Canada – Page 10

Honouring women’s courage

Anne Petrie (photo from Maurice Yacowar)

The University of Calgary has organized a virtual exhibition to honour the efforts of Jewish women in the Canadian Armed Forces during the Second World War. Called She Also Served, it comprises a series of nine banners by various artists.

Originally scheduled to be displayed at the Military Museums in Calgary during Jewish Heritage Month in May, it has been made available online throughout 2021 and will be physically hung in May 2022. Of the 17,000 Jews who served in the Canadian armed services, more than 275 were women.

Among those selected to display their work is Anne Petrie of Victoria. For her banner, a digital print called “In the Tradition of Service,” Petrie chose to list all the known names of the Jewish Canadian servicewomen. She used a font that is reminiscent of the typewriters of the 1940s. Another layer of the banner has the names of 12 biblical heroines, confirming the tradition of Jewish women’s courage and dedication to serving their communities.

“I was immediately struck by knowing that, although they would not have had to hide their Jewish identity, it was still in those days not something that you would be comfortable being completely open about,” Petrie told the Independent. “Even if it was, at best, very casual antisemitism, it was a reality when they would have signed up. So, there you are fighting (even if it’s only at a desk) for something – a religion, a people, a culture – that you can’t really be openly passionate about.”

image - Anne Petrie’s “In the Tradition of Service,” 2021. Part of the She Also Served exhibit, now online — Anne Petrie’s “In the Tradition of Service,” 2021. Part of the She Also Served exhibit, now online.

For Petrie, She Also Served is an opportunity to reveal and contextualize the “Jewishness” of that other “them, the unsung and – worse – unidentified Jewish-Canadian women soldiers.” She said she is honouring them by naming them in “their doubly suppressed identities, as women and Jews.”

Petrie’s intention was to present the full names and rank (where available) of all the Jewish women known to have served. The collection of names fills the background layer of the 75-by-165-centimetre banner. Each name is in the colour of their respective services: olive green for army, dark navy for the navy and a lighter “air force blue” for the Women’s Army Corps. Emerging from the background in a larger, translucent Hebrew script, and in a camouflage pattern, are the names of Judaism’s biblical heroines, “themselves often subordinated by patriarchal tradition to the male heroes,” said Petrie.

“In making the banner itself, I was struck by how powerful it was to actually write out all the 279 names of the Jewish servicewomen that have so far been identified. I knew none of them personally, of course, but I felt that typing each name was a kind of acknowledgement and, strange as it sounds, I did feel a kind spirit or presence as I typed each of the names. I only wish we did know more about them, but I understand that research is continuing and, hopefully, there will eventually be stories attached to each of these women’s names,” she said.

Petrie thanked Janice Shulman and Rabbi Lynn Greenhough for their assistance with the project.

Prior to beginning her work as an artist, Petrie’s career spanned more than 30 years in radio and television, where she worked as a researcher, producer, documentary-maker, columnist and commentator in news and current affairs. She is also the author of several non-fiction books: Ethnic Vancouver, Vancouver Secrets and Gone to an Aunt’s: Remembering Canada’s Homes for Unwed Mothers.

After retiring from the CBC, she returned to school and obtained a bachelor of fine arts from the Alberta College of Art and Design in 2008. Since then, she has had a number of exhibitions. Her next exhibit, said/unsaid, is a two-person show with Jane Coomb – it opens at the errant artSpace gallery in Victoria (975 Alston St.) on July 9.

The other artists whose work is featured in She Also Served are Razieh Alba, Sophia Borowska, Alysa-Beth Engel, Lily Rosenberg, Talie Shalmon, Jules Schacter, Bev Tosh and Susan Turner. The representations exploring the servicewomen’s experiences range from naturalistic to abstract. Some works use archival photographs, while others use media include oil painting and paper-cutting.

The stories of 41 Jewish servicewomen are also featured on the website. These accounts were an impetus for the call for submissions for the exhibition, which was curated by the University of Calgary’s Prof. Jennifer Eiserman and librarian emerita Saundra Lipton. They ask for help in “completing the story” from anyone who has more information about the featured servicewomen and any of those identified in the list of names collected.

To view the exhibition, visit live-ucalgary.ucalgary.ca/she-also-serves/exhibition.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

CHW’s Brunch with Bakan

Joel Bakan spoke at a CHW Vancouver Book Club event May 30. (photo from thecorporation.com)

The Canadian Hadassah-WIZO (CHW) Vancouver Book Club hosted a far-reaching 90-minute discussion with author, filmmaker, musician and University of British Columbia law professor Joel Bakan on May 30. Moderating the event, entitled Brunch with Bakan, was Toronto-based writer (and former Vancouverite) Adam Elliot Segal.

Bakan’s widely acclaimed 2004 book The Corporation: The Pathological Pursuit of Profit and Power explored the formation and behaviours of modern-day industrial behemoths. It was later turned into an award-winning film. His new book, The New Corporation: How “Good” Corporations are Bad for Democracy, released in 2020, also has a film attached to it – The New Corporation: The Unfortunately Necessary Sequel, which Bakan co-directed with Jennifer Abbott.

In the CHW event, Bakan shared tidbits about his upbringing, first in East Lansing, Mich., then moving to Vancouver at age 11. “I was a very young draft dodger,” he recalled, as his parents decided to move north at the height of the Vietnam War.

“Family and Judaism have been two of the pillars of my life,” he said, recounting how much of his current activism could be traced to his immigrant grandparents.

“Jewish people, by virtue of their history, understand persecution, they understand injustice. They haven’t had a choice but to understand injustice. Injustice has always been in their face. It’s no coincidence that Jewish people were leaders in the civil rights, labour and other movements,” said Bakan.

