The Vancouver Jewish Food Bank is now distributing more than 10,000 kilograms of food every month. (photo from BI and JFS)
According to the Community Food Centres Canada report Beyond Hunger: The Hidden Impacts of Food Insecurity in Canada, “Even before COVID-19, nearly 4.5 million Canadians struggled to put good food on the table for themselves and their families. In the first two months of the pandemic, that number grew by 39%, affecting one in seven people.”
Demand on the Vancouver Jewish Food Bank has almost doubled since the start of COVID-19. The organization is now distributing more than 10,000 kilograms of food every month; supporting seniors, families and individuals. While some of us have been impacted by food scarcity during COVID-19, those most in need live in a state of constant worry about where their next meal will come from.
The 1996 World Food Summit defined food security as: “when all people, at all times, have physical and economic access to sufficient, safe and nutritious food to meet their dietary needs and food preferences for an active and healthy life.” To this end, Jewish Family Services and Congregation Beth Israel are hosting More Than a Bag of Food on Jan. 28, bringing organizations and people together for a Tu b’Shevat program on food security in our community and beyond.
Vancouver Talmud Torah and Richmond Jewish Day School students are raising awareness about the food bank and reaching out to recipients. King David High School is hosting a cooking demonstration with Hilit Nurick and Rabbi Stephen Berger at 4 p.m. on Jan. 28, which will feature local ingredients and discuss the need for healthy food for everyone. Hillel BC is running an online quiz, with prizes, and a deep dive into information around food security.
At 7:30 p.m. on the 28th, there will be a Zoom panel including Dr. Tammara Soma, assistant professor, School of Resource and Environmental Management, Simon Fraser University; Dr. Eleanor Boyle, educator and author; Krystine McInnes, director and chief executive officer of Grown Here Farms; Mara Shnay, chair of the JFS client advisory committee; and Cindy McMillan, director of programs and community partnerships at JFS. Lawyer Bernard Pinsky will moderate the discussion.
“This is an important conversation,” said McInnes. “The stakes are very high. The pandemic has thrown into sharp relief just how vulnerable we are, given the way our society is organized. ”
Food systems produce and deliver based on historic demand. With the advent of COVID-19, the system has been stretched, leading to empty grocery shelves and desperate food banks. International supply chains are no longer reliable, with Russia and Vietnam limiting the sale of wheat and rice outside of their countries. Canadian food production plants have been hard hit by pandemic outbreaks and the lack of international workers. This is particularly problematic when food production is concentrated at large facilities; for example, two plants in Alberta provide 70% of Canadian beef.
“We are going to talk about initiatives from local to global,” said Boyle, “and panelists will let audience members know about some of the creative approaches to food security that are being taken at the Jewish Food Bank, as well as what’s going on around the world to try to shift agriculture and diets toward being better for climate and public health.”
Since time immemorial, no matter what calamity occurred in the world, if there was a problem plaguing humanity, Jews were used as the convenient scapegoat.
Earlier this year, as the coronavirus pandemic spread across Europe and then throughout North America, conspiracy theorists claimed that Israel and Jews around the world were secretly involved in spreading and even engineering the deadly disease. While these conspiracies are baseless and seem almost comical at first glance, thanks to the power and ubiquity of social media, even the most bizarre falsehoods can find fertile ground and poison the minds of millions of people almost instantaneously.
Unfortunately, the pandemic continues to rage across Canada and the world and, though the claim that Jews are behind COVID-19 remains utterly fictional, that hasn’t stopped a dangerous new crop of antisemites from spreading their toxic bigotry.
Not only is Canada not immune to the age-old virus of antisemitism, but British Columbia has also been infected. As was reported in the Georgia Straight, an anti-mask activist in Vancouver, Marco Pietro, who organized and participated in a number of rallies protesting coronavirus restrictions and policies, released a Holocaust denial video on social media. The two-minute-long video features Pietro saying that the Holocaust is a myth perpetrated by fake survivors to scam money out of the wider, unsuspecting public. He also claimed that Mein Kampf – Adolf Hitler’s antisemitic manifesto – didn’t contain any objectionable material, and that the coronavirus pandemic is a plot used by Jews in a quest for control. Pietro also said that concentration-camp survivors are liars and accused “a bunch of Zionist Jews” of “setting up” Hitler.
Meanwhile, on Nov. 15, a speaker at an anti-mask rally in Vancouver condemned “satanic, talmudic” people. The Canadian Anti-Hate Network (CAHN) reported that the No More Lockdowns group (which now goes by the name “Human Rights Movement”) produced an event in Vancouver organized by antisemitic conspiracy theorist Raoul Taylor van Haastert, who has decried the “Zionist media” and stated “our WWII history is a lie.” CAHN’s report cited Vancouver neo-Nazi Brian Ruhe, who, in an antisemitic post that went viral, shared his beliefs about “Rothschild-Zionist-communist control” that is being covered up, claiming that Jews control the media.
Let there be no doubt, there’s no evidence whatsoever that the Jewish people or the state of Israel are behind the coronavirus pandemic or any of these other odious libels. Conversely, the evidence supporting the Holocaust’s veracity is so overwhelming and indisputable that, to deny its occurrence, far from being a legitimate disagreement on historical facts, is rather merely an attempt to deny the Jewish people’s collective suffering at the hand of the Nazis to further an antisemitic agenda.
Most British Columbians would rightly brush off Pietro’s and Ruhe’s words as illogical rants of mad men, but, tragically, as bothersome and as offensive as their statements are, antisemitic acts are at or near all-time highs across Canada, including in British Columbia.
