in spiritual entrepreneurship through the Glean Network, in association with Columbia University.
During rabbinical school, Ponak interned with the Asiyah Jewish Community in Somerville, Mass.; the Common Street Spiritual Centre in Natick, Mass.; Temple Emanuel in Andover, Mass.; and the One River Foundation with author Rabbi Rami Shapiro. He also served as a curator of the Spiritual Paths Institute, working on an interspiritual website for people of all backgrounds who want to explore their inner lives more deeply. He is one of the founders of Or Chadash, the men’s group at Hebrew College.
Ponak’s capstone project, “Torah for the New Age,” focused on translating and commenting on Jewish mystical texts relevant to contemporary spiritual seekers of all backgrounds. With supervision from Hebrew College rector Rabbi Arthur Green, Ponak translated and commented on 42 mystical texts and used digital design layouts to make them look like Talmud pages. “It was an absolute pleasure working with Rabbi Green,” said Ponak. “He is one of the leading voices for Jewish mystical theology, commentary and translations in our era.”
Ponak is a talented banjo player. He specializes in leading niggunim, wordless melodies from the Jewish mystical tradition. During his first year of rabbinical school, he released a banjo niggun album entitled Bridges of Song. He is also a practitioner of qigong and focusing, using movement and body-centred contemplation to guide people through inner constrictions and into the emerging stages of their journey.
“I am a teacher, musician and lover of life,” said Ponak. “I help spiritual seekers follow the call of their soul. I am passionate about bringing forth ancient Jewish wisdom to meet the needs of today.”
Founded in 1921, Hebrew College is committed to Jewish scholarship in a pluralistic, trans-denominational academic environment, while Congregation Emanu-El is an egalitarian Conservative Jewish synagogue. At 157 years old, Emanu-El is Canada’s oldest synagogue in continuous use, and has been designated a national historic site.
Daniel Moseris editor of AJNews, where a longer version of this article was originally published. For more Alberta Jewish news, visit albertajewishnews.com.
No one was injured and police are ruling out antisemitic motivations after an intruder caused a standoff in Victoria’s Emanu-El synagogue.
Victoria police were called to the historic Blanshard Street synagogue shortly after 8:30 a.m. on Dec. 9 after a report of an unwanted man inside the building.
“Upon arrival of officers, they attempted to speak with the man, which was not successful,” according to a police statement. “Out of an abundance of caution, the Greater Victoria Emergency Response Team was activated along with crisis negotiators.”
The standoff lasted nearly four hours.
“Shortly before 12:30 p.m., the man, who was suffering a mental health crisis, was apprehended and transported to hospital with non-life threatening injuries,” according to police.
Rabbi Harry Brechner, spiritual leader of Congregation Emanu-El, which is Canada’s oldest synagogue in continuous operation, issued a statement later in the day.
“A mentally ill person brushed past a Gan Shalom (daycare) parent and managed to enter the building not due to any fault of the daycare parent,” Brechner wrote. “Another daycare parent quickly called emergency 911 and the police were dispatched. The police were remarkably responsive, communicative and efficient. Our daycare children were never in a dangerous situation and, for most of the incident, they were not aware that anything unusual was happening.
“This mentally ill man held himself up in the balcony of the sanctuary; we were not successful at talking him down and out of the building. The police provided a transit bus for the daycare to transport the children to the other Gan Shalom daycare and the children felt like they were going on a field trip. It took the police a bit of force to subdue and retain the intruder and we are left with some broken windows and a mess to clean up. I am super-thankful to Victoria’s finest for their professionalism in containing this situation and ensuring that everyone was safe,” said Brechner. “This incident had nothing to do with antisemitism and could have occurred in any downtown building. The incident is a difficult and powerful reminder of the intensity and difficulties associated with our current mental health crisis.”
The rabbi concluded: “I want to also state that the Gan Shalom staff and Gan Shalom parents who stayed by to ensure that the children were safe were remarkable and very calm. We are very safe, our protocols were tested and proved efficient.”
Bema Productions presents the Canadian première of the comedy O My God at Congregation Emanu-El Synagogue in Victoria, Jan. 16-26. In O My God by Israeli playwright Anat Gov, God walks into a therapist’s office suffering from depression. The therapist asks, “How long have you felt this way?” God says, “Two thousand, five hundred years. Give or take.” “You’ve been depressed for 2,000 years and only now you’ve come to therapy? What were you waiting for?” asks the therapist. And God says, “I thought time would heal.”
Gov, who died of cancer at 58, was born in 1953, and was a graduate of Thelma Yellin High School of the Arts. She was briefly a student in Tel Aviv University’s theatre department – she dropped out to become a successful playwright and television writer. She also married and was a mother of three and grandmother of two.
The Bema Productions staging of O My God is directed by Zelda Dean and performed by Christine Upright (the therapist), Rosemary Jeffery (God) and Jesse Wilson, who is on the autism spectrum himself, plays the autistic son of the therapist.
Tickets ($23) can be purchased online at ticketrocket.co or at the door.
