The Western Jewish Bulletin about uscontact ussearch
Shalom Dancers Dome of the Rock Street in Israel Graffiti Jewish Community Center Kids Wailing Wall
Serving British Columbia Since 1930
homethis week's storiesarchivescommunity calendarsubscribe
 


home > this week's story

 

special online features
faq
about judaism
business & community directory
vancouver tourism tips
links

Sign up for our e-mail newsletter. Enter your e-mail address here:



Search the Jewish Independent:


 

 

archives

February 28, 2003

Capturing life's essence

VJFF hosts special screening of Nowhere in Africa.
CYNTHIA RAMSAY SPECIAL TO THE JEWISH BULLETIN

Members of the Lower Mainland's Jewish community can be among the first to see what is being hailed as a beautiful, powerful movie – the Academy Award-nominated Nowhere in Africa. The Vancouver Jewish Film Festival is presenting the Vancouver première of the film at a special screening next month.

Written and directed by Caroline Link, the movie is based on the best-selling autobiographical novel by Stephanie Zweig. It tells the story of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife, Jettel, and their five-year-old daughter, Regina, each adapt to their new life in different ways.
Nowhere in Africa (Nirgendwo in Afrika) won five 2002 Golden Lola (German Film) Awards, including best film, director and cinematography, and it has been nominated for 2003 Academy and Golden Globe awards for best foreign language film. It stars Juliane Köhler as Jettel, Merab Ninidze as Walter and Lea Kurka and Karoline Eckertz as the child and teenage Regina, respectively. Sidede Onyulo plays the Redlichs' Kenyan cook, Owuor, and Matthias Habich plays Süsskind, a fellow German expatriate.

In the film's opening moments, we see Regina and her family, toboganning on a crowded mountain, scared off by a Nazi youth. Interspersed with these shots is footage of a young Kenyan boy biking along a dusty, empty road, carrying a message in his mouth. We then witness a party with several wealthy-looking people crammed into a small apartment, while the Kenyan boy arrives at a farmhouse that truly looks as if it is in the middle of nowhere in Africa. The first time we meet Walter, he is being treated for malaria by Süsskind and being kept alive by Owuor, whose loyalty to the Redlichs never wavers. Compare this with what Walter writes in a letter to Jettel, who is still in Germany with Regina: "There's no one you can trust, not even people we called our best friends."

It is such contrasting images and ideas as these that make Nowhere in Africa such a compelling and beautiful movie. At the same time as it portrays the cruelty of which humans are capable, it shows the power of loving relationships. While it shows the harshness of life in Africa (and Germany), it depicts how deeply connected people are to the land. It captures the essence of life – its conflicts and its reconciliations, and just how much work it takes to make life worthwhile.

Walter, who was an attorney, is a caretaker on a farm in Africa and, although he listens fervently to the radio for news from Germany, he tries to build a new life for his family and seems relatively content. Jettel, however, arrives in Kenya with her family's china and an expensive evening gown; she fears the Kenyans and treats them with haughtiness. Meanwhile, Regina immediately embraces the country – learning the local language and customs, and finding a friend in Owuor.

But the situation changes. Jettel grows more comfortable and self-sufficient in Africa, Walter becomes more haunted by the life they left behind and Regina goes off to a British-run boarding school, where, among other white girls her age, albeit mostly Christians, she "learned very quickly what it means to be an outsider."

Nowhere in Africa is showing at the Norman Rothstein Theatre March 13, 7:30 p.m. Tickets are $18 and a wine and cheese reception follows the screening. For tickets, call 604-644-1157.

^TOP