Toby Klein Greenwald

A composer for the Queen

British-Israeli composer Loretta Kay Feld. (photo by Michal Sela)

Loretta Kay Feld was asked by someone close to Queen Elizabeth II to compose three tributes, which, said Kay Feld, “were gifted to Her Majesty to honour her 70 years on the throne, a life filled with grace, fortitude and dedication to her country.”

One work is a personal song, called “The Queen’s Soliloquy,” that premièred last February. The second is “A Symphonic Medley of Music for Her Majesty’s Platinum Jubilee,” which includes four instrumental segments – from “Soliloquy,” the pieces “We Never Felt So Glorious” and “The Lord Chamberlain’s Processional March and Song,” and the third tribute Kay Feld composed for the Queen, which premièred last month, called “70 Years a Queen.”

Kay Feld was born in London and trained in music composition and drama at the Royal College and Guildhall School of Music. She toured with plays and musicals in the West End of London and has published several books. She is a prolific, award-winning composer, lyricist and author, who now lives in Ra’anana, Israel. She made aliyah 11 years ago and is in her final year of a master’s at the Jerusalem Academy of Music and Dance.

“I wanted to come here [Israel] since I was a child in Hebrew school but life has a way of changing your plans,” she said. “I got married and lived in America. I gave concerts all over New York, from 1973 into the ’80s.”

Kay Feld wrote for a children’s television network and composed music in many genres. She has written about 900 songs and musical compositions. One of those is the song “Hymn for Israel.”

“I wrote it after the Yom Kippur War [in 1973] and I received letters from Moshe Dayan and Menachem Begin thanking me. The ‘Shabbat Song’ I wrote is also on YouTube and is sung in communities all over the world. ‘I’m Going to Keep America Singing,’” she said, “was performed at the inaugurations of presidents Obama and Biden, played by the Marine band.”

Making aliyah was one dream come true. Composing for the Queen was another.

When Kay Feld was 19, she performed for the royal family at the Variety Club for Great Britain at Victoria Palace and, after the show, was escorted to the box where the royals were seated. She remembers speaking with Princess Margaret and shaking hands with Queen Elizabeth II.

The opening lyrics of “The Queen’s Soliloquy” are: “You may ask me what I’m thinking on my Platinum Jubilee / And of all these celebrations, what they really mean to me / Well, my mind keeps drifting backwards, to a life yet unforeseen / Trembling at my coronation, unprepared to become a queen.”

“If we make it to threescore and 10,” said Kay Feld, “we’re considered by Judaism to be filled with wisdom, and the Queen is definitely filled with wisdom. They say the Queen learned five languages when she was young, and one of them was Hebrew.”

Kay Feld said she was offered a singer from the Royal National Opera House for “The Queen’s Soliloquy” but instead chose classical and contemporary singer Shlomit Leah Kovalski, who was born in Jerusalem to parents who made aliyah – her father from Montreal, her mother from New York.

Jamie Clarkston Collins and Eli Schurder of SoundSuiteStudio in Jerusalem do post-production of Kay Feld’s music and the videos are directed and edited by Jason Figgis.

Describing her creative process, Kay Feld said, “I compose when I’m out walking along the sea or in nature, and I think about what I’m composing and usually it just comes to me as if from the air. I write all the music in my head and the lyrics usually come at the same time and I go home and write out the manuscript.”

For her third royal tribute, “70 Years a Queen,” Kay Feld said, “I tried to write a song that I felt everybody throughout the world would be able to sing if they desired to. The melody is simple and the lyrics memorable with a tinge of humour.” Such lyrics as “… 70 years a queen / Four children in between / The Grandmama of future kings / Elizabeth, our Queen.”

The music is accompanied by the singing of renowned baritone Noah Brieger, who, Kay Feld said, “Has an outstanding voice with a great tone. He sang the lyrics with meaning and emotion.”

Brieger, like Kovalski, was born in Israel. He graduated from the Jerusalem Academy of Music and continued his training in the United States. An award-winning performer, he has sung in dozens of productions at the Israeli Opera, including lead roles in Don Pasquale (Donizetti), La Cenerentola (Rossini), La Bohème(Puccini), Romeo et Juliette (Gounod), Schitz (Rechter) and more. He also has performed in Germany, the United States, France, Italy and China.

