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February 14, 2003

Movie takes aim at Israel

Film is propaganda, not a documentary, says local critic.
PAT JOHNSON SPECIAL TO THE JEWISH BULLETIN

Israel was equated with Nazi Germany, apartheid South Africa and the Indonesian oppressors of East Timor at a public meeting last week at Langara College. Speakers at the meeting, which was sponsored by the Canada-Palestine Support Network, also defended suicide bombers, called Israel a terrorist state that practices "ethnic cleansing" and called Zionism a "representation of the bankers' interests."

The centrepoint of the event, on Feb. 6, was the screening of filmmaker John Pilger's Palestine is Still the Issue. The film was billed as a documentary, but reflected a completely one-sided view of the Middle East conflict, with Israel depicted as the sole cause of all the problems faced by Palestinians. The 1948 war – which began when the new state of Israel was attacked by all adjacent Arab countries – was recast in Pilger's film as being motivated by Arab reaction to Israeli aggression in forcing Palestinians from their homes. The 1967 Six Day War was similarly revised to again paint the Arab peoples as victims of Zionist aggression, with the only reference again being to Palestinians forced from their homes.

Suicide bombers are depicted in the film as victims whose murderous acts are driven by "an expression of despair" created by Israeli humiliation of Palestinians. Israel's various historical offers of a bi-national state were dismissed as Bantustans (puppet states created by the apartheid regime in South Africa to give the appearance of black self-determination) and "stateless states" by Pilger. The violence incited by Palestinian leaders and executed by individual zealots will be justified when history is written, the film stated.

"History will certainly call it a war of national liberation," said Pilger.

Palestine is Still the Issue
makes no attempt at nuance or balance, despite good production values that make the film appear like a news segment. An example of the black-and-white perspective of the film and its subjects is an employee of the Palestinian ministry of culture who, speaking of Israelis, states, "They don't respect anything. They just come and destroy."

Israelis who appeared in the film all expressed shame over their country's behavior, with the exception of a spokesperson from the Israeli prime minister's office, whose comments defending Israel, in the context of the film, served to make the spokesperson appear comically idiotic.

In his film, Pilger makes a direct comparison between Israeli treatment of Palestinians and the Nazis' treatment of Jews, suggesting that Israelis should have learned from the Holocaust experience.

Anti-American attitudes also permeated the evening. Activists handed out pamphlets linking the Palestinian issue with the looming American conflict with Iraq and Israel was characterized, throughout the evening, as America's outpost in the region.

"In the Middle East, Israel is America's deputy sheriff," said one person in the film. The audience booed when a clip of U.S. President George W. Bush emerged on the screen.

The film described Zionism as the belief that God decreed in the Bible that Jews should have the land of Israel. While this is the view of some Zionists, the film ignored the broad spectrum of Zionist views that do not reflect the biblically ordained state.

The screening was followed by a panel discussion featuring William Cleveland, a Simon Fraser University professor of Middle East history; Nora Patrich, a Vancouver artist; and Noha Sedky, a member of the Canadian Arab Justice Committee.

Audience members were also invited to express their opinions. One speaker, responding to Pilger's comment in the film that "Few people have been betrayed so many times as the Palestinians," noted that the Palestinians should place some of the blame on the Arab states, who have used them as a pawn to attack Israel, and on the Palestinian leadership, which has always chosen violence over negotiation. The speaker was listened to respectfully by most of the people in attendance.

The crowd booed down a speaker who attempted to differentiate between "Orthodox Jews," whom the audience-member apparently viewed as decent people, and "Zionist Jews," whom he claimed are the "representation of the bankers' interests." As he attempted to express his theories of Zionist control of the interest rates, others drowned him out and he sat down.

Another audience member, who was one of a clutch of Jews sitting awkwardly in the back row of the large, packed auditorium, was shouted down when he attempted to describe Israel as the region's underdog and as a victim of Arab aggression in 1948 and 1967. A German-born Jew gained huge applause, however, when he said he hates to see the walls between Palestinians and Israelis, just as he abhorred the Berlin Wall of his homeland.

Mordecai Briemberg, a member of the Canada-Palestine Support Network (CanPalNet), had opened the evening's event by comparing Israel to Indonesia, which for decades kept the East Timorese people under oppressive colonialism, and with apartheid-era South Africa.

CanPalNet spokespeople said their goal is to alter Canada's foreign policy relating to the Middle East, which Briemberg referred to as supporting "Israeli colonization and apartheid structures."

Anne Roberts, a Vancouver city councillor and an instructor in Langara College's journalism department, was one of the introducers of the film. She said the recent city council vote opposing war in Iraq cemented Vancouver's place as the "peace capital" of Canada. The newly elected councillor also said that charges of anti-Semitism are "chilling" valid debate over Mideast affairs.

Roberts went on to criticize the control Winnipeg's Asper family has over Canadian media and then told the audience that Greg Felton, a graduate of her journalism department, had been fired as an editor of the Vancouver Courier newspaper for writing anti-Israeli columns.

In a later interview with the Bulletin, Mick Maloney, managing editor of the Courier said Roberts is wrong. Though Felton's columns caused controversy, Maloney said he and the paper's publishers strongly defended Felton's right to express his views. Felton's dismissal from the paper had nothing to do with political views or Felton's Middle East writings, he said.

Contacted by the Bulletin on Monday, Roberts said she had heard from Maloney earlier that day and accepted his version of events. She apologized for not confirming the accuracy of her comments before discussing the matter at the meeting.

Sally Rogow, a retired academic who was asked by the Israel Action Committee to attend the screening, was highly critical of the film.

"I thought it was very manipulative," she said. "It took things out of context. There were fabrications."

Rogow, who last year completed a study of anti-Semitic learning materials in Palestinian and other Arab school systems, said the film blatantly distorted historical realities.

"It is not a documentary. It was a propaganda film," she said.

Pat Johnson is a native Vancouverite, a journalist and commentator.

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