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April 29, 2005
Is museum too Jewish?
Editorial
Anyone who reads the National Post or follows current affairs
with any degree of observance knows that plans are under way for
a Canadian Museum of Human Rights in Winnipeg. The plans have received
special attention from the Post and other CanWest media because
the museum is the pet project of the Asper family, who control the
media company.
Of course, the museum, when completed, will be a Winnipeg gem and
any corporation based in Winnipeg, as CanWest is, would be poor
corporate citizens indeed if they didn't endorse major initiatives
like this one.
Those of us who have personal or familial connections to Winnipeg
may have a special affinity for this project. Despite the more than
occasional smug West Coast aspersions cast against the Paris of
the Prairies, many of us appreciate that the Manitoba capital is
not only the geographic centre of the country, but the proven centre
of the known universe. Though Winnipeg may not yet be recognized
as the cultural hub of Canada, those who are familiar with the city
know that its galleries, museums, architecture and cultural facilities
are among Canada's most notable. To be blunt, a climate that is
uninhabitable several months of the year has made it necessary to
create some spectacular indoor attractions.
It may have something to do with the longstanding grudge match between
our two national newspapers that a strange article appeared in the
Globe and Mail April 20. While not coming right out and saying
so, the Globe article seemed to imply there was something
vaguely sinister about the planned museum.
In the story, by arts columnist James Adams, questions were raised
(though not answered) about the mandate of the Canadian Museum for
Human Rights. It felt, to perhaps a biased reader, that the article
was implying that there was something too Jewish about the museum.
The article attributes to the late Israel Asper, patriarch of the
publishing and television empire, an "aversion to the idea
of Palestinian statehood." This non sequitur is not backed
up by the accompanying quote, which deals with the security of Israel
and makes no mention of a Palestinian state, as if support for a
secure Israel is in any way contradictory with an independent Palestine.
It also seems irrelevant to the discussion of the new museum.
The article also makes much of the fact that the Asper family and
its foundation have made sizeable contributions to Yad Vashem and
that one of the "overarching themes" of the museum in
Winnipeg is that "the modern idea of human rights emerged as
a response to the Holocaust."
Most Bulletin readers will see this last statement as a self-evident
truth. The United Nations emerged out of the (overly optimistic,
perhaps) urgency to prevent a repeat of the inhumanity of war. From
that global parliament came the Universal Declaration of Human Rights
a document whose founding principles are imbued with the
newfound knowledge of humanity's capability for inhumanity, as evidenced
by the Shoah. Anyone with an understanding of the history of the
last half-century will not be surprised by the statement that the
global movement for civil rights that emerged after 1945 has its
genesis in natural human reaction to the knowledge of the Holocaust.
It may not seem self-evident to some non-Jewish observers that a
museum of human rights would be significantly influenced by recent
Jewish history. Heaven knows Jewish people wish history had not
made it so, but our historical experience is the ideal case study
for discussion and education about human rights, personal dignity
and security of the person.
The Canadian Museum of Human Rights has already been allocated $140
million in federal, provincial and municipal funding and is therefore
a very legitimate topic of public critique. As the Gomery inquiry
shows, the public needs to be ever-vigilant toward the government's
spending. But the Globe article, justifiable as it may be
in analyzing the content and mandate of the proposed museum, just
seemed to have a hint of something else.
If it seems that the museum might be overly concerned with things
Jewish, that's not a sign of some Jewish attempt to usurp the broader
mandate of human rights, it's an acknowledgement of the unique lessons
Jewish history offers on these urgent and vital issues.
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