Micah Siva’s Pomegranate Lentil Tabbouleh, the recipe for which is in her book NOSH. (photo by Micah Siva)
This past weekend was hot, and the last thing I wanted to do was cook, so I turned to Micah Siva’s NOSH: Plant-Forward Recipes Celebrating Modern Jewish Cuisine (The Collective Book Studio), which I reviewed for the Passover issue (jewishindependent.ca/tasty-plant-forward-recipes). I made the salad portion of Siva’s suggested summer Shabbat dinner, and it was the perfect meal: fresh and tangy, healthy and filling.
Siva’s summer Shabbat dinner includes the tabbouleh, four variations of hummus, an everything bagel spiced Israeli-style pita (“[t]ypically thicker than other flatbreads or pitas … when made correctly, it contains a pocket”) and falafel balls. Of course, she has recipes for every part of the meal. Here is the one for the tabbouleh. Enjoy!
POMEGRANATE LENTIL TABBOULEH (serves 4 to 6)
1/2 yellow onion, finely chopped 1 medium tomato, cut into 1/4-inch pieces 1/2 english cucumber, seeded and cut into 1/4-inch pieces salt pepper 2 cups roughly chopped fresh parsley 1/2 cup roughly chopped fresh mint leaves 1/2 cup pomegranate arils 1/2 cup cooked brown or green lentils 1 tsp lemon zest juice of 1 lemon (about 3 tbsp) 3 tbsp olive oil 1/4 cup sesame seeds 2 tsp za’atar
In a medium bowl, combine the chopped onion, tomato and cucumber. Season liberally with salt and pepper. Let sit for 5 to 10 minutes. This helps remove excess water from the vegetables.
While the vegetables are salting, combine the parsley, mint, pomegranate arils and cooked lentils in a serving bowl.
Use a colander to drain the onion and tomato mixture, pressing out any excess liquid. Add the mixture to the serving bowl.
Add the lemon zest, lemon juice, olive oil, sesame seeds and za’atar and toss to combine. Season with salt and pepper to taste.
Note: Make this salad up to 3 days in advance by combining everything but the fresh herbs in an airtight container and refrigerating. Toss with the herbs just before serving.
Variations: Add 2 teaspoons of ground sumac to this recipe for a tangier variation. Omit the sesame seeds and add hemp seeds for added protein.
החברה הלאומית של קנדה אייר קנדה תחזור לטוס לישראל רק בחודש הבא. החברה הקנדית שהחלה לטוס לישראל רק בעשרה באפריל הפסיקה את טיסותיה לתל אביב ארבעה ימים לאחר מכן, לאור סגירת נמל התעופה בן גוריון לאור המתקפה האיראנית. באייר קנדה מעדכנים כ הטיסות יחודשו בין קנדה לישראל רק החל מהשישה באוגוסט
אייר קנדה נוסדה בשנת אלף תשע מאות שלושים ושבע ובסיסה בעיר מונטריאול. לחברה נוכחות מסיבית גם בנמלי התעופה הבינלאומיים של טורונטו, ונקובר וקלגרי. לאייר קנדה ארבע חברות-בנות והיא מפעילה כיום כשלוש מאות ושישים מטוסים הטסים לכמאתיים יעדים שונים ברחבי העולם. הכנסות החברה אשתקד עמדו על כעשרים ושתיים מיליארד דולר (קנדי)
צעדת התמיכה הגדולה ביותר בישראל התקיימה בקנדה בחודש יוני האחרון בטורונטו בהשתתפות כחמישים אלף איש. במצעד בטורונטו הניפו המשתתפים דגלי ישראל וקנדה, קראו עם ישראל חי ותחי ישראל ויחי צה”ל, אל מול מפגן תמיכה קטן של מפגינים פרו-פלסטינים. בצעדת התמיכה בישראל השתתפו גם איראנים מתנגדי משטר של האייטולות
בכל שנה, הצעדה למען ישראל היא האירוע היהודי הגדול ביותר בקנדה ואחת מצעדות הסולידריות עם ישראל הגדולות בעולם. חגיגה ידידותית למשפחה זו כוללת צעדה סימבולית בטורונטו ולאחריה פסטיבל לחגוג את התרבות הישראלית והיהודית
אנחנו נרגשים מהתמיכה העצומה בצעדה השנה מהקהילה שלנו ומהחברים והשכנים שלנו ברחבי טורונטו רבתי. לראות השתתפות שיא השנה מדברת רבות על הגאווה, החוסן והנחישות של הקהילה שלנו להראות לעיר שלנו מי אנחנו ועל מה אנחנו עומדים. כך אמור יו”ר אגון הגג של הפדרציות היהודית של קנדה, ג’ף רוזנטל. ואילו נשיא ומנכ”ל של הפדרציות היהודיות של טורונטו, אדם מינסקי, הוסיף כי בזמן שנאה חסרת תקדים המופנית כלי הקהילה היהודית בטורונטו, הצעדה ששברה שיאים שולחת מסר ברור שאנחנו חזקים, מאוחדים וגאים. האירוע היום הוא הפגנה חזקה לכך שיש רבים שתומכים בנו, בעד הדמוקרטיה, החברות והזכות של הישראלים ושל הקהילה היהודית לחיות בשלום ובביטחון, הוסיף עוד מינסקי
כאירוע גיוס כספים למטרות צדקה, כל התרומות לצעדה תומכות בשירותים חברתיים ומאמצים הומניטריים בישראל המסייעים לתושבי ישראל הפגיעים ביותר. השנה הכספים שנתרמו יעזרו לישראלים להתאושש מהטראומה הגדולה של השבע באוקטובר, כולל תמיכה בתוכניות לעזור לקורבנות הטרור ולאה הנאבקים בבעיות נפשיות
לאחר הצעדה, המשתתפים התכנסו בקמפוס שרמן של פסטיבל הסולידריות שכלל פעילויות ידידותיות לילדים, אוכל והופעות. האירוע כלל גם הזדמנויות לשלוח מסרים של תקווה לישראל וכיבוד קורנות השבעה באוקטובר. כן נבנתה חומת התקווה שהיא מיצג הזיכרון של פסטיבל נובה שגבה קורבנות רבים