“Jewish people have always had an activist sensibility and I think it’s rooted, not only in that history, but in the ethics of the religion – chief among them is tikkun olam, that we have a duty to repair the world, which is very much a duty I take seriously,” he added.

In his recent book, which moderator Segal called a “tour de force” and “meticulously researched,” Bakan tackles such subjects as deregulation, the aviation industry and what he describes as the destructive dependence on technology. In it, he interviews not only influential legal and economic scholars but also references pop culture to explain more difficult concepts.

“I wanted the book to be readable,” he said. “I am an academic by trade, but I am a writer. I want the reader to feel pulled into a story. In all my writing for a popular audience, I try to get away from the academic notion of laying out the facts and instead lull the reader in by telling some good stories. And, once I have the reader, I try to engage them with some more analytical or informational kinds of things.”

Segal asked about Bakan’s Trump-era trip to the World Economic Forum in Davos, Switzerland, for the recent Corporation documentary project. It turned out to be a coup of sorts for a film crew to be allowed access to the normally secretive meetings of the world’s political and corporate elites in the Swiss Alps.

In this work, Bakan discusses the concept of corporate social responsibility, which, he contends, cannot do nearly enough to combat rising global social and environmental threats. He distinguishes between individuals at the top of corporations and the corporations themselves.

An example of this approach is Lord John Browne, the former chief executive officer of British Petroleum, whom Bakan portrays as a very cultured man and one of the “good guys,” who tried to get his firm to be at the forefront of corporate responsibility. However, the problem is that even the most benign, well-intentioned CEOs are hamstrung by their fiduciary and legal responsibilities to their shareholders, according to Bakan.

“A CEO can go a certain distance in trying to do a better job in terms of social or environmental responsibility, but you can’t go further in that direction in terms of what will be profitable,” said Bakan. “It’s great if corporations try to be a little better, but let us not be deluded into believing that they can go far enough to get us out of the mess we are in, be it the social mess or the environmental mess.”

The conversation turned to sports and the recent failed attempt by Europe’s top soccer clubs to form the Super League. The common thread with other societal issue is the goal of corporations or capitalism to commoditize everything, whether it be water, utilities, education or entertainment. In the case of the Super League, the vested corporate interests behind the initiative were trying to increase profits by “taking the local out of sports.”

“If you put the Toronto Maple Leafs in Dubai, they would make more money,” said Bakan. “The Super League stopped because the people and governments rose up.”

The discussion ended on an uplifting note for the future. Bakan advocated extolling the virtues that our societies value, such as democracy, freedom and equality, to create a world “in which people can flourish, where they can thrive, where they can be free, not just of government restrictions but ill health, hunger and poverty, where they can live lives of meaning and purpose in which their material needs are met.”

The past 40 years have seen corporations as drivers of policy rather than as tools, argues Bakan. “We need to understand that our democracy is what matters and its capacity to serve human flourishing and planetary survival. When we think about our policies, they need to be aimed at how we can use markets and corporations towards those ends – not how they can use us to serve markets and corporations.”

The film version of The New Corporation is available on several streaming services in Canada. As well, the CHW talk is available for anyone who donates $18 to CHW, for which a full tax receipt also will be provided. Visit chw.ca/thenewcorporation to register, or call the CHW Vancouver office at 604-257-5160. CHW supports programs and services for children and women, in healthcare and education, in Israel and Canada.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

HIPPY fêtes trailblazer

Carol Slater (photo from mothersmattercentre.ca)

Carol Slater, a former vice-president of National Council of Jewish Women of Canada, was presented with the first-ever Trailblazers Award for helping bring to Canada an innovative Israeli-founded education program that empowers mothers of preschool children.

The award, presented by the Mothers Matter Centre, was part of a virtual event May 5. (See jewishindependent.ca/mothers-importance.)

Slater was one of a small group of people who brought the program Home Instruction for Parents of Preschool Youngsters (HIPPY) to Canada two decades ago. The initiative, which has taken off in countries worldwide, began out of the Britannia Community Centre and Britannia Community Secondary School, in East Vancouver. The national headquarters of the program remains in Vancouver, under the auspices of the Mothers Matter Centre. HIPPY Canada changed its name in 2017 to the Mothers Matter Centre to reflect the fact that they deliver a range of programs, although HIPPY remains the core of the organization.

Slater spoke with the Independent recently, along with Wazi Dlamini-Kapenda, a Vancouverite who was the first HIPPY director in Canada and remains head of the national program.

HIPPY was started in 1969 at the Hebrew University of Jerusalem by the late Dr. Avima Lombard.

“When the first wave of African immigrants came to Israel and spoke no Hebrew, [Lombard] realized the disconnect between the children and the parents,” Slater said. “The parents didn’t know what was expected of the children, or of the parents.”

Slater and Dlamini-Kapenda take pride in the relative simplicity of the HIPPY structure. A new program is developed when a community identifies HIPPY as a program that would be of benefit to mothers and children. The community then approaches the Mothers Matter Centre to help with starting it up. In other cases, MMC approaches the community to let them know about the program and support them in implementing it, providing seed funding to get it off the ground, said Dlamini-Kapenda. The community can start with a minimum of two to four home visitors, depending on the size of the community, then each visitor recruits 10 to 12 families. The home visitor drops in on each family every week for at least an hour during the school year, and teaches the mother the week’s activities using the HIPPY curriculum. The lessons are taught using role-play, in which the home visitor and the mother take turns being the teacher (mother) and the student (child), practising the lesson before the mother teaches the week’s lessons to their preschooler.

