Mini poems that rhyme and colourful illustrations combine for a family-filled, fun-filled and food-filled holiday book for younger revelers. Hanukkah, Here I Come! (Grosset & Dunlap) by writer D.J. Steinberg and illustrator Sara Palacios is an energetic account that touches upon all the many things a kid might look forward to on Chanukah.
Starting with the setting up of the candles and the stacking of the presents, the meal prep also begins. The children help out their parents.
We briefly learn about the brave Judah Maccabee, “Macca-BAM! Macca-BOOM!” and how he and his brothers made history and the Jews took back their Temple. We light the candles, sharing in the joy with the neighbours across the street, who can be seen from their apartment windows. First gifts are unwrapped and selfies are taken – these illustrations are particularly delightful, as we see and read: “Click! That one cut off my sister.
“Click! Where’s my mother’s head?
“Click! That one’s dark and blurry.
“Click! That’s Mom’s finger instead.”
A page from Hanukkah, Here I Come! (Grosset & Dunlap) by writer D.J. Steinberg and illustrator Sara Palacios.
There is chocolate gelt, a lesson on how to play dreidel and a visit to Bubbe and Grandpa’s (implying a mixed family perhaps, that the grandfather is not Zayde). Latkes and apple sauce – or are you on Team Sour Cream, instead? – follow. The happy noise of the family celebrating together mounts and dinner is served, with a warning that your jelly doughnut dessert might just explode all over your face.
The last night of Chanukah arrives all too soon.
Editor’s Note: Unfortunately, because of supply chain issues, the publication of Hanukkah, Here I Come! has been postponed to fall 2022.
“I learned about climate marches and I learned about dancing bubbies,” said my niece Fae, 9, when we were discussing Bonnie Sherr Klein’s new children’s book, Beep Beep Bubbie, over FaceTime. Among other things, my niece Charlotte, 7, learned “you can learn to ride a bike at 53 and anything is possible.… And I learned about grandmothers who can shush a crying boy.”
Amid much laughter, including talk about dogs pooping – Bubbie has a dog – and what my nieces recalled of Vancouver from their visit here last year, Beep Beep Bubbie offered more discussion than I had anticipated. But, before I get to that, I have to say, for the record, that my nieces have dancing bubbies in their lives, and bubbies who can shush crying children, so they more related to these aspects of Bubbie’s character than learned from them. With that qualification and butt covering, I continue with the review, starting with the basic story of the book.
It is Shabbat and Kate and her little brother Nate are going to visit their grandmother, who is going to take them to Granville Island to buy apples for Rosh Hashanah. The kids have been told there’ll be a surprise waiting for them at Bubbie’s. That surprise, though – Bubbie’s new scooter – isn’t a happy one initially for Kate, who “already missed the Bubbie she used to have. That Bubbie danced and took them to climate marches.” However, during the afternoon’s adventures, Bubbie’s scooter not only allows her to venture farther from home than she otherwise would have been able to manage, but has other advantages, as well.
After their trip to Granville Island, Kate shares a library book that she’s brought along for the visit. About American educator, activist and suffragist Frances Willard, Kate and Nate find out that Willard “fought for women to have the right to vote. When Frances was 53 years old, she learned to ride a bicycle to show that women could do anything.” A conversation ensues about why Willard wouldn’t have known how to ride a bike. “People were afraid women’s ankles would show under their petticoats,” explains Bubbie. “Can you believe it?”
Well, at my nieces’ house, this part of the book was met with disbelief and more laughter, as Charlotte was keen to show off her ankles, which were hard to see, given the placement of their computer and her being the height of a 7-year-old. But, before things deteriorated into mayhem, Fae said, “I also learned that girls are tough.” And, she “learned another reason why women weren’t treated fairly in the past.”
“And what was that reason?” I asked.
“Because women didn’t ride bikes because their ankles were going to show. And they couldn’t vote, [it was] like they didn’t have an opinion.”
“It’s definitely not fair,” said Charlotte about people thinking that girls showing their ankles was wrong.
All in all, Beep Beep Bubbie elicited much talk and not an insignificant amount of gymnastics. The illustrations by Élisabeth Eudes-Pascal are wonderfully colourful and fun; full of energy and movement. Both Fae and Charlotte gave a resounding “yes” when asked if they liked the pictures.