לאור עלייה באנטישמיות בטורונטו, המשטרה הייתה נוכחת בצעדה במספרים חסרי תקדים. בקהילה היהודית בטורונטו מעריכים מאוד את המאמצים הבלתי הנאלים של משטרת טורונטו להבטיח חוויה בטוחה בצעדה
מנכ”לית הפדרציות היהודיות של קנדה בישראל, שרה מלי, אמרה שיש משהו מיוחד במינו בצעדת למען ישראל של פדרציית טורונטו השנה, מעבר להשתתפות המרשימה של חברי קהילה, תומכים ונבחרי ציבור צעדו כדי לחגוג ולתמוך בישראל. הסיבה לכך שזה כל כך יוצא דופן היא שמאז השבעה באוקטובר, הקהילה היהודית הקנדית נתונה לאנטישמיות גוברת ומתפשטת בקמפוסים ובמרחבים הקהילתיים היהודיים, ובו בזמן גייסה את סכום הכסף המשמעותי ביותר לנפש מכל הקהילות בעולם. לכן, הצעדה השנה, לא רק שהיא הגדולה ביותר, היא מייצגת את המחויבות של הקהילה היהודית בטורונטו לישראל כנגד כל הסיכויים ולכן יש לה חשיבות סמלית שאין כדוגמתה
Catch a championship game at Softball City June 28-July 7. Team Israel plays Team Canada and other elite international teams for the Canada Cup. (photo from Team Israel)
The Canada Cup Women’s International Softball Championship will run from June 28 to July 7 this year at Softball City, in Surrey. The 2024 event has more than 1,500 elite athletes confirmed to compete, including the Israeli national team.
“In these challenging times, the importance of our team participating in international tournaments cannot be overstated,” said Ami Baran, executive director and general manager of Israel Softball National Teams. “Competing on the global stage not only showcases our talent and dedication but also strengthens our community’s presence and solidarity. It provides a platform for cultural diplomacy, where we can celebrate our identity and contribute to a broader understanding and appreciation of our traditions and values.”
(photo from Team Israel)
In addition to Team Israel, some of the world’s best teams will take part, including Canada, Australia, Chinese Taipei, Czechia, Greece, Hong Kong, Mexico, New Zealand, Philippines and TC Colorado. The event includes five divisions: Women’s International, Futures Select (U19), Futures Gold (U19), Showcase Select (17U) and Showcase Gold (17U).
Team Israel will play Hong Kong on July 1, at 10:30 a.m.; Mexico on July 2, at 6 p.m.; Philippines on July 3 at 10:30 a.m.; Canada, also on July 3, at 6:30 p.m.; and New Zealand on July 4, at 3:30 p.m. The playoffs take place July 5-7 with the gold medal final on July 7, at 6 p.m.
(photo from Team Israel)
The Canada Cup, which is operated by the Canadian Amateur Sport Society, provides young, high-calibre, female athletes the opportunity to expand their potential and ability by fielding elite level fastpitch teams, which offer spectators an entertaining, fun-filled sporting experience. For more information and to purchase tickets, visit canadacup.com.
School ofRock cast members, left to right: Crosby Mark, Casey Trotter, Colin Sheen, Mya Forrest, Fumi Okochi and Thailey Roberge. Matthew Rossoff is choreographer of the production. (photo by Emily Cooper)
Matthew Rossoff has returned to Theatre Under the Stars – to choreograph his first production for TUTS, School of Rock. The musical, which alternates with Cats at the Malkin Bowl in Stanley Park, previews July 7-8 and opens July 11.
“Over a year ago, I responded to a posting seeking new creative team members to join the upcoming season and thought it would be a great way to reconnect with the TUTS community,” said Rossoff, who grew up in Richmond and performed in TUTS shows in his younger days. “I was actually on my honeymoon when I received the initial call and am thrilled it all worked out!”
Rossoff, who is a member of the Jewish community, has performed in two TUTS productions: South Pacific in 2000 and Joseph and the Amazing Technicolour Dreamcoat in 2002.
“For several reasons, both of these productions and experiences were huge influences in my career as an emerging artist,” Rossoff told the Independent. “After a long performing hiatus, South Pacific was my first musical after I graduated high school and it was a dream to perform at the Malkin Bowl. Joseph was directed and choreographed by my childhood idol, Jeff Hyslop, and this production catapulted me into my professional career as a dancer and actor, making my CAEA [Canadian Actors’ Equity Association] debut in Fiddler on the Roof at the Vancouver Playhouse later that fall.”