Earlier this year, B’nai Brith Canada’s annual audit of antisemitism logged more than 200 such incidents in British Columbia alone, ranging from harassment to vandalism. In one such incident, for example, Camp Miriam, on Gabriola Island, was vandalized with graffiti, including a swastika and other images. The image and symbol that represented the Nazi regime that murdered six million Jews in Europe less than 100 years ago is today being used to attack young Jewish summer campers. One can only imagine the long-lasting psychological damage inflicted on young people as a result of such an incident – and multiply that by more than 200 incidents last year alone.
Such antisemitic conspiracy theories, as espoused by Pietro, Ruhe and others must be forcefully repudiated and condemned by all. Thanks to social media, even the most bizarre lie can have a worldwide impact, and that’s why it’s so critical to take a public stand against antisemitic hate and propaganda. As history has taught, while antisemitic words are bad enough, the paramount concern is that they can often morph into violence. Enough is enough.
Mike Fegelman is the executive director of HonestReporting Canada (honestreporting.ca), a nonprofit organization working to ensure fair and accurate Canadian media coverage of Israel.
I was crying in front of the computer screen during a funeral service livestream. Again. It wasn’t my first of this pandemic. Even if the person didn’t ostensibly die of COVID, he’d been ill alone, unable to see family for long stretches because of it. And, because of COVID, I couldn’t be at the funerals in person, which were all in the United States. In normal times, I’d be rushing across the continent to be at these services with my family.
The person being eulogized, Rabbi Laszlo Berkowits, was a family friend, and was close to my parents. I called him “uncle” as a kid. He and his family were always part of our family’s holiday celebrations and gatherings. I played with his kids at his house. Their phone number was my elementary school’s emergency contact for me.
Rabbi Berkowits (Uncle Larry) was my family’s rabbi. He was also a Holocaust survivor. For a person who spent his teenage years in concentration camps, including Auschwitz, my Uncle Larry’s positivity, joy and ability to find the good in others were amazing. He had an incredible, long career, supporting and inspiring others to make positive change.
At the funeral, his family and friends (including my pediatrician) talked about how my Uncle Larry felt so grateful for the kindness of others, including the kindness of strangers. Without that help, he wouldn’t have survived the Second World War. Without the assistance and loving kindness of strangers – in Sweden, the United States and beyond – he wouldn’t have regained his health, gone on to serve in the U.S. military or received a full scholarship to become a rabbi. He wouldn’t have had the opportunities that truly enabled him to make such a difference in so many others’ lives.
The article was about how I try to carry around snacks (granola bars) for my kids, just in case they need one, but that, sometimes, the best option for me is to offer that extra snack to someone else on the street, who is hungry, instead.
The thing is, since the pandemic started, like many Manitobans, we haven’t been out and about nearly as often. I don’t carry around snacks now because my kids are remote schooling. We’re working and learning at home, trying, like most of us, to reduce the number of people who might get sick or die from COVID. On a daily basis, I am not physically handing out those granola bars to anybody other than my kids.
A week ago, I got the most amazing email from a single mom friend who is a grocery store cashier in a city more than 200 kilometres away. She works very hard to keep her family afloat. She’d been waiting until her break to write me: “A man came through with 25 boxes of granola bars. No judgment – they were on sale! Then, he tells me he read an article about someone and their child or children who handed a person a granola bar and it stuck with him. So, now he has granola bars in his car and always hands them out to panhandlers and people who need them when he can.”
I could imagine her hearing this at the grocery store, her jaw dropping in surprise. She told the man that we were good friends and that she would tell me about this. The man said to pass along that, she wrote, “he has been doing this since the week he read your article and to thank you! Simple acts of kindness are what is keeping him going these days.”
When I read her email, I cried. It had been “one of those pandemic days” – where the news, the work and learning struggles at home, had all felt so hard. We’re all tired of worrying, so concerned about our loved ones. In fact, I’d been feeling badly that I couldn’t do more for others, write more, donate more, while juggling things on the stay-at-home front.
Another email from my friend arrived. She’d mentioned this man’s purchase to one of the grocery store owners. He’d said, if she sees this man again, the store would give him a discount on these purchases. Then he printed out the story to pass along, too.
I felt so grateful to this anonymous stranger who was carrying around all these granola bars to feed others, and continuing this kindness when I couldn’t. I wanted to thank him, but I also respect just how many anonymous givers might be out there. It takes all of us to beat this pandemic. Next year, I hope to host my amazing essential worker friend and her kids for a big celebratory Chanukah dinner again.
I’m so heartened to hear that the kindness my Uncle Larry encouraged in others is continuing to be passed along. I carry with me his constant reminders to be an upstanding person who does the right thing, who helps others, shines a light for others, even if he himself isn’t here anymore.
My Uncle Larry would say, “Be the best. Be a blessing.” He’d add something like, “We never know how long we’ll be here on earth. It’s our job to do good for others whenever we can – right now.”
At his funeral, another longtime family friend, Sam Simon, spoke, reminding us: “Be that stranger whose kindness is a blessing to someone so that they, too, can become a blessing to the world.” I am sure the biggest blessing of all would be if more people took that to heart.
Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.
The breakdown of Nefesh B’Nefesh 2020 aliyah. (image from Nefesh B’Nefesh)
Despite a challenging and tumultuous 2020, 291 individuals from Canada decided to make aliyah and move to Israel with Nefesh B’Nefesh (NBN) over the past year. The Canadians were among the 3,168 individuals who moved to Israel from North America in 2020 – 2,625 since the COVID-19 pandemic hit.