Kay Feld is excited about a new project she has been working on for a number of years – 1897, The Musical. There are 27 original songs and the choreography is by her daughter, Dorothy Eisdorfer.

“The story is about the degrading things they did in Victorian times, but I want to tell the story with dignity,” said Kay Feld. “It expresses the desires of two women, one in the lower and one in the higher class.”

Her plan is to hire an all Israeli cast and crew, “to showcase all the wonderful talent we have here in Israel,” she said. “I’d like to find enough funding so I can pay all the performers fairly.”

She wants to film the musical and livestream it globally “for all the world to see. It will be a most splendid performance.”

For someone whose music has been performed for presidents and queens, Kay Feld remains humble. “I just believe everyone has a gift,” she said. “And if one can use the gift to make the world a better place, that’s what matters.”

Toby Klein Greenwald is an award-winning journalist, educational theatre director, teacher and the editor-in-chief of wholefamily.com. Anyone interested in supporting 1897, The Musical can write to Loretta Kay Feld at lorettakayfeld@gmail.com.

Battling over-diagnosis

Dr. Shoshana Levin Fox’s An Autism Casebook for Parents and Practitioners: The Child Behind the Symptomswill hold you spellbound. Section I is titled “Children.” These first eight chapters are the stories of Jack, Sasha, Annie and others (all the children’s names used are pseudonyms) – children who came into the Feuerstein Institute after having been diagnosed as autistic. They exited with new hope, not only for themselves, but for their parents, who needed their own emotional propping up.

Levin Fox is a psychologist and play therapist who has worked with children for more than 30 years. In addition to lecturing and giving workshops in North America, Israel and Europe, she worked for 25 years in the Feuerstein Institute of Jerusalem, founded by the late Sorbonne-educated Prof. Reuven Feuerstein.

Levin Fox lived for nearly 20 years in Canada. She completed a master’s at Simon Fraser University and a doctorate in counseling psychology at the University of British Columbia. She worked for many years as a counselor in the Special Services to Children and Families program of the Association of Neighbourhood Houses of British Columbia. Levin Fox was awarded a Social Sciences and Humanities Research Council of Canada post-doctoral fellowship, which enabled her to do research and practical work in the field of autism at the Feuerstein Institute. Coincidentally, for many years, Hadassah-WIZO Canada were prime funders of the institute’s programs related to autism.

I recommend the book, not just for the moving stories of the children who were saved from what proved to be inaccurate assessments, and not only for the intriguing descriptions of the practices of the Feuerstein Institute, which Levin Fox combined with the DIRFloortime method. This book should be read for its critical message to parents who have received an autism diagnosis – or one of learning disabilities, ADHD, or other emotional, cognitive or developmental challenges – for their son or daughter: Believe in your child. Talk to your child. Keep looking till you find her the best and most appropriate help and hope. Don’t let the “experts” get you down, because a true expert will find the formula to lift you – and your child – up.

The idea of plasticity of the brain, writes Levin Fox, entered mainstream medicine several generations after Feuerstein had intuited and created materials and methods based on that reality. Levin Fox decries the fact that “the diagnosis of autism is used as a sacrosanct truism…. I have found that the term ‘autism,’ as it appears commonly in the field, in actuality is being used to describe children who suffer from a vast range of communication difficulties, from extreme shyness to psychotic conditions and just about everything in between.”

The children whose stories are recounted in this book all made significant progress. Levin Fox writes, “Not every child began to speak fluently, to learn at a normative level and to play happily with friends…. However, it can be safely and honestly stated that, inspired and mentored by the professor, my colleagues and I made a huge difference in the lives of hundreds of children originally thought to be autistic.” She sees them, as a team, as having saved many lives.

Feuerstein sought to find a child’s latent strengths, and what he called “islets of normalcy.” Levin Fox explains that “islets of normalcy” include, among other elements, eye contact, human relationships, symbolic play, curiosity, humour and more.” She emphasizes that helping parents understand their children’s challenges, and not to be fearful and depressed about them, is part of the battle.

In Part II, “Theoretical Groundings,” Levin Fox gives the intense and thorough theoretical background to the success stories, which are plentiful. Six more case studies are interwoven in the text to help bring the theory alive.

This section also describes the roots of Feuerstein’s methods. He began by working with orphan children who had been traumatized after the Second World War, decided there were flaws in the standard diagnostic tests and, rather than focusing on performance, he focused on the child’s ability to develop learning processes.