While earning his bachelor of arts at the University of British Columbia, majoring in theatre and minoring in English literature, Rossoff was also doing work in film and traveling across Canada performing in theatrical productions. In 2006, he followed through on his dream to move to New York. There, he performed in several shows, and made his Stratford Shakespeare Festival debut in Camelot and Jesus Christ Superstar.
“Jesus Christ Superstar gained critical acclaim and, eventually, the entire Canadian cast transferred to Broadway in March 2012,” Rossoff said. “I was fortunate to make my Broadway debut, as the dance captain and swing. Our production became a Tony Award nominee for best revival, which offered me a once-in-a-lifetime opportunity to perform on the Tony Awards!”
And to think, Rossoff’s career began in elementary school, when he saw one of his sister’s dance classes. “I was amazed,” he said, knowing it “was something I needed to do. Very much in line with the character Mike from A Chorus Line, I told my parents, ‘I can do that!’
“Tap dancing evoked a passion and spark in my soul so bright that I continued on with it all throughout elementary school,” Rossoff said. “During high school, I decided to put up my dancing shoes for a bit and tried other sports and school activities, but it was after my first show at TUTS, South Pacific in 2000, when I bought a new pair of shoes and reignited my passion for tap dancing. Luckily I did because my career took off and I’ve been so fulfilled and blessed with such amazing dance and performance opportunities.”
He got his first theatre work about the time he started tap dancing, in Grade 3. He played an orphan and one of Fagin’s boys, Mouse, in Oliver!
“My sister was in the production with me and I remember getting bit by the theatre bug,” said Rossoff. “There was a sense of community being created with the cast that I loved being a part of and, of course, the excitement of performing and dancing under the lights.”
Matthew Rossoff choreographs his first production for TUTS this summer – School of Rock. (photo from Matthew Rossoff)
After 10 years living and working in New York City, Rossoff decided to follow another impulse – “to go back to school and deepen my training as a performer, artist and educator.”
He moved to Toronto to attend York University, earning a master’s of fine arts in the school’s performance (acting) program, with a specialization in teaching.
“Those two years changed me at the core of my artistry and revealed a new sense of how I wanted to move forward in my artistic journey,” he told the Independent. “Along with my long-time dance background, my focus became voice, speech and mindfulness work. I quickly became a faculty member at several post-secondary schools and universities in Toronto – teaching voice, speech and movement at York University, Randolph College, Sheridan College, Brock University and, most recently, Toronto Metropolitan University.
“Knowing that choreography and dance were at the base of my creative foundation, I stepped onto the creative team side of the table and began my director/choreographer journey. Shortly after my time at TUTS this summer, I will be returning to Toronto and stepping into the world of Disney as a resident creative team/dance supervisor for Disney Cruise Lines.”
Rossoff’s body presence, mindfulness and yoga work are at the core of his artistic practice and choreography.
“This work stemmed from my training and perhaps lack of intersection between dance and how to connect to the breath and emotional journey as an actor and storyteller,” he said. “Dance is an extraordinary universal language of embodiment, but in musical theatre you also have to put the text onto your full voice and hold space in the body to support and reveal the emotional, physical, intellectual and imaginative journey the character moves through.
“I’m always curious how can an actor lead from the internal impulses and connections to what’s happening in the scene and put it fully into their body through external gesture and movement. To play a truthful human experience, an actor must use the breath to spark the imagination, the senses and full range of expression with their whole sense of self.”
While Rossoff puts his whole self into his work, collaboration is the cornerstone of his creative process.
“Working alongside the director and honouring their vision and design of the show, a movement esthetic and point of view is cultivated,” he explained.
“In my own pre-production work, I start with the words off the page from the playwrights, composers and lyricists: the storytelling. I’m curious, What’s the primary narrative being told and how can movement from the actors elevate and further the storytelling in a compelling and exciting way?”
For productions such as School of Rock, Rossoff said, “I listen to the music over and over again and I daydream and imagine ways to bring this … story to life. Once the show is cast and we’re in the rehearsal hall, I come prepared with an overall structure of how the choreography will unfold or, if the story seeks personalized gestures or movement, bring in exercises to draw out embodied movement from the actors. For example, School of Rock has 13 incredible young performers and their energy brings out creative ideas, movements and impulses [and] I try to hold space for them to join in on the collaborative journey. They certainly inform and bring a unique point of view through their personalized storytelling.
“Choreographing a musical is not all about big production dance numbers,” he added, “but also about sorting out the transitions and the moments in between, as they become key to the flow and momentum of the story. As the show gets closer to opening night, it becomes about the details of precision, economy and relaxation in the movement so that each actor feels at ease and ready to perform with unconscious competence and joy!”
For tickets to School of Rock and Cats, which previews July 5-6 and opens July 10, visit tuts.ca. Cats runs to Aug. 21 and School of Rock to Aug. 22. For tickets, visit tuts.ca.
The Islamic Revolutionary Guard Corps is the world’s foremost state sponsor of terror. The IRGC’s Quds Force (“Quds” meaning “Jerusalem,” to note the ultimate priority of the corps’ aims), is effectively the international terrorism arm of the Iranian government and military.
Ottawa finally got the message. Last week, the Government of Canada designated the IRGC a terrorist entity under Canadian law.
“The Canadian Jewish community has persistently called for this decisive action against the IRGC, recognizing its role in promoting violence andinstability globally, including through its support for terrorist groups targeting Jews and others,” said a statement from Shimon Koffler Fogel, president and chief executive officer of the Centre for Israel and Jewish Affairs. “While we applaud this step, it is disappointing that it took so long for the government to act on its commitment.”