Founded in 2002, Nefesh B’Nefesh, in partnership with Israel’s Ministry of Aliyah and Integration, the Jewish Agency for Israel, Keren Kayemeth LeIsrael and Jewish National Fund-USA, has assisted in easing the aliyah process for more than 65,000 olim since its inception. With the help of its partners, NBN assisted nearly 90% of the total number of olim that arrived in 2019.
Since January of 2020, Nefesh B’Nefesh olim have most often hailed from New York, New Jersey, California, Florida, Ontario, Illinois, Massachusetts, Maryland, Pennsylvania and Texas. Altogether in the past year, 811 families chose to move their lives to Israel, along with 1,032 singles and 332 retirees. There were 61 physicians among a total of 198 medical professionals who arrived in Israel in the last year, most of whom joined the frontlines in Israel’s fight against the coronavirus. And 390 young men and women stepped off the plane with the desire to serve Israel as lone soldiers.
In addition to the olim who arrived throughout 2020, Nefesh B’Nefesh received 6,704 aliyah applications, in contrast to 3,035 in 2019 – marking a 126% increase in interest in aliyah.
The breakdown of Nefesh B’Nefesh 2020 aliyah. (image from Nefesh B’Nefesh)
“From the earliest days of the Jewish state, no matter how trying or difficult the circumstances, aliyah has always continued in order to preserve what was once a distant dream for our parents and grandparents,” said Rabbi Yehoshua Fass, NBN co-founder and executive director. “As we look back at the challenges everyone faced in 2020, we are extremely proud of what we have accomplished together. We look forward to watching each oleh grow and build their new lives in Israel, and eagerly look ahead to 2021, a year with the potential to exceed all expectations in aliyah.”
“I welcome the dozens of new olim who chose to leave everything, especially during the time of a global epidemic, and fulfil their dreams of building new homes for themselves in Israel,” said Minister of Aliyah and Integration Pnina Tamano-Shata. “Many will surely remember 2020 as a challenging and complex year, but the olim who arrived [recently] from across the U.S. and are part of the last group of olim this year, are enabling it to be shaded in more encouraging and optimistic colours.
“Despite COVID-19, the Jewish nation is thriving and aliyah is continuing,” Tamano-Shata continued. “In the past year, more than 20,000 olim from 80 countries around the world made aliyah.”
“The thousands of new olim from North America and around the world, during a year of a global pandemic, lockdowns and almost complete paralysis of international air travel, emphasizes how much the longing for Zion is deeply ingrained in the hearts of the Jewish people around the world,” said Isaac Herzog, chair of the Jewish Agency.
The top 10 cities in Israel that new olim chose as their homes this year were Jerusalem, Tel Aviv, Beit Shemesh, Ra’anana, Haifa, Herzliya, Netanya, Modiin and Be’er Sheva. The olim most commonly worked as educators, physicians, nurses, social workers and lawyers, as well as in the fields of marketing, sales and business. The average age of an oleh this year is 30, with the oldest being a 97-year-old and the youngest being only 35 days old.
When the pandemic began in earnest in March 2020, Nefesh B’Nefesh adapted its various programming and transitioned into holding virtual meetings, webinars and informational sessions. The online seminars have allowed the organization to reach a much wider audience and have included a wide range of subjects, from choosing communities and special webinars for medical professionals, to how to pack and ship for aliyah.
The ongoing support after aliyah provided by NBN has meant that 90% of its olim have remained in Israel, leading to tens of thousands of new Israelis who go on to make significant contributions to the country.
Prof. Ori Efrati, left, and Dr. Michael Cohen. (photos from IMP)
With the arrival of the coronavirus vaccine, there has also been a spike in morbidity, clearly indicating that we’re not out of the woods yet. In fact, hospitals in Israel have warned that they are steadily approaching maximum capacity, as the numbers of severely ill COVID patients breaks all records.
When COVID-19 first erupted in March 2020, health authorities warned that a surfeit in severely ill coronavirus patients would overwhelm the system due, in large part, to a lack of ventilation machines – the standard of care for coronavirus patients whose condition deteriorates to pneumonia. In the ensuing months, Prof. Eyal Leshem, director of the Centre for Travel Medicine and Tropical Diseases at Sheba Medical Centre, explained that, in addition to the shortage of ventilators, one of the most pressing issues is the lack of highly trained intensive-care-unit staff to monitor patients attached to those devices.
An innovation by Yehonatan Medical addresses both of these issues.
Yehonatan Medical, in collaboration with Prof. Ori Efrati, director of the pediatric pulmonary unit at Sheba Medical Centre, devised a first-of-its-kind ventilation system that can treat multiple patients.
“Conventional ventilators, aside from being very costly, are limited in that they can only be used with one patient at a time,” explained Efrati. “Their capacity factor and programming functions were designed for single-patient use, and there is also the danger of cross-contamination.”
The new ventilation system resolves issues that corona ICU wards have been grappling with as the number of severely ill patients rises.
“We were able to use the relatively simple and inexpensive BipaP non-invasive ventilation machine as the basis for the advanced ventilation technology,” said Efrati. “Thanks to the high-power output and built-in disinfecting mechanism, the new system can safely treat three to five patients simultaneously.”
Moreover, a system that can treat multiple patients at one time necessitates fewer ICU-trained staff. Thanks to the remote interface, the medical team can monitor patients from a safe distance.
“This tremendous breakthrough is nothing less than a game-changer when it comes to caring for large numbers of corona patients,” Efrati added.
Dr. Michael Cohen, an engineer and scientist and the founder of Yehonatan Medical, said, “All in all, we’re talking about a system that delivers personalized care in a multi-user format.”
