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Author: Sean Savage JNS.ORG

ISIS looking to Jordan

ISIS looking to Jordan

An Israeli border policeman patrols the area of the Judean desert, near the Jordan border. After swift victories in Iraq, the Islamic State in Iraq and Greater Syria (ISIS) terrorist group is setting its sights on Jordan, threatening to drag Israel into the global jihadist conflict. (photo by Nati Shohat/FLASH90) 

Emerging from the chaos of the Syrian civil war, the Islamic State in Iraq and Syria (ISIS) terrorist group has gained the world’s attention for its brutal medieval-style justice and its swift victories in Iraq, threatening to overrun the weak U.S.-backed government there. But now ISIS is also setting its sights on Jordan, threatening to drag Israel into the global jihadist conflict.

“They are a vicious and brutal group, and have even done some things that al-Qaeda thought were unwise,” Elliot Abrams, who served as deputy national security advisor for former President George W. Bush and is currently a senior fellow at the Council on Foreign Relations, told this reporter. “More people, more money and more guns. They do constitute a real threat.”

The goals of ISIS are clear from its name. Alternatively translated as the Islamic State in Iraq and al-Sham (the Arabic name for the Levant region) or the Islamic State in Iraq and the Levant (ISIL), the group seeks to control the entire region, which, in addition to Iraq and Syria, includes Jordan, Lebanon, and even Israel and the Palestinian territories.

Read more at jns.org.

Format ImagePosted on July 4, 2014July 2, 2014Author Sean Savage JNS.ORGCategories WorldTags Elliot Abrams, ISIL, ISIS, Islamic State in Iraq and Syria
NCSY Vancouver celebrates organization’s 60 years

NCSY Vancouver celebrates organization’s 60 years

Graduates of NCSY’s Impact leadership program at the spring regional awards banquet in Harrison Hot Springs, with Rabbi Samuel Ross. (photo from Rabbi Samuel Ross)

In a Jewish community with one of the highest assimilation rates, the role of youth groups such as the Vancouver chapter of the National Conference of Synagogue Youth (NCSY) has become more important over the years. NCSY Vancouver’s parent organization was founded in 1954 and the local chapter, which emerged about a decade later, is helping celebrate the 60th anniversary milestone.

NCSY works to develop a connection with Jewish youth before they embark on their university and professional lives. Rabbi Samuel Ross, NCSY Vancouver director, spoke about the “unique, beautiful situation” in which the chapter works. He said they “cater to anyone and everyone, which is an ongoing challenge but it’s really reaping rewards.” Indeed, many of those who join or take part in NCSY activities develop lifelong connections to Judaism and Israel, which was Nicole Grubner’s experience.

Grubner grew up in West Vancouver and became involved with NCSY when she was in Grade 9. She started attending their Shabbatons, and loved the warm atmosphere and Jewish connection that she felt at these events. By the end of high school, she was on the NCSY student leadership board, began keeping Shabbat, and had signed up for a post-graduate year at a seminary in Israel.

“I think the goal of NCSY is for it to be a jumping off point for you, so I used it as that and continued my Jewish education after high school,” said Grubner, 25. “It brought a lot of meaning into my life and week and I enjoyed the sense of community that it brought.”

NCSY Vancouver hosts a mix of educational and social programs, everything from a mock casino night to sushi in the sukkah to Shabbatons, trips and leadership programs.

“The city is growing, the chapter is exploding, I wouldn’t want to be anywhere else. I’m actually bringing in someone else to come work for me next year,” said Ross, who has been leading NCSY Vancouver for the past three years. “We do the best we can to inspire them enough so that they’ll want to continue their Jewish growth once they get to university.”

In Grubner’s case, after her year in Israel, she studied at Stern College in New York, returning to Israel every year.

“I actually went back to NCSY and staffed summer programs in Israel for three years,” she said. “I had an amazing Israel experience and it was important for me to give that to someone else.”

Her love of Israel and connecting with the Jewish people didn’t dampen after university ended. In October 2012, she made aliyah.

“In Vancouver, we know that assimilation is a really huge problem, so NCSY is really important to the Jewish community in Vancouver because it’s a connection point, one that many kids don’t get the opportunity to be a part of.”

“It had a very big impact on my life, so much so that I made my best friends and closest connections in NCSY. I’m really grateful for the base it gave me, for the fact that I was able to get so involved and so connected in high school,” she said. “In Vancouver, we know that assimilation is a really huge problem, so NCSY is really important to the Jewish community in Vancouver because it’s a connection point, one that many kids don’t get the opportunity to be a part of. NCSY has really changed the face of Vancouver’s Jewish community,” she said.

NCSY is a globally recognized organization that connects Jewish youth through social, recreational, educational and spiritual programs.

“It’s about connecting kids to their roots and to their Jewish identity. Whether kids become religious or not, to me, that’s almost less important than kids thinking about their Judaism and it being something important to them in whatever way they choose to practise,” said Grubner. “It shouldn’t be a part of their identity that passes them by because of apathy or lack of knowledge.”

In Vancouver, the number of Jewish youth involved in NCSY programming has been growing. This year, they’re sending 16 youth to programs in Israel. Some of their programs draw 100 kids, and there are already 25 applicants this year for the NCSY Vancouver youth board.

“When I first came three years ago, we had to beg kids to be on that board,” said Ross. “Now, it’s really hard to get on. The kids have to write an essay why they like NCSY and what they can add, and it’s beautiful. You see how they write how Judaism has made such a difference in their lives and how passionate they are and how much they enjoy coming.”

Vicky Tobianah is a freelance writer and editor based in Toronto. Connect with her on Twitter, @vicktob, or at vtobianah@gmail.com.