Iran has destabilized (the word seems profoundly modest) Lebanon, by backing Hezbollah, the terror group that has wreaked havoc by upending that country and turning it into a staging ground for attacks on Israel, and Syria, by supporting Bashar al-Assad, the strongman who has waged war on his own people for more than a decade. Terrorism by the Iranian regime has prevented Iraq from becoming a functioning state. Tehran’s long arm has also terrorized individuals and organizations in the large Iranian diaspora. In 2020, the IRGC shot down Ukrainian International Airlines Flight 752, killing all 176 passengers and crew, including 55 Canadian citizens and 30 Canadian permanent residents.
And still Canada’s government did not take the seemingly simple step of calling the IRGC what is so clearly is.
In 2020, the US State Department estimated that Iran was supplying Hamas and other Palestinian terror groups with $100 million per year in training and military and financial support. An Israeli source put that number, by 2023, at $350 million.
Part of the intelligence catastrophe of Oct. 7 was an apparent assumption by Israeli intelligence that Hamas did not have the capacity to organize as complex an attack as it did against Israel that day. This was a tragic intelligence failure on many fronts, but it was certainly a failure in Israel’s massive underestimation of the extent and complexity of what Hamas was capable of, thanks directly to the IRGC.
Canada is grappling with the fact that foreign actors have meddled in our politics, with China and Russia the prime suspects in this still-shrouded issue, but Iran has certainly had its fingers in our pie. The Iranian regime is also suspected of laundering money through Canada.
Iranian-Canadian human rights activist Nazanin Afshin-Jam addressed a parliamentary committee this month, putting a fine point of who we’re dealing with, not only internationally but domestically in Iran as well.
“Any time you have seen video footage of women in Iran being beaten and dragged screaming into police vans because of not properly wearing a hijab or of Christians arrested for worshipping in underground churches or Kurds being gassed or children being executed or peaceful protesters being intentionally shot at, blinded, raped or tortured, these are all the acts of the IRGC and its paramilitary subgroup, the Basij,” she said.
So why did Canada act now?
The announcement came less than a week before a pivotal byelection in Toronto. Voters in the riding of St. Paul’s, a Liberals stronghold since 1993 and considered one of the party’s safest seats in the country, went to the polls Monday.
The riding has one of the largest concentrations of Jewish voters – about 15%, which may not seem a lot but is 15 times the national Jewish population average and enough to swing a tight race, certainly. Another 1,500 of so residents list Farsi as a mother tongue and those, presumably Iranian-Canadians, know as well as anyone what the IRGC is capable of.
The very suggestion that a Canadian government would make a crucial, long-delayed decision like this based on crass political motivations is almost beyond the imagination.
Asked point blank by a reporter whether the decision was linked to the byelection – which many suggested could have existential implications for Prime Minister Justin Trudeau’s political career – Trudeau seemed to glass over and deliver a robotic reply.
Canada, he said, has already been “extremely preoccupied with the activities of the murderous regime in Tehran.” His government, he said, has “been working very, very hard on this for years.” He suggested that the delay was based on concerns for Iranian-Canadians and their families back home.
We are glad our government has taken this step. We are also revolted at the very suggestion that the decision could have been motivated by political expediency. It is unfathomably cynical – but who are the cynics? Is it reporters and commentators who accused the government of politicizing this move? Or is it a cadre of political advisors and elected officials who calculated that a few Jewish voters in midtown Toronto could save the prime minister’s hide if they were just thrown a bone?
We may never know exactly. But, if that was Liberals’ calculation, it failed. Conservative candidate Don Church upended tradition and won the riding. Liberals and others are still poking through the entrails to divine the wider implications for Canadian politics.
Left to right: Andrew Abramowich, Larry Goldenberg, Gordon and Leslie Diamond, Jill Diamond, Lauri Glotman and Friends of Simon Wiesenthal Centre’s Michael Levitt. (photo from FSWC)
The Tour for Humanity, a human rights educational bus organized by Friends of Simon Wiesenthal Centre (FSWC), made an inaugural visit to British Columbia May 27 to June 7, with stops at several schools across the Lower Mainland, including Vancouver, North Vancouver, West Vancouver, Coquitlam, Surrey and Langley Township. In all, the bus visited eight different schools, reaching 1,170 students.
On May 29, in partnership with the Vancouver Holocaust Education Centre, the Jewish Federation of Greater Vancouver and the Jewish Community Centre of Greater Vancouver, FSWC hosted a special gathering and an exclusive viewing of the Tour for Humanity.
“The reception in Vancouver was very positive, especially considering this visit marked our first-ever journey to the West Coast,” said Michael Levitt, president and chief executive officer of FSWC. “The Tour for Humanity presented a new educational experience for the students in a technologically advanced and inspiring learning environment, with students feeling immediately captivated upon entering the bus.
“Every student walked away from the bus with newfound knowledge, whether of the Holocaust or human rights issues right here in Canada,” he said. “Teachers and administrators shared with us how much they admired the program and would like to have the bus return to their schools.”