One the drawings is a two-page spread of Bubbie, Kate and Nate and the park, where they join in the fun of flying kites. One young person is in a wheelchair, and Charlotte asked why Bubbie had chosen a scooter instead. Not knowing the answer, I asked the author. Here is her response: “I chose a motorized scooter over a wheelchair, btw, because it felt more sportif,” wrote Klein in an email, “and I am lucky enough to be able to transfer, which keeps me a bit more mobile.”
I like knowing, but the reasons aren’t important, as far as the story goes. Art is to be interpreted and my nieces and I talked about a lot of ideas, from serious to silly, during our FaceTime book review session.
Published by Tradewind Books, Beep Beep Bubbie can be purchased from pretty much any online bookseller. Enjoy!
So much of what we do in life we do almost automatically. For better or worse, we anticipate what’s coming next and, often, we’re right. But a trio of children’s books just published by Tradewind Books will amuse young readers and refresh the perspectives of their adults. Crocs in a Box, written by Robert Heidbreder and illustrated by Jewish community member Rae Maté, contains three expectation-smashing little hardcovers: Crocodiles Say …, Crocodiles Play! and Crocs at Work!
In Crocodiles Say …, it’s the bright, cheerful and iconic crocodiles of Maté that are at odds with Heidbreder’s words. In one scene, for example, we see three restrained crocs, the epitome of manners, “never rude.” The crocs “chew and swallow, their mouths closed tight. Crocodiles say … [page turn] Always be polite!” Well, it has to be said that the crocs are doing anything but eating politely.
In Crocodiles Play!, the crocs get all dressed up for one type of sport, such as baseball, but then play … basketball?! And, in Crocs at Work!, we are treated to a healthy dose of silliness, as the crocs engage in doctoring, cooking, painting and other work, all with a small twist, lots of joy and no little mess.
This collection would make a great Chanukah gift, expected or not!
I review a lot of books for the Jewish Independent. Over the years, that has included many children’s books. I do my best in these instances but, as much as I like to let my inner child run free occasionally and as much as I’d one day like to create a children’s book or two, I’m a grown-up. What do I really know about how enjoyable the single-digit-age set will find a publication? Well, for my latest two reviews, I turned to a couple of experts for advice.
With COVID-19 causing the shutdown of schools, my youngest nieces – Fae, 8, and Charlotte, 6 – were suddenly available to be put to work. With their parents’ blessing, nay, encouragement, I scanned and emailed them two recent books published by Intergalactic Afikoman (see jewishindependent.ca/new-publisher-set-to-launch). The assignment was to read Asteroid Goldberg: Passover in Outer Space by Brianna Caplan Sayres and illustrator Merrill Rainey and Such a Library! A Yiddish Folktale Re-imagined by Jill Ross Nadler and illustrator Esther van den Berg. As my nieces were new to the reviewing world, I gave them a handful of questions to answer: What did you like about the books? What did you not like? What did you learn? Would you recommend the books to your friends?
Their mother, Deborah Weiss, sent me summaries of their answers, as well as Fae’s handwritten responses – I’d asked her to be the family’s scribe for the job.
They started with Asteroid Goldberg, which features Asteroid and her parents on their way home from Pluto for the Passover seder. When the family gets to earth’s orbit, they are not allowed to land (for an unstated reason), so they must make alternate seder plans on the fly (pun intended). A few of Jupiter’s moons for kneidl, a piece of Saturn’s rings for matzah, the Milky Way as their pantry. Who to invite? Family members close by, including Grandma Luna, who was biking on Venus, and Uncle Cosmos, who was hiking on Mars. When they come to the Mah Nishtanah, Asteroid asks, “What makes this night so different?” to which the answer is “Everything!” Caplan Sayres couldn’t have known how relevant her Passover story would be this year.
Fae’s note on what her mother, Deborah (D.), thought of the book Asteroid Goldberg: Passover in Outer Space.
Both Fae and Charlotte loved the story and the artwork. Even though Charlotte found it a bit too long, Fae recommended it for kids 7 and under.
“I like this book because it was a rhyming book and because it had lots of play-along words,” wrote Fae, who explained to her mom that “play-along words are words with multiple meanings.”
As for lessons learned, Fae “did not learn anything.” However, her sister, who can be a pistol, said she learned that one should “never go on a rocket before Passover.”