Format ImagePosted on July 4, 2014July 2, 2014Author Vicky TobianahCategories LocalTags NCSY, NCSY Vancouver, Nicole Grubner, Samuel Ross
Community memorial for Eyal Yifrach, Gilad Shaar and Naftali Fraenkel

Community memorial for Eyal Yifrach, Gilad Shaar and Naftali Fraenkel

Eyal Yifrach, Gilad Sha’er and Naftali Fraenkel z”l (photo from mfa.gov.il)

On Monday, June 30, the bodies of Eyal Yifrach, 19, Gilad Shaar, 16, Naftali Fraenkel, 16, who were kidnapped June 12, were found northwest of Hebron. The sad discovery was the result of an extensive search effort led by the Israel Defence Forces, the Israel Security Agency and the Israel Police. A joint funeral was held July 1. Jewish groups and others around the world join in mourning.

In Vancouver, there will be a community memorial service, coordinated by the Rabbinical Association of Vancouver and led by Rabbi Berger, Rabbi Moskovitz and Cantor Szenes-Strauss, on Thursday, July 3, at the Jewish Community Centre of Greater Vancouver at 7:30 p.m.

As well, to share your thoughts and express your condolences to the families of the boys, visit the Jewish Federations of North America’s “Remember Our Boys” page.

Format ImagePosted on July 2, 2014July 9, 2014Author Cynthia RamsayCategories Israel, LocalTags Eyal Yifrach, Gilad Shaar, memorial, Naftali Fraenkel
Celebrate Canada’s start in P.E.I.

Celebrate Canada’s start in P.E.I.

From left to right, the Hon. Robert Henderson; Gary Schneider, Confederation Forest Project; John Horrelt, chair, PEI 2014 community advisory committee; and Penny Walsh McGuire, executive director, PEI 2014 Inc. (photo from pei2014.ca)

Prince Edward Island is where the idea of our country first took shape. On Sept. 1, 1864, the Charlottetown Conference brought together representatives of the Maritime colonies and the province of Canada (present-day Quebec and Ontario) and the “Fathers of Confederation” laid the groundwork for Confederation, which became reality on July 1, 1867.

This summer marks the 150th anniversary of that conference and the historic moment will be celebrated in what many consider to be the birthplace of Canada – Charlottetown, P.E.I. There will be more than 150 different festivals, events and activities in the province.

“P.E.I. is proud to have hosted such an important meeting in our nation’s history in 1864,” said Penny Walsh McGuire, executive director of PEI 2014, which is organizing the celebrations. “One hundred and fifty years later, Prince Edward Island is very proud to be playing host yet again – this time to all Canadians and visitors from around the world as we celebrate the creation of our nation.”

photo - Constructed between 1843 and 1847, Province House is Canada’s second-oldest legislature building and it is still in use, as the home of the Prince Edward Island House of Assembly
Constructed between 1843 and 1847, Province House is Canada’s second-oldest legislature building and it is still in use, as the home of the Prince Edward Island House of Assembly. (photo from en.wikipedia.org)

The 70 days of celebration, from July 1 until Sept. 7, feature daily concerts, theatre performances and comedy on the Atlantic Lottery/Red Shores Main Stage, cultural arts and heritage exhibits in the Canada Pavilion, chef demonstrations and local food tastings in the Culinary Pavilion, interactive activities in the Kids Pavilion, as well as historical walking tours.

While celebrating Prince Edward Island’s history, and our nation’s, it would be remiss to not also highlight the long history of the province’s small but strong Jewish community.

Prince Edward Island’s first Jewish settlers were recorded in a newspaper article about a celebration of Passover in 1908. The community grew very slowly, with only a dozen Jewish families reported as residing there before the Second World War. In the 1970s, a Torah scroll was brought to the island for the first time and there were the first recorded High Holiday services; 1976 marked the celebration of the first bar mitzvah there.

“Coming here for the first time was almost like coming to Israel the first time. I felt like I belonged,” said Leslee Sack, a New York native who moved to Prince Edward Island in 2007. She is now the secretary of the P.E.I. Jewish Community (PEIJC).

“This place is what Brooklyn was like in the ’50s,” she said. “Everyone wants to talk to you, everyone wants to know your story.”

For 40 years, Sacks worked as a travel agent in New York; her office was in a building across from the World Trade Centre. She wasn’t at work on Sept. 11, 2001, but later found out her boss had sent everyone home after the first tower fell.

“I would’ve been under building two waiting for the train,” she said. Deciding to make a change, she went on a Maritimes cruise and, after some deliberation, chose to settle and retire in Charlottetown.

“I came up here knowing no one and now I cannot walk the streets of Charlottetown without saying hi to someone,” she said. “It’s a beautiful place, terrific sightseeing, nice people. I’ve never looked back.”

Sacks estimated that there are about 150 Jews in Prince Edward Island. The province is the only one in Canada with no synagogue or rabbi, she said, but she insisted that the community is doing well. “We celebrate every single holiday except for Shavuot, which somehow gets left in the dust, in someone’s home. People volunteer to host, it’s always potluck. And, we recently acquired two different kinds of kosher wine, you can get kosher cheese, fish, but not kosher meat.”

If you haven’t made the trek to the other Canadian coast, this summer would be the perfect time to do so. Here are some highlights to check out:

• Visit the PEI 2014 Celebration Zone at Confederation Landing Park on the Charlottetown waterfront on July 1 for a fireworks show, as well as daily concerts, interactive walking tours, cultural exhibits and more continuing through until Sept. 7.

• Immerse yourself in the province’s history by attending a Belfast Historical Society Lecture Series event.

photo - Delegates from the legislatures of Canada, gathering on the steps of Prince Edward Island's Government House for the Charlottetown Conference in 1864
Delegates from the legislatures of Canada, gathering on the steps of Prince Edward Island’s Government House for the Charlottetown Conference in 1864 (photo by George P. Roberts via en.wikipedia.org)

• Pay tribute to the Fathers of Confederation during Founder’s Week from Aug. 28-Sept. 8, which features concerts, fireworks and other activities.

• Get an inside look at the controversies for and against Confederation by visiting the Eptek Summer Celebrations from June until October.

• Attend the Summerside Highland Gathering, filled with Celtic gift shops, live Celtic music and different clan tents.

• If you’re interested in visiting Prince Edward Island, PEIJC tries to answer every email they receive through their website, peijc.org.

Vicky Tobianah is a multimedia writer, editor and strategist based in Toronto. Connect with her on Twitter, @vicktob, or by email at vtobianah@gmail.com.

Format ImagePosted on June 27, 2014June 25, 2014Author Vicky TobianahCategories NationalTags Charlottetown Conference, Fathers of Confederation, Leslee Sack, PEI 2014, PEIJC, Penny Walsh McGuire, Prince Edward Island Jewish Community
Meghan Goodman finds adventure in dance

Meghan Goodman finds adventure in dance

Meghan Goodman will perform next with Dusk Dances at Dancing on the Edge July 4-6. (photo by Dan Cento)

Meghan Goodman, a Vancouver dancer and yoga teacher, has always been daring. “Since I was a kid, I’ve had a big sense of adventure,” she said in an interview with the Independent. “I loved biking fast, doing interesting things.”

Her predilection for adventure frequently informs her choices, even now. At school, she was torn between the arts and sciences. At university, she majored in dance and minored in math, but eventually dancing as a career won out. “Dancing is exciting and challenging, and it has a nice community of people doing it,” she said.

Dancing also offers a variety of jobs and the ability to schedule her professional life. And, it feeds her desire for perpetual learning.

“The more I dance, the more I learn. There is always something new to learn. Never a dull moment. I noticed that mature dancers can do more, maybe not physically, but they have more inner richness, know how to channel emotions. Dancing has been an interesting and educational journey for me. I would probably be bored with a regular job. I like that my every day is different; I like the fluctuations. There are busy times and free times. Some days, I have three jobs a day, but there are periods when I don’t have anything scheduled. Then, I can rest or travel.”

Her craving for new and stimulating experiences led her to Aeriosa Dance Society, a company that performs dancing in the air, or rather on walls of tall buildings and other vertical surfaces.

“I’ve been a member of Aeriosa for about five years,” said Goodman. “I had seen them perform … and thought it was amazing. When, before the Olympics, their director asked me if I wanted to join – of course, I said yes.”

She revels in aerial dancing. “I love it. I have six or seven contracts with Aeriosa every year, about one-third of all my jobs…. My highest performance with them was about two years ago in Toronto – we performed at the level of the 33rd storey. But, more often, it’s eight- or 10-storey buildings, like the Vancouver Public Library. Or sometimes it’s the trees. It takes a special type of person to perform in the air and lots of training. It needs a different technique than dancing on the floor, because of gravity. When we dance on a vertical surface, we use different muscles.”

Goodman also has her own company, which is an adventure in itself, like any small business. In 2008, she co-founded Body Narrative Collective (BNC) with two friends, one of whom left the company soon after. Julia Carr and Goodman still keep it running.

“We don’t even remember how we first met, Julia and I,” Goodman said, laughing. “Maybe we had classes together or performed together. Now, we have BNC together. A collective needs three people, so we always bring at least one other person for every project, maybe a composer or an artist, usually more than one. Our latest project, Dark Room, had over 20 people.”

She explained that BNC has an interdisciplinary focus, viewing various artistic disciplines through the lens of dance. “Julia is interested in photography, and Dark Room was a collaboration between photography and dance. We explored different photographic techniques by integrating dance and huge, blown-up images. The show premièred in December 2013.”

Another aspect of Goodman’s life is teaching yoga. She began practising yoga in 1998 and received her first teaching certificate in 2006. Seeking ways of working with a wider range of students, she began studying Iyengar yoga. In 2013, she completed the Iyengar Intro 2 teaching certification.

“Iyengar yoga is suitable for all ages,” she said. “It’s good for people who like precision, science and math, like me. We use lots of props – ropes, straps, blocks – and slow, careful movements, so everyone could benefit from a pose, study it. This kind of yoga is excellent for those recovering from injuries and surgeries.”

For Goodman, Iyengar yoga has become a path to stability. “It’s good for settling myself after the excitement of a dance or aerial performance. It feels still and calm, brings me into a quiet space, provides a balance for my dancing and my busy life.”

She teaches predominantly adult students. “When I was younger, I often taught kids – first tutoring at school, later dancing lessons. I like teaching but now I prefer teaching adults. It requires a different level of passing information. Mostly, I teach yoga but I still teach dance once in awhile, usually in specialized workshops. I taught a workshop of contemporary dance to figure skaters. They discovered that they compete better with some dancing training.”

“Dancing is always extra – extra income and extra joy.”

Goodman sees teaching yoga as her future. “Dancing doesn’t last forever, but yoga teachers get better with age, improve. I can practise and teach yoga in my eighties,” she said cheerfully. “Right now, teaching yoga adds security to my life. It pays the bills. Dancing is always extra – extra income and extra joy.”

Goodman’s next performance will be with Dusk Dances, a Toronto company specializing in dancing in parks and other outdoor spaces. Part of this year’s Dancing on the Edge festival, the free shows will take place in Portside Park from July 4-6, 7 p.m. For more information, visit meghangoodman.wordpress.com or dancingontheedge.org.

Olga Livshin is a Vancouver freelance writer. She can be reached at olgagodim@gmail.com.

Format ImagePosted on June 27, 2014June 25, 2014Author Olga LivshinCategories Performing ArtsTags Aeriosa Dance Society, Body Narrative Collective, Dancing on the Edge, Dusk Dances, Julia Carr, Meghan Goodman
When Jews Were Funny promises less and more than it delivers

When Jews Were Funny promises less and more than it delivers

Director Alan Zweig, right, and Marc Maron. (photo from Sudden Storm Entertainment)

When Jews Were Funny is a seemingly straightforward title that promises both less and more than Alan Zweig’s unexpectedly provocative documentary delivers.

The Toronto filmmaker’s stab at closing the book on American Jews’ enormous contribution to 20th-century comedy is funny ha ha, all right, but the laughs are more of the chuckle variety than outright guffaws. At the same time, the film is also a tad funny-weird, shot through with a personal streak that’s disarming and discomfiting in equal measure.

Yet, when all is said and said – there’s no doing in this film, only talking – When Jews Were Funny is oddly satisfying. Zweig may be seeking answers but, instead of a mood of finality, his film has a catalytic effect. It invites every Jewish viewer to weigh in – personally and anecdotally, emotionally and sociologically – on the sources and state of Jewish humor on the long road from immigration to assimilation.

Zweig achieves this unusual level of reflection by structuring When Jews Were Funny so that it feels like its viewers are party to a succession of conversations. Instead of buffeting the viewer with punchy sound bites delivered via rapid-fire cutting between interviewees, he serves up chunks of real-time interaction.

It would normally be the smooch of death for a talking-head documentary to linger at length on the faces of its interviewees. But when they include Shecky Greene, Ed Crasnick, Howie Mandel, David Steinberg, Judy Gold, Gilbert Gottfried, Bob Epstein and Stewie Stone, we await with anticipation the next insight, witticism or off-the-wall remark.

image - When Jews Were Funny posterParadoxically, and somewhat perversely, Zweig doesn’t lead with his best material. To the contrary, he makes the risky and self-effacing choice of opening with Shelley Berman, who’s baffled into near-silence by Zweig’s earnest questions.

A legendary figure, Berman saw himself as a comedian who had to appeal to everyone – he didn’t do “Jewish” material. So, while it’s factually accurate to call him a Jewish comic and he takes pride in being Jewish, he doesn’t see himself as a purveyor of Jewish humor. So, he asks, what does Zweig want from him?

At first, it seems that Zweig is on a quixotic quest to identify and define the qualities of Jewish humor, and Berman represents an awkward, inauspicious beginning, but we’re intrigued by a filmmaker who showcases his own pratfall – in the crucial opening minutes, no less – rather than leaving it on the editing room floor.

Things improve for Zweig (and the audience) from here, and we’re treated to a variety of incisive analyses, off-the-cuff musings and entertaining meanderings from comics who span three generations. They pinpoint various characteristics of Jewish humor, from clever wordplay to an off-centre worldview to droll melancholia (which, depending on your perspective and the joke in question, might express defiance or fatalism).

The bottom line? “Jews own comedy,” declares Steinberg, speaking more directly and less diplomatically than most of his peers. “I’m proud to say that’s true.”

As a form of proof, and for classic straight-ahead laughs, Zweig intersperses brief, delectable clips of Alan King, Rodney Dangerfield, Harvey Stone, Henny Youngman and Jackie Mason performing on The Ed Sullivan Show in the mid-1960s. This was the golden age of Jewish stand-up, when Borscht Belt vets found mainstream success, and it coincided with Jews across America transitioning from outsiders to insiders.

The viewer gradually realizes, however, listening to Zweig question and interact with his subjects, that he is propelled less by ethnographic interest than by some nagging personal dilemma. Almost imperceptibly, When Jews Were Funny begins to feel like a first-person documentary in which we continually hear but never see the protagonist (that is, the filmmaker).

Zweig desires reassurance that the bittersweet experience and restless personality that drove so many wonderful Jewish comedians is not disappearing.

It’s not giving too much away to say that Zweig remembers the joy of growing up with extremely funny uncles (never aunts) and grandparents, and frets that his young daughter will never know “old Jews.” He desires reassurance that the bittersweet experience and restless personality that drove so many wonderful Jewish comedians is not disappearing.

A few interviewees call Zweig on his not-so-hidden agenda, pointing out good-humoredly that even his angst-fueled inquiry is uniquely Jewish.

“Look at you,” says the New York stand-up comedian Modi. “We got a camera crew to discuss your Judaism. It’s so self-obsessive. What goy, what Christian in the world is running around now with a camera crew, ‘Talk to me about being Christian!?’ No one cares.”

When Jews Were Funny taps into a large reservoir of affection and tenderness, which is not the first thing you’d expect to encounter with urban Jewish performers. Perhaps the film’s generous heart explains its award for best Canadian documentary at the Toronto International Film Festival last fall, since there’s nothing innovative or especially adroit about the filmmaking.

That generosity extends to the audience. Zweig’s implicit concerns about the future of Jewish identity evoke, and include, our own. And what could be more Jewish than a large plate of jokes with a side order of gnawing doubt?

JI readers can get $1 off the digital download of the film, which screened last fall in both the Vancouver International and Vancouver Jewish Film Festivals, at whenjewswerefunny.com by using the discount code JEWISH.

Michael Fox is a San Francisco film critic and journalist.

Format ImagePosted on June 27, 2014August 27, 2014Author Michael FoxCategories TV & FilmTags Alan Zweig, When Jews Were Funny
Meet Sara Dent: co-founder of Young Agrarians

Meet Sara Dent: co-founder of Young Agrarians

Sara Dent of Young Agrarians, which hosts farm tours, potlucks, workshops and a website with networking tools like connecting retiring farmers with land to young farmers seeking it. (photo from Sara Dent)

Whether it’s visiting a farmers market, signing up for a CSA (community-supported agriculture) box or just paying attention to where the produce in the grocery store was grown, local and sustainable eating has been in the zeitgeist for nearly a decade and it shows no signs of flagging. For many North Americans, food has proven an accessible entry point into issues of consumption, environment, community and health. All this, of course, doesn’t happen by itself.

Meet Sara Dent, one of British Columbia’s behind-the-scenes farm organizers. Dent is the co-founder of Young Agrarians, a network and community that supports young farmers as they attempt to start and develop farming businesses. She is also starting to do farm business development consulting, and teaches workshops in permaculture, a design philosophy focused on long-term sustainability. On top of that, she maintains a photography blog, mainly documenting the farmers with whom she visits and works.

As anyone who speaks to Dent will soon realize, the vibrancy and growth of Young Agrarians can be largely attributed to her specific abilities: as a fundraiser, organizer and speaker. Dent is perhaps predisposed to seek respite from some of the harsher aspects of urbanization. Her parents relocated to Vancouver in the 1970s, seeking a healthier, less crowded environment.

In her twenties, Dent did administrative work for nongovernmental organizations around youth, social change and community building. But, in 2006, she said she was broke and decided to take a break from the city, volunteering on three farms over four months. That summer, a light bulb turned on. Since then, Dent has photographed and volunteered on dozens of farms, completed the Linnaea Ecological Garden Program on Cortes Island and become a certified permaculture design teacher. All through this period, she continued to do contract fundraising work.

“We want to look at agriculture as a dynamic entrepreneurial sector where people have many on-ramps to farming.… New farmers need to marry business skills with production skills. People are starting their farming careers in all different stages on the spectrum, with different levels of experience.”

But all this was just a warm-up to co-founding Young Agrarians, which was dreamed up in 2011. The group – which is a partnership with the Vancouver nonprofit Farm Folk City Folk – has turned into a vibrant community with regular activities for both farmers and for the interested public. The main target, however, remains building capacity with young farmers. Dent explained, “We want to look at agriculture as a dynamic entrepreneurial sector where people have many on-ramps to farming.… New farmers need to marry business skills with production skills. People are starting their farming careers in all different stages on the spectrum, with different levels of experience.”

Young Agrarians hosts farm tours, potlucks, workshops and a website with networking tools like connecting retiring farmers with land to young farmers seeking it. The next big project is building a program to offer business coaching for farmers and startups. That program will provide 20-50 hours of human resource support essentially free, or on a sliding scale.

In order to do this, and to expand Young Agrarians beyond its current B.C. focus, Dent is trying to broaden her funding base beyond goal-oriented grants from foundations that require specific program deliverables. According to Dent, a challenge for many NGOs is to raise enough funding for general operations. Eventually, she hopes, Young Agrarians will increase donations from individuals and through public events, which can more easily provide operating funds.

When asked whether starting her own farming business is in her future, Dent matter-of-factly said, “I have no equity. You can get 10 acres outside of Montreal for $100,000-$200,000. Those 10 acres cost one million in the Lower Mainland.”

Aside from the financial reality of buying land, Dent said that the farmers she works with don’t want her to stop being an organizer. As a person with a background in fundraising, and general macher qualities, the value she provides as a consultant and community builder may well exceed that of starting her own farm. And this is where she sees her future: Dent said that, in her 40s and 50s, she would like to make her primary living from consulting.

The term permaculture was coined in 1978 by Australian Bill Mollison as a contraction of “permanent agriculture.” The term has since expanded into a set of principles for all aspects of human planning, design and engineering, which emphasize long-term sustainability through modeling human systems on natural ecosystems. A common theme of permaculture designs are concentric zones around the home from the most frequently used herb and vegetable beds, to main cropping areas, to perennials, to the semi-wild and wild. Permaculture principles are applicable on multiple scales, from small gardens that only contain one or two zones to larger farms that contain all zones. Permaculture emphasizes maximum collection and storage of abundant resources (energy, water, calories) in order to be financially viable and sustain a year-round system.

Critics of permaculture contend that the concept has devolved into quaint urban gardens with herb spirals and flowers, instead of modeling economically viable production systems that grow food for the masses. Dent didn’t disagree, but emphasized that the incorporation of permaculture concepts into agriculture is fairly new territory, and can create success. “Things can get lost in the conceptual realm if people are trained in permaculture, but have no agricultural training,” she explained. “But the people that are hybridizing those models are having a lot of success…. Joel Salatin, a permaculture agriculturalist, is very much modeling that out on the ground.”

“On any sustainable organic farm, you’re going to want to have both annual and perennial systems running at the same time.”

An example of holistic management using a permaculture approach is to look at perennial plants as a savings account (longer maturity, high-value yield) and your annual plants as a chequing account (for cash flow in the early years of the business). “Farms right now can have really interesting diversified revenue streams, like cut flowers, edible flowers, herbs,” she said. “On any sustainable organic farm, you’re going to want to have both annual and perennial systems running at the same time. These are new territories in terms of practitioners being able to adapt and use the ideas together and in different combinations.”

Other permaculture concepts are on their way to becoming mainstream, said Dent. As concentrated areas of food production like the central valley of California face severe drought and uncertain climate changes, land contouring techniques like keylining and swales, which capture rainwater and soak it into the soil instead of allowing it to flow over the surface, will be essential, and will be incorporated widely, she said.

As for her Jewish heritage, Dent said that she does the work that she does because of the work that her grandmother did and that which her father did. “I very much come from an activist, Yiddish, left-wing, socialist family tradition. Those values, of culture, unions, education, affordable university, all of those things were things that my family fought for … my grandmother was a union organizer and was a member of the communist party.” Her family history, “from poverty to solidarity,” is a source of pride for Dent.

There are a handful of other Jewish food organizers that she gets to work with from time to time, as well. “As someone who very much grew up in a non-Jewish society, it’s nice to work with other people that have that shared cultural background,” she said.

For details on Young Agrarian activities, visit youngagrarians.org.

Maayan Kreitzman is a freelance writer living in Vancouver.

Format ImagePosted on June 27, 2014June 25, 2014Author Maayan KreitzmanCategories LocalTags permaculture, Sara Dent, Young Agrarians

Leiren-Young first literary laureate

In 2013, the Cherie Smith JCC Jewish Book Festival in partnership with the Isaac Waldman Jewish Public Library announced a new initiative: the Jewish literary laureate project.

“It is a vision of Yosef Wosk,” said book festival director Nicole Nozick in an interview with the Independent. “He came to me at the end of last year, and we talked about it. The City of Vancouver has its poet laureate, Evelyn Lau. It’s a similar concept, only belonging to our Jewish community. The post is a two-year position, selected by our laureate committee, to be a literary ambassador to the community, spread love of the written word, raise the profile of Jewish writers, encourage reading and writing and promote multicultural exchange.”

Wosk described how he came up with the idea. “I remember hearing about England’s poet laureate when I was in high school. I was intrigued by the idea of poetry playing such an important role in society. A few years ago, I was privileged to be able to endow the position of poet laureate for the City of Vancouver. This helped to champion the place of poetry in our midst. Poetry presents us with a surprising rhythm that moves and inspires us in many ways. Poetry also has the power to condense a great deal of information and emotion into a few well-chosen and often surprising words.

“Once we witnessed the success of the Vancouver poet laureate initiative, I thought it was a natural extension to also stimulate poetry in more particular communities, such as the Greek, Chinese, Jewish, Italian, Korean and so on. Although poetry was my initial inspiration for this program, we concluded this was an opportunity to extend the program to include all forms of literature, such as non-fiction and fiction prose, plays, theatre, etc. Working with the Isaac Waldman Jewish Public Library and the Jewish Book Festival, we have taken the first step towards modeling a literary laureate program for one particular community. If this is successful, it can be replicated in other communities.”

Wosk discussed this project in relation to the current state of the publishing industry.

“Poetry partakes of the eternal,” he said. “In some ways, poetry is an antidote to a plethora of electronic media. Whether reading in the privacy of your home, in a café or in a gathering of poets, we are transported to surprising realms of mind and matter, emotion and spirit. Other forms of literature, like a family of diverse relatives, compliment poetry…. Today, more is being published than ever before. It doesn’t matter whether text is handwritten, printed or electronically mediated: they are all related forms of communication. It still serves the same purpose of transmitting information in one of several forms.”

The benefits of this program are manifold. “Certainly the laureates themselves will benefit by being able to share their creativity with the community,” said Wosk. “They will also receive an honorarium in recognition of their work and appreciation for their time. The community, from school students to other published poets, will be stimulated by the encounter with the literary laureate, who … we hope might act as a catalyst for writing in the community.”

Nozick emphasized that, despite the growth of digital media, people are still reading. “We want our laureate program to take reading to the next level, inspire more participation,” she said. “The particular activities are up to the laureate himself. Each laureate will bring his or her own unique strength and interests to the project. He will have a permanent office at the Waldman Library and work in collaboration with the library and the Jewish Book Festival. Our inaugural laureate is Mark Leiren-Young.”

photo - Mark Leiren-Young is the Jewish community's first literary laureate
Mark Leiren-Young is the Jewish community’s first literary laureate. (photo from Mark Leiren-Young)

The committee came together last year and brainstormed who would be the best writer for the position, she explained. “We selected Mark because he is a gifted, award-winning writer. He has experience writing across different genres, including playwriting, memoirs, documentaries, humor, and he is also good with people, able to connect with different generations.”

Leiren-Young commented on how important the position of laureate is to him. “For someone who grew up in Vancouver – and the JCC – it’s a completely unexpected and very cool honor. Yosef Wosk has launched several amazing programs, and I hope I can do justice to his vision for this one. The timing was amazing too. My latest book, Free Magic Secrets Revealed, actually starts at the Jewish Community Centre, and many of the key scenes take place in the JCC.”

Leiren-Young’s pilot laureate initiative is the Multi-Generational Media Lab Storytelling Project. It pairs King David High School students with seniors to share and hone their storytelling in a digital format.

“I recently served as the writer-in-residence for Vancouver Community College,” said Leiren-Young. “While I was there, I spent a bit of time with the oldest student on campus. I think he was in his mid-seventies. From the moment I met him – my first week at VCC – I kept asking if he had any stories he wanted to share. He kept telling me he didn’t have anything.

“Naturally, in my last week, he finally handed me a story about growing up in a small town. He had all these rich, detailed memories about his childhood, so after my residency was over, I contacted the community archive for the town Trail, B.C., so they could have access to and share his stories. But I kept thinking that if I’d known he was willing to tell his stories, I could have set him up with a student who could have interviewed him.”

The multi-media project is in the planning stage now. “Over the summer, we’ll be recruiting seniors, and I’ll work with them to focus on specific stories they want to share,” said Leiren-Young. “In September, when the school year begins, the high school students will be introduced to the project and will prepare their interview questions. The final presentation will take place during the Jewish Book Festival week in November.”

Olga Livshin is a Vancouver freelance writer. She can be reached at olgagodim@gmail.com.

Posted on June 27, 2014June 25, 2014Author Olga LivshinCategories Arts & CultureTags Jewish Book Festival, literary laureate, Mark Leiren-Young, Nicole Nozick, Waldman Library, Yosef Wosk
Granville Island gastronomy

Granville Island gastronomy

Terra Breads’ Granville Island Market location is one of four in Vancouver. (photo by Joanne Leung) 

When the first Terra Breads opened in Kitsilano 20 years ago, owner Michael Lansky would probably not have expected to be part of a food tour that includes truffle salt, fireweed honey or slices of Rathtrevor cheese. But Terra Breads’ Granville Island location is one of the culinary stops on the Granville Island Market Tour – billed as a combined “food tasting and educational walking excursion.”

Presented by Vancouver Foodie Tours and Edible Canada, the tour has been recognized by the Canadian Tourism Commission as a unique Canadian experience. It was one of the first such activities to be inducted into the Canadian Signature Experiences collection in 2011. Edible Canada supports local and Canadian food producers, and the tour reflects this commitment.

You may have visited Granville Island Market with limited time and/or an agenda to pick up a specific item, so you’ve bypassed various market stalls because their products weren’t on your list. This tour will give you pause to spend a little more time getting to know the local food that’s available. Whether you decide to go back and purchase what you’ve tasted is up to you but, at the least, you’ll have more options the next time you want to impress visitors with exceptional cuisine that’s farmed or made here, or close by.

Meeting at the Edible Canada retail store and restaurant on Johnston Street, we were treated to our first tasting on the tour and given some history of the island and the market.

On the menu for the nosh were fish cakes, salad, wine and flavored sea salt. The local ingredients in the meal were Pemberton-grown potatoes. Of particular interest was Amola flavored sea salt, which Edible Canada sells in small packets with flavors such as black truffle and cabernet sauvignon.

photo - Use Amola flavor-infused sea salt from the Edible Canada retail story and your guests will think you’ve slaved away over dinner with special ingredients.
Use Amola flavor-infused sea salt from the Edible Canada retail story and your guests will think you’ve slaved away over dinner with special ingredients. (photo by Baila Lazarus)

On the menu for the history was a discussion of the creation of Granville Island and the market. The size of 22 soccer fields, the island was originally dredged out of False Creek in the early 20th century. The reclamation project was to establish an industrial park. Saw mills, steelworks and cement plants went through booms and busts in the area. In the 1970s, the island was redeveloped by the federal government to create the cultural and business destination it is today. The cement factory that still exists on the island is the last heavy-industrial business.

In 1972, the administration, management and control of the revitalization of Granville Island were transferred to the Canada Mortgage and Housing Corp. According to CMHC, the island is now home to approximately 275 businesses that generate more than $130 million annually.

Granville Island Public Market opened in 1979. They offered Sunday shopping as a way to draw people to the location. The structure that houses the market is the old B.C. Equipment Ltd. building, a wood-framed machine shop. The market has 50 permanent vendors and a rotating roster of approximately 40 farmers and culinary artisans.

After our first taste and chat, we were off to JJ Bean, a local roaster since 1945. Along with our medium roast, we were given some education on coffee, such as the drawback of “aggressive blooming.” (Hint: If you buy freshly roasted coffee, let it sit for a couple of days before putting them through a French press.)

Then, it was over to Terra Breads, where we were treated to olive/rosemary bread and pecan fruit crisps. Considered Vancouver’s first artisan bakery, the two-decade-old institution first opened on 4th Avenue in Kitsilano and now has two other locations – on 5th Avenue near Ontario and in the Village in False Creek. (Hang on to a crisp or two, so that you can eat it with foods later in the tour.)

Next stop was Oyama Sausage, where the charcuterie is infused with Okanagan red wine or sake made around the corner on Railspur Avenue.

For cheese aficionados, a six-year-old cheddar from Armstrong and a Swiss-like Rathtrevor from Little Qualicum on Vancouver Island were very well received by our tour group. These were presented by Benton Brothers Fine Cheese.

Apples and cherries from #1 Orchards in the Okanagan were used to cleanse our palate before heading over to Granville Island Tea Co. They have created a smooth chai that comes in a two-package mix you can make yourself easily at home. (Ask them what the secret ingredient is. You’ll be surprised at the answer.)

In a far corner of the market, Chilliwack Honey offers a tasting of fireweed honey, named for the flowering plants that grow in areas ravaged by forest fires. The B.C. company has been raising bees in the valley for more than 35 years.

After the smorgasbord of gastronomic glee, you might not think you’d have any room for dessert. But one whiff of the heavenly scent at Lee’s Donuts will have you thinking twice. Go before 2 p.m. for hot old-fashioned glazed doughnuts. The melt-in-your-mouth decadence is a perfect end to the “class.”

In addition to the market tour, other offerings are the World’s Best Food Truck tour and the Guilty Pleasures Gourmet tour. Visit ediblecanada.com.

Baila Lazarus is a freelance writer, painter and photographer. Her work can be seen at orchiddesigns.net.