“Current studies on brain plasticity … scientifically substantiates what [Feuerstein] proposed two generations ago – that brain cells are modifiable and respond to the stimuli of the environment,” writes Levin Fox.

One of my favourite stories is in Chapter 15, where Levin Fox talks about Ben, whom she first met when he was 5 years old. The end of the chapter, with the sub-heading, “Ben’s Epilogue,” describes a chance meeting between Levin Fox and Ben’s parents, many years later, at an airport. “Dr. Shoshana!” they called out, and his mother pulled out her cellphone. “The happy faces of Ben and his wife, holding their newborn son, smiled back at me,” writes Levin Fox. “For Ben, the paradigm-shift had indeed been life-saving.”

I found other words to describe the journeys and miracles of the children portrayed in this book: life-affirming.

And hope.

Toby Klein Greenwald is an award-winning journalist, educational theatre director, teacher and the editor-in-chief of wholefamily.com. A longer version of this article appears at jewishlink.news/features/47241-the-child-behind-the-diagnosis and elsewhere online.

Turning tragedy to hope

The year 2016 was a milestone for Kalman and Malki Samuels. It marked the inauguration of a dream years in the making – the opening of the Shalva National Centre, one of the largest centres of disability care and inclusion in the world. Built not far from the entrance to Jerusalem, the 12-storey world-class complex features an auditorium, a gymnasium, hydrotherapy and semi-Olympic pools, a virtual reality therapy suite, a research and study institute, a café, some of whose workers have developmental disabilities, and accommodations for 100 respite sleepovers per night.

How was it that Kalman and Malki Samuels came to create this extraordinary organization that assists 2,000 children with disabilities each week, while empowering families and promoting social inclusion? The answer lies in the subtitle of Vancouver native Kalman Samuels’ Dreams Never Dreamed: A Mother’s Promise That Transformed Her Son’s Breakthrough into a Beacon of Hope (Toby Press, 2020) – it was a mother’s promise.

In 1977, the couple’s healthy, lively baby boy, two weeks short of his first birthday, was checked by a doctor at a Jerusalem clinic before receiving his second DTP inoculation; and all his developmental milestones were fine, so the nurse gave him the shot.

But Malki knew the same day that something was wrong. “I took Yossi home and followed the instructions they’d given me at the clinic…. I bathed him, gave him baby paracetamol and let him sleep. The moment he woke, I knew my baby was gone. He looked up at me with shiny eyes as if to say: ‘What have you done to me?’”

Only later did the couple discover that, on that October afternoon, “Israel’s health authorities had already known for almost five months that the vaccine batch they were using … was dangerously flawed.” The defective pertussis (whooping cough) component was from the Connaught Laboratories of Canada. The diphtheria and tetanus components were from the Israeli company Rafa, which had combined the three.

Thus began a saga of almost 40 years of anguish, faith, research, perseverance, legal battles and, ultimately, the realization of dreams, not only for the injured Yossi, but for thousands of other children with disabilities.

Dreams Never Dreamed is written chronologically, beginning with Kalman’s personal story of visiting Israel as a college student in the 1960s, eventually becoming Orthodox, making aliyah and marrying his life partner. He writes his family’s spellbinding story with an honesty and openness that opens and pierces our hearts as well.

Yossi was ultimately diagnosed as legally blind – though he loved to wear glasses because it helped him feel more competent – and legally deaf. He is also severely hyperactive.

The Samuels left their home in Israel for New York, following every medical lead in search of help for their son. While her son was attending the Lighthouse – a famous specialized school for the visually impaired – Malki made a pact with God: “… I promise You this. If You ever decide to help my Yossi, I will dedicate my life helping so many other mothers of children with disabilities whom I know are crying with me for their children.”

Some challenges were especially painful, like when children teased Yossi, or when an important Jerusalem rebbetzin, visiting New York, said to Malki, “It’s not fair to yourselves or your healthy children…. You should consider moving this child out of the house, so you can get on with your lives.” Malki answered her: “You have no faith in God.” She invited the rebbetzin to wait 20 minutes, till Yossi came home from school. She saw a child nicely dressed, with glasses and hearing aids, carefully navigating the steps and hugging and kissing his mother, happy to see her. The rebbetzin cried and asked forgiveness.