As for their mom’s thoughts, Deb said, “I really liked this book. As we get ready for a Passover that will be very different this year, I loved reading about a family that had to change their Passover plans and still had lots of fun and found new ways to celebrate. This really resonated with me!”
Deb and the girls also enjoyed Such a Library! “I thought this was a really clever and imaginative take on a well-known folktale,” said Deb, who noted, “Both girls liked the funny text, the story and the artwork. We also liked the clever name of the librarian.”
In Such a Library!, Stevie heads to the public library to read his book – “With three brothers, two sisters and a baby at home, Stevie’s house was never quiet.” As he starts to read, though, he hears pages turning, computer keys tapping. He tiptoes to the librarian, Miss Understood, and says, “This library is too noisy.” He tells her, “It’s like a party in here.” Thinking that a party sounds like a wonderful idea, she opens a book: “Hundreds of colourful balloons flew from the pages, followed by party hats and horns.”
Each time Stevie goes to Miss Understood to complain, she opens another book and the library becomes a zoo, then a circus, as the characters jump out of the pages of the books she opens and take over the library. Only once the characters are all returned to their books can Stevie enjoy reading his, to the relatively quiet sounds of the pages turning, computer keys tapping.
Such a Library! is an interpretation of the Yiddish folktale about a man who thinks that his small house is too crowded with his wife and many children. The rabbi recommends that the man also bring into the house the family’s cow, chickens, goats, geese and ducks. When the man can’t take it anymore, the rabbi tells him to kick out all the animals, after which, the small house seems quite big and spacious.
Fae would recommend Such a Library!, once again, to kids age 7 and under, while Charlotte really liked it and would recommend it to anyone.
As for what the girls learned, Deb said, quoting Charlotte, “We learned that, if you’re looking for a quiet place to read, to not to go to the library when it’s full of acrobats!”
At LimmudVan’20, Anna-Mae Wiesenthal will present on The “Othering” of Germany’s Jews and Canada’s First Nations. (photo from Anna-Mae Wiesenthal)
The latest local incarnation of the global Jewish learning festival Limmud takes place Feb. 29 and March 1. LimmudVan’20, which is being held at Congregation Beth Israel, begins with Havdalah and a few musical and intellectual appetizers on the Saturday night, followed by a day of presentations on a diverse array of topics on Sunday.
Anna-Mae Wiesenthal, a teacher at King David High School and a PhD candidate in Holocaust and genocide studies, will present on The “Othering” of Germany’s Jews and Canada’s First Nations.
Originating from Winnipeg, Wiesenthal has long had an interest in First Nations issues and has been involved in community programs there. She is aware of the sensitivities around paralleling these histories.
“There is a lot of controversy surrounding the use of the word genocide and First Nations, but I approach it from an examination of looking at different viewpoints and different research that argue both sides,” she told the Independent. “What do these two experiences of these two people have in common?” The point, she said, is not to come to any firm conclusions.
“I want to leave it open to the audience to process the information and to assess the commonalities and the differences,” Wiesenthal said. “I’m certainly there to point some of them out, but I think it’s to provide a different perspective that will engage and inspire discussion and curiosity among the participants to go further with it.”
Also not promising any proscribed conclusions is Rabbi Philip Gibbs, who will ask: Would the rabbis approve of Uber? Gibbs, who is spiritual leader of Congregation Har El, in West Vancouver, said that even issues as seemingly modern as an app that permits ride-sharing can be addressed through ancient wisdom.
Traditional arguments around fair and unfair competition have remained with him since rabbinical school and came to the fore in recent weeks as British Columbia argued over, and then slowly and somewhat clunkily implemented, ride-hailing services like Uber and Lyft. Some of the issues that could arise include whether a company keeps money in the community it serves or extracts it to some distant parent company. But don’t expect him to come down clearly on one side.
“If you’ve ever looked into a question of Jewish ethics, you know that you can make the joke of saying two Jews will have three opinions,” said Gibbs. “Maybe, through the discussion, someone else will tell me what it seems like I’m thinking, but really I think the goal is just to be more attuned to what some of the issues are so that, as we begin to make choices of who do we call up for a ride to the airport, that we’re taking into account a wider range of values than simply how little we want to pay for it.”