“The basis of this program is that all parents want the best for their children, all parents want their children to succeed and to enter school ready to learn,” said Dlamini-Kapenda. “The parents themselves can play a role in this in building capacity within the home. Instead of parents relying on sending their children to preschool, which some parents couldn’t afford, we could go into the home, which is actually important because the home is where success begins. We all know that.”

“One of the very critical things,” Slater said, “is giving the parent the confidence that she can go to [her child’s] school because what has very often happened in immigrant situations is that the mother may not speak the language very well and, if she doesn’t go to school, she doesn’t follow her child and if she doesn’t follow her child, her child can fall behind and she doesn’t know about it. One of the most important things is the empowerment of the parent to understand that she is the first teacher of her children. It’s a fantastic concept when you think of it. So simple.”

The program is offered free to mothers and all supplies are provided, although almost everything that the mother will need to do activities can be found in the home. The families targeted for the HIPPY program are those with low literacy or deemed “at risk.” Special emphasis is given to immigrant and refugee communities and Indigenous populations. HIPPY has separate streams for multicultural and Indigenous families, recognizing different approaches to learning. Home visitors will usually be recruited from within the linguistic communities they serve.

Slater’s award recognizes her work in getting HIPPY off the ground in 2001.

“Carol was very instrumental in getting the funding and knocking on doors and talking to every person in a position to be able to get us the first funding to run the first four or five years of the program here in Canada,” said Dlamini-Kapenda. “I don’t know, without Carol, how far we would have gone.”

Dr. Debbie Bell, founding director of Simon Fraser University’s community education program, was working on developing strategies to create access to education for low-literacy communities. Slater and Bell connected after Slater happened upon a brochure about the nascent program. Slater, who has lived in Israel, Vancouver and, now, Montreal, saw it as an ideal fit for National Council of Jewish Women.

Seizing the moment, Slater beat the bushes for financing. Bell was emphatic that they should not launch HIPPY without a budget for several years of programming because that would be unfair to participating families. Slater went to Ottawa and, with the help of several key figures, obtained funding from the federal health ministry to get HIPPY up and running.

She credits Dr. Hedy Fry, member of Parliament for Vancouver-Centre, as an early supporter.

“She was so excited about the program,” Slater recalled. “She met Debbie and myself and we used to meet in her office. She sat me at a desk, she gave me a list of all the cabinet ministers and their secretaries and their private phone numbers. I just sat there and I phoned.”

An assistant to Allan Rock, who was then minister of health, was equally supportive. Slater left the meeting with a commitment for $250,000, which jumpstarted HIPPY Canada.

Slater also credits late Vancouver philanthropist Jack Diamond and the Diamond Foundation for crucial support that got the program started. The Vancouver Foundation also committed to four years of funding, something they had never done before, said Dlamini-Kapenda, who was then hired as the first HIPPY coordinator in Canada.

At the awards ceremony earlier this month, Canada’s chief public health officer, Dr. Theresa Tam, and Dr. Cindy Blackstock, a Gitxsan activist for child welfare and a professor in McGill University’s School of Social Work, received the Because Mothers Matter Award for their noteworthy professional accomplishments while giving back to their community. Two HIPPY mothers with extraordinary stories, Nusrat Awan and Jessica Seegerts, were also honoured.

הסכסוך במזרח התיכון הגיע גם לקנדה

המפגינים צועדים ברחוב רובסון מלווים בכוחות המשטרה שסגרה את הכבישים הסמוכים בדאון טאון ונקובר
(רוני רחמני)

הסכסוך הקשה במזרח התיכון בו מעורבת ישראל בימים אלה כולל ארגון הטרור החמאס, ישראלים יהודים וערבים בישראל ופלסטינים וכוחות הביטחון בשטחים – הגיע כצפוי גם לקנדה. הפגנות רבות משתתפים נערכו בימים האחרונים מצד תומכי הפלסטינים ומצד תומכי ישראל, בערים המרכזיות של קנדה. במרבית הפגנות נשמר השקט והסדר בצורה מכובדת, אך במספר אירועים בעיקר באלה שבטורונטו ומונטריאול, הותקפו אזרחים יהודים תומכי ישראל על ידי אזרחים מוסלמים שתומכים בצד הפלסטיני. המשטרה ביצעה כבר מספר מעצרים והיא מנהלת חקירה מואצת לעצור חשודים נוספים באלימות הקשה שהופנתה נגד אלו שתומכים בישראל.

בחלק מהפגנות התמיכה בפלסטינים החזיקו המפגינים כרזות עם דברי נאצה ושנאה מבישים נגד ישראל והיהודים בכלל, בהם: צלבי קרס, “ישראל פעלת נכון, היטלר יהיה גאה בך”, ישראל=נאצים”, “מוות לישראל”, “מה ההבדל בין ישראלי לנאצים” ועוד.

ההפגנה הגדולה ביותר התקיימה על ידי תומכי הפלסטינים בטורונטו ונכחו בה למעלה מחמשת אלפים משתתפים. באותה הפגנה נעצרו כבר על ידי המשטרה המקומית שלושה אזרחים מוסלמים, שתקפו קומץ של מפגינים יהודים שעמדו מולם, וכאמור מעצרים נוספים צפויים בימים הקרובים. המפגינים היהודים ספגו אבנים ובקבוקים, ואחד מהם אף הוכה במקלות, הוא נפגע בראשו ונזקק לטיפול רפואי דחוף. ואילו בהפגנה של תומכי ישראל במונטריאול נאלצה המשטרה המקומית להפעיל גז מדמיע לפזר בכוח אזרחים מוסלמים, שביקשו לפגוע באזרחים יהודים שהפגינו בעת שנערכה הפגנה בעד הפלסטינים.