The Tour for Humanity bus is a 30-seat, state-of-the-art, wheelchair-accessible education centre that teaches students, educators, community leaders and front-line professionals through workshops about the Holocaust, genocide and Canada’shuman rights history. The aim, in the words of FSWC, is “to help inspire and empower people of all ages and backgrounds to raise their voices and take action against hate, intolerance and bullying and to promote justice, human rights and a more inclusive society.”
Inside the Tour for Humanity bus. (photo from FSWC)
Levitt noted that, since Oct. 7, there has been an increase in requests from schools for the Tour for Humanity workshops, given the rise in antisemitism and the divisions playing out online, on city streets and in schools.
“Teachers and administrators are recognizing the importance of this education to ensure students understand the dangers of hate and the role they play in combatting it,” Levitt said.
The tour’s visit to Vancouver in late May and early June coincided with, among other events,the arson attack against Congregation Schara Tzedeck and the decision by the BC Teachers’ Federation to deny funding to a specialist Holocaust education group.
“What we are seeing is a frightening escalation of antisemitic incidents across BC and the country. Most concerningly, Jewish institutions, including places of worship and schools, are being targeted and violently attacked at an unprecedented rate in Canada,” Levitt said. “Words of condemnation from our public leaders are no longer enough. Concrete measures must be taken to fight this scourge of antisemitism before it escalates even more and someone gets seriously hurt.”
Since it began – with one bus, in 2013 – the Tour for Humanity has visited more than 1,300 schools and reached more than 220,000 people. A second bus was added in September 2022, thanks to support from the Goldenberg family. The two buses have traveled a combined total of more than 200,000 kilometres.
Before coming to British Columbia, the bus visited schools in Manitoba, Saskatchewan and, also for the first time, Alberta. The tour has traveled widely through Ontario, Quebec, New Brunswick and Nova Scotia. Both buses are currently inOntario, visiting a few last schools for theacademic year. The buses only travel throughout Canada, though the Simon Wiesenthal Centre in the United States has a similar program in several American cities.
According to Levitt, the 2024/25 schedule for the Tour for Humanity is already filling up, as Canadian schools have been reaching out and requesting workshops ahead of the upcoming academic year. There is going to be a third bus ready to hit the road in 2025, offering further opportunities to visit more schools across the country. In the meantime, FSWC educators will continue to offer virtual workshops to schools.
“We’re looking forward to having a more active presence in Vancouver and throughout BC in the near future,” Levitt said, “including a return of the Tour for Humanity at the earliest possible time,as we know it takes an all-hands-on-deck approach from the Jewish community to deal with the current conditions.”
Levitt stressed that FSWC is working to deliver Holocaust education to Metro Vancouver students alongside other Jewish organizations, such as the Vancouver Holocaust Education Centre, ensuring that young people gain a deeper understanding of the history and horrors of the Holocaust and learn its lessons.
“Students must learn that history can repeat itself, and each of them has a responsibility to stand up against hate in their community and make a positive change,” Levitt said.
“We are thankful for the warm welcome our Tour for Humanity received in BC and grateful to Gordon and Leslie Diamond and the Diamond Foundation for sponsoring the bus’s first-ever journey to the West Coast,” he said. “We are eager to return soon to reach more students.”
An X post about an antisemitic takeover of the Simon Fraser University library downtown, named after Jewish philanthropists Samuel and Frances Belzberg. Khalida Jarrar is a member of the Popular Front for the Liberation of Palestine, which Canada listed as a terror entity in 2003. (screenshot)
More than 250 members of the Jewish community gathered at Congregation Beth Israel last week to learn more about antisemitism occurring on BC campuses. The discussion was led by a panel of Jewish students representing the University of BritishColumbia, the University of Victoria and Simon Fraser University, as well as educators and a spokesperson from Hillel BC. Panelists spoke about how pro-Palestinian activists have created an environment that has made Jewish students and educators feel unsafe, and that their concerns are, by and large, not being taken seriously by university administrators.
“Hillel has shifted from being a place where students explore their identity to being an emergency room for antisemitic incidents,” said Ohad Gavrieli, executive director of Hillel BC. “What we’re encountering is unprecedented, and our main role has been to protect and defend Jewish identity.”
Hillel is focused on safety, education, programming and advocacy, said Gavrieli. It is assisting students as they try to file complaints about antisemitism, while continuing with events like Shabbat dinners and bagel lunches, critical components that allow for the continuity of Jewish life during this crisis.
Gavrieli said universities’ approaches to antisemitism have been very ineffective.
“While they understand we’re hurting as a community, they’re politicians and they care about their institutional reputation. They want to please both sides,” he argued. “So, when we talk with them about the encampments, they tell us to be patient, that they’re working on it and will come up with a solution.”
Member of the Legislative Assembly Selina Robinson described a similar “deafness and silence” when she spoke about antisemitism with her political colleagues.
“I heard stories from Langara students who were afraid to leave the bathroom because there was marching in the hallways. I got calls from students whose instructors were telling them they needed to participate in a march, and from educators whose administrators were involved in BDS [boycott, sanction and divestment] activity,” she recalled. “I felt I needed to say something, so I said lots – to the attorney general, the solicitor general, the chief of staff. And I got silence, or responses like, ‘we’re looking into it’ – but nothing happened.”
For Aria Levitt, a Jewish student leader entering her second year at UVic, the campus environment is daunting.
“When an encampment was established in the Quad at UVic, the university issued a statement that overnight camping there was not allowed. But the encampment is still there, and they’re not doing anything about it, which is a statement in itself,” said Levitt. “I heard the marches, protests and chants and it was very scary. I don’t feel proud to weara UVic sweater,” she added.