Other presenters will talk about crafting Jewish children’s books (see jewishindependent.ca/new-publisher-set-to-launch); how Leonard Bernstein used the music of Selichot to create West Side Story; the rich and poor among Portuguese Jews in Amsterdam’s Golden Age; building Jewish micro-communities through co-housing; healing Christian antisemitism; analyzing the Israeli smash TV show Shtisel; and many other topics.
Riva Krymalowski as Anna, in the film, which opens the Vancouver Jewish Film Festival Feb. 27. (photo from betacinema.com)
The Vancouver Jewish Film Festival opens the night of Feb. 27 with the film When Hitler Stole Pink Rabbit, which offers a peek at a pivotal event in writer and illustrator Judith Kerr’s life.
Kerr passed away just under a year ago, at her home in London, England, at the age of 95. She had dozens of children’s books to her credit, including The Tiger Who Came to Tea and Mog the Forgetful Cat; Mog became a series, ultimately totaling 17 picture books.
Born in Berlin, Kerr and her family – parents and older brother – fled Germany in 1933, in the days leading up to the election that brought Hitler into power. Her father, Alfred Kerr (né Kempner), a journalist and writer, was a vocal critic of the Nazis even at that time and was warned that the police were about to arrest him. The story of the family’s journey to Switzerland, then France and, ultimately, England, is told in the children’s book When Hitler Stole Pink Rabbit, which was published in 1971.
The film, obviously, is based on that book, and it captures the fear, excitement, frustration and other feelings experienced by the family as a whole, but mainly by 10-year-old Judith – named Anna in both the book and film. We see that Anna copes, in part, by drawing and colouring pictures of disasters, such as a shipwreck or an avalanche. She, her brother and parents are close, thankfully, as they are uprooted more than once and the family unit is the only constant in their lives.
When Hitler Stole Pink Rabbit is both charming – the family’s interactions – and disturbing, in that the family is fleeing a danger that killed millions. It also raises current-day issues of what it means to be a refugee. Anna and her brother Max are given one night to pack. They are allowed one toy and two books. Anna’s choice of her stuffed dog over her pink rabbit gives the story its name.
Intergalactic Afikoman publishing house is the brainchild of children’s author and educator Brianna Caplan Sayres. (image from Intergalactic Afikoman)
A new Jewish children’s publisher is set to launch in Seattle. The brainchild of children’s author and educator Brianna Caplan Sayres, Intergalactic Afikoman will officially release its first book on Feb. 11.
Sayres is a fourth-generation Seattleite. Her bestselling series Where Do Diggers Sleep at Night has sold hundreds of thousands of copies. Illustrated by Christian Slade and published by Random House, Sayres said the series was inspired by a question from her then-2-year-old (who just celebrated his bar mitzvah) about where dump trucks sleep at night.
Her latest children’s books explore territory far from earth. Night Night, Curiosity (Charlesbridge), illustrated by Ryan O’Rourke, is about a young girl who imagines herself on board the rover Curiosity as it explores the planet Mars. Asteroid Goldberg: Passover in Outer Space, illustrated by Merrill Rainey, is one of the books to be published by Intergalactic Afikoman. In this story, a young Jewish girl gets stuck in outer space for Passover, so she plans a celestial seder.
Sayres is a graduate of Brandeis University in Massachusetts and an award-winning Jewish educator – recipient of the 2016 Grinspoon Award for Excellence in Jewish Education.
“I realized that I had a vision for what I wanted to see in Jewish children’s books,” she said about why she decided to establish the new publishing house. “One day, I sat down at my computer and a mission statement just started pouring out of me.”
Her vision includes publishing genres that are not frequently seen in the Jewish book world, including fantasy. She also wants Intergalactic Afikoman to be known for publishing humorous books – “The word zany often comes to mind,” she said.
However, the primary goal of Intergalactic Afikoman is “readability,” she said. “We are aiming to publish books that children re-read again and again.”
Of the name Intergalactic Afikoman, Sayres said it “really says a lot about our company in that it is a fun and unique name and we are a fun and unique Jewish children’s publisher.”
She added that the word “intergalactic” also “signifies the out-of-this-world quality we are going for with every one of our books – from the text to the illustrations, it all has to be absolutely stellar,” she said.
