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March 10, 2006

Multicultural moves expand

Israeli dancing links participants from all backgrounds.
KELLEY KORBIN

Israeli dancing isn't just for kibbutzniks anymore. In fact, it's enjoying unprecedented attention from folk dance aficionados everywhere. A quick scan of sites on the web will lead you to Israeli dance classes around the world, from Beijing to Budapest.

And if the idea of Israeli dancing conjures up an image of the horah that you perform at weddings and bar mitzvahs, think again. Israeli dancing has come a long way, with new dances being choreographed to modern and popular music all the time.

This has led to a nostalgia for the traditional forms of Israeli dance – and some instructors are beginning to offer classes specializing in the "classic" dances from Israel's early days. Jenny Wright is offering such a class in Vancouver, tailored to people who long to perform the dances they learned at camp as youngsters.

But other Vancouver teachers, like Nona Malki who teaches at the Greater Vancouver Jewish Community Centre or Naomi Taussig who teaches at the North Shore's Har El Synagogue, are embracing the new dances, music and choreography with open arms and tapping feet.

What you might also find surprising is just who is doing all this dancing. Of course, in Israel, where Israeli dancing is extremely popular and up to 1,000 people often attend nightly dance sessions in the major cities, most of the dancers are Jewish. But across the Diaspora, it's a different story. Even here in Vancouver many of the participants in local dance evenings are not Jewish.

Malki says the majority of the dancers in her well-attended classes are Jewish, but that the non-Jewish people who attend often come through a connection with their own religion. However, she did add that, "in Europe they say maybe 10 per cent [of people attending Israeli dance sessions] are Jewish."

Taussig's classes are relatively small, with about 30-40 people. She said this intimate atmosphere partly contributes to the fact that in her class, "We have Jews, born-again Christians and regular Christians." She said that the Jews in her group are mainly there for the music and the exercise, but "for some people, there's a definite sense of it being a biblical connection and some Christians see it as a way to connect to the Bible – many of the older dances have biblical inspiration and they look for that."

Jim Hamilton and his wife Roma have been participating in what they call "Messianic dancing" for years. "My Messiah is Jewish," said Hamilton, who added and that he and his wife dance to get closer to the Jewish roots of Jesus. Messianics are not necessarily Jews, although some belong to groups like Jews for Jesus. Most believe that Jesus was Jewish and therefore Christianity's roots are in biblical Judaism. As such, some of them believe that Jewish ways, like wearing kippot, donning tallit or using tefillin are the right way to honor Jesus – not to mention offering praise and worship through dance.

"What I have a concern about is taking Israeli dances ... and just maybe modifying them or not and calling it Messianic dancing," said Taussig. I don't have a problem with people's beliefs, as long as they don't proselytize in my group. I'm very clear about that. I'm an Israeli dance teacher, not a Messianic dance teacher.... A lot of messianic dances are choreographed based on Israeli dancing, but it's not Israeli dancing."

Taussig, who is a lay cantor at Congregation Har El, says that to her, Israeli dancing is non-religious.

Of course, the majority of non-Jews who partake in Israeli dance are not Messianic. Many get their exposure to Israeli dancing through their Jewish friends. Susan Hoch's husband Severin is Jewish. They met years ago at an international dance night in Stanley Park. Now they are both hooked on Israeli dance.

Severin likens Israeli dancing to a kind of meditation: "There is a combination of beautiful current music, beautiful dances and you cannot think of any of your problems while you're dancing because of the [intricate] steps," he said. The Hochs said that almost everywhere they have travelled in the world, they have been able to find Israeli dancing. "You just never know who's going to pop up," said Severin. "A lot of Jews for Jesus come trying to get closer to Israel and I've even seen nuns Israeli dancing in Rome."

Gabriella Wieczorek is originally from Poland and first tried Israeli dancing at a Christian camp. Now she attends sessions regularly. She lives in Langley but drives all the way to the North Shore to participate in Taussig's class. "I feel really drawn to things that are Jewish," she said. "It started with Israeli folk dancing – I love the music."

Noli Cole, director of the dance troupe Keff L'Olam, said that many non-Jews get exposed to Israeli dance through other types of international dance. She has found that many are active in their churches, but hasn't met many "Messianics." She added that it often surprises her how much Israeli dance "transcends cultures and religions, as well as ages."

Cole reminisced that one summer night, she was totally surprised when she heard "blasting Israeli dance music" coming from Kits Beach around midnight. When she went to investigate, she was delighted to come across a group of 12 excellent Israeli dancers, all of them Chinese.

So what is it that attracts so many diverse people to Israeli dancing? Taussig explained it this way: "The music is fabulous, very upbeat and draws people in – even people with two left feet can get the basics ... it gives a good base for dance, it is very current and very hot and it is very internationally flavored. That's its appeal. Also, it's a fabulous workout and very social."

To Taussig, the question is not what draws people, of all religions, to Israeli dance, but "why it has not become more of a rage than it is, because it's aerobic and fun." She lamented the fact that more Jews don't dance. "I wish more Jewish people would try it," she said, "they see it as dancing, not exercise, but there is a great aerobic component."

Taussig said she would not entertain the notion of limiting her classes to Jews. "I won't do to others what has been done to the Jewish community," she said. "This is a positive statement, to have a place where everyone is welcome. I want the dance experience to be where we get away from the politics. [Dance is] a fabulous aspect of Israel, a thriving alive and vibrant movement."

She added that she believes that exposing non-Jews to Israeli culture through dance makes people more supportive of Israel. "These are the friends," she noted, "that Israel and the Jewish community needs."

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