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February 27, 2004

Horror through eyes of a child

Rare photos and moving words mark Shoah exhibit at Holocaust centre.
PAT JOHNSON SPECIAL TO THE JEWISH BULLETIN

Solly Ganor was 10 years old in 1941, when his four-year trauma at the hands of the Nazis began. His miraculous survival in Lithuania's Kovno ghetto, concentration camps and, finally, a death march from which he very nearly didn't survive, is told in a monumental exhibit now on display at the Vancouver Holocaust Education Centre.

Light One Candle: A Child's Diary of the Holocaust uses the frank and moving testimony of Ganor's diary, combining his narrative with some of the rarest and most important surviving photographs of the ghetto where most of Ganor's fellow Kovno Jews perished. The exhibit holds special significance for Canadian observers and tells of the remarkable role played by Japanese and Japanese-Americans in Ganor's life story.

The exhibit is intended as an introduction to Holocaust learning for younger audiences, but the content has resonance for people of all ages. Through Ganor's words, the Holocaust experiences of millions of Jewish children are parallelled.

Life in the Kovno ghetto was photographed by George Kadish, himself a resident of the Lithuanian town, in hundreds of stills that may be the most significant photographic collection taken by a victim during the Holocaust, according to Holocaust centre officials. The collection, which now belongs to the Simon Wiesenthal Museum of Tolerance, includes representations of Ganor as a child.

Other photographic collections are also represented in the current exhibit, including six rare photos of the April 1945 death march, which Ganor survived, as well as photos of Dachau's liberation by Japanese-American soldiers.

The Japanese connection is a notable closing of a circle in the Holocaust story of Ganor. Chiune Sugihara was the Japanese consul to Lithuania, a man with no experience of the Jewish culture or history, but whose horror at the emerging fate of European Jewry led him to save innumerable Jews by issuing thousands of illicit visas that permitted some Lithuanian Jews to escape in advance of the Nazi extermination. Though Ganor's family was lucky to receive a Sugihara visa, they were unable to escape in time to evade the Nazis. Ganor (born Zalke Genkind) and his father were among the only two of their extended family to survive. After the war, Ganor's father met and married a Canadian woman and, although Ganor moved to Israel to fight in the War of Independence and remains there, he also holds Canadian citizenship.

Ganor was one of the Dachau inmates who were liberated by the American 522nd Field Artillery Battalion, an all-Japanese-American battalion. In a comment accompanying a photo of Ganor's liberator, Clarence Matsumura, Ganor notes "It was Clarence who picked me up out of the snow [where he had fallen during the death march] and saved my life on the morning of May 2, 1945. This was the first act of kindness from a person in uniform that I had seen in more than five years."
In 1992, the two men met again, in Jerusalem, and it was the first time since liberation that Ganor cried.

In 1955, Ganor published his memoir, titled Light One Candle: A Survivor's Tale, which tells of the depths to which humankind descended during that period, but also sheds light on the kindness and humanity of individuals like Sugihara and Matsumura.

Hundreds of Vancouver school children will have the opportunity to meet Ganor and hear his story at this spring's annual high school symposium, arranged by the Vancouver Holocaust Education Centre. A public reception will take place May 6, 7:30 p.m., at the centre.

The current exhibit, Light One Candle, opened Sunday and continues until May 28. In addition to Ganor's story and the rare Kadish photos, which are a testament to the murder of all but 3,000 of Kovno's 45,000 Jews, the exhibit includes photos from the Landsberg-Kaufering slave labor camps, part of the Dachau complex, where many Lithuanian Jewish men died, and photos from the Sugihara family archives. The exhibit is a travelling production that premièred in 2001, during Ganor's belated bar mitzvah, and later was shown at New York's YIVO Institute.

Pat Johnson is a native Vancouverite, a journalist and commentator.

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