Aside from Asteroid Goldberg, Intergalactic Afikoman will be releasing Such a Library! A Yiddish Folktale Re-Imagined, written by Jill Ross Nadler and illustrated by Esther van den Berg. “Both of these books exemplify the type of fun, humorous and unique books that Intergalactic Afikoman is aiming to publish and both of them feature illustrations that are absolutely out of this world,” said Sayres.
“Make sure to look closely at Such A Library! A Yiddish Folktale Re-Imagined,” she added. “There are so many wonderful and funny details hidden in Esther’s illustrations.”
In addition to publishing these two books, Sayres said, “Intergalactic Afikoman is planning to do our own small part to help fight hunger by donating 10% of the net profits from each book sold to Northwest Harvest, Washington state’s own statewide hunger relief agency whose vision is ending hunger in Washington.” She explained that this commitment embodies the principle of feeding the hungry that is a fundamental element of the Passover seder.
Sayres, who has deep roots in Seattle, said she is “thrilled that our publishing company is based in Seattle, which is a literary hub of the Pacific Northwest, with many wonderful independent bookstores, an incredible children’s writing community and a thriving literary community.”
She said she is also “very happy to let the world know that, yes, there are Jews in Seattle.”
Sayres intends to publish just a few books a year to start and will be looking for both picture books and middle-grade novels from writers and illustrators from around the world.
“Our goal is to publish the absolutely best quality of Jewish children’s literature, so we are eager to consider all submissions,” she said, pointing out that one of Intergalactic Afikoman’s upcoming books is I Am Hava: A Song’s Story of Love, Hope and Joy by Freda Lewkowicz, who is from Quebec
“Of course, we would be thrilled to publish children’s authors from the wonderful Vancouver writing community,” she said.
Sayres also is looking forward to teaching a session at this year’s Limmud Vancouver, which takes place Feb. 29-March 1 at Congregation Beth Israel. For more on the class and the full LimmudVan schedule, visit limmudvancouver.ca.
David J. Litvakis a prairie refugee from the North End of Winnipeg who is a freelance writer, former Voice of Peace and Co-op Radio broadcaster and an “accidental publicist.” His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.
Hoopla Under the Huppah by Dori Weinstein (Five Flames Press, 2017) is the third instalment of the YaYa and YoYo series, which includes Sliding into the New Year, about Rosh Hashanah, and Shaking in the Shack, about Sukkot.
Targeted to 9-to-11-year-olds, Hoopla Under the Huppah features 11-year-old twins YaYa (Yael/Ellie) and YoYo (Yoel/Joel) Silver. Their Aunt Rachel is getting married to soon-to-be Uncle David, and they have been asked to participate. As the plans develop, YaYa and YoYo learn all of the rituals and traditions of a Jewish wedding. However, as the weeks pass, there are all kinds of good and bad adventures that the twins and their 13-year-old older brother, Jeremy, experience. As the ketubah, painted by the kids’ mother, the wedding ceremony and more evolve, YaYa worries about “the Evil Eye” and that she might be bringing bad luck to everything she touches.
Hoopla Under the Huppah offers opportunities for parents to discuss various Jewish traditions with their kids, while enjoying the humour of the Silver family. As an adult, I really enjoyed this book.
Weinstein grew up in New York, taught in public and Jewish schools and now lives in Minneapolis, Minn., with her husband and children, where she teaches preschool Hebrew.
Sybil Kaplanis a journalist, lecturer, book reviewer and food writer in Jerusalem. She created and leads the weekly English-language Shuk Walks in Machane Yehuda, she has compiled and edited nine kosher cookbooks, and is the author of Witness to History: Ten Years as a Woman Journalist in Israel.
Vancouver’s Dr. Carol Herbert, professor emerita of family medicine and adjunct research professor of pathology at Western University, was awarded an honorary doctor of science, honoris causa (DSc), at the Oct. 24 afternoon session of Western University’s 312th convocation. Herbert served as dean of the Schulich School of Medicine and Dentistry from 1999 to 2010. A pioneer in developing services for sexually assaulted adults and children in British Columbia, she was co-founder and co-director of the Sexual Assault Service for Vancouver from 1982 to 1988.
She spoke to graduates at the convocation, asking them to keep in mind one acronym: PROP (privilege, responsibility, opportunity and passion).
“Acknowledge your privilege. While you have been diligent in your studies, the fact that you and I are here today is evidence of our privilege,” she said.
