Carol Ann Fried

Improv conference held here

Viola Spolin is widely thought to be the mother of modern improvisation. (photo from amazon.ca)

If you thought that improv was only for entertainment, think again. This summer’s applied improvisation conference at Granville Island will showcase some of the world’s best applied improvisation coaches, trainers and facilitators.

The conference will be hosted by the Applied Improvisation Network in partnership with the Improv Centre, formerly Vancouver Theatresports.

Avril Orloff is one of four Jewish community members on the Vancouver conference planning committee. She told the Independent that there will be more than 30 workshops offered, from improv in education and health care to using it to navigate difficult conversations, increase confidence, build community and address humanitarian issues.

“The hard part will be choosing among all the great offers,” she said.

Conference dates are July 27-30, with July 25-26 called “Learning Journeys” before the conference proper, where people can sign up to do a deep dive into particular topics for a half or full day.

“Another highlight is the Open Space sessions on the final day, which is a marketplace of ideas where anyone can offer a workshop on any topic they’re particularly interested in,” said Orloff. “Open Space is a great lab for people who want to test out new ideas, processes and games, or put out an ask to anyone who’s willing to answer.”

Orloff dived into applied improv in 2022 and fell in love with it.

“The weekly classes and open space sessions were a bright spot in my life during the pandemic,” she said. “They expanded my outlook beyond the confines of the immediate moment and made me feel connected during a time of isolation.”

Since then, she has used applied improv techniques more and more in her work as a facilitator, starting with the online “connection cafés” she hosted during the pandemic, and now in person.

Avi Dolgin is another community member on the planning committee. He said they are expecting 200 delegates with a dozen or so who are local but the majority from elsewhere in Canada, as well as from the United States, Europe and Asia.

Dolgin sees improv as a profound way of unlocking human potential. Now retired, he uses improvisation to teach Bibliodrama at Or Shalom.

“In my life, an improvisation mindset encourages me to greater spontaneity, unexpected creativity and a greater willingness to help others in their ideas,” he said.

Carol Ann Fried, an inspirational speaker and consultant who lives in Vancouver, is also on the conference committee. She is presenting an applied improv workshop alongside Sarah Fisk and Matt Weinstein.

“Now that many people – but not all – are meeting again in person, the need to conduct ‘hybrid meetings,’ where some are in person and others are online, has arisen,” she said. “This split format is difficult, in part because it is hard for people to interact with each other. Our session attempts to address this issue with specific structures and activities to engage people in a hybrid setting, that are based in the values of improv, and that can be used in any work context.”

Well-known improviser Colin Mochrie will be one of the keynote speakers at the conference. Mochrie is most famous for appearing in the television show Whose Line Is It Anyway for the last 30 years.

Jewish community member David Diamond is the other keynote speaker. He will be giving a demonstration of Theatre for Living, with three audience members. Based on Augusto Boal’s Theatre of the Oppressed and Diamond’s lifelong interest in physics, Theatre for Living uses improvisation to create scenes that stimulate community dialogue and calls for change, in particular cross-sectoral understanding.

Applied Improvisation Network (AIN) was created in 2002 to bring together professionals with a keen interest in the study, practice and teaching of applied improvisation. Initially, a group of 30 or so improvisers gathered for the first conference in San Diego. Today, AIN is a global community of more than 8,000 participants online and across numerous regional and local groups.

Ed Reggi is AIN’s president and another member of the Jewish community. Reggi, who lives in St. Louis, Mo., told the Independent that there has always been a Jewish presence in the organization, from its founding to the present day.

Reggi said he takes his inspiration from Viola Spolin (1906-1994), who is widely thought to be the mother of modern improvisation. Spolin was the daughter of Jewish immigrants from Ukraine. Spolin’s father, Make Mills, had escaped pogroms in Ukraine to come to the United States. Her grandfather stayed in Ukraine and died at the hands of Stalin’s troops after the Soviets took his farm.

Much of Spolin’s work and success comes from her body of experience around recreational play. She studied under Neva Boyd, who was a sociologist, and documented recreational games, dance and activities that came over from Europe, Reggi said.

“Of course, Viola’s son, Paul Sills, watched his mother developing her Theatre Games and he took them over to the University of Chicago, where he worked with Mike Nichols, Elaine May, Ed Asner, Alan Alda and Avery Schreiber and so many more.”

Sills went on to create the Second City in Chicago, now North America’s oldest improvisation theatre institution, where Saturday Night Live stars Gilda Radner, John Belushi, John Candy, John Belushi, Dan Aykroyd, Eugene Levy and Catherine O’Hara made their debuts.

Reggi is excited about attending the conference here in July.

“I think, because this conference is happening in Vancouver, I expect more Jewish presence. Last year, we were in Ávila, Spain, after two years of being halted by the pandemic. I am thrilled to be coming back together in person again.”

For more information about the conference, go to appliedimprovisationnetwork.org/vancouver-conference-2023.