At Simon Fraser University, Rachel Altman, an associate professor, said the Faculty for Palestine group has been relentless about holding anti-Israel events, and that those events even count towards the educators’ professional credit. “I attended one of their events and I was shaking by the end of it, it was so deeply unsettling,” she confessed.
“The hatred in the room was palpable,” said Altman. “They were clearly talking about me and my colleagues, misrepresenting my responses and not giving me a chance to defend myself. I felt hated by colleagues who have never spoken to me face-to-face. One person made a claim that Israel is stealing organs. This group is large and it’s having an impact on the general climate at SFU.”
Altman is trying to get her faculty association to adopt a neutrality policy and to develop institutional neutrality. Dr. Estie Ford, a professor at the Peter A. Allard School of Law at UBC, is working with her colleagues to establish the Jewish Academic Alliance of BC, with the goal of being a face for Jewish faculty who are not anti-Zionist, across the province. “This is a new time when people are coming together and there’s so much amazing work being done,” Ford said.
Gavrieli fields calls from Jewish parents wondering how safe BC campuses are for their children. He tells students to continue to hold their heads high, to not be afraid and to tackle the issues head-on.
“Antisemitism right now is being driven from campus and it’s rooted on campus,” he said. “Any parent with a child entering university should encourage them to engage in Jewish life on campus, to make it more vibrant and to deal with this issue fearlessly, because this is the time to fight.”
Lauren Kramer, an award-winning writer and editor, lives in Richmond.
Co-authors Raja G. Khouri, left, and Jeffrey J. Wilkinson in a conversation at Canadian Memorial United Church and Centre for Peace June 13. (photo by Pat Johnson)
To bridge a divide between peoples, Jews and Palestinians need to listen and understand one another’s stories of trauma, according to two authors who spoke in Vancouver June 13.
“Not only do we not know each other’s narrative, we don’t want to know each other’s narrative,” said Raja G. Khouri. “We are resistant to the other’s narrative. Palestinians need to understand Jewish suffering and Jews need to understand Palestinian suffering.”
Khouri, founding president of the Canadian Arab Institute, is a Palestinian-Canadian. With Jeffrey J. Wilkinson, a Jewish American who lives in Canada, he wrote The Wall Between: What Jews and Palestinians Don’t Want to Know About Each Other.
The two men have been engaged in ongoing dialogue around trauma and other topics related to Israel and Palestine. Their book was released four days before the Oct. 7 terror attacks.
Jewish trauma from the Holocaust and Palestinian trauma from the Nakba, or the “Catastrophe” of the 1948 war, replay in various ways among the peoples today, said Wilkinson, an educator who works on issues of trauma.
“It’s not about amount of loss,” said Wilkinson. “Six million Jews died, 750,000 Palestinians [were] displaced. That impact is not about the numbers. That impact is about that loss, that something being taken from you, that feeling of anger, resistance.”
The conversation, at Canadian Memorial United Church and Centre for Peace, was sponsored by Vancouver Friends of Standing Together, in partnership with several other organizations. Standing Together describes itself as “a progressive grassroots movement mobilizing Jewish and Palestinian citizens of Israel against the occupation and for peace, equality and social justice.”
The authors acknowledge the chasms between the consensus Israeli and Palestinian narratives, while carefully noting that they did not claim to speak on behalf of their respective peoples.
“Zionists are saying 1967, 1967, 1967,” said Wilkinson, referring to the war that marks the beginning of what many consider “the occupation.”
“Palestinians are saying 1948, 1948, 1948. The two-state solution does nothing to address 1948,” Wilkinson said.
A two-state solution is not something either author views as a reasonable proposition, said Wilkinson – unless it is as a waystation to an alternative that neither author spelled out explicitly.
“I’m not saying it’s a bad solution and you can’t support it,” Wilkinson said of the idea of two states. “But I want you to frame it from the perspective of justice, and it does not address the injustice of Palestinians.”
While the evening – and the book – were billed as a conversation across barriers, the divide was not as big as advertised. Both authors view the existence of Israel as a problem to be solved.
“I believe that Zionism and my Judaism are not compatible,” Wilkinson said. “That does not lessen my compassion for the vast majority of my community who are somewhere on that journey but not where I am, and I embrace you as you walk through that.”
Wilkinson explicitly denounced the extremist rhetoric heard in some anti-Israel protests, such as calls to destroy Tel Aviv and telling Jews to “go back to Poland.”
Khouri said Palestinians believe that “the antisemitism label” has been misused to silence them.
“We both know that antisemitism is real and it’s dangerous,” he said. “But, to Palestinians, it is a weapon that has been used to silence criticism, or at least that’s what we believe. And it’s important to get that.”
Both men believe there is a misunderstanding around definitions of terms.
Israelis and their allies might hear the word “apartheid” and reject it.
“Lens the word from the person who is speaking,” Wilkinson advised, outlining how he views separate treatment of Palestinians as equivalent to the racist regime of 20th-century South Africa.
“Likewise with terms like genocide,” said Khouri. “We both avoided using the term for the longest time. But I can tell you there isn’t a Palestinian I know who isn’t convinced that this is absolute genocide because of the mass killing that is happening. Whether it meets the legal definition of genocide or not, it feels very much like genocide.”