With privilege, there is a responsibility to give back, she added. Graduates must reflect on what they have been given and remember to pay it forward and embrace opportunities to help others. “Be as passionate about ensuring the success of others as you are about yourself. Start small, but start contributing to your community.”
Herbert reminded graduates of the difficulties women in science continue to face today. “I want to encourage women scientists to hang in there,” she said, to juggle a career and family, to look for workplaces that support them and their complex lives, and to seek mentors. She encouraged all to work towards a level playing field in which women have equal opportunities.
Vancouverite Deborah Katz has won the 2018 Vine Award in the category of children’s literature. Of Rare is Everywhere (Miss Bird Books), which Katz wrote and illustrated, the award jury said, “Fun, exciting and such a different take on difference and diversity for our small children.”
The Vine Awards honour the best Canadian Jewish writers and Canadian authors who deal with Jewish subjects in four categories – fiction, non-fiction, history and children’s/young adult literature – each with a prize of $10,000. The 2018 jurors – Beverley Chalmers, Joseph Kertes and Lee Maracle – reviewed 59 entries this year.
The Koffler Centre of the Arts announced the 2018 winners at an awards lunch at the Windsor Arms Hotel in Toronto. The other winners were Laurie Gelman for Class Mom (Henry Holt and Co.) in the fiction category, Julija Šukys for Siberian Exile: Blood, War and a Granddaughter’s Reckoning (University of Nebraska Press) in the non-fiction category and Hugues Théorêt for The Blue Shirts: Adrien Arcand and Fascist Anti-Semitism in Canada (University of Ottawa Press) in the history category.
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Nathan Lucky, left, and the Jewish Museum’s Michael Schwartz. (photo from JMABC)
The Jewish Museum and Archives of British Columbia awarded the inaugural B.C. Jewish History Research Prize to Nathan Lucky, for his article “British Columbia newspaper responses to Jewish persecution in Europe, 1938-1939: A call for refugees and a cause for civilization.”
This undergraduate essay explores relations between the Jewish community press and the mainstream press in British Columbia. It demonstrates the ways in which Jews in the province were alert to world affairs and worked to impact Canadian policies of immigration in response to unfolding tragedy abroad. Juxtaposing reporting and editorials published by the Jewish Western Bulletin (the predecessor of the Jewish Independent) with those of contemporary non-Jewish publications, the author documents the shifting waves of public discourse as new information arrived from Germany and Austria. The article makes substantial use of the B.C. Jewish Community Archives, particularly the Jewish Western Bulletin Collection, and it demonstrates how future scholars might also incorporate the collection, and the archives more broadly, into their research.
The prize was awarded on Nov. 21 at the annual general meeting of the Jewish Historical Society of British Columbia. Following the AGM, guests gathered to hear a lecture by Lucky, summarizing his research. This award and lecture will be an annual tradition of the JMABC in the coming years.
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Breanne Harmon (photo by David Cooper)
Breanne Harmon (née Jackson) has been appointed general manager of Green Thumb Theatre, which has been bringing live theatre to young audiences for 40 years. Before taking on the role of general manager at Green Thumb, Harmon worked as the tour and education manager for two years.
Born and raised in Richmond, Harmon has trained and worked in theatre for most of her life. She graduated with honours from the University of British Columbia with a bachelor of fine arts in theatre production/design, where she was the recipient of the Norman Young Scholarship for Theatre and the Dean of Arts Scholarship, while also completing the fine arts program in visual arts at Langara College. At UBC, she was a member of the Jewish Students Association at Vancouver Hillel and sat on the Hillel board as alumni representative after graduation.
Harmon has worked as a stage manager, production manager and arts administrator for various companies across Canada, including the Shaw Festival, Arts Club Theatre Company, National Arts Centre, and Chemainus Theatre Festival, among many others. She has sat on the Jessie Richardson Theatre Awards Society board, the GVPTA’s Theatre Engagement Project Steering Committee, the Jessie Richardson Theatre for Young Audiences and Large Theatre juries and was a stage management mentor with the Cultch’s Ignite program.
She is also the very proud mother to her 1-year-old son.
Many authors of children’s Chanukah books still perpetuate two mistakes. One is that a chanukiyah is the same as a menorah, whereas the latter is actually the seven-branched Temple lamp looted by the Romans when the Temple was destroyed. The second is the rabbinic legend of the miracle of the oil, which is not actually part of the story of the Maccabean revolt and the Maccabees’ fight for the right to worship as Jews. The books reviewed here are sweet, but part of the time reading these books might be spent discussing these issues.