ההפגנות של שני הצדדים בעד ונגד ישראל נערכו בין היתר בערים הבאות בקנדה: טורונטו, מונטריאול, ונקובר, קלגרי, אדמונטון, אוטווה, ויניפג, הליפקס וסנט ג’ונס.

המפגינים פונים מרחוב ג’ורג’יה לרחוב טרלו בדרכם למשרדים של הקונסוליה האמריקאית בדאון טאון ונקובר
*(רוני רחמני)*

אני עקבתי מקרוב אחרי הפגנה של תומכי הצד הפלסטיני שנערכה בוונקובר ביום שבת האחרון. כחמש מאות מפגינים בהם אזרחים מוסלמים, ילידי קנדה, אינדיאנים, תומכי המרקסיזם ואפילו קבוצה של ארגון שמאל יהודי קיצוני “הקול היהודי העצמאי” – השתתפו בה. תחילה התכנסו מאות מפגינים בכיכר שממול האולפנים של רשת השידור הציבורית הקנדית הסי.בי.סי, ברחוב המילטון בדאון טאון. לאחר סדרה של נאומים וקריאות נגד ישראל שנמשכה למעלה מחצי שעה, החלו המפגינים לצעוד באישור המשטרה כמובן, אל עבר הקונסוליה האמריקנית בעיר, שנמצאת ברחוב פנדר בדאון טאון. רחבות שלמים נסגרו על ידי השוטרים הרבים שנכחו במקום, והצועדים ללא התפרעויות עשו את המסלול מאולפני הסי.בי.סי, אל רחוב רובסון, משם לרחוב ג’ורג’יה ומשם המשיכו בהמוניהם עד לבניין בו שוכנת הקונסוליה האמריקנית.

בין סיסמאות הרבות של המפגינים בעד הפלסטינים, לאור פעולת צה”ל בעזה, שנאמרו בהפגנה או שהופיעו על שלטים בהם החזיקו הצועדים: “אין צדק אין שלום”, “לשחר את פלסטין”, “פלסטין תקום בין הנהר לים”, “הפסיקו את שפיכות הדם”, “הפסיקו את ההפצצות”, “הפלסטינים הם מפלסטין”, “יש לעצור את המלחמה”, “יש להציל את שייח’ ג’ראח'”, “רציחת ילדים איננה נחשבת להגנה עצמית”, “הגידו במפורש את השם פלסטין”, “שתיקה היא אלימות”, “יש לחקור את פשעי המלחמה שמבצעת ישראל”, “יש לתת הגדרה עצמית לפלסטינים”, “יש להחרים את ישראל”. על הדלת הכניסה לקונסוליה האמריקנית שהייתה סגורה בעת ההפגנה, נכתבה הסיסמה באדום: “יש לשחרר את פלסטין, יש להפסיק את רצח העם וכן יש להפסיק את הכיבוש”.

בתגובה לתקיפת המפגינים היהודים בטורונטו, ציינו בארגון המרכז לענייני ישראל והיהודים בקנדה: “אנו מגנים בחריפות את ההתקפה והשנאה שהופנתה נגד יהודים. אין הצדקה לאלימות פוליטית ואלה ששונאים את ישראל שונאים גם את קנדה”.

What makes art Jewish?

Sorel Etrog’s sculpture in Odette Sculpture Park, in Windsor, Ont. Etrog was one of four artists featured in Prof. Jennifer Eiserman’s March 7 lecture, Is There Such a Thing as Canadian Jewish Art? (photo by Matt Glaman)

Is there such a thing as “Jewish art” in Canada? Dr. Jennifer Eiserman explored this question in a March 7 Zoom lecture organized by Victoria’s Kolot Mayim Reform Temple.

Eiserman, an artist and an art professor at the University of Calgary, shared some of the preliminary findings of her investigation. She pointed out that, with respect to the concept of “Jewish art,” she was not referring to Judaica or Jewish themes in art. “I’m curious about whether artists with some kind of Jewish background make art that is qualitatively different from other artists. If so, I am interested in how these Jewish artists speak and think Jewishly,” she explained.

She began by providing a background to Canadian art history and, specifically, how it has been taught. There has been a profound shift, to put it mildly, in focus, she said. Prior to 1990, the study of Canadian art was a colonial one, concentrating mostly on male artists of European descent. Now, the works of women, Indigenous people and others are part of the curriculum.

Eiserman then discussed four artists and how they speak both Jewishly and as Canadians. She started with sculptor Sorel Etrog (1933-2014) and his contribution to Canadian Modernism. Etrog was a Romanian-born Holocaust survivor who spent time in Israel before immigrating to Canada. His biography is one of movement from place to place.

“The way I see Etrog speaking Jewishly is through the tension between tradition and innovation and the notion of interweaving roads, the idea of the new, which occurs in Etrog’s work,” Eiserman said.

His work, she added, also speaks Jewishly, in that it maintains certain core principles of the genre of public sculpture while addressing the contemporary context in which the sculpture is being placed. Just as we place Jewish law from generation to generation into contemporary contexts, Etrog’s art innovates while carrying on traditional elements.

The figurative art of Betty Goodwin (1923-2008) was demonstrated as being the work of “an outsider, someone not part of the Old Boys’ Club and one who had to find her own way.” Her work, according to Eiserman, contributed internationally to how drawing was defined and what it was to become.