Additional features based on artificial-intelligence technology include the ability to have a hierarchy and classification of alerts; the ability for automatic parameter correction according to set criteria; respiratory rehabilitation for the patient by adjusting to changes in the patient responsiveness; and more. The streamlined, relatively low-cost system can be implemented in makeshift clinical settings, such as field hospitals, as well as in step-down units within the hospital, in the internal and other wards.
Yehonatan Medical is the medical department of Mofet Etzion, a company that for more than two decades has developed various security and military innovations for the Israel Defence Forces and foreign armies. Cohen has developed dozens of life-saving innovations, including in the area of cardiology, in collaboration with cardiologists and cardiothoracic surgeons from Israel, the United States and Canada.
“Some of the insights for the development of this revolutionary ventilation system were provided by cardiologists who helped us to devise the various accoutrements and sensors,” Cohen said, making specific mention of Dr. David Adams, professor and system chair of the cardiovascular surgery department at Mount Sinai Hospital in New York; Dr. David Tirone, chief of cardiac surgery at Toronto General Hospital; and Dr. Gideon Cohen, cardiothoracic surgeon at Sunnybrook Health Sciences Centre in Toronto. The development of the system itself took place in Israel, marking the first time that an invasive ventilation machine has been built in Israel.
The advanced ventilation technology is currently in advanced phase trials at the MSR Medical Simulation Centre at Sheba, where it is being tested on artificial lungs, and is expected to be ready for mass marketing in the coming months.
– Courtesy International Marketing and Promotion (IMP)
Sifriya Pijama has created approximately 100 books in Hebrew and Arabic. (photo by David Salem)
Keren Grinspoon Israel promotes literacy through the gift of books to young children in Israel. Last fall, KGI was chosen by the U.S. Library of Congress as a Literacy Awards Program Best Practice Honoree, “in recognition of the organization’s long-standing achievement in promoting literacy and the development of innovative methods and effective practices in the field.” This past December, KGI’s founding director, Galina Vromen, retired, and the organization welcomed Andrea Arbel to its helm.
Keren Grinspoon Israel’s new executive director, Andrea Arbel. (photo by David Salem)
The Harold Grinspoon Foundation started PJ Library in 2005 in the United States. According to its website, the program now sends “free books to more than 230,000 subscribers throughout the United States and Canada” and “is an expanding global community linked by shared stories and values that spans across five continents and more than 670,000 subscribers.”
The program reached Israel in 2008, when the foundation’s director of special projects, Vromen, moved back to Israel. She said Harold Grinspoon jumped at the opportunity to extend the program. “He basically said, ‘OK … if you’re going back to Israel, see if you can start PJ Library there,’” Vromen told the Independent. “We were giving away about a million and a half dollars’ worth of grants each year there. He said, ‘I don’t think I need a full-time person to watch over those grants in Israel … so I can assure you full-time employment for six months.’” The job lasted much longer than that, of course.
According to Vromen, the PJ Library book delivery system needed to be different in Israel, as mailboxes there are too small for books. But, on the plus side, unlike in North America, where Jewish populations are spread out, in Israel, you can reach practically every Jewish kid through the public school system.
In 2009, a pilot program was launched with Israel’s Ministry of Education, starting with 3,500 children in the Gilboa region.
“People knew me [in that area] and I came to them and said that we wanted to do a book program,” explained Vromen. “They asked, ‘What books?’ And we answered that we didn’t know yet. So, they basically said, ‘Well, if Grinspoon says he’s going to do it, he’s going to do it.’ And they gave me a lot of support.”
After the first year, the numbers increased to 40,000 children, with funding being split between the foundation and the ministry. The program – called Sifriya Pijama – continued to expand and, eventually, in 2014, the foundation started a program in Arabic.
“Harold Grinspoon, when he started PJ Library, he was inspired by Dolly Parton – a program called Imagination Library, which was really one that served inner-city families, gifting books,” said Vromen.
In Israel, Sifriya Pijama gives kids a shared experience, as they start learning to read.
“Whether it’s a religious or secular school, they get the same books, with the same parent suggestions, for teachers to implement the program within the classroom and, so, it has become quite a bridge-builder,” said Vromen. “I think that children coming from religious homes and those from secular or non-religious homes in Israel don’t normally read the same books or authors. It’s not like in America, where everyone grows up reading Dr. Seuss.
“So, in that way, we’ve managed to make it so that kids now, across the board, are really experiencing the same kind of books. And, with the Arabic program, one could say … What’s a Jewish foundation group dedicated to Jewish education doing running a book program with the Ministry of Education in Arabic? But, the truth of the matter is that, for Israel’s Arab minority, language is an issue.”
Spoken and written Arabic differ. Formal Arabic, which is found in books, unifies Arabs around the world, and the books for kids in formal Arabic begin to build language skills, said Vromen. Just like Sifriya Pijama, Maktabat al-Fanoos is a program about identity, she said.
Many PJ Library books in North America focus on Jewish holidays and Jewish values. The books in Israel focus less on holidays and more on values, like hospitality, taking care of the sick, and honouring your parents.
“We have a book about a bear that is sick and someone takes care of him, and then they all get sick and he takes care of them,” said Vromen. “That’s a perfectly good story for the programs. Another good example is a story we have about a mother koala bear who is very, very busy, but the little koala bear wants to play with her all the time … and the little koala bear learns to do things by himself, eventually deciding to make mud pies, and they come together at the end. It’s a cute little story and a way of discussing an important issue that, when you’re 4 years old is a big concept … giving mom a little bit of mom time and you needing to play by yourself for now … explaining values to a child in a child’s world.