While Light the Menorah (Kar-Ben Publishing) by Jacqueline Jules, with illustrations by Kristina Swarner, calls the chanukiyah a menorah throughout and highlights the miracle of oil, this “manual for the contemporary Jewish family” contains sweet reflections for each night of the holiday, a form of history, games, songs, recipes, crafts and blessings geared for a family with 4-to-10-year-olds.
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Dreidel Day (Kar-Ben Publishing), written and illustrated by Amalia Hoffman, is a cute board book for babies, infants and toddlers. It teaches readers numbers one through eight and some words related to Chanukah.
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How It’s Made: Hanukkah Menorah (Apples and Honey Press) is by Allison Ofanansky and photographer Eliyahu Alpern. These two creative people have once again combined their talents to produce a new book in their “How It’s Made” series. Sadly, the authors only refer to the chanukiyah as a menorah. Nonetheless, this is an educational and fun book, which explains the materials needed to make a candelabra, shows examples of them and provides instructions on how to make one, as well as how to make candles and olive oil. The book ends with songs, a recipe for potato latkes, instructions for playing dreidel, a matching game and the blessings. The text is child-friendly and good for all ages, especially 4 to 8.
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Hanukkah Cookies with Sprinkles (Apples and Honey Press) by David A. Adler and illustrator Jeffrey Ebbeler was published a few years ago, but it was new to me, and I hope it’s new to others, as well.
Sara is a little girl who is very observant about things she sees from her apartment window. One day, she sees an old man pick up a piece of bruised fruit from a box next to the market. She then decides to leave things for him. Soon, she discovers he is the man who helps set up the chairs and collects books at the synagogue. She learns more about him as she practises the true meaning of tzedakah and spreads the idea to her family and classmates.
The book’s Note for Families provides context for the story and traditions of Chanukah, as well as the meaning of tzedakah, and challenges readers to think about ways they can give tzedakah, too.
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Hanukkah Delight! (Kar-Ben Publishing) by Leslea Newman and illustrator Amy Husband is a board book. In it, all of the customs of Chanukah are rhymed with delight as a darling family of bunnies practises each one. The artwork is colourful and the details are really well done. The male bunnies and other male animals wear yarmulkes and the drawings of dreidels, children playing with the dreidels, latkes and presents are quite appealing. For any 1-to-4-year-old, this is a sweet way to introduce the holiday of Chanukah.
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Potatoes at Turtle Rock (Kar-Ben Publishing) is written by Rabbi Susan Schnur and her daughter, Anna Schnur-Fishman, who are also the authors of Tashlich at Turtle Rock. It is illustrated by Alex Steele-Morgan, who also did the artwork for the Schnurs’ earlier companion book.
Potatoes at Turtle Rock is the story of a family – mom, dad, teenage son (Lincoln) and daughter (Annie) – who have, as pets, a chicken (Richie) and a goat (Ubi).
They also have their own Jewish holiday traditions. For Chanukah, the family goes to the woods, with Dad carrying a lantern, Mom carrying the chicken, Annie leading the goat and Richie pulling a sled. They make stops along the way, where Annie provides riddles.
Although a little off-beat, this book for ages 5 to 9 shows children that every family can be original and creative and create their own traditions for Jewish holidays.
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A Hanukkah with Mazel (Kar-Ben Publishing) by Joel Stein and artist Elisa Vavouri is about Misha, a poor artist living outside Grodno, a city in western Belarus, in the late 19th or early 20th century. One cold winter night, he discovers a little cat. He takes her into the barn, where his cow lives, and then into his house. He names her Mazel, meaning luck.
Chanukah is about to arrive and he begins a painting of a chanukiyah, since he has no money to buy oil for his chanukiyah. The story evolves when a peddler stops and discovers Mazel is his Goldie.
With the themes of hope and luck, this is a very charming story for 3-to-8-year-olds.
Sybil Kaplanis a journalist, lecturer, book reviewer and food writer in Jerusalem. She created and leads the weekly English-language Shuk Walks in Machane Yehuda, she has compiled and edited nine kosher cookbooks, and is the author of Witness to History: Ten Years as a Woman Journalist in Israel.