“Her floating figures might express the experience of being in a world that does not welcome one’s experience. The experience of being neither here nor there. Her work speaks to the experience of losing and finding,” Eiserman noted.

Sylvia Safdie’s video installations of flowing water, sand, light and sound advance the traditional concerns of Canadian art with landscape and nature, most commonly associated with the Group of Seven. Safdie was born in Lebanon in 1942 and her family moved to Montreal in 1953.

Safdie’s video can be perceived as exploring a variety of themes that allow her to bring her own voice into the world. “Her work is part of a post-colonial narrative in which some people have experienced harm as the nation of Canada came into being, and speaks Jewishly of the central issues of living in the Diaspora – how to adapt and yet maintain our identity,” said Eiserman.

The distinctively Jewish fantastical creatures of sculptor David Altmejd (born 1974), who represented Canada at the Venice Biennale in 2007, were the final set of slides shown by Eiserman. She described Altmejd as the “quintessential 21st-century Canadian artist. He is bicultural, multilingual, internationally known and now lives in another country (United States) yet is still deeply rooted in Canada.

“Life is complicated, Altmejd reminds us, we can’t have the good without the bad. Yet, always in his work, life shines through. While he rarely discusses his Jewish roots … one can see that his works speak Jewishly in many aspects,” Eiserman said.

Growing up in Montreal, Eiserman experienced the national influence that the Saidye Bronfman Centre had in disseminating Canadian Jewish art. She received her bachelor’s in art history and master’s in education through the arts at McGill University in Montreal, and a bachelor’s in fine arts (visual art) at the University of Regina in Saskatchewan. Her doctorate, one of the first to use studio art as its method of inquiry, is from the University of Calgary, where she is now an associate professor. Her current research is in North American contemporary Jewish art and community-based Jewish art.

In her artistic endeavours, Eiserman uses mixed media, crochet, watercolour, installation and public art projects to explore issues related to Jewish theology, philosophy and identity. She refers to her work as “visual Midrash, an artistic response to sacred Jewish texts.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

שאול גורדון בתחרויות הסיף באולימפיאדת טוקיו

שאול גורדון

הסייף הישראלי שאול גורדון ייצג את קנדה בתחרויות הסיף באולימפיאדת טוקיו שתתקיים בחודש יולי הקרוב. אחד עשר סייפים נוספים ייצגו את קנדה באולימפיאדה ביפן.

גורדון יליד תל אביב בן ה-26, גר בעיר ריצ’מונד שליד ונקובר בריטיש קולומביה מאז היותו בגיל עשר. הוא סיים תואר ראשון בשפה וספרות צרפתית באוניברסיטת פנסילבניה, שבפילדלפיה ארה”ב בשנת 2016. לאחר מכן עבר גורדון למונטריאול כדי ללמוד בפקולטה למשפטים באוניברסיטת מגיל. השנה הוא סיים לימודי תואר מתקדם שני במשפטים (על חוקי אבטחת החלל).

גורדון עזב את ישראל בגיל ארבע ועבר עם משפחתו לגור בעיר טורינו שבאיטליה. כבר בגיל שבע התחיל להתאמן בסייף בסגנון חרב. בגיל עשר (שש שנים לאחר מכן) עברה המשפחה לריצ’מונד. ומאז זה ביתו הקבוע למעט תקופות הלימודים הארוכות בארה”ב וקנדה.

בשנת 2019 זכה גורדון במקום השמיני באליפות העולם בבודפשט הונגריה שזה ההישג הגדול ביותר בקריירה שלו. באותה שנה הוא זכה גם במקום השלישי במשחקי פאן אמריקה שנערכו בלימה פרו. ואילו נבחרת קנדה שבה הוא משתתף הגיעה באותם משחקים למקום השני. הנבחרת הקנדית הגיעה עימו עוד פעם למקום השני במשחקי פאן אמריקה שנערכו בטורונטו בשנת 2015. גורדון זכה עם הנבחרת הקנדית גם במקום הראשון במשחקי גביע צפון אמריקה שהתקיימו בשנת 2011 בדאלאס טקסס. גורדון (המחזיק גם בדרכון ישראלי) זכה באוקטובר 2019 באליפות ישראל לבוגרים. כיום הוא מדורג במקום ה-22 בדירוג העולמי לסיף.

אחותו הצעירה של שאול, תמר גורדון, כשהייתה בת 15 זכתה גם כן באותה אליפות ישראל בסיף בתחרות לבוגרות (למרות גילה הצעיר). תמר גורדון (כיום היא בת 17) גם כן מתחרה בסגנון חרב, נמנית על נבחרת ישראל. היא אמורה לסיים את לימודי התיכון בריצ’מונד בעוד כשנה וחצי. לאחר מכן תלמד קרוב לוודאי באחת האוניברסיטאות בארה”ב. בשנה שעברה זכתה תמר גורדון מקום שלישי באליפות אירופה לקדטים (עד גיל 17) שהתקיימה בקרואטיה. היא זכתה במקום ראשון באליפות צרפת בשנת 2019. וכן הגיעה מקום שלישי בתחרות לקאדטים שנערכה בצרפת אשתקד.

אולימפיאדת טוקיו הייתה אמורה להתקיים במקור בקיץ אשתקד אך המשחקים הבינלאומיים נדחו לקיץ זה בגלל מגפת הקורונה. האולימפיאדה תיפתח ב-23 יולי ותימשך עד השמונה באוגוסט. לטוקיו אמורים להגיע למעלה מאחד עשר אלף ספורטאים (מ-207 מדינות), בהם לא פחות מ-85 ספורטאים מישראל. אם כן תהיה זו המשלחת הישראלית הגדולה ביותר אי פעם השתתפה במשחקים האולימפיים כלשהם. האולימפיאדה אמורה אגב להתקיים ללא קהל לאור המגפה חשש להידבקות עולמית.

