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August 16, 2002

Jewish filmmaker targeted

Province's censors threaten documentary on censorship.
PAT JOHNSON REPORTER

When Aerlyn Weissman found out that provincial censors were threatening to block the screening of her new film on censorship, she had two conflicting emotions.

"[I was] really resentful that they were interfering with our party," said the filmmaker. On the other hand, the province handed her a perfect example of how government tries to control ideas, she said.

Weissman's film Little Sister's vs. Big Brother was the feature at the opening night gala of Vancouver's 14th Queer Film and Video Festival Aug. 8. The documentary follows the battle of Vancouver's Little Sister's Book and Art Emporium with the federal government over more than a decade of costly harassment. Canada Customs continues to hold some of the bookstore's orders at the border, despite a court judgment earlier this year that seemed to be a victory for the store.

In the film, Weissman follows the lives of owners Bruce Smyth and Jim Deva, whose livelihoods have been devoted as much to their struggle with federal censors as it has with retailing. Over the years, according to the film, federal officials have opened books destined for the store, held them for extended periods and then, when they permitted delivery, handed over badly damaged material. In one case, the owners arrived at the store to find a heap of mangled stock piled on the doorstep. In another, one of the earliest publications explaining safe sex to the gay community arrived with almost all pertinent information blacked out by the censors' markers.

Federal morals enforcers have not been the store's only challenges. The store has been bombed on more than one occasion and threats, including vociferous hate-mail, tends to flow in whenever the store is in the news.

But it was the provincial government that challenged the screening last week. The B.C. Film Classification Board notified the Capital 6 theatre, where the gala was scheduled, that they could face hefty fines if they screened the film, on the grounds that the film had not been classified by the provincial overseer. Festival organizers cried foul for several reasons. They argued that the screenings are for members of the nonprofit society that organizes the festival, Out on Screen (a one dollar membership fee to the society is included in the ticket price), and are therefore not subject to the same classification guidelines as public screenings.

More to the point, organizers told the packed house before the film aired (half an hour late, but without incident), provincial officials waited until after business hours the night before the festival's opening before threatening the theatre. No similar threats have been made in the previous 13 years of the festival, nor has the Vancouver International Film Festival been subjected to similar warnings, festival officials said.

Weissman acknowledged that the evening's energy was probably enhanced by the outrage felt by members of the audience and festival organizers over the incident. Though the classification board eventually backed down and rescinded the threat against the Capital 6, they demanded to see copies of an additional 11 films slated for screening during the festival, which runs until Aug. 18. The board later backed down on that matter as well.

Weissman, festival organizers and bookstore owners and staff were fêted with uproarious ovations at the opening screening. Little Sister's is emblematic in the gay community as a bulwark for free expression. The legal battles gained high-level support from civil libertarians and international literary icons, whose views were included in Weissman's film.

The pre-screening incident is a warning to British Columbia's gay community and others, said Weissman.

"There is still no room for complacency," she said. Though British Columbia and Canada can seem progressive and open, cases like Little Sister's belie such images.

"In some cases, the veneer of acceptance or tolerance is just that," said Weissman.

The Jewish community, of which Weissman is a member, can learn from these experiences as well, she suggested. Issues of integration and assimilation have similarities in both the gay community and the Jewish community.

"There's a parallel. You're fine unless you're too gay, too Jewish," she said, citing the Middle East situation and its ripples in North America as an example. "People are quick to conflate what is a political situation in Israel with Jews in other parts of the world," said Weissman.

The filmmaker, who is a native of Chicago and has lived in Vancouver since 1989, also had cautionary words for members and leaders of the Jewish community who see censorship as a solution to anti-Semitic propaganda.

"I take issue with those in our own community who don't [respect] free speech," she said. "The answer to hate is more free speech, not less."

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