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March 25, 2005

Artists put passion into work

Gallery exhibit explores space, shape, color, abstraction, realism.
SIMA ELIZABETH SHEFRIN

You can't tell a lot from the title of Form and Abstraction, the current exhibit at the Sidney and Gertrude Zack Gallery at the Vancouver Jewish Community Centre (JCC) but don't let that keep you from viewing the artwork. The exhibit includes abstract paintings and stone sculptures by Miriam Friedberg and Naomi Pulvers. Both artists have chosen to focus on formal concerns as they use their art forms to explore space, shape and color. Like many artists, they share a passion for the work they do, and a pleasure in offering it to those of us who come by to look and enjoy.

Pulvers carves sculptures up to 18 inches high, in soapstone, alabaster and marble.

"I find working in stone fascinating, with its endless range of beauty in colors and grains," Pulvers says in her artist's statement.

She began sculpting in a 1984 class at the JCC, under the direction of Ketty Magil. Much of her training was through the Vancouver School Board and community centre courses, which makes all the more impressive her mastery of a time-consuming and technically challenging art form.

In her home studio, Pulvers works with hammers, chisels, points and heavy rasps to draw the initial shape out of the stone. After that, she uses more precise tools to refine the image. She completes each piece by polishing it with various grades of dry and wet sandpaper and coats of buffed wax.

According to JCC cultural arts director Reisa Schneider, who spoke to a packed audience at the exhibit's opening, Pulvers' pieces are influenced by her love of dance.

"I definitely try to put movement into my pieces," Pulvers told the Bulletin. "I don't believe sculpture should be there just to take up space, but rather to be at one with its surroundings."

Pulvers spent six years in Israel in the late 1960s and early '70s.

The sculpture entitled "Zadik," she explained in an interview, "resembles that letter of the Hebrew alphabet, but the word tzaddik describes a person who is upright and generous of spirit while at the same time being humble. 'Winged Spirit' is a white marble piece that reminded me of a scene in an Israeli film depicting the soul departing the body."

When asked what she was hoping visitors to this exhibit would take away with them, she replied, "I would simply say that I would like them to have as much pleasure viewing my works as I have had in creating them."

Friedberg is a skilled painter, working in acrylic and mixed media, including watercolor, pastel, collage and found materials.

"My process is a pure creative process. Many of my pieces start with nothing specific in mind," Friedberg said in an interview. "Having colors on the surface in a total chaos, then trying to find something in it, then developing it to my satisfaction."

Friedberg was born in Israel, where she studied art, fashion and design. In recent years, she has shown in numerous locations around the Lower Mainland and in Seattle. Friedberg's pieces also include references to Israel. For example "Shrine of the Ancients II" incorporates photo transfers of Hebrew manuscripts.

Her 33 colorful paintings, ranging in size from six inches to two feet wide, have very much a European feel about them. "Little Bird" is an abstract rendering of buildings and streets that surround a doorway a couple of inches high. Through the doorway, you can see a sidewalk, a tree and a very small bird. We must visually wend our way through the suggestion of streets and building in order to reach the centre of the piece.

"I express myself better in shape, form and color, than in words," the artist told enthusiastic guests at the opening reception.

"Even though I have loved art all of my life," she added later in an interview, "it is only in the last seven years that I have worked intensively. Within those years, I have learned more and more to love modern art, especially the abstracted form."

She likes to create abstracted images, in which you can still recognize the original subject of the painting, as well as pure abstraction. Sometimes, as in the whimsical Fruitscape series, the first painting creates itself and she lets the others follow its lead.

"Art and painting is my passion and I put my whole heart in it," Friedberg tells us in her artist's statement. "I feel art is a part of me, my inspiration, my creativity, my passion and my language."

The paintings and sculptures in Form and Abstraction work well together. This is a good show, skilfully curated and definitely worth a visit. Once again, the Sidney and Gertrude Zack Gallery has demonstrated that we have every reason to celebrate the growing body of work by Jewish artists in our community.

The Zack Gallery is located in the JCC, 950 West 41st Ave. in Vancouver and the exhibit runs until April 13.

Sima Elizabeth Shefrin is a Vancouver artist and writer and the artist/co-ordinator of the Middle East Peace Quilt, which has been touring North America since 1999.

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