שאול גורדון פגש את יאנה בוטביניק (בת ה-22) – שהיא סייפת הדקר הבכירה בישראל – בשנת 2018 באליפות העולם בוושי סין, ומאז הם ביחד. בוטביניק נמנית על נבחרת ישראל לומדת בימים אלה בחוג למתמטיקה ומחשבים באוניברסיטת קולומביה בניו יורק בארה”ב. היא עלתה מרוסיה לישראל בשנת 2010, ומגיל 14 החלה להתאמן בסייף. בגיל 17 היא זכתה לראשונה בתואר אלופת ישראל (לגילאים אלו). משנת 2019 בוטביניק נחשבת לבוגרת והיא סיימה במקום עשר באליפות אירופה, וזכתה במדליית ארד בברטיסלבה סלובקיה. כיום היא מדורגת במקום ה-68 בדירוג העולמי לסיף.

האח האמצעי של שאול, מתי גורדון (23), משחק דווקא רוגבי והוא נמנה על נבחרת ישראל ברוגבי שבע. מתי גורדון למד במשך ארבע שנים בחוג ללימודים אירופיים באוניברסיטת טורונטו. עתה הוא נמצא בשנה השנייה של לימודי לתואר במשפטים אוניברסיטת קווינס קינגסטון אונטריו.

הדירוג החדש של בלומברג

(Marco Verch/flickr)

כמעט שנה מאז התפרצה הקורונה, נראה כי ארה”ב וחלקים מאירופה מתחילים לצאת מהחשכה ומטפסים במעלה הדירוג החדש של בלומברג, שמבקש לבחון את האופן שבו מתמודדות 53 מדינות עם הנגיף.

למרות שבראש הכותרות בחלק ממדינות אלה, הופיעו בחודש האחרון בעיקר המאמצים שלהן בנושא החיסונים, ההתקדמות של חלק מהן במעלה הדירוג הושגה במידה רבה בזכות מאמצים משמעותיים יותר שננקטו על ידן בנושא חבישת מסיכת והותרת אזרחים בבתיהם. ארה”ב, מתכוננת להתאוששות כלכלית מהירה מהצפוי, ובדירוג פברואר של בלומברג זינקה המדינה שמונה מקומות לעבר המקום ה-27 ברשימה.

מי שממשיכה להוביל את הדירוג של בלומברג זה החודש הרביעי ברציפות היא ניו זילנד עם ציון של 77.6. בין היתר, הצליחה המדינה לשמור על הדירוג הגבוה היות ששמרה על הגבולות שלה סגורים במהלך פברואר, ביצעה ארבע עסקאות להשגת חיסונים והצליחה כמעט לחסל כליל את התפשטות הנגיף בקרבה.

במקום השני צועדת אוסטרליה, שעלתה מקום אחד בדירוג, וסינגפור במקום השלישי שירדה מקום אחד, ופינלנד במקום הרביעי שעלתה שלוש מקומות מהמקום השביעי. עוד בצמרת המדינות שמתמודדות בצורה הטובה ביותר עם הקורונה בעולם: נורווגיה במקום החמישי שעלתה מהמקום השישי, סין במקום השישי שירדה מקום אחד מהמקום השביעי, וטיוואן במקום השביעי שירדה שלושה מקומות מהמקום הרביעי. סוגרות את העשירייה הראשונה: דרום קוריאה במקום השמיני שעלתה ארבע מקומות, יפן במקום התשיעי שירדה בדירוג מקום אחד, ותאילנד במקום העשירי שעלתה ארבע מקומות. במקום האחד עשרה דנמרק, במקום התשיים עשרה קנדה, במקום השלוש עשרה הונג קונג ובמקום הארבעה עשרה ישראל עם ציון כולל של 59.6 והתקדמה מקום אחד מהמקום ה-15 – כמעט אך ורק בזכות מספר המתחסנים הגבוה. בפרמטר אחר שנבחן על ידי בלומברג – מספר מקרי הקורונה החודשי – ישראל צועדת בתחתית הרשימה עם 1,874 נדבקים בקורונה ל-100 אלף איש שנמדדו בחודש האחרון. רק פורטוגל (1,598 מקרים ל-100 אלף איש) וצ’כיה (2,156 מקרים ל-100 אלף איש) יותר גרועות ממנה. אחריה איחוד האמירויות במקום החמישה עשר, הודו במקום השישי עשרה ווערב הסעודית במקום השבעה עשר.

עורכי הדירוג כותבים כי “ישראל – המובילה העולמית בתחום החיסונים – מספקת הוכחה בעולם האמיתי לכך שחיסוני ה- mRNA הניסיוניים פועלים לא רק למניעת מקרי מוות אלא גם מאטים את קצב העברת הנגיף”. בבלומברג מציינים כי ישראל עלתה שלב אחד בדירוג למקום ה-14 “עם השקת החיסונים המהירה”, אף שזו עדיין לא השכיחה את גל המוטציה הבריטית שפוקד את המדינה ומדגים את הסכנה שהמוטציות ממשיכות להוות.

הדירוג מבוסס על פרמטרים שונים, ובכלל זה את מספר הנדבקים בקורונה בחודש האחרון ל-100 אלף איש, מספר המתים מקורונה בחודש האחרון ל-100 אלף איש, מספר המתים מהנגיף למיליון איש מתחילת המגפה, שיעור המאומתים העדכני בבדיקות קורונה, נגישות לחיסונים (שיעור האזרחים ששוריינו עבורם חיסונים), ומספר המתחסנים בפועל ל-100 תושבים.