“What’s really important is choosing books that open up a conversation,” said Vromen. “This is a book you can have a conversation about between parents and children. Basically, we’re trying to create opportunities for parents and children.”
Since the program in Israel is school-based, however, the education process starts with the teacher introducing the book to their class, reading it aloud a couple of times. Often, there is an activity included. Then, eventually, the kids take the book home.
“Each child takes home a copy and they keep it,” said Vromen. “There are eight books per year, per child, for three years in preschool. There are four books in first grade and in second grade. And so, by the time the child goes into third grade, they already will have received 32 books from us over the years.”
While most schools are either Jewish or Arab, a small minority are mixed. In mixed schools, the program starts by delivering four Hebrew books in the first half of the year, then four Arabic books in the second half of the year.
So far, the program has created approximately 100 books in Hebrew and Arabic, with nearly 30 of them being translated into English and other languages.
COVID-19 posed a challenge in Israel when schools were closed, but the younger kids were the first to be sent back to school, so the program has more or less caught up on the missed books and is now running as normal.
“For the Arab program, about 90% of the books they receive are the only children’s books they have in their home. In Hebrew-speaking families, it’s about 47%,” said Vromen. “We’re the largest book-giving program in Arabic in the world.”
The program reaches about “70% of Hebrew-speaking children,” she added. “So, we’re talking about 80% of children in public schools in Israel – that’s quite extraordinary.”
Late last year, Vromen retired and, on Dec. 1, Andrea Arbel stepped in to lead KGI, after having worked for 18 years at the Jewish Agency.
“I relate to PJ Library on several spheres – as a published author who believes in the positive power of the written word on children; as someone who cares about strengthening Jewish culture in Israel and overseas Jewish communities; and as a mother of three who understands the critical importance of nurturing young minds and how much these efforts put children on a successful trajectory,” said Arbel.
Together with KGI’s leading partners and other supporters, Arbel is hoping to expand Sifriya Pijama and Maktabat al-Fanoos in both scope and depth, and to widen their sphere of influence on the broader community in new ways. For more information, visit hgf.org.
As if the pandemic weren’t enough, I’m supposed to think of something tantalizing and healthy to cook every night? Right. Roger that. My motto is: go with the tried and true. Or, given the times we’re in: go with the tired and true. Translation: something my mom used to make in the 1960s and ’70s. Something delicious but notoriously unhealthy.
Let’s face it, back then, the general public didn’t know bupkas about heart-healthy diets, Keto or low cholesterol. Not even doctors’ families. Nobody measured their BMI (body mass index) at the gym, because no one went to the gym. No one had their goal weight etched in their brain. It was a kinder, gentler time. Albeit with lots more spontaneous and fatal heart attacks and strokes. But still.
Back to the task at hand. It was a dark and stormy afternoon. I was tired. Really tired. Of cooking. But we have to eat. So, I did what any self-respecting accidental balabusta would do: I pulled out my mother’s old National Council of Jewish Women Cookbook. It’s a miracle that it isn’t falling apart after all these decades doing yeoman service. As I was searching for something simple and doable within 30 minutes, I happened upon a dog-eared page. One my mother had probably marked for good reason. Which is ironic, since the standing joke in my family was this – as soon as my mom cooked anything that my dad loved, she never made it again. We’ve speculated on the rationale for years. Was it intentional? Happenstance? Payback for something? Maybe it had to do with the electric can opener my dad gave mom for her birthday one year; or was it their anniversary?
The dog-eared recipe, thankfully, was – drum roll, please – Meatloaf. Yes, Virginia, you heard correctly, Meatloaf. I capitalize it because, well, it deserves the recognition. There is no problem in this world that can’t be solved by a good meatloaf. (Alright, maybe athlete’s foot and world wars, but, otherwise….)
In sync with the majority of the recipes in that cookbook, it called for an envelope of onion soup mix, undoubtedly a staple in those days. Chip dip – sour cream and onion soup mix. Spinach delight – onion soup mix. Apricot chicken – onion soup mix. Being a culinary rebel (ha!), I decided to go rogue and omit the onion soup mix. I had to draw my own line in the sand. And I swapped Panko for breadcrumbs. This recipe makes a moist, dream-of-a-1960s dinner. Once again, you’re welcome. You may be excused from the table.
MEATLOAF
2 lbs ground beef (extra lean) 1 1/2 cup soft breadcrumbs (or Panko) 2 eggs 1/2 to 3/4 cup water 1/3 cup ketchup (or, as they called it in the ’60s, catsup)
Preheat the oven to 350°F. In a large bowl, combine all the ingredients and place the mix into a greased loaf pan. (I covered the top with more ketchup – I know, very radical). Bake for approximately one hour.
It doesn’t get much easier than this. Seriously. Both Harvey and I kept cutting little pieces off, to even out the end. We were insatiable! We easily ate half of this two-pound loaf in one sitting, and polished off the rest the next day in sandwiches. What can I say? We’re dyed-in-the-wool carnivores.
To switch it up a little, and marry old school to multicultural, I also made Greek lemon potatoes. While I could eat meat and potatoes every night of the week, I don’t. And don’t go getting all judgy on me, either – there was broccoli in attendance.
The Greek lemon potatoes were a new thing for me (the making part), and I only made the Greek kind because I had a bunch of fresh rosemary leftover from baking focaccia the day before. (It was delicious!) Plus, we had a truckload of lemons in the fridge getting overripe from neglect (scurvy in our future?). I have to say, the potatoes were simple and simply delicious. Again, Harvey declared them “guest-worthy.”