A few years later, the couple learned that a lawsuit could only be filed in Israel, since that was where the vaccination had been administered. They found an excellent Israeli lawyer and doctors willing to testify, and the family returned home. Samuels describes the legal battles in excruciating detail. In October 1983, five years after the vaccination and after exhaustive paperwork and research, the couple filed suit against the Canadian Connaught Laboratories, the Israeli Rafa pharmaceutical company, the city of Jerusalem and the State of Israel. (The lawsuit ended in a settlement that, even according to the judge, was less than they deserved, but would save them more years of expensive and aggravating legal action.)

At the age of 8, Yossi experienced a “Helen Keller” moment, when Shoshana Weinstock, a warm and loving teacher who was deaf herself taught him his first word – shulchan (table) – using finger spelling. “All of a sudden, he lit up and he got it,” Kalman is quoted as telling the Jerusalem Post. “She taught him the 22 letters of the Hebrew alphabet. Another speech therapist taught him how to speak Hebrew and, slowly, he began to talk.” After that, Yossi was unstoppable. He learned to type on a Braille typewriter, to pray and to speak to those who were able to understand him.

Spurred on by their son’s breakthrough, in 1988, the couple wrote the first proposal for an outreach program that would help other families with children with disabilities. In 1990, that proposal became Shalva, the Israel Association for the Care and Inclusion of Persons with Disabilities, which began as an afterschool program for six children in the Samuels’ Har Nof apartment. The name Shalva is derived from Psalm 127 and means serenity, but, like any new enterprise, the road to success was challenging. The book is filled with anecdotes about how chance meetings on airplanes, or through conversations with a friend or a neighbour, Kalman reached donors who kept Shalva going and led to its development and expansion.

In addition to giving her life and creativity to making sure the professional programs would be the best they can be, Malki, the powerhouse engine behind Shalva, was involved in every aspect of the design and building of the Shalva National Centre, right down to the tiles. She was determined that it feel like a home, not an institution. Renowned Israeli artist David Gerstein, deeply moved by the Shalva story and appreciating Malki’s vision, created a magnificent 20-foot-high mobile of metallic butterflies that hangs in the Shalva atrium.

Around 2005, a gifted young musician, Shai Ben-Shushan, offered his services to Shalva. He had been a member of the Duvdevan special forces unit in the Israel Defence Forces and suffered severe injuries from a grenade attack while pursuing terrorists. He told Kalman, “Like a baby, I had to learn again to eat and to talk. My life was destroyed … I learned what it was like to be helpless and dependent on others … and I began to think about going back to music and sharing it with others who have similar challenges.”

By the end of a year, Shai had created the now world-renowned Shalva Band, signaling to all that having disabilities does not mean one cannot reach for the stars and make dreams come true.

In 2020, Shalva graduated its first program of young men who entered the IDF as soldiers in the Home Front Command unit. Israel’s Ministry of Foreign Affairs brings heads of state and diplomats to Shalva, just as they take them to Yad Vashem: World Holocaust Centre and to Mount Herzl, the burial place of soldiers who died defending the state of Israel.

Dreams Never Dreamed is alternately inspiriting, infuriating, funny and enlightening, but, for me, Malki’s voice and her photograph are missing. If you want to “meet” her, you can watch a mesmerizing Shalva-produced film on YouTube, About Yossi – A Film About Yossi Samuels.

The Yossi of today is smart, learned, eloquent and brave, with a sharp sense of humour. He can type, read, and daven in Braille, and particularly enjoys high-level Torah literature and magazines. He has traveled the world, met with celebrities and presidents (in Israel and America), is a horseback rider and a certified wine connoisseur. Kalman writes, “[Yossi’s] close friends number in the hundreds and acquaintances in the thousands.”

As his walking ability and balance worsened, Yossi eventually required a wheelchair. “Our blind and deaf son said, ‘For the first time in my life, I feel handicapped,’” writes Kalman. “Yossi had never referred to himself as blind or deaf, but rather ‘low vision’ and ‘hard of hearing.’”

Kalman recalls in the book how his daughter, Nechama, told him that he was like Forrest Gump: “Mommy had her dream and told you, ‘Run, Kalman, run!’ You’ve never stopped; it has coloured your life and all of ours.”

And the lives of thousands more.

Toby Klein Greenwald is an award-winning journalist, the artistic director of Raise Your Spirits Theatre, a poet, a teacher and the editor of wholefamily.com. This review first appeared in the Fall 2021 issue of Jewish Action.