Karen Kaeja and Allen Kaeja in Lasterday. (photo by Kendra Epik)
Featuring more than 30 performances June 13-22, Dancing on the Edge audiences will see world premières, Western Canadian debuts and works-in-progress. This year’s lineup includes the Vancouver première of Lasterday, with choreography by Hanna Kiel, music by Adam Campbell, lighting by Gavin McDonald and performances by Kaeja d’Dance, Toronto Jewish community members Karen and Allen Kaeja.
Lasterday is part of EDGE 1, which also features Tiger Princess Dance Projects and Calder White. Performances are June 16 and 17, 7 p.m., at the Firehall Arts Centre.
Lasterday delves into the relationship of two individuals who carry different memories and perceptions of the same events from their past – sense of timeline, emotional impacts and interactions – revealing how they remember and interpret their shared history. Lasterday is part of the Kaeja d’Dance’s lifeDUET commissioning series. The works explore the Kaejas’ creative and personal partnership. Many duets have toured across the world through Canada and to Spain, India, England, Japan, Mexico, Venezuela and Israel. (For more, see jewishindependent.ca/life-stories-told-in-dance.)
Kiel is a Dora Award-winning artist hailing from Seoul, South Korea, who made Vancouver her home in 1996. Founder and artistic director of Human Body Expression, Kiel is also a resident choreographer at Canada’s JörgenDance.
Campbell is a sound designer, composer, percussionist and singer-songwriter. Originally from Summerside, PEI, and currently living in Stratford, Ont., he has worked as sound designer/composer with many festivals.
McDonald has designed lighting for more than 25 years, across North America and the United Kingdom, and teaches lighting and media design at York University.
Karen Kaeja is an award-winning choreographer, performer and educator. The heart of her research, creation and writing concentrates on the agency of touch. She develops platforms for collaborative relationships between dancers and everyday people, highlighted in her Porch View Dances festival and concept. She is currently co-choreographing with Roshanak Jaberi for Jaberi Dance Theatre’s international collaboration with Sweden – Architecture of Violence.
Allen Kaeja is an award-winning choreographer and dance film director. The child of a refugee and Holocaust survivor, he has created 30 years of Holocaust-inspired stage and film works. He has created more than 210 stage works and choreographed/directed 35 films. His works have been featured in commercials, films and festivals around the world. He teaches Kaeja Elevations and Dance Film master classes worldwide.
About the overall DOTE program this year, the festival’s artistic producer, Donna Spencer, said, “This year, we are pleased to honour one of Canada’s great dance and contact improvisation creators, Peter Bingham, and share his work with the presentation of EDAM’s Dead Weighting. Peter’s body of work has had such an impactful ripple on many of the artists participating in this year’s festival. We are also excited to offer what was a work-in-progress at last year’s festival as a world première this year with Company 605’s lossy; and to bring new choreographic voices such as Anya Saugstad, Clala Dance Project and Simran Sachar to the festival. Stirring things up is in DOTE’s DNA, and we can’t wait for audiences to experience this year’s lineup.”
The complete festival schedule is available at dancingontheedge.org. Tickets can be purchased online via the website or by phone at 604-689-0926.
– Courtesy Dancing on the Edge