2.5 lbs potatoes (about 4 large russets) 1 1/2 cups chicken broth 1/2 cup olive oil 1/3 cup fresh lemon juice 5 cloves garlic, minced (I used 4) 2 tsp salt (I used 1 tsp) dash of pepper 1 tbsp dried oregano (I used 2 tbsp fresh rosemary instead)
Preheat oven to 400°F. Peel the potatoes and cut into semi-thick wedges. Place in a roasting pan with all the other ingredients; toss well. Roast covered with foil for 40 minutes. Remove foil and turn the potatoes. Roast for another 25 to 30 minutes until the liquid is mostly absorbed by the potatoes. If you like your potatoes a bit crispy, leave them in for another five minutes or so.
They end up super-moist, soft, lemony and fabulous. Oh yeah, and garlicky. Harvey said they were even better than the ones at Apollonia, our favourite Greek restaurant. It was hard to refrain from eating the whole darn batch, but we showed the teensiest bit of restraint. After all, we wanted some left over for the next day. They’re like potato candy, if you will. Except better.
Sometimes, the most obvious recipes are the best. I often consult that Council cookbook. Who better to advise on such Jewish delicacies as honey-glazed cocktail franks, deviled tongue canapes and fruited rice salad? I rest my case.
There’s no question that the NCJW of Canada does many admirable things to enhance the community through education, social action, furthering human welfare and more. Far be it from me to make it sound like all they did was produce a cookbook. But, thank you, NCJWC for having done so – the meatloaf alone is worth the price of admission. And, of course, kol hakavod for all the great work you do.
Shelley Civkin, aka the Accidental Balabusta, is a happily retired librarian and communications officer. For 17 years, she wrote a weekly book review column for the Richmond Review. She’s currently a freelance writer and volunteer.
Leslie Vértes shares a family photograph. Vértes is one of the survivors featured in the Montreal Holocaust Museum exhibit Witnesses to History, Keepers of Memory. (photo from Montreal Holocaust Museum)
Collective memory has always played an important role in Jewish life and traditions. For thousands of years, Jews have celebrated holidays, mourned loss and memorialized history together as a people. And, most often, we have done so in person.
We say Kaddish as a community, celebrate a bris among a gathering of peers and family and come together every year to retell over dinner the story of the exodus of the Jewish people from ancient Egypt. The 20th-century philosopher and historian Isaiah Berlin noted, “All Jews who are at all conscious of their identity as Jews are steeped in history.” The late Lord Rabbi Jonathan Sacks expressed it another way: “Memory for Jews is a religious obligation.”
This past year has presented huge challenges for those institutions that strive to educate the public about history in general and, specifically, the Holocaust. During the pandemic, many museums and educational centres have been forced to choose alternative venues to connect with their members and the larger community. On Yom Hashoah and Kristallnacht, organizations across the world turned to recordings and interactive discussions in their effort to remind people that the Shoah’s messages remain relevant, even if their institution’s doors were temporarily closed.
Finding ways to continue that education and connection on a daily basis has required some creative thinking, said Sarah Fogg, who serves as the head of marketing, communications and PR for the Montreal Holocaust Museum. The museum, which was founded by Holocaust survivors, had been planning to launch a special photographic exhibit this year, highlighting the lives and wartime experiences of 30 survivors from the Montreal area.
“[The exhibit] was something that we had dreamt of for a really long time,” said Fogg. The museum had planned to narrate each of the stories visually using a triptych of personal images and the sharing of an artifact that the survivors had preserved: a father’s cap that he was required to wear at Auschwitz, a woman’s prayer book, an irreplaceable but tattered passport to freedom. But how could such stories be presented in the midst of a pandemic?
“The pandemic completely forced us to change, to rethink, to overhaul the plan we had for the exhibit,” said Fogg, who admitted there was a sense of urgency to the exhibit’s launch. Some of the speakers are now in their 90s and have already retired as volunteers. Plus, 2020 marked the 75th anniversary of the liberation of the concentration camps (and the 41st anniversary of the museum’s founding). This year, 2020, was the ideal time to launch the exhibit.
Leslie Vértes (photo from Montreal Holocaust Museum)
“[The online presentation] is the result of many brainstorming sessions where we discussed … how we could present this exhibit in a way that is different to other portrait exhibits that have happened around the world,” said Fogg. “And so, the ‘triptych’ as we have been calling it, the three photos, was really the result of wanting to showcase more than one portrait of the survivor and really wanting to showcase their uniqueness and their personalities.”
Fogg said it was in the middle of one of the photography sessions that the staff suddenly realized what was needed to translate this photographic essay to an online presentation. It was the survivors’ own accounts of why their personal artifacts held irreplaceable significance. It was also the story of how they had survived and how it had transformed them, once they began their new lives in Canada.
“So often when we talk about the stories of Holocaust survivors, the narrative tends to end when they leave Europe,” Fogg said. “But there is so much more to talk about.” Many of the survivors, who were children or young adults when they arrived in Montreal, went on to raise a family. All became volunteer speakers through the museum and other organizations in order to educate people about the Holocaust. Some became published authors and teachers. All, Fogg said, became inspiring leaders of their community.
Margaret Newman Kaufman with her wedding photograph. (photo from Montreal Holocaust Museum)
“If I had to summarize what the lesson or the inspiration would be for viewers, it’s resilience. I mean, not only are they incredible survivors who escaped the Holocaust, but they come to Canada, they build new lives, they start careers, they make families and they find happiness again. They are this embodiment of resilience.”