The defensiveness that comes around these terms, they said, is a barrier to the peoples’ understanding of each other.
The flexibility of definitions extends to the term “intifada.”
“When you hear someone, say, we’re calling for intifada, ask them what they mean by this,” said Khouri. “Do you mean going and blowing up cafés and buses?”
Neither author offered their interpretation of the term.
The Oct. 7 attacks took place in a particular context, they said.
“If you fixate on Oct. 7 only, then you’re missing a big part of the picture,” said Khouri.
“That doesn’t mean you grieve less for the victims of Oct. 7,” Wilkinson said. “It doesn’t mean that.”
Avril Orloff, representing Vancouver Friends of Standing Together, emceed the event. Rabbi Laura Duhan Kaplan, director of inter-religious studies and professor of Jewish studies at the Vancouver School of Theology provided a land acknowledgment and contextualized the discussion in the context of Shavuot, which was ending as the event began.
Co-directors of Chabad of the Tri-Cities Rabbi Mottel and Nechama Gurevitz with their children. (photo from Tri-Cities Chabad)
Since he arrived just under two years ago, Rabbi Mordechai (Mottel) Gurevitz has had a very active and wide-ranging schedule. He’s been organizing programs and events and, most importantly, building community in the Tri-Cities (Coquitlam, Port Coquitlam and Port Moody).
Gurevitz, co-director of Chabad of the Tri-Cities, gave the Independent a few examples of the growth he has witnessed. This year’s Passover seder brought in nearly 50% more attendees compared to 2023. There was a similar increase in attendance for a Ten Commandments reading and ice cream in the park gathering during Shavuot.
For Lag b’Omer on May 26, the largest Jewish event in Tri-Cities history was held at Rocky Point Park. Hundreds of people came out in the rain for a day filled with music, featuring Vancouver band Tzimmes, dancing, art, a marketplace, a magic show, bouncy castles and, of course, mouthwatering food.
Gurevitz, a Brooklyn native, arrived in the Tri-Cities in November 2022 with his wife, Nechama, who hails from Portland, Ore. In a recent interview, he told the Independent that he adores the region and is very happy and amazed to see the interest in the Jewish community for Jewish activities – and, he added, he regularly has to replenish his supply of mezuzot.
“We feel grateful for where we live,” he said. “It is such a beautiful, growing community. Geographically, it is a beautiful place with beautiful people. I feel privileged to be in this position to lead. It is not something I take lightly. I am really happy that we are here.”
The goal of Chabad of the Tri-Cities programming is to raise the Jewish profile and increase the sense of Jewish community in the area, Gurevitz explained. He gets the most joy, he said, when he hears from community members about connections they have made through his efforts, such as two sets of parents arranging a play date for their children after meeting at a Chabad event.
“One of the challenges of the Tri-Cities is that it is geographically spread out. Organically, there is a challenge for a community to grow because people are all over. What we are finding is that, by creating infrastructure, it is blossoming,” he said.
The region’s population comprises people of all ages, and many young families. As a result, there are programs to meet the needs of various demographics, from teen activities to special groups for men and women, in addition to a Hebrew school, weekly Torah classes and Kabbalat Shabbat meals. The programs have been well received, Gurevitz said, and have created a space for people to come together.
“All of these are cogs in the machinery. Each of them is important on its own, but, in the greater picture, what is emerging is a vibrant Jewish community. Jews are hanging out with other Jewish people. There is a place to celebrate our traditions, connect and meet new friends,” Gurevitz said.
On March 10, Tri-Cities Chabad celebrated the milestone of completing a sefer Torah. Along the way, there was great excitement, as members of the community dedicated letters and chapters for the new scroll.
Rabbi Mottel Gurevitz writes the final letter of the Chabad of Tri-Cities community Torah. (photo from Tri-Cities Chabad)
“There is something very unifying about a community writing a Torah,” Gurevitz said. “The energy in the room that day was something so special, with the joy and the celebration and people of all ages kissing the Torah. That was a real monumental event this year.”
Gurevitz, who also teaches at Vancouver Hebrew Academy, jokes that he has two full-time jobs. A typical day might have him teaching in Vancouver in the morning and returning to the Tri-Cities in the early afternoon to have meetings, run programs, prepare for events and reach out to people.
“As a rabbi, I believe our first priority is our fellow Jews’ physical well-being, then we can care for their spiritual well-being. I am being there for people, helping however we can. The part I like most is meeting people and making those connections,” he said.
On July 2, at 7 p.m., Chabad of the Tri-Cities will put together an event to mark the 30th yahrzeit of the Lubavitcher Rebbe, Menachem Mendel Schneerson. Titled An Evening of Inspiration, the event will feature Rabbi Meir Kaplan, leader of Chabad of Vancouver Island.
“Our very existence in the Tri-Cities, a boy from Brooklyn walking around looking like a rabbi in Coquitlam, is to the Rebbe’s credit. We are gathering to pay tribute to the Rebbe. What was unique about him is that he made leaders and empoweredindividuals,” said Gurevitz, pointing to the 5,000 Chabad centres currently operating in more than 100 countries. “We will reflect on how the Rebbe’s legacy could inspire us to live a more meaningful and purposeful life.”