עורכי הדירוג מציינים, בין היתר, כי כלכלות עשירות שהיו בעבר בתחתית הרשימה, כמו צרפת, בלגיה ואיטליה, טיפסו במעלה הדירוג מאז החלה לפרסם אותו בלומברג בנובמבר ודחקו מטה מדינות כמו דרום אפריקה ואינדונזיה. כעת השליש התחתון של הדירוג מורכב ממדינות מתפתחות באמריקה הלטינית ובאפריקה.

השליטה של מדינות עשירות באספקת החיסונים העולמית – שמנכ”ל ארגון הבריאות העולמי כינה כ”כישלון מוסרי קטסטרופלי – ככל הנראה תמנע ממדינות עניות להתקדם במעלה הדירוג בחודשים הקרובים. כך לדוגמה מקסיקו נותרה בתחתית הדירוג במקום ה-53, האחרונה בין כל המדינות שנבדקו.

Silence can’t be an option

The entire federal cabinet – save the foreign affairs minister – was absent Monday when the House of Commons unanimously voted to characterize the Chinese government’s treatment of its Muslim Uyghurs and other ethnic minorities in the northwest part of China as “genocide.”

In the absence of the prime minister and all his cabinet colleagues, Marc Garneau, the foreign minister, stood and declared, “I abstain on behalf of the Government of Canada.”

The vote was on a nonbinding resolution brought forward by the Conservative party and, ultimately, was supported by all parties, receiving a unanimous vote by those members in the house and participating remotely. An amendment, brought by the Bloc Quebecois, also passed, calling on the International Olympic Committee to move the games scheduled for Beijing in 2022 unless the genocide stops.

According to international law, genocide is the “intent to destroy, in whole or in part, a national, ethnical, racial or religious group.” The United States, at the tail end of the Trump regime, became the first country to name China’s behaviour genocide.

The Chinese government is perpetrating mass incarceration of millions of Uyghur Muslims and ethnic Kazakhs in northwestern China, operating concentration camps, separating families, committing forced sterilization, using slave labour and employing indoctrination apparently aimed at breaking the victims’ adherence to Islam and promoting obeisance to the communist regime.

The Chinese state barely disguises their intent, acknowledging that they are operating “re-education camps” or “counter-extremism centres.” An Australian study last year posited that there are 380 such facilities in the northwestern province of Xinjiang, where most of the 12 million Uyghurs live. The area produces a large proportion of the world’s cotton and the BBC has reported that an estimated 500,000 people are being employed in forced labour picking cotton. Some who have escaped the camps report physical and mental torture, including mass rape and sexual abuse.

An argument could – indeed should – be made that the use of the term “genocide” must be applied carefully in order to avoid diminishing the significance of the language. We have seen the misuse of the term applied to Israel. But there is a great difference between using caution out of respect for the magnitude of the allegation and avoiding the term out of some political expediency or fear of diplomatic retaliation.

Whether what is happening in China right now fits the definition of genocide as we understand it in contexts like the Holocaust, Darfur, Rwanda or Bosnia is not immaterial. But there can be no question that what is happening are crimes against humanity on a massive, blood-chilling scale. Censure of the most extraordinary sort is absolutely justified.

Of course, discretion plays a role. In every decision and position the government takes relating to foreign parties, there are multiple domestic, diplomatic and practical considerations. No country’s foreign policy is pristine or unsullied by what we might consider pure self-interest or unprincipled motives. Fears of repercussions are legitimate.

China is a bully. In response to Canada’s rightful arrest of Huawei executive Meng Wanzhou on a U.S. extradition request, the regime effectively kidnapped two Canadian citizens, Michael Kovrig and Michael Spavor, who have now been incarcerated for more than 800 days.

As we have said in the context of Canada’s support for Israel, elected officials should exercise immense caution in employing foreign policy as a wedge issue. Certainly there are legitimate differences of opinion among parties and individuals on various international topics.

Objectively, O’Toole and his party did the right thing. They were accompanied by MPs from all parties, including Liberal backbenchers. We would hope that the motion and the unanimous support is a symptom of a genuine Canadian commitment to fighting evil in the world. However, it is difficult not to see some partisan calculation at play. O’Toole and his party have been effective and vocal in raising the Uyghur issue (as well as other Chinese government atrocities and human rights abuses) for some time. By contrast, the Trudeau government has appeared to waffle, hemming and hawing over the definition of genocide and appearing reticent to offend the Chinese regime; their approach to China in general has been scattershot and incoherent.

It is within the realm of reason that the Conservatives saw a chance to embarrass and divide the Liberal government and took it. But the bigger issue is, even if the Conservatives were motivated by some hope of political gain, the Liberal government could have muted any such benefit by simply doing the right thing – as Liberal MPs and those of other parties did.

O’Toole, after the vote, decried an absence of leadership. Fair enough.

If the Canadian government has a reason to not characterize Chinese actions as genocide, we’d like to hear them. By simply refusing to show up, the Trudeau government did not take a stand on one of the crucial global issues of the day.

When a people is facing genocide, the very least the victims and Canadian citizens should expect is for Canada’s government to speak up. Too many times in history we have seen the consequences of silence.

Canadian Jewish art?