Taken on their own, the artifacts tell dozens of unique and often heart-rending stories about the Holocaust. But they are also testimony to the survivors’ remarkable ability to draw meaning, purpose and even beauty from the darkest of memories. Sarah Engelhard’s black-and-white snapshot tells the story of her first Passover in Canada. Ted Bolgar’s touching account gives renewed significance to friendship and the value of a precious tea set. Marguerite Elias Quddus’s last memory of her father, as he was arrested, is embodied in a bitter-sweet tale about his forgotten eyeglasses.
Margaret Newman Kaufman displays her wedding rings. (photo from Montreal Holocaust Museum)
Following the Second World War, Montreal became a second home for thousands of Holocaust survivors, some who saw it as a temporary port of refuge, and many who stayed to make it their home. The museum was opened in 1979 by members of the Association of Survivors of Nazi Oppression as a means to educating the public about the dangers of antisemitism and racism. More than four decades after its founding, the museum’s legacy still continues to be relevant, Fogg said. And, like the testimonies and artifacts that illumine these stories, the message it carries is an intensely human and important one.
“You know, we’re not talking about numbers or figures, we’re talking about Ted, Leslie, Liselotte and Daisy. These are real people that we love and care about and they are real people whose families and lives were torn apart by the Holocaust,” said Fogg. “And so, I think we can make a parallel to situations today, where real people are continuing to be impacted and devastated by genocide.
“I think what’s beautiful about the exhibit and working with survivors is that they are real people. What better way to understand history and especially difficult, complex and painful history than to hear it from such wonderful and caring and generous individuals,” she said. “They are the best educators and we are so lucky to learn from them, and we’re so lucky that they wanted to be a part of this exhibit.”
The museum’s effort to reach virtual audiences during the pandemic does appear to be working. Fogg said that, since its launch in September, the exhibit has not only been seen by viewers around the world, but has won three international awards for its visual presentation and design. The pandemic may have temporarily limited the world’s physical ability to connect, but it hasn’t stopped innovation or the heartfelt effort to care about others.
The first Jews in the Montreal area were Sephardim serving in a British regiment. One was Aaron Hart, whose son would later be elected to the legislature to represent the Trois-Rivières area.
By the early 19th century, Ashkenazim from Eastern Europe had begun to trickle in and, by the early 20th century, more than 7,000 Jews had made their way to Montreal, most fleeing antisemitism in the Russian Empire and Europe. Many would arrive to find that prejudice and discriminatory policies weren’t exclusive to distant geography. The election of Ezekiel Hart to the legislature would later inspire a resolution to ban Jews from serving in office. It take another 60 years before a law would be enacted that would give Jews in Lower Canada the right to self-representation.
By the 1930s, Montreal’s Jewish population had increased to 60,000, making it the largest Jewish hub in the country. Many worked in the growing garment industry or owned stores and restaurants in the city. A smaller number moved to the country to become farmers and use skills they brought with them from the old country.
Distrust toward Jews and the growing number of Jewish refugees looking desperately for a new home before and after the Holocaust made immigration to Canada virtually impossible in the early 1940s. It took the efforts of organizations like the Canadian Jewish Congress to push for changes to immigration laws and open doors to refugee families. By the early 1950s, another 9,000 Jewish refugees eventually made their way to Montreal’s port. By the 1970s, those numbers had swelled again, reaching close to 120,000.
Today Montreal’s Jewish community is much smaller, for many reasons, including out-migration from the 1970s to 1990s. But the early Jewish pioneers, those who arrived in Montreal in the 18th and 19th centuries, are not only credited with building new businesses and opportunities for a growing city, but for planting the seeds for Canada’s diverse Jewish community.
Jan Lee’s articles and blog posts have been published in B’nai B’rith Magazine, Voices of Conservative and Masorti Judaism, Times of Israel, as well as a number of business, environmental and travel publications. Her blog can be found at multiculturaljew.polestarpassages.com.
David Adams as Scrooge and Scotia Browner as Tiny Tim in Metro Theatre’s production of A Christmas Carol – The Radio Play. (photo by Nicol Spinola)
Metro Theatre was all set to provide socially distanced, safety-first live performances of A Christmas Carol – The Radio Play this month. But then the provincial restrictions on gatherings came down, and the struggling theatre company had to cancel its in-theatre run. But the production team used what holiday spirit it had to film the show and an online version will be available for viewers to watch from Dec. 21 through Jan. 3.
“We are fortunate to have our talented friends Nico Dicecco and [playwright] Erik Gow film the show and put together a beautiful digital stream of it that is available by donation,” stage manager Kat Palmer told the Independent.
Palmer has had a few shows canceled since the pandemic hit. “Right at the beginning of COVID,” she said, “I was in rehearsals for a sweet little concert Wendy Bross Stuart put together called With a Song in My Heart. I was also looking forward to Hello Dolly! at Theatre Under the Stars. And, most importantly, my company, Raincity Theatre, was gearing up for our production of Cabaret. Obviously, intimate, site-specific theatre is not possible during COVID.”
But A Christmas Carol – The Radio Play was created with COVID-19 protocols in mind. The theatre is a large space, enough for patrons to be distanced from one another. “Even the set was designed to keep actors more than six feet apart at all times,” said Palmer. In rehearsals, every cast member arrived masked and wore their mask until they were in their show spacing, she said. For the stage show, they were ready with two understudies, prepared to go on, lest “any actor wake up with any sort of tickle in their throat.”
But those plans went for naught when, last month, large public gatherings were prohibited and the show, which was to open Dec. 3, was delayed to organize the online version.