Cassandra Freeman is a freelance writer living in Vancouver.

Playfulness & laughter

Left to right: Gyda Chud, Carol Ann Fried and Tammi Belfer at Jewish Seniors Alliance’s Spring Forum May 28. (photo from JSA)

The first in-person Jewish Seniors Alliance Spring Forum after a pandemic-imposed hiatus was held at the Peretz Centre for Secular Jewish Culture on May 28. It got people out of their seats, moving about, meeting others – and laughing.

Laughing Matters was presented by Carol Ann Fried, an energetic and inspirational speaker and consultant. She was introduced by Fran Goldberg. Tammi Belfer, president of JSA, welcomed the 40-plus people in the audience. Belfer spoke about JSA’s partnerships with other organizations, but especially with every person in the room and all its members.

Most of us who attended Laughing Matters did not expect to have to change tables, to speak to strangers, to scream at others, and then tell them they are awesome. But this is exactly what happened! The session was a whirlwind of movement, playfulness and laughter. Meeting new people is cause for celebration – to do so in the form of a game involves even more fun.

So, we played games. In one, we each took the lead and, while introducing ourselves, made announcements at our respective tables. How else would we learn that Gyda Chud’s mother would turn 100 next Saturday? Or that Naava Soudack’s daughter would be acting in Henry V at Bard on the Beach this summer?

We also imagined holding a cellphone with a photo of an important event in our lives and described it to the group. We learned about mother-of-the-bride/groom wedding dresses, about grandchildren and about trekking trips. All these exchanges were accompanied by laughter and delight.

We then switched tables and initiated a conversation with a total stranger, with the objective of finding commonalities. Some of us discovered that their tablemates grew up in the same city, same neighbourhood and went to the same school, but they had never met – how wonderful to finally do so!

At my new table, we were asked to complain. About what? My partner, whom I had only just met, complained about American politics, but then found a silver lining about the States. In turn, I complained about Israeli politics, but then described the beautiful country I grew up in. Yes, there are always two sides to each coin. We ended our encounter with a high five, exclaiming: “You are awesome!” It was a nice way to make a new acquaintance.

Throughout the entire session, Fried delighted us with her good humour and charm, her creativity of mind and spirit. Gyda Chud, past president of JSA, thanked Fried for introducing us to new people, new friends and new activities.

Tamara Frankel is a member of the board of Jewish Seniors Alliance.

Get ready to laugh it up

Carol Ann Fried as herself, and as Groucho Marx. Fried presents the program Laughing Matters at the May 28 Jewish Seniors Alliance Spring Forum. (photos from Carol Ann Fried)

Carol Ann Fried helps people find their “joy spot.” When she brings her interactive presentation to the Jewish Seniors Alliance Spring Forum May 28, she promises: “My goal is it’s going to be the most fun meeting they’ve ever attended.”

Fried is a Halifax-raised, Montreal-educated, Vancouver woman whose Friedom Training and Coaching Services include keynote speeches, workshops and meeting facilitation. She is also chief executive officer of Playfair Canada, which offers noncompetitive adult play experiences, especially to first-year students on Canadian campuses.

The joy spot is found in many ways, but it always involves connecting people with one another, she told the Independent.

“I do it by getting people to interact in creative and fun ways, toward some kind of end, if it’s a theme or team-building or fun at work or fun at home,” she said. “This can happen in various ways, but the way I do it is to get people up moving, usually, interacting with each other, talking with each other, doing some kind of activity.”

Typically, she does this with businesses, organizations and teams. In her program with the Jewish Seniors Alliance, laughter will be a core objective.

While members of the JSA may be longtime friends or acquaintances, Fried promises that, by attending her program, “They are going to get to know each other in new ways. They are going to make new connections, they are going to laugh. There will be laughter.”

After growing up in Halifax and studying at Dalhousie University, Fried got a master’s degree in counseling at McGill University in Montreal and eventually made her way west. She has served on the board of Or Shalom synagogue and is currently the chair of the membership committee.

If she has one piece of advice for people – attending her program or not – it is “Be courageous.”

That can mean something as simple as being willing to play.

“In our world, people somehow have the idea that play is for children and that we have to get serious when we get taller,” Fried said. “The idea of it is pooh-poohed by a lot of people. But my work is about getting them to do it before I tell them what they’re going to do.”

In corporate settings, she calls this “Managing to have fun.”

“I love jazzing up meetings,” she said.

Fried also has an affinity for doing programs with food.

“You can do a lot of things around food – Jewish people and food,” she said. “You can have a bag and in the bag are a variety of implements that are anything but cutlery. One of them could be the egg beater, the carrot peeler, a salt spoon, the things that you find in that drawer where you throw everything. People pull a ribbon and they have to eat their whole meal with that one thing. There are no forks, knives or spoons in there. It’s super-fun and it would be great for one of these family meals where you’re worried about how people are going to get along.”

