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September 3, 2004
From merchant to king
BAILA LAZARUS EDITOR
Thankfully for Donald Adams, star of the Bard on Beach production
of Macbeth, there's a lot of grimacing that goes along with
a Shakespearean sword fight. So when he failed to parry a blow from
his opponent, Macduff, that split his knuckle and broke his index
finger, the audience members weren't aware of anything amiss. It
wasn't until he failed to appear after the show to answer questions
that they were told he was on his way to the hospital.
"I knew I had been chopped and I saw an ominous black mark
on the index finger," said Adams. But, after reconfiguring
the fight for the next show, the play has continued, with nothing
more than a splint on his hand, covered by a period bandage.
For Adams, the challenge was just one more hurdle in what he describes
as a "difficult play." His role as Macbeth is the largest
role he's played in his life, according to Adams, who also played
the lead role of Shylock in last season's production of The Merchant
of Venice.
"I used to say when I finished Shylock, I felt I'd been beaten
up with a two-by-four because it's emotionally draining," said
Adams. "But that was nothing compared to Macbeth.
"Compared to other roles, Macbeth is actively fighting fear,
fighting enemies," explained Adams, who is a member of Vancouver's
Jewish community. "He knows on some level that he has sold
his soul to the devil and he has major stuff to fear. It's a bargain
that doesn't provide any calm at all."
But Adams carries the burden with intensity that never wavers, right
to the last (literal) drop of blood. With pursed lips, furled eyebrows
and crazed eyes, he conveys with no half measure the fear and paranoia
that grips Macbeth.
As if preparing for Macbeth was not enough to keep him busy, Adams
and his partner, Jo Bates, have started a Shakespeare school for
adult professional actors. Working out of the old Gastown actors'
studio on Cordova, they have hired local Shakespearian aficionados
Scott Bellis, Moira Wylie and Kevin Williamson, drawing as students
everyone from TV stars to people just dabbling in Shakespeare.
"We filled a need in the community which we suspected was there
in that the schools the universities and professional schools
are not providing any ongoing classical training and that's
really missing from the soul of the community," said Adams.
"People can find their range and physical stamina broadened
and deepened and we've had testimonies from several people that
this is actually happening for them."
Macbeth runs until Sept. 23. For tickets, visit www.bardonthebeach.org
or call the box office at 604-739-0599. For more information on
the Shakespeare workshops, call 604-739-7829.
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