“It is no surprise that COVID has deeply impacted our arts community,” said director Chris Adams. “The Metro Theatre is a not-for-profit theatre company that relies on ticket sales to get by. Once a thriving arts hub in a former movie-house, Metro has been hit hard by COVID restrictions that have seriously impacted their revenue. The Metro also rents out their space to schools and dance companies over the quieter spring/summer months but, due to our new reality, that was also impossible this year. The Metro Theatre is at risk of closing its doors.”
Nonetheless, the show is also raising money for the charity Backpack Buddies.
“When Charles Dickens published A Christmas Carol in 1843, charitable giving soared overnight,” said Palmer. “The story has forever changed how we celebrate the holiday season and reminds us of the importance of generosity. It is in this spirit that the Metro always selects a charity to support each year at Christmas.
“Early in the show, we meet Abigail – an orphan who speaks of food insecurity. It is shocking to find parallels between children today and the Dickensian era. British Columbia has one of the highest child poverty rates in Canada, with 20% of children living below the poverty line. The Backpack Buddies program provides backpacks of food to children in need so that they do not go hungry over the weekend.”
A Christmas Carol – The Radio Play is an original work by writer Gow, based on the Charles Dickens novel, of course.
“With Christmas Carol, there is an expected order that ghosts appear. Erik has decided to shake it up,”
said Adams. “There are also some scenes that do not appear in the book that add an extra level of character development.”
The radio play stars David Adams as Ebeneezer Scrooge, who meets all the characters in A Christmas Carol, “from Bob Cratchit to Jacob Marley, but with only six actors creating and voicing over 40 of the beloved characters,” reads the play’s description. Joining David Adams “on stage” will be Roger Monk, Jill Raymond, Chris Ward, Emilia Michalowska and Scotia Browner. The COVID covers were Jim Stewart and Courtney Shields, who is also the assistant director of the production.
“All of our actors have created a character for their narrator in addition to playing every character in the piece,” said Palmer. “For the majority of our performers, they play four or five characters each. For the simplicity of the storytelling, David plays Scrooge but has also created a very unique and distinct character for his narrator. While David has played many Jewish characters, like the Merchant of Venice, Tevye and Fagin, he is not Jewish himself. Although, he has had to learn some Yiddish for roles from time to time.”
As for being a Jewish person working on a Christmas play, Palmer said, “At this time of year, I sometimes feel like Scrooge. I despise the commercialism of the holiday season, how it seems to consume the entire month of December and don’t get me started on cheesy Christmas movies. But, as a Jewish person working on this show, it is easy to see Jewish values on every page of the script. Yes, A Christmas Carol takes place at Christmas but, in many ways, A Christmas Carol is really a story of teshuvah, tzedakah and tikkun olam…. It’s a story that celebrates kindness, charity and human transformation – ideals that all parents hope to instil in their children – ideals that have deep roots in Jewish tradition. Don’t we all want to believe even the worst among us has a core of goodness?”
The filmed version of A Christmas Carol – The Radio Play is available by donation at metrotheatre.com.
Members of the Recycled Orchestra of Cateura, Paraguay, are among those helping provide relief services during COVID-19 and after a devastating fire. (photo from IBB)
Times are tough for everyone, but that hasn’t stopped one Vancouver group from organizing an urgent fundraising drive to support an orchestra that is a testament to the transformative power of music.
Instruments Beyond Borders (IBB) is a registered Vancouver-based charity that supports music education in disadvantaged communities. The group is raising funds to support the Recycled Orchestra of Cateura, Paraguay (aka the Landfill Harmonic) as they are dealing with two major crises: not only the COVID-19 pandemic, but a devastating fire in the landfill, next to which they reside.
Since 2014, IBB has delivered donated instruments and funds to the Recycled Orchestra, which was borne out of a desire to teach music to eager children living in the marginalized landfill community of Cateura.
Compounding the hardships wrought by the pandemic, the Cateura landfill recently suffered a major fire, resulting in the destruction of many of the orchestra families’ homes. (photo from IBB)
The Recycled Orchestra of Cateura is internationally renowned, performing all over the world with their instruments made out of recycled materials from the neighbouring landfill. They deliver a resounding message of environmental stewardship and hope and endurance in the face of poverty.
The pandemic has suspended the capacity of the orchestra to travel internationally – which was a major source of their revenue. Compounding the hardships wrought by the pandemic, the Cateura landfill recently suffered a major fire, resulting in the destruction of many of the orchestra families’ homes. Consequently, this has all but eliminated the opportunity of the parents to derive much-needed income from the gathering of saleable recyclables from the landfill.
The students of the Recycled Orchestra, along with the Orchestra’s Parents Association, have become the hub of relief services. (photo from IBB)
In 2014, IBB donated $10,000 towards the building of a music school in Cateura. Fortunately, the school was not damaged by the fire, and today it is temporarily being used as a food relief centre – for the preparation and distribution of upwards of 5,000 meals daily to the devastated local community. Incredibly, the students of the Recycled Orchestra, along with the Orchestra’s Parents Association, have become the hub of relief services.
In the midst of these crises, Favio Chavez, the orchestra’s founder and director, is determined to keep both the orchestra and the hope of music alive, and to support the orchestra’s education program.
The IBB fundraising drive aims to assist the orchestra recover from these dire circumstances. To jumpstart this urgent appeal, the Ben and Esther Dayson Charitable Foundation has pledged to match the first $5,000 donated.
The Recycled Orchestra was the subject of an award-winning 2016 feature film Landfill Harmonic, the trailer for which can be watched on YouTube. Donations can be made at instrumentsbeyondborders.org.
