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August 29, 2003
World of pictures at the Zack
Three photographers discover they all have "camels"
in the bathroom.
CYNTHIA RAMSAY SPECIAL TO THE JEWISH BULLETIN
The world will be brought to Vancouver's Zack Gallery next week
with the opening of the photography exhibit Camels in the Bathroom.
Formed by Baila Lazarus, Alex Gubanov and Roman Elinson, Camels
in the Bathroom is comprised of more than 30 photographs taken in
such remote locations as Morocco, Death Valley, the Negev Desert
and Thailand.
Begun just two months ago, preparations for the exhibit were launched
with a casual question Lazarus asked gallery curator Reisa Schneider.
"A friend who has seen the photographs in my apartment suggested
I have an exhibit," Lazarus explained. "I gave Reisa a
call, just to see what the procedure is to be exhibited and, as
it happened, she had just had a cancellation for September."
Lazarus decided to invite Gubanov to exhibit with her and Gubanov
suggested Elinson come in as well.
"I'd seen Alex's work and knew that, visually, his images and
mine would work well together," Lazarus continued. "He
then suggested Roman come on board. It was during an initial conversation
between the three of us that the title for the show was born."
That odd title came from the fact that all three exhibitors had
pictures of camels hanging in their bathrooms. They began to see
it as symbolic. Each has a day job Lazarus is the editor
of the Jewish Western Bulletin and Gubanov and Elinson are
both doctors - but each also has an artistic side expressed
through photography. They now see a "camel in the bathroom"
being representative of someone's hidden creative side.
"Having 'camels in the bathroom' took on a metaphorical twist
an offbeat tangent that implies an undisclosed creative identity,"
says their artists' statement. "Some people have skeletons
in their closets, these artists have camels in their bathrooms."
Gubanov, who is the only one of the
three who has exhibited his work before, said he's taken more than
50 rolls of "birthday parties, weddings and sunny days at the
beach" since he moved to Vancouver from Toronto just over a
year ago. He said he likes to use his camera as a "pause button."
"I find that the pace of life often distracts us from the beauty
of its contents," Gubanov told the Bulletin. "I
enjoy using my camera as a pause button, unveiling and celebrating
those brief glimpses of truth that we all experience but often miss.
I hope that my photographs portray a decisive moment, expressing
to the viewer the essence of a particular situation or subject."
Gubanov has taken many of his photos on travels to Costa Rica, Panama,
Peru, Morocco and Spain. He doesn't limit what he photographs and
he enjoys finding beauty in and taking pictures of the simplest
objects.
One such image was taken during his first Chanukah in his new apartment
in Vancouver. He had moved out in July 2002 and had returned to
Toronto in November to bring some personal belongings out, including
the menorah.
"Part of the reason that I enjoy Chanukah so much is because
I think the candles are really beautiful," said Gubanov. "I
was sitting at my computer and looked over and saw the menorah and
it looked quite special so I thought I'd try and capture the image."
The result is the photo "Hannukah" on this week's Bulletin
cover.
Gubanov shoots on a Minolta Maxxum 7000I, "but I never leave
home without my Canon Elph," he said.
Elinson also takes many photos while travelling, sometimes going
through "40 or 50 rolls" in one year.
He tries to capture "any situation which represents something
different from my everyday experience [and] sharpens my awareness
of my surroundings. That's usually when the camera comes out. But
sometimes the impetus comes from inside; the environment's the same
but I might just feel like taking my camera out for a walk."
Elinson, whose work is often quite abstract,
wants viewers to experience his images in a personal way.
"Each person will have their own quite unique impression of
a given image that is intensified when it involves the heart and
imagination," he said. "The more striking the photograph,
the more it seems to transcend its subject and imply something dynamic
and inexplicable; it becomes a kind of intimate psychological symbol
that defies precise definition.
"Life is constantly happening external reality continuously
becomes inner experience. I think the magic of photography is the
ability to showcase those special moments that highlight the bridge
between the two worlds."
Elinson shoots on a Canon EOS, using 400 speed film.
While Lazarus's images span the globe,
as well, many of the photos in this exhibit were taken in Death
Valley, Calif.
"It was just my type of place," said Lazarus. "The
sand dunes and geological formations were magical, especially as
they visually changed with the movement of the sun. After I saw
photos I developed from my first trip, I knew I had to go back and
I did, just a month later. I knew I had to be at a certain spot
at a certain time to get the shots I wanted."
One of those shots is "Liquid," one of Lazarus's favorites.
"People always think it's a painting," she said. "That
says something about the beauty of the place."
Although Lazarus is excited about being able to show her work, she
said the condensed period of time in which they had to get the exhibit
together and the fact that they were all learning on the fly was
very draining.
"Two months that's all we had," she said, adding
that the learning curve was immense for her because she had never
exhibited before. "There were so many little details to consider,
from selecting a font style for the invitations to writing a collaborative
artists' statement to selecting mat styles. We were running from
photo labs to framing stores and all the while we were all working
full time. The learning curve was really steep."
Lazarus, whose photos were taken on Canon AT1 and AE1 cameras, said
that when this is all over, she's going to write a book for first-time
exhibitors. "No need for everyone else to get so stressed,"
she laughed.
Camels in the bathroom opens at the Sidney and Gertrude Zack Gallery
at the Jewish Community Centre of Greater Vancouver Thursday, Sept.
4, and runs until Oct. 8. Call 604-257-5111, ext. 244, for information.
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