Another idea is a “backwards meal” – spoiler alert: it’s eating dessert first.

“I really believe that shared laughter and play are essential to a healthy lifestyle,” said Fried. “When we are playful, all sorts of good things happen in our body, all those horrible hormones decrease and all the good ones increase. It affects morale, it affects creativity, all very positively. They’re going to experience each other in different ways than they otherwise would or that they are used to or that they have at other times.”

JSA’s Spring Forum takes place May 28, 2 p.m., at the Peretz Centre. Fried’s program is titled Laughing Matters. Call 604-732-1555 or email office@jsalliance.org for more information.

Opening of hearts

In this Vancouver Playback Theatre screenshot are, top row, left to right, Peter Abrams, Diandra Lee and Laen Hershler; middle row from left, Ingrid Broussillon, Joel Bronstein and Louise Lemieux; and Carol Ann Fried.

If you want to see tikkun olam in action, see the next performance of Vancouver Playback Theatre (VPT). For the last 23 years, the ensemble has been retelling audience participants’ life stories with sensitivity and compassion.

At VPT’s March 6 show, brightly coloured scarves, banners, dance, piano music and improvisation “played back” individual audience experiences of and the accompanying emotions caused by antisemitic events and other forms of discrimination.

“We really want audience members to feel seen, understood, and learn from the playback experience,” VPT’s Peter Abrams told the Jewish Independent.

Fellow Jewish community and troupe member Joel Bronstein added, “Our work takes audience members out of their heads and into their hearts … when people share their feelings and life experiences in a safe and supportive environment, there is a collective opening of our hearts, even when it is light and funny.”

Playback Theatre was created in New York 47 years ago with the intention of returning theatre to its storytelling and community-building roots. With troupes now established worldwide, Playback Theatre directly engages participants in sharing experiences and ideas related to themes of importance to them individually, and as groups, organizations and communities.

Abrams, Bronstein and Carol Ann Fried, who is also a member of the Jewish community, have all been part of the ensemble for more than two decades. Fried’s most memorable audience story involved a father talking about the love he had for his son.

“As he was speaking,” she said, “I wanted to sing a song about his love. I knew there was a Cat Stevens song called ‘Father and Son’ but I couldn’t remember the words or the melody. The only song I could think of was ‘You are the Wind Beneath My Wings,’ and I sang a few lines.”

After the show, the father told Fried that he had made a video of his son when his son was younger and the sound track was “You are the Wind Beneath My Wings.”

“That’s the magic of Playback,” said Fried. “It’s Hashem in action.”

Abrams remembers a story about a woman who found herself attracted to two men who were both interested in her, and she was wondering what to do about her pleasant dilemma.

“In the playback, myself and another male actor represented the two suitors in an old-fashioned duel that was a slow-motion dance, also using fabrics,” said Abrams. “We ended in a draw, appealing to the teller [audience participant] to decide. The teller and the audience loved it, and the teller realized she didn’t need to rush any decision, and decided just to enjoy the experience.”

There seems to be no limit as to what can be expressed in performances with VPT and what insights can be gained.

Fried said she has particularly enjoyed playing “non-literal parts.” For example, she has played a table at which two people fell in love, she has played the feelings of love and has even played internal organs. She said she has learned to trust that her creativity will emerge when invited.

Bronstein remembers when he had to play back a story about a violent character. “Although I symbolically represented the violence, when the story was finished my body was shaking intensely,” he said.

It’s not surprising that VPT works with organizations that help others, such as the Kitsilano-Fairview Mental Health team and Oxfam Canada.

“When we do a workshop for an organization or a community group, we often start with a short performance on an issue, and follow this with breakout groups where participants can dialogue on what they’ve learned and where to go from here on the issue,” Abrams said. “The groups we work with are focused on progressive social issues, so we contribute to forward movement on these issues through our workshops.”

VPT offers a variety of services, including public and conference performances, workplace conflict resolution workshops, peace-building in schools, community engagement projects, and Playback skills training, in person (when possible) and virtually (via Zoom).

Fried said she has learned a lot about the human condition through working with culturally diverse audiences. “Although our lives, cultures, religions and life experiences are different, we all value and care about the same things,” she said. “We all have the same variety of feelings. I feel connected on an internal level with each teller.”

When they aren’t together storytelling, Fried runs her own company and is a keynote speaker, workshop leader and coach; Bronstein is the executive director of Little Mountain Neighbourhood House; and Abrams runs his own organizational development consulting business.

The other members of the ensemble are Diandra Lee, Laen Hershler, Ingrid Brousillon, Louise Lemieux, Laurie Damer and Matthew Spears.

The troupe’s website is vancouverplaybacktheatre.com. Their next online public performance will be on June 26 in honour of World Refugee Day, which is June 20.

Cassandra Freeman writes stories with the support and love of her husband, Irwin Levin.