Does Canada have Jewish art? What defines Jewish art? University of Calgary art professor Jennifer Eiserman will address those questions on March 7, at 11am. The Zoom event is the fifth in Kolot Mayim Reform Temple’s 2020-21 Building Bridges lecture series.

photo - Prof. Jennifer Eiserman — Prof. Jennifer Eiserman *(photo from art.ucalgary.ca)*

With a wealth of visual support, Eiserman will introduce the rich esthetic traditions that inform contemporary Jewish art in Canada. The artists to be discussed include Sorel Etrog and his contribution to Canadian Modernism, the figurative work of printmaker Betty Goodwin, and the Jewish fantastical creatures of sculptor David Altmedj, who represented Canada at the Venice Biennale in 2007. Sylvia Safdie’s video installations of flowing water, sand, light and sound advance the traditional concerns of Canadian art with landscape and nature more commonly associated with the Group of Seven.

Growing up in Montreal, Eiserman experienced firsthand the national influence that the Saidye Bronfman Centre had in disseminating Canadian Jewish art. She spent her childhood in Montreal and her adolescence in Alberta’s Cypress Hills. She did her bachelor’s (art history) and master’s (education through the arts) at McGill University in Montreal, and a bachelor of fine arts (visual art) at the University of Regina. Her PhD, one of the first ever to use studio art as its method of inquiry, is from the University of Calgary, where she is now associate professor in the department of art. Her current research is in North American contemporary Jewish art and community-based Jewish art.

Eiserman is also a successful practising artist. She uses mixed media, crochet, watercolour painting, installation and public art projects to explore issues related to Jewish theology, philosophy and identity. Eiserman explains that her work is “what I call ‘visual midrash,’ my artistic response to sacred Jewish texts.”

For more information on and to register for Eiserman’s talk, visit kolotmayimreformtemple.com. For coverage of the Jan. 3 lecture of the Building Bridges series, click here.

Looking for Sklut family

In looking through the Jewish Independent’s archives, after reading this article, this photo of Pte. Paul Sklut was found.

A Belgian tour guide and historian, Niko Van Kerckhoven, wrote to me recently. Van Kerckhoven, 50, and his teenaged son, regularly visit the graves of the Canadian soldiers who were killed liberating his town, called Wommelgem, during the Battle of the Scheldt, which was the Canadian campaign in the area surrounding the crucial port of Antwerp in fall 1944. It cost more than 6,000 Canadian casualties to take it, including that of Jewish volunteer Pte. Paul Sklut.

Van Kerckhoven has found photos of nearly all of the Canadian “boys” whose graves he visits, but not Sklut’s. As he wrote to me, “I’m quite desperate. You are pretty much my last chance for a picture!”

Sklut was the son of Russian-Jewish parents, and the family lived on Ferndale Avenue in Vancouver. It was a short walk to Britannia High School, where he was in the cadet corps, before he graduated.

Sklut’s name was often mentioned in the Vancouver newspapers, for he played competitive tennis, and also gave piano recitals at a venue on Granville Street.

Sklut was studying at the University of British Columbia when he was called up. He had just turned 19 on April 15, 1943. His two brothers, Harry and Donald, were already in uniform, with the army and the Royal Canadian Air Force, respectively. Sklut qualified as an infantry signaller in Kingston, Ont., then shipped out for England in July 1944. He was sent to France on Sept. 11, 1944, attached to the Calgary Highlanders. He was sent into action on Sept. 26. Twelve days later, he was dead.

“Many of them were just arriving here in Europe when they were thrown in this terrible battle of the Scheldt. I know the area well,” Van Kerckhoven wrote. “Many of the replacements died due to lack of training and experience. They really were used to plug the gaps in the infantry, although they were specialists by trade.”

Sklut was wounded on Oct. 8, 1944, and brought to a Canadian medical station that the Royal Canadian Army Medical Corps had set up inside one of the 19th-century forts near Antwerp, known as Fort 2, in Wommelgem. Military records confirm this happened.

Canadian medical personnel with the 18th Canadian Field Ambulance received Sklut at 13:00 hours. He was in really bad shape: he’d already lost his right leg at the knee, and his left leg and knee were fractured. He also had shell wounds in his chest and abdomen.

By 14:00 hours, Sklut was evacuated to the 21st Canadian Field Dressing Station and, then, still in shock, they took him to the Ninth Canadian Field Dressing Station, where he died at 16:30 hours. He was 20 years old.

Locals buried Sklut with other foreign soldiers, about 40 of them, mostly Canadians, in the civilian area of the Candoncklaer Hospital Cemetery in Wommelgen. Later, their bodies were reinterred at the Commonwealth War Graves cemetery in Bergen-op-Zoom, across the border in Holland.

photo - Grave of Pte. Paul Sklut in the Bergen-op-Zoom war cemetery, in Holland — Grave of Pte. Paul Sklut in the Bergen-op-Zoom war cemetery, in Holland. *(photo from Niko Van Kerchkoven)*

That’s where my Belgian correspondent visits Skult’s grave. Van Kerckhoven is a member of his local historical society in Wommelgen, known as De Kaeck. He would like to find the Sklut family to tell them their relative has not been forgotten; he is also looking for a photo of Sklut.

Contact me through my website, ellinbessner.com, if you are able to help this man as he continues to carry out a mitzvah, although I am not sure he is aware of what that word means. (I will explain it.)

Ellin Bessner is a Canadian journalist based in Toronto. She is the author of a new book about Canada’s Jewish servicemen and women who fought in the Second World War, called Double Threat: Canadian Jews, the Military and World War II, which was published by University of Toronto Press (2019). She also contributed a chapter to Northern Lights, published by the Lola Stein Institute (2020); it is the story of the contribution of Canada’s Jewish community to the country’s military record from 1750 to today.