Format ImagePosted on June 27, 2014June 25, 2014Author Baila LazarusCategories LocalTags #1 Orchards, Amola, Benton Brothers Fine Cheese, Chilliwack Honey, Edible Canada, Granville Island Public Market, Granville Island Tea Co., JJ Bean, Lee's Donuts, Little Qualicum, Oyama Sausage, Terra Breads, Vancouver Foodie Tours
Take a virtual tour of Jewish Montreal

Take a virtual tour of Jewish Montreal

The three current Museum of Jewish Montreal tours can be taken online or while in Montreal, either self-directed using a mobile device or led by museum staff.

The Museum of Jewish Montreal was created when the city’s Jewish community turned 250 years old in 2010. While it may contain material dating back to the 1760s, it presents the information using the latest technology.

An online and mobile museum, its activities include “connecting exhibits to personal stories, narrations, songs, poems and films”; and “creating a virtual museum and mobile applications so that the viewer can interact with our community’s history at home or on the street.” So, if you’re in Montreal, you can take the museum’s tours with museum staff or self-direct your own. From Vancouver, you can simply go online.

One of the current tours, Work Upon Arrival, gives visitors an idea of the challenges faced by immigrants who worked in Montreal’s garment industry from 1914-1941. It does this through the stories and photographs of six people, supplemented by archival images and text/audio providing the broader historical context.

The oral history excerpts in the exhibit were recorded in the 1970s by Vancouverite Seemah Berson. They are among the interviews Berson conducted with Eastern European Jewish immigrants to Montreal, Toronto, Winnipeg and Vancouver in the first part of the last century, which form the basis of her book I Have a Story to Tell You (Wilfrid Laurier University Press, 2010).

Berson’s work came to form the foundation of the exhibit when Montrealer Harold Gordon wrote Berson to praise her book. They kept in touch and he introduced her to a friend, who introduced her to museum director Zev Moses. Later, Berson was introduced over the phone to museum research director Stephanie Tara Schwartz and exhibit curator Sarah Woolf. For them, she told the Independent, she was “available for queries and questions. I suppose were I younger and more agile, I would have loved to be on the spot and physically part of this. They were amenable to my suggestions, etc. Essentially, I needed to keep in mind the important fact that a great part of the purpose of my book was to disseminate these stories and keep the voices of my storytellers alive.”

Berson explained that Schwartz and Woolf “researched and found children and grandchildren – one in Israel – which was so great for me because his grandmother was not known to me when I went to Montreal to interview people. I had walked into a nursing home where she lived and she talked to me. I didn’t know anyone in her family, so it was great to connect.”

The six interviewees and locations featured in Work Upon Arrival are Hyman Leibovitch, Midway Photo Play, 1229 St. Laurent (1914); Jennie Zelda Litvack, L. Holstein and Co., 1475 Bleury (1925-26); Rose Esterson, International Ladies’ Garment Workers’ Union, 395-397 Ste. Catherine O. (1933-1954); Sidney Sarkin, Sam Hart and Co., 437 Mayor (1925); Ena Ship, Jacobs Building, 460 Ste. Catherine O. (1934); and Norman Massey (aka Noach Puterman), Parkley Clothes, 372 Ste. Catherine O. (1937-1941).

image - Work Upon Arrival exhibit takes visitors along Rue Ste. Catherine Ouest and through its garment-industry history.
The Work Upon Arrival exhibit takes visitors along Rue Ste. Catherine Ouest and through its garment-industry history.

“Exploring the open expanses of downtown Montreal’s Quartier des spectacles, it’s difficult to believe this was once a bustling garment district. Packed with factories and sweatshops, tailors and seamstresses, manufacturers and union executives, the relatively small Rue Ste. Catherine corridor between University [Street] and Boulevard St. Laurent was a hotbed of clothing production, class confrontation and radical politics,” the exhibit begins.

“Picture Ste. Catherine on a busy day in the 1920s and 1930s: steam billowing out of factory windows and grey snow covering the muddied streets; children ferrying newspapers and bales of cloth from building to building; thousands of weary workers flooding the streets for a brief lunchtime break; the mingling sounds of French, English, Yiddish, Italian, Russian….”

Work Upon Arrival explores such questions as “… how did these immigrants find work with little financial support and few personal connections at their disposal? How did so many Jews end up in the garment industry, working as cutters, machine operators and even as manufacturers? And how did so many Jews get involved in labor politics?”

Each oral history section has a summary of the subject’s arrival to Canada and their first jobs (at least), how much they were paid, the working conditions, etc.; a couple of brief excerpts from Berson’s book, along with their transcriptions; and photos of the interviewee and relevant buildings and/or documents. The parts between each oral history provide a broader context, and direct tourists (virtual and literal) from one location to the next. The combination of the personal and more general makes for a memorable learning experience. There is something special about hearing someone’s voice, even if you don’t know them, and it gives the exhibit more impact than images or text alone would have provided.

Work Upon Arrival has 20-odd sources, and Berson’s recordings appear courtesy of the Canadian Museum of Civilization, Seemah C. Berson Collection. Among those thanked are Berson and the Betty Averbach Foundation.

The other current MJM tours are Between These Walls: Hidden Sounds of Hazzanut in Montreal (1934 to 1965) and A Geography of Jewish Care: A Virtual Tour of 150 Years of Jewish Social Services in Montreal. The website is imjm.ca and in-person visits can be scheduled by emailing info@imjm.ca.

Format ImagePosted on June 27, 2014June 25, 2014Author Cynthia RamsayCategories NationalTags garment industry, I Have a Story to Tell, Museum of Jewish Montreal, Seemah C. Berson, Work Upon Arrival1 Comment on Take a virtual tour of Jewish Montreal

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