The accordion “has gradually and sneakily taken over my life,” says musician David Symons, member of the group Obliquestra. (photo by Stephanie Reed)
“Klezmer, choro, Tin Pan Alley, French musette, German songs, Russian waltzes, and so on” … Obliquestra plays the music they “most wanted to play after being isolated at home for so long” during the pandemic, David Symons told the Independent. The accordionist, singer and composer is one of the three members of the band who will be playing at the Vancouver Folk Music Festival, which takes place July 19-21 at Jericho Beach Park.
Symons will be joined at the festival by Dr. Sick on violin, guitar and musical saw, and Susanne Ortner on clarinet. It will be their first time performing together in Vancouver.
Obliquestra started when live music started returning in 2021, explained Symons. “Dr. Sick, who I had worked with for years in my band The Salt Wives (and one of the most unfairly talented musicians in town) called me up and said there was a new bar opening next door to his house and it would be amazingly convenient to play there every Saturday. I called SusanneOrtner, who I hadn’t played with, but who I knew was a master klezmer clarinetist, though she mainly does Brazilian choro and jazz now.”
They started playing together in Symons’ backyard with banjoist Aaron Gunn and bassist Stoo Odom, “without any concept, really,” said Symons, just playing what they wanted to play.
“I’ve sort of always had this eclectic approach,” he said. “Discreet genres of music are mostly a marketing convenience. Musicians have always played and been influenced by whatever they heard, whatever was available, and whatever the public would pay them to play. Klezmer is a good example of this, being an amalgam of various musical styles from central and eastern Europe and, later, America. I doubt those old school musikers (you wouldn’t call someone a klezmer in those days unless you were trying to get punched) were concerned with notions of ‘authenticity’ or genre. They were playing what they heard and liked, and what their public wanted to hear. We are at least doing the first part of that.”
Obliquestra – Dr. Sick, left, David Symons and Susanne Ortner – play at the Vancouver Folk Music Festival on July 21. (photo by Stephanie Reed)
While Symon has “gotten away from klezmer a bit these last few years, really since the pandemic started, mostly for lack of people to play it with,” he said “it’s still the music closest to my heart.”
Why that’s the case, and why he’s also been interested in Yiddish music, despite not being Jewish, is hard to put into words, he said. “In fact, if I could put it into words, maybe we wouldn’t need music. It makes me feel good?”
He said many people assume that a person is Jewish if they play klezmer, and even that it’s a strange thing for a non-Jew to do.
“I’ve always felt this attitude contains an implicit condescension toward the music,” said Symons. “It would never occur to anyone that if someone plays Rachmaninoff they must be Russian, or if they play bluegrass they must be a hillbilly, etc. The music stands on its own merits, whatever one’s ethnic background. Most of the Jewish klezmorim I have known didn’t grow up with the music any more than I did. Still, you have to be careful and respectful. I used to do a lot of Yiddish song and, though I love it, I do less of that now because I realized that, unless I am prepared to devote a few years of my life to learning the language, there’s a lot of nuance that I’m going to miss, no matter how much I work on my pronunciation.”
Symons grew up in rural New Hampshire. “My father plays Latin percussion and guitar, but my folks were divorced and I didn’t see him much, and I had very little interest in music until about 15,” he said. “I was into theatre and acting. Then, I more or less simultaneously discovered Tom Waits and classical music, particularly Beethoven, and suddenly fell in love with music.
“I played guitar for a few years, but the Waits album Frank’s Wild Years convinced me to get an accordion. This was pre-internet in rural New Hampshire, so I put an ad in the local paper asking if anyone had an accordion I could buy. It turned out a lot of people did, and I was very lucky to get something playable. Then, the accordion more or less sat around decoratively for the next couple of years until I happened to see Itzhak Perlman on David Letterman’s show with a bunch of klezmer musicians. He had just released a klezmer album with the top American klezmer bands at the time, and I became obsessed with this music and went down a deep rabbit hole for the next 25 years or so. I taught myself accordion to play klezmer, largely while working in a parking garage in Burlington, Vt., which had nice, cathedral-like acoustics.”
Symons acknowledged, “Of course, no one is truly self-taught – that just means I’ve learned a lot of little things from a lot of different people, without ever having any one teacher or mentor. As for my relationship with the accordion, the damn thing has gradually and sneakily taken over my life. They’ll tell you that you can just pick it up for fun once and awhile and put it down whenever you want, no harm done, but don’t believe them, kids! For many years, I tried to resist accordion clichés and now, in my middle age, I own not one, but two pairs of lederhosen. I started fixing accordions when I moved to New Orleans and there was no one doing it here. Twelve years later, I am sitting in a room in my home with somewhere between 40 and 50 accordions around me, in various states of functionality. The accordions have won.”
About the move to New Orleans, Symons said, “I lived in Vermont for 15 years and was ready for something new. Or, in the case of New Orleans, something old and dirty. I had spent a month in here in 2003 when I was traveling around the country busking in this tiny, ancient Toyota camper. I always thought about going back and trying to live there. Loving New Orleans is like loving a complicated, brilliant, yet self-destructive person. Someone who might be utterly charming one day and destroy a hotel bathroom the next. I still feel like an outsider here most of the time, but I’ve come to terms with that. I’m happy that I’m able to make myself useful to my fellow accordionists by keeping their instruments in working order.”
Symons and his fellow Obliquestra musicians – “Mini-Obliquestra or Obliquestrio,” as Symons quipped – play the folk festival’s South Stage July 21, 11:50 a.m.-12:40 p.m. For the weekend’s full lineup and tickets, visit thefestival.